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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E421D it is the complementary color #C1BDE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E421D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E421D shade: #434218, #54542B, #65663E, #767851 and #878A64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E421D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E421D shade: #3E421D, #2D300A, #1C1E00 and #0B0C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E421D shade: #3F431D, #433D1D, #43331D, #43281D and #431E1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E421D shade: #3F431D, #35431D, #2A431D, #20431D and #1D4324

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E421D shade matches the following richer shades: #3F431D, #454B15, #4B530D and #515A06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E421D shade: #3F431D, #393B25, #32332D, #2C2B35 and #26233C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E421D shade: #43321D, #433D1D, #3F431D, #35431D and #2B431D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E421D shade: #090904, #242610, #3F431D, #5A602A and #757C36

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E421D shade: #3E421D, #1D4328 and #381D43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E421D shade: #3E421D, #1D3F43 and #431D3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E421D shade: #3E421D, #1D4328, #211D43 and #431D38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E421D shade: #3E421D, #1D4334, #211D43 and #431D2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 56 / 74

HEX #3E421D

RGB 62 66 29

HSL 66.49, 0.39%, 0.19%

LAB 26.76, -8.16, 21.76

 

Complementary color

CMYK 15 / 16 / 0 / 11

HEX #C1BDE2

RGB 193 189 226

HSL 246.49, 0.39%, 0.81%

LAB 78.01, 8.7, -17.92

 

CMYK 0 / 1 / 64 / 74

HEX #434218

RGB 67 66 24

HSL 58.6, 0.47%, 0.18%

LAB 27.17, -6.18, 25.19

 

CMYK 0 / 0 / 49 / 67

HEX #54542B

RGB 84 84 43

HSL 60, 0.32%, 0.25%

LAB 34.8, -6.8, 23.85

 

CMYK 1 / 0 / 39 / 60

HEX #65663E

RGB 101 102 62

HSL 61.5, 0.24%, 0.32%

LAB 42.18, -7.21, 22.49

 

CMYK 2 / 0 / 33 / 53

HEX #767851

RGB 118 120 81

HSL 63.08, 0.19%, 0.39%

LAB 49.35, -7.49, 21.22

 

CMYK 2 / 0 / 28 / 46

HEX #878A64

RGB 135 138 100

HSL 64.74, 0.16%, 0.47%

LAB 56.34, -7.7, 20.04

 

CMYK 6 / 0 / 56 / 74

HEX #3E421D

RGB 62 66 29

HSL 66.49, 0.39%, 0.19%

LAB 26.76, -8.16, 21.76

 

CMYK 6 / 0 / 79 / 81

HEX #2D300A

RGB 45 48 10

HSL 64.74, 0.66%, 0.11%

LAB 18.77, -7.52, 22.48

 

CMYK 7 / 0 / 100 / 88

HEX #1C1E00

RGB 28 30 0

HSL 64, 1%, 0.06%

LAB 10.37, -6.24, 15.35

 

CMYK 8 / 0 / 100 / 95

HEX #0B0C00

RGB 11 12 0

HSL 65, 1%, 0.02%

LAB 3.02, -1.97, 4.48

 

CMYK 6 / 0 / 57 / 74

HEX #3F431D

RGB 63 67 29

HSL 66.32, 0.4%, 0.19%

LAB 27.19, -8.27, 22.28

 

CMYK 0 / 9 / 57 / 74

HEX #433D1D

RGB 67 61 29

HSL 50.53, 0.4%, 0.19%

LAB 25.62, -2.56, 20.51

 

CMYK 0 / 24 / 57 / 74

HEX #43331D

RGB 67 51 29

HSL 34.74, 0.4%, 0.19%

LAB 22.48, 3.91, 16.64

 

CMYK 0 / 40 / 57 / 74

HEX #43281D

RGB 67 40 29

HSL 17.37, 0.4%, 0.19%

LAB 19.22, 11.22, 12.48

 

