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Color name
HEX #3E4D96

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E4D96 it is the complementary color #C1B269. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E4D96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E4D96 shade: #434D91, #545FA4, #6571B7, #7683CA and #8795DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E4D96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E4D96 shade: #3E4D96, #2D3B83, #1C2970, #0B175D and #00054A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E4D96 shade: #3E4D98, #473E98, #5F3E98, #773E98 and #8F3E98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E4D96 shade: #3E4D98 and #3E3E98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E4D96 shade matches the following richer shades: #3E4D98, #2C42A9, #1B36BA and #0A2BCC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E4D96 shade: #3E4D98, #4F5886, #606475, #726F64 and #837B52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E4D96 shade: #3E7E98, #3E6698, #3E4E98, #453E98 and #5D3E98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E4D96 shade: #262F5D, #323E7A, #3E4D98, #4A5CB5 and #6776C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E4D96 shade: #3E4D96, #983E96 and #72983E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E4D96 shade: #3E4D96, #983E4E and #4E983E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E4D96 shade: #3E4D96, #983E96, #98873E and #3E983F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E4D96 shade: #3E4D96, #983E7B, #98873E and #3E985A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 49 / 0 / 41

HEX #3E4D96

RGB 62 77 150

HSL 229.77, 0.42%, 0.42%

LAB 35.07, 17.05, -42.04

 

Complementary color

CMYK 0 / 8 / 46 / 24

HEX #C1B269

RGB 193 178 105

HSL 49.77, 0.42%, 0.58%

LAB 72.36, -4.73, 39.11

 

CMYK 54 / 47 / 0 / 43

HEX #434D91

RGB 67 77 145

HSL 232.31, 0.37%, 0.42%

LAB 35.09, 16.43, -38.95

 

CMYK 49 / 42 / 0 / 36

HEX #545FA4

RGB 84 95 164

HSL 231.75, 0.32%, 0.49%

LAB 42.38, 15.2, -38.68

 

CMYK 45 / 38 / 0 / 28

HEX #6571B7

RGB 101 113 183

HSL 231.22, 0.36%, 0.56%

LAB 49.49, 14.21, -38.48

 

CMYK 42 / 35 / 0 / 21

HEX #7683CA

RGB 118 131 202

HSL 230.71, 0.44%, 0.63%

LAB 56.43, 13.38, -38.34

 

CMYK 39 / 33 / 0 / 13

HEX #8795DD

RGB 135 149 221

HSL 230.23, 0.56%, 0.7%

LAB 63.23, 12.69, -38.26

 

CMYK 59 / 49 / 0 / 41

HEX #3E4D96

RGB 62 77 150

HSL 229.77, 0.42%, 0.42%

LAB 35.07, 17.05, -42.04

 

CMYK 66 / 55 / 0 / 49

HEX #2D3B83

RGB 45 59 131

HSL 230.23, 0.49%, 0.35%

LAB 27.64, 18.88, -42.38

 

CMYK 75 / 63 / 0 / 56

HEX #1C2970

RGB 28 41 112

HSL 230.71, 0.6%, 0.27%

LAB 20.05, 21.31, -42.69

 

CMYK 88 / 75 / 0 / 64

HEX #0B175D

RGB 11 23 93

HSL 231.22, 0.79%, 0.2%

LAB 12.44, 24.5, -42.71

 

CMYK 100 / 93 / 0 / 71

HEX #00054A

RGB 0 5 74

HSL 235.95, 1%, 0.15%

LAB 5.45, 26.83, -41.3

 

CMYK 59 / 49 / 0 / 40

HEX #3E4D98

RGB 62 77 152

HSL 230, 0.42%, 0.42%

LAB 35.2, 17.75, -43.04

 

CMYK 53 / 59 / 0 / 40

HEX #473E98

RGB 71 62 152

HSL 246, 0.42%, 0.42%

LAB 31.92, 29.38, -48.29

 

