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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E3151 it is the complementary color #C1CEAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E3151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E3151 shade: #43314C, #54435F, #655572, #766785 and #877998

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E3151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E3151 shade: #3E3151, #2D1F3E, #1C0D2B, #0B0018 and #000005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E3151 shade: #3C2F4F, #452F4F, #4D2F4F, #4F2F48 and #4F2F40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E3151 shade: #3C2F4F, #342F4F and #2F2F4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E3151 shade matches the following richer shades: #3C2F4F, #3A255A, #381B64, #36106E and #350678

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E3151 shade: #3C2F4F, #3E3A45, #40443B, #424E30 and #445926

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E3151 shade: #2F344F, #342F4F, #3C2F4F, #452F4F and #4D2F4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E3151 shade: #15101C, #292035, #3C2F4F, #503F69 and #644E83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E3151 shade: #3E3151, #4F2F3C and #2F4F2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E3151 shade: #3E3151, #4F3C2F and #2F4F3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E3151 shade: #3E3151, #4F2F3C, #424F2F and #2F4F42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E3151 shade: #3E3151, #4F2F32, #424F2F and #2F4F4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 40 / 0 / 68

HEX #3E3151

RGB 62 49 81

HSL 264.38, 0.25%, 0.25%

LAB 23.05, 13.5, -17.41

 

Complementary color

CMYK 6 / 0 / 16 / 19

HEX #C1CEAE

RGB 193 206 174

HSL 84.38, 0.25%, 0.75%

LAB 81.04, -10.1, 14.44

 

CMYK 12 / 36 / 0 / 70

HEX #43314C

RGB 67 49 76

HSL 280, 0.22%, 0.25%

LAB 23.38, 14.02, -13.52

 

CMYK 12 / 29 / 0 / 63

HEX #54435F

RGB 84 67 95

HSL 276.43, 0.17%, 0.32%

LAB 31.17, 13.29, -13.8

 

CMYK 11 / 25 / 0 / 55

HEX #655572

RGB 101 85 114

HSL 273.1, 0.15%, 0.39%

LAB 38.69, 12.66, -14.09

 

CMYK 11 / 23 / 0 / 48

HEX #766785

RGB 118 103 133

HSL 270, 0.13%, 0.46%

LAB 45.97, 12.13, -14.41

 

CMYK 11 / 20 / 0 / 40

HEX #877998

RGB 135 121 152

HSL 267.1, 0.13%, 0.54%

LAB 53.05, 11.66, -14.73

 

CMYK 23 / 40 / 0 / 68

HEX #3E3151

RGB 62 49 81

HSL 264.38, 0.25%, 0.25%

LAB 23.05, 13.5, -17.41

 

CMYK 27 / 50 / 0 / 76

HEX #2D1F3E

RGB 45 31 62

HSL 267.1, 0.33%, 0.18%

LAB 14.88, 14.45, -17.38

 

CMYK 35 / 70 / 0 / 83

HEX #1C0D2B

RGB 28 13 43

HSL 270, 0.54%, 0.11%

LAB 6.41, 15.09, -17.18

 

CMYK 54 / 100 / 0 / 91

HEX #0B0018

RGB 11 0 24

HSL 267.5, 1%, 0.05%

LAB 1.24, 7.07, -10.38

 

CMYK 100 / 100 / 0 / 98

HEX #000005

RGB 0 0 5

HSL 240, 1%, 0.01%

LAB 0.1, 0.7, -1.89

 

CMYK 24 / 41 / 0 / 69

HEX #3C2F4F

RGB 60 47 79

HSL 264.38, 0.25%, 0.25%

LAB 22.15, 13.59, -17.49

 

CMYK 13 / 41 / 0 / 69

HEX #452F4F

RGB 69 47 79

HSL 281.25, 0.25%, 0.25%

LAB 23.21, 16.84, -15.76

 

CMYK 3 / 41 / 0 / 69

HEX #4D2F4F

RGB 77 47 79

HSL 296.25, 0.25%, 0.25%

LAB 24.24, 19.8, -14.08

 