CMYK 0 / 55 / 57 / 74

HEX #431E1D

RGB 67 30 29

HSL 1.58, 0.4%, 0.19%

LAB 16.56, 17.7, 8.93

 

CMYK 6 / 0 / 57 / 74

HEX #3F431D

RGB 63 67 29

HSL 66.32, 0.4%, 0.19%

LAB 27.19, -8.27, 22.28

 

CMYK 21 / 0 / 57 / 74

HEX #35431D

RGB 53 67 29

HSL 82.11, 0.4%, 0.19%

LAB 26.33, -13.05, 21.06

 

CMYK 37 / 0 / 57 / 74

HEX #2A431D

RGB 42 67 29

HSL 99.47, 0.4%, 0.19%

LAB 25.55, -17.91, 19.93

 

CMYK 52 / 0 / 57 / 74

HEX #20431D

RGB 32 67 29

HSL 115.26, 0.4%, 0.19%

LAB 24.98, -21.78, 19.11

 

CMYK 57 / 0 / 46 / 74

HEX #1D4324

RGB 29 67 36

HSL 131.05, 0.4%, 0.19%

LAB 24.96, -21.54, 14.78

 

CMYK 6 / 0 / 57 / 74

HEX #3F431D

RGB 63 67 29

HSL 66.32, 0.4%, 0.19%

LAB 27.19, -8.27, 22.28

 

CMYK 8 / 0 / 72 / 71

HEX #454B15

RGB 69 75 21

HSL 66.67, 0.56%, 0.19%

LAB 30.28, -10.84, 30.14

 

CMYK 10 / 0 / 84 / 67

HEX #4B530D

RGB 75 83 13

HSL 66.86, 0.73%, 0.19%

LAB 33.37, -12.99, 36.66

 

CMYK 10 / 0 / 93 / 65

HEX #515A06

RGB 81 90 6

HSL 66.43, 0.88%, 0.19%

LAB 36.13, -14.29, 41.4

 

CMYK 6 / 0 / 57 / 74

HEX #3F431D

RGB 63 67 29

HSL 66.32, 0.4%, 0.19%

LAB 27.19, -8.27, 22.28

 

CMYK 3 / 0 / 37 / 77

HEX #393B25

RGB 57 59 37

HSL 65.45, 0.23%, 0.19%

LAB 24.1, -5.16, 13.39

 

CMYK 2 / 0 / 12 / 80

HEX #32332D

RGB 50 51 45

HSL 70, 0.06%, 0.19%

LAB 20.96, -1.78, 3.66

 

CMYK 17 / 19 / 0 / 79

HEX #2C2B35

RGB 44 43 53

HSL 246, 0.1%, 0.19%

LAB 18.01, 2.99, -6.26

 

CMYK 37 / 42 / 0 / 76

HEX #26233C

RGB 38 35 60

HSL 247.2, 0.26%, 0.19%

LAB 15.17, 8.48, -15.57

 

CMYK 0 / 25 / 57 / 74

HEX #43321D

RGB 67 50 29

HSL 33.16, 0.4%, 0.19%

LAB 22.17, 4.57, 16.26

 

CMYK 0 / 9 / 57 / 74

HEX #433D1D

RGB 67 61 29

HSL 50.53, 0.4%, 0.19%

LAB 25.62, -2.56, 20.51

 

CMYK 6 / 0 / 57 / 74

HEX #3F431D

RGB 63 67 29

HSL 66.32, 0.4%, 0.19%

LAB 27.19, -8.27, 22.28

 

CMYK 21 / 0 / 57 / 74

HEX #35431D

RGB 53 67 29

HSL 82.11, 0.4%, 0.19%

LAB 26.33, -13.05, 21.06

 

CMYK 36 / 0 / 57 / 74

HEX #2B431D

RGB 43 67 29

HSL 97.89, 0.4%, 0.19%

LAB 25.61, -17.49, 20.02

 

