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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E472D it is the complementary color #C1B8D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E472D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E472D shade: #434728, #54593B, #656B4E, #767D61 and #878F74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E472D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E472D shade: #3E472D, #2D351A, #1C2307 and #0B1100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E472D shade: #3E472D, #45472D, #47422D, #473B2D and #47342D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E472D shade: #3E472D, #37472D, #30472D, #2D4731 and #2D4738

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E472D shade matches the following richer shades: #3E472D, #415124, #445A1A, #476411 and #4A6D07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E472D shade: #3E472D, #3B3E37, #383440, #352B4A and #322153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E472D shade: #47422D, #45472D, #3E472D, #38472D and #31472D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E472D shade: #12150D, #282E1D, #3E472D, #54603D and #6A794D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E472D shade: #3E472D, #2D473B and #452D47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E472D shade: #3E472D, #2D3E47 and #472D3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E472D shade: #3E472D, #2D473B, #362D47 and #472D39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E472D shade: #3E472D, #2D4743, #362D47 and #472D32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 37 / 72

HEX #3E472D

RGB 62 71 45

HSL 80.77, 0.22%, 0.23%

LAB 28.69, -8.95, 14.46

 

Complementary color

CMYK 8 / 12 / 0 / 18

HEX #C1B8D2

RGB 193 184 210

HSL 260.77, 0.22%, 0.77%

LAB 76.24, 8.11, -11.93

 

CMYK 6 / 0 / 44 / 72

HEX #434728

RGB 67 71 40

HSL 67.74, 0.28%, 0.22%

LAB 29.04, -7.4, 18.09

 

CMYK 6 / 0 / 34 / 65

HEX #54593B

RGB 84 89 59

HSL 70, 0.2%, 0.29%

LAB 36.64, -7.61, 16.74

 

CMYK 6 / 0 / 27 / 58

HEX #656B4E

RGB 101 107 78

HSL 72.41, 0.16%, 0.36%

LAB 43.99, -7.75, 15.53

 

CMYK 6 / 0 / 22 / 51

HEX #767D61

RGB 118 125 97

HSL 75, 0.13%, 0.44%

LAB 51.13, -7.85, 14.42

 

CMYK 6 / 0 / 19 / 44

HEX #878F74

RGB 135 143 116

HSL 77.78, 0.11%, 0.51%

LAB 58.09, -7.93, 13.41

 

CMYK 13 / 0 / 37 / 72

HEX #3E472D

RGB 62 71 45

HSL 80.77, 0.22%, 0.23%

LAB 28.69, -8.95, 14.46

 

CMYK 15 / 0 / 51 / 79

HEX #2D351A

RGB 45 53 26

HSL 77.78, 0.34%, 0.15%

LAB 20.75, -8.87, 15.87

 

CMYK 20 / 0 / 80 / 86

HEX #1C2307

RGB 28 35 7

HSL 75, 0.67%, 0.08%

LAB 12.38, -8.6, 15.27

 

CMYK 35 / 0 / 100 / 93

HEX #0B1100

RGB 11 17 0

HSL 81.18, 1%, 0.03%

LAB 4.26, -4.51, 6.3

 

CMYK 13 / 0 / 37 / 72

HEX #3E472D

RGB 62 71 45

HSL 80.77, 0.22%, 0.23%

LAB 28.69, -8.95, 14.46

 

CMYK 3 / 0 / 37 / 72

HEX #45472D

RGB 69 71 45

HSL 64.62, 0.22%, 0.23%

LAB 29.31, -5.74, 15.39

 

CMYK 0 / 7 / 37 / 72

HEX #47422D

RGB 71 66 45

HSL 48.46, 0.22%, 0.23%

LAB 27.91, -1.68, 13.58

 

CMYK 0 / 17 / 37 / 72

HEX #473B2D

RGB 71 59 45

HSL 32.31, 0.22%, 0.23%

LAB 25.73, 2.8, 10.64

 