CMYK 0 / 41 / 9 / 69

HEX #4F2F48

RGB 79 47 72

HSL 313.13, 0.25%, 0.25%

LAB 24.2, 19.05, -9.44

 

CMYK 0 / 41 / 19 / 69

HEX #4F2F40

RGB 79 47 64

HSL 328.13, 0.25%, 0.25%

LAB 23.89, 17.48, -4.54

 

CMYK 24 / 41 / 0 / 69

HEX #3C2F4F

RGB 60 47 79

HSL 264.38, 0.25%, 0.25%

LAB 22.15, 13.59, -17.49

 

CMYK 34 / 41 / 0 / 69

HEX #342F4F

RGB 52 47 79

HSL 249.38, 0.25%, 0.25%

LAB 21.31, 10.8, -18.86

 

CMYK 41 / 41 / 0 / 69

HEX #2F2F4F

RGB 47 47 79

HSL 240, 0.25%, 0.25%

LAB 20.83, 9.15, -19.64

 

CMYK 24 / 41 / 0 / 69

HEX #3C2F4F

RGB 60 47 79

HSL 264.38, 0.25%, 0.25%

LAB 22.15, 13.59, -17.49

 

CMYK 36 / 59 / 0 / 65

HEX #3A255A

RGB 58 37 90

HSL 263.77, 0.42%, 0.25%

LAB 19.89, 22.81, -28.42

 

CMYK 44 / 73 / 0 / 61

HEX #381B64

RGB 56 27 100

HSL 263.84, 0.57%, 0.25%

LAB 18.12, 31.41, -37.91

 

CMYK 51 / 85 / 0 / 57

HEX #36106E

RGB 54 16 110

HSL 264.26, 0.75%, 0.25%

LAB 16.9, 39.37, -46.47

 

CMYK 56 / 95 / 0 / 53

HEX #350678

RGB 53 6 120

HSL 264.74, 0.9%, 0.25%

LAB 16.72, 45.37, -53.24

 

CMYK 24 / 41 / 0 / 69

HEX #3C2F4F

RGB 60 47 79

HSL 264.38, 0.25%, 0.25%

LAB 22.15, 13.59, -17.49

 

CMYK 10 / 16 / 0 / 73

HEX #3E3A45

RGB 62 58 69

HSL 261.82, 0.09%, 0.25%

LAB 25.2, 4.29, -6.13

 

CMYK 6 / 0 / 13 / 73

HEX #40443B

RGB 64 68 59

HSL 86.67, 0.07%, 0.25%

LAB 28.22, -3.62, 4.89

 

CMYK 15 / 0 / 38 / 69

HEX #424E30

RGB 66 78 48

HSL 84, 0.24%, 0.25%

LAB 31.39, -10.84, 16.23

 

CMYK 24 / 0 / 57 / 65

HEX #445926

RGB 68 89 38

HSL 84.71, 0.4%, 0.25%

LAB 35.03, -17.54, 26.62

 

CMYK 41 / 34 / 0 / 69

HEX #2F344F

RGB 47 52 79

HSL 230.63, 0.25%, 0.25%

LAB 22.39, 5.67, -17.21

 

CMYK 34 / 41 / 0 / 69

HEX #342F4F

RGB 52 47 79

HSL 249.38, 0.25%, 0.25%

LAB 21.31, 10.8, -18.86

 

CMYK 24 / 41 / 0 / 69

HEX #3C2F4F

RGB 60 47 79

HSL 264.38, 0.25%, 0.25%

LAB 22.15, 13.59, -17.49

 

CMYK 13 / 41 / 0 / 69

HEX #452F4F

RGB 69 47 79

HSL 281.25, 0.25%, 0.25%

LAB 23.21, 16.84, -15.76

 

CMYK 3 / 41 / 0 / 69

HEX #4D2F4F

RGB 77 47 79

HSL 296.25, 0.25%, 0.25%

LAB 24.24, 19.8, -14.08

 