CMYK 0 / 0 / 56 / 96

HEX #090904

RGB 9 9 4

HSL 60, 0.38%, 0.03%

LAB 2.37, -0.7, 1.89

 

CMYK 5 / 0 / 58 / 85

HEX #242610

RGB 36 38 16

HSL 65.45, 0.41%, 0.11%

LAB 14.39, -5.19, 13.98

 

CMYK 6 / 0 / 57 / 74

HEX #3F431D

RGB 63 67 29

HSL 66.32, 0.4%, 0.19%

LAB 27.19, -8.27, 22.28

 

CMYK 6 / 0 / 56 / 62

HEX #5A602A

RGB 90 96 42

HSL 66.67, 0.39%, 0.27%

LAB 39.08, -11.08, 29.65

 

CMYK 6 / 0 / 56 / 51

HEX #757C36

RGB 117 124 54

HSL 66, 0.39%, 0.35%

LAB 50.05, -13.26, 36.73

 

CMYK 6 / 0 / 56 / 74

HEX #3E421D

RGB 62 66 29

HSL 66.49, 0.39%, 0.19%

LAB 26.76, -8.16, 21.76

 

CMYK 57 / 0 / 40 / 74

HEX #1D4328

RGB 29 67 40

HSL 137.37, 0.4%, 0.19%

LAB 25.04, -20.72, 12.37

 

CMYK 16 / 57 / 0 / 74

HEX #381D43

RGB 56 29 67

HSL 282.63, 0.4%, 0.19%

LAB 16.13, 20.98, -18.8

 

CMYK 6 / 0 / 56 / 74

HEX #3E421D

RGB 62 66 29

HSL 66.49, 0.39%, 0.19%

LAB 26.76, -8.16, 21.76

 

CMYK 57 / 6 / 0 / 74

HEX #1D3F43

RGB 29 63 67

HSL 186.32, 0.4%, 0.19%

LAB 24.39, -11.03, -6.26

 

CMYK 0 / 57 / 6 / 74

HEX #431D3F

RGB 67 29 63

HSL 306.32, 0.4%, 0.19%

LAB 17.6, 23.87, -13.58

 

CMYK 6 / 0 / 56 / 74

HEX #3E421D

RGB 62 66 29

HSL 66.49, 0.39%, 0.19%

LAB 26.76, -8.16, 21.76

 

CMYK 57 / 0 / 40 / 74

HEX #1D4328

RGB 29 67 40

HSL 137.37, 0.4%, 0.19%

LAB 25.04, -20.72, 12.37

 

CMYK 51 / 57 / 0 / 74

HEX #211D43

RGB 33 29 67

HSL 246.32, 0.4%, 0.19%

LAB 13.27, 13.66, -23.51

 

CMYK 0 / 57 / 16 / 74

HEX #431D38

RGB 67 29 56

HSL 317.37, 0.4%, 0.19%

LAB 17.26, 22.47, -9.21

 

CMYK 6 / 0 / 56 / 74

HEX #3E421D

RGB 62 66 29

HSL 66.49, 0.39%, 0.19%

LAB 26.76, -8.16, 21.76

 

CMYK 57 / 0 / 22 / 74

HEX #1D4334

RGB 29 67 52

HSL 156.32, 0.4%, 0.19%

LAB 25.33, -17.83, 5.02

 

CMYK 51 / 57 / 0 / 74

HEX #211D43

RGB 33 29 67

HSL 246.32, 0.4%, 0.19%

LAB 13.27, 13.66, -23.51

 

CMYK 0 / 57 / 34 / 74

HEX #431D2C

RGB 67 29 44

HSL 336.32, 0.4%, 0.19%

LAB 16.77, 20.36, -1.46

 

Description

Color code: HEX #3E421D | qconv.com Color code: HEX #3E421D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 66 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 66 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 56 yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 56% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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