CMYK 0 / 27 / 37 / 72

HEX #47342D

RGB 71 52 45

HSL 16.15, 0.22%, 0.23%

LAB 23.62, 7.38, 7.74

 

CMYK 13 / 0 / 37 / 72

HEX #3E472D

RGB 62 71 45

HSL 80.77, 0.22%, 0.23%

LAB 28.69, -8.95, 14.46

 

CMYK 23 / 0 / 37 / 72

HEX #37472D

RGB 55 71 45

HSL 96.92, 0.22%, 0.23%

LAB 28.14, -12.05, 13.62

 

CMYK 32 / 0 / 37 / 72

HEX #30472D

RGB 48 71 45

HSL 113.08, 0.22%, 0.23%

LAB 27.64, -14.97, 12.87

 

CMYK 37 / 0 / 31 / 72

HEX #2D4731

RGB 45 71 49

HSL 129.23, 0.22%, 0.23%

LAB 27.53, -15.34, 10.16

 

CMYK 37 / 0 / 21 / 72

HEX #2D4738

RGB 45 71 56

HSL 145.38, 0.22%, 0.23%

LAB 27.71, -13.77, 5.9

 

CMYK 13 / 0 / 37 / 72

HEX #3E472D

RGB 62 71 45

HSL 80.77, 0.22%, 0.23%

LAB 28.69, -8.95, 14.46

 

CMYK 20 / 0 / 56 / 68

HEX #415124

RGB 65 81 36

HSL 81.33, 0.38%, 0.23%

LAB 32.11, -14.69, 24.21

 

CMYK 24 / 0 / 71 / 65

HEX #445A1A

RGB 68 90 26

HSL 80.63, 0.55%, 0.23%

LAB 35.23, -19.28, 32.95

 

CMYK 29 / 0 / 83 / 61

HEX #476411

RGB 71 100 17

HSL 80.96, 0.71%, 0.23%

LAB 38.72, -23.73, 40.08

 

CMYK 32 / 0 / 94 / 57

HEX #4A6D07

RGB 74 109 7

HSL 80.59, 0.88%, 0.23%

LAB 41.86, -27.28, 45.64

 

CMYK 13 / 0 / 37 / 72

HEX #3E472D

RGB 62 71 45

HSL 80.77, 0.22%, 0.23%

LAB 28.69, -8.95, 14.46

 

CMYK 5 / 0 / 11 / 76

HEX #3B3E37

RGB 59 62 55

HSL 85.71, 0.06%, 0.23%

LAB 25.72, -2.82, 3.87

 

CMYK 13 / 19 / 0 / 75

HEX #383440

RGB 56 52 64

HSL 260, 0.1%, 0.23%

LAB 22.54, 4.62, -6.85

 

CMYK 28 / 42 / 0 / 71

HEX #352B4A

RGB 53 43 74

HSL 259.35, 0.26%, 0.23%

LAB 19.96, 12.42, -17.6

 

CMYK 40 / 60 / 0 / 67

HEX #322153

RGB 50 33 83

HSL 260.4, 0.43%, 0.23%

LAB 17.42, 21.05, -27.75

 

CMYK 0 / 7 / 37 / 72

HEX #47422D

RGB 71 66 45

HSL 48.46, 0.22%, 0.23%

LAB 27.91, -1.68, 13.58

 

CMYK 3 / 0 / 37 / 72

HEX #45472D

RGB 69 71 45

HSL 64.62, 0.22%, 0.23%

LAB 29.31, -5.74, 15.39

 

CMYK 13 / 0 / 37 / 72

HEX #3E472D

RGB 62 71 45

HSL 80.77, 0.22%, 0.23%

LAB 28.69, -8.95, 14.46

 

CMYK 21 / 0 / 37 / 72

HEX #38472D

RGB 56 71 45

HSL 94.62, 0.22%, 0.23%

LAB 28.21, -11.61, 13.74

 