CMYK 25 / 43 / 0 / 89

HEX #15101C

RGB 21 16 28

HSL 265, 0.27%, 0.09%

LAB 5.54, 4.94, -7.11

 

CMYK 23 / 40 / 0 / 79

HEX #292035

RGB 41 32 53

HSL 265.71, 0.25%, 0.17%

LAB 14.18, 9.62, -12.15

 

CMYK 24 / 41 / 0 / 69

HEX #3C2F4F

RGB 60 47 79

HSL 264.38, 0.25%, 0.25%

LAB 22.15, 13.59, -17.49

 

CMYK 24 / 40 / 0 / 59

HEX #503F69

RGB 80 63 105

HSL 264.29, 0.25%, 0.33%

LAB 30.11, 17, -21.86

 

CMYK 24 / 40 / 0 / 49

HEX #644E83

RGB 100 78 131

HSL 264.91, 0.25%, 0.41%

LAB 37.48, 20.87, -26.44

 

CMYK 23 / 40 / 0 / 68

HEX #3E3151

RGB 62 49 81

HSL 264.38, 0.25%, 0.25%

LAB 23.05, 13.5, -17.41

 

CMYK 0 / 41 / 24 / 69

HEX #4F2F3C

RGB 79 47 60

HSL 335.63, 0.25%, 0.25%

LAB 23.74, 16.75, -2.06

 

CMYK 41 / 0 / 41 / 69

HEX #2F4F2F

RGB 47 79 47

HSL 120, 0.25%, 0.25%

LAB 30.4, -19.38, 15.29

 

CMYK 23 / 40 / 0 / 68

HEX #3E3151

RGB 62 49 81

HSL 264.38, 0.25%, 0.25%

LAB 23.05, 13.5, -17.41

 

CMYK 0 / 24 / 41 / 69

HEX #4F3C2F

RGB 79 60 47

HSL 24.38, 0.25%, 0.25%

LAB 27.02, 6.25, 11.24

 

CMYK 41 / 0 / 24 / 69

HEX #2F4F3C

RGB 47 79 60

HSL 144.38, 0.25%, 0.25%

LAB 30.69, -16.66, 7.57

 

CMYK 23 / 40 / 0 / 68

HEX #3E3151

RGB 62 49 81

HSL 264.38, 0.25%, 0.25%

LAB 23.05, 13.5, -17.41

 

CMYK 0 / 41 / 24 / 69

HEX #4F2F3C

RGB 79 47 60

HSL 335.63, 0.25%, 0.25%

LAB 23.74, 16.75, -2.06

 

CMYK 16 / 0 / 41 / 69

HEX #424F2F

RGB 66 79 47

HSL 84.38, 0.25%, 0.25%

LAB 31.71, -11.58, 17.24

 

CMYK 41 / 0 / 16 / 69

HEX #2F4F42

RGB 47 79 66

HSL 155.63, 0.25%, 0.25%

LAB 30.85, -15.22, 3.98

 

CMYK 23 / 40 / 0 / 68

HEX #3E3151

RGB 62 49 81

HSL 264.38, 0.25%, 0.25%

LAB 23.05, 13.5, -17.41

 

CMYK 0 / 41 / 37 / 69

HEX #4F2F32

RGB 79 47 50

HSL 354.38, 0.25%, 0.25%

LAB 23.42, 15.1, 4.25

 

CMYK 16 / 0 / 41 / 69

HEX #424F2F

RGB 66 79 47

HSL 84.38, 0.25%, 0.25%

LAB 31.71, -11.58, 17.24

 

CMYK 41 / 0 / 4 / 69

HEX #2F4F4C

RGB 47 79 76

HSL 174.38, 0.25%, 0.25%

LAB 31.16, -12.57, -1.96

 

Description

Color code: HEX #3E3151 | qconv.com Color code: HEX #3E3151 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 49 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 49 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 40 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 40% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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