CMYK 31 / 0 / 37 / 72

HEX #31472D

RGB 49 71 45

HSL 110.77, 0.22%, 0.23%

LAB 27.71, -14.57, 12.97

 

CMYK 14 / 0 / 38 / 92

HEX #12150D

RGB 18 21 13

HSL 82.5, 0.24%, 0.07%

LAB 6.27, -2.84, 3.89

 

CMYK 13 / 0 / 37 / 82

HEX #282E1D

RGB 40 46 29

HSL 81.18, 0.23%, 0.15%

LAB 17.89, -6.36, 10.12

 

CMYK 13 / 0 / 37 / 72

HEX #3E472D

RGB 62 71 45

HSL 80.77, 0.22%, 0.23%

LAB 28.69, -8.95, 14.46

 

CMYK 13 / 0 / 36 / 62

HEX #54603D

RGB 84 96 61

HSL 80.57, 0.22%, 0.31%

LAB 38.88, -11.36, 18.5

 

CMYK 12 / 0 / 36 / 53

HEX #6A794D

RGB 106 121 77

HSL 80.45, 0.22%, 0.39%

LAB 48.6, -13.65, 22.34

 

CMYK 13 / 0 / 37 / 72

HEX #3E472D

RGB 62 71 45

HSL 80.77, 0.22%, 0.23%

LAB 28.69, -8.95, 14.46

 

CMYK 37 / 0 / 17 / 72

HEX #2D473B

RGB 45 71 59

HSL 152.31, 0.22%, 0.23%

LAB 27.79, -13.05, 4.08

 

CMYK 3 / 37 / 0 / 72

HEX #452D47

RGB 69 45 71

HSL 295.38, 0.22%, 0.23%

LAB 22.29, 16.23, -11.81

 

CMYK 13 / 0 / 37 / 72

HEX #3E472D

RGB 62 71 45

HSL 80.77, 0.22%, 0.23%

LAB 28.69, -8.95, 14.46

 

CMYK 37 / 13 / 0 / 72

HEX #2D3E47

RGB 45 62 71

HSL 200.77, 0.22%, 0.23%

LAB 25.13, -4.22, -7.7

 

CMYK 0 / 37 / 13 / 72

HEX #472D3E

RGB 71 45 62

HSL 320.77, 0.22%, 0.23%

LAB 22.17, 15.07, -5.86

 

CMYK 13 / 0 / 37 / 72

HEX #3E472D

RGB 62 71 45

HSL 80.77, 0.22%, 0.23%

LAB 28.69, -8.95, 14.46

 

CMYK 37 / 0 / 17 / 72

HEX #2D473B

RGB 45 71 59

HSL 152.31, 0.22%, 0.23%

LAB 27.79, -13.05, 4.08

 

CMYK 24 / 37 / 0 / 72

HEX #362D47

RGB 54 45 71

HSL 260.77, 0.22%, 0.23%

LAB 20.5, 10.53, -14.72

 

CMYK 0 / 37 / 20 / 72

HEX #472D39

RGB 71 45 57

HSL 332.31, 0.22%, 0.23%

LAB 21.99, 14.08, -2.74

 

CMYK 13 / 0 / 37 / 72

HEX #3E472D

RGB 62 71 45

HSL 80.77, 0.22%, 0.23%

LAB 28.69, -8.95, 14.46

 

CMYK 37 / 0 / 6 / 72

HEX #2D4743

RGB 45 71 67

HSL 170.77, 0.22%, 0.23%

LAB 28.03, -10.97, -0.76

 

CMYK 24 / 37 / 0 / 72

HEX #362D47

RGB 54 45 71

HSL 260.77, 0.22%, 0.23%

LAB 20.5, 10.53, -14.72

 

CMYK 0 / 37 / 30 / 72

HEX #472D32

RGB 71 45 50

HSL 348.46, 0.22%, 0.23%

LAB 21.75, 12.82, 1.7

 

Description

Color code: HEX #3E472D | qconv.com Color code: HEX #3E472D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 71 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 71 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 37 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 37% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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