CMYK 38 / 59 / 0 / 40

HEX #5F3E98

RGB 95 62 152

HSL 262, 0.42%, 0.42%

LAB 34.28, 34.85, -44.36

 

CMYK 22 / 59 / 0 / 40

HEX #773E98

RGB 119 62 152

HSL 278, 0.42%, 0.42%

LAB 37.18, 40.97, -39.57

 

CMYK 6 / 59 / 0 / 40

HEX #8F3E98

RGB 143 62 152

HSL 294, 0.42%, 0.42%

LAB 40.49, 47.39, -34.09

 

CMYK 59 / 49 / 0 / 40

HEX #3E4D98

RGB 62 77 152

HSL 230, 0.42%, 0.42%

LAB 35.2, 17.75, -43.04

 

CMYK 59 / 59 / 0 / 40

HEX #3E3E98

RGB 62 62 152

HSL 240, 0.42%, 0.42%

LAB 31.2, 27.59, -49.5

 

CMYK 59 / 49 / 0 / 40

HEX #3E4D98

RGB 62 77 152

HSL 230, 0.42%, 0.42%

LAB 35.2, 17.75, -43.04

 

CMYK 74 / 61 / 0 / 34

HEX #2C42A9

RGB 44 66 169

HSL 229.44, 0.59%, 0.42%

LAB 32.47, 28.27, -57.74

 

CMYK 85 / 71 / 0 / 27

HEX #1B36BA

RGB 27 54 186

HSL 229.81, 0.75%, 0.42%

LAB 30.44, 40.76, -71.22

 

CMYK 95 / 79 / 0 / 20

HEX #0A2BCC

RGB 10 43 204

HSL 229.79, 0.91%, 0.42%

LAB 29.79, 52.67, -82.88

 

CMYK 59 / 49 / 0 / 40

HEX #3E4D98

RGB 62 77 152

HSL 230, 0.42%, 0.42%

LAB 35.2, 17.75, -43.04

 

CMYK 41 / 34 / 0 / 47

HEX #4F5886

RGB 79 88 134

HSL 230.18, 0.26%, 0.42%

LAB 38.49, 8.94, -26.83

 

CMYK 18 / 15 / 0 / 54

HEX #606475

RGB 96 100 117

HSL 228.57, 0.1%, 0.42%

LAB 42.59, 2.35, -10.06

 

CMYK 0 / 3 / 12 / 55

HEX #726F64

RGB 114 111 100

HSL 47.14, 0.07%, 0.42%

LAB 46.8, -0.94, 6.54

 

CMYK 0 / 6 / 37 / 49

HEX #837B52

RGB 131 123 82

HSL 50.2, 0.23%, 0.42%

LAB 51.38, -3.49, 23.54

 

CMYK 59 / 17 / 0 / 40

HEX #3E7E98

RGB 62 126 152

HSL 197.33, 0.42%, 0.42%

LAB 49.75, -12.53, -20.19

 

CMYK 59 / 33 / 0 / 40

HEX #3E6698

RGB 62 102 152

HSL 213.33, 0.42%, 0.42%

LAB 42.45, 1.68, -31.53

 

CMYK 59 / 49 / 0 / 40

HEX #3E4E98

RGB 62 78 152

HSL 229.33, 0.42%, 0.42%

LAB 35.48, 17.09, -42.6

 

CMYK 55 / 59 / 0 / 40

HEX #453E98

RGB 69 62 152

HSL 244.67, 0.42%, 0.42%

LAB 31.76, 28.97, -48.57

 

CMYK 39 / 59 / 0 / 40

HEX #5D3E98

RGB 93 62 152

HSL 260.67, 0.42%, 0.42%

LAB 34.06, 34.37, -44.73

 

CMYK 59 / 49 / 0 / 64

HEX #262F5D

RGB 38 47 93

HSL 230.18, 0.42%, 0.26%

LAB 20.96, 11.52, -28.8

 

CMYK 59 / 49 / 0 / 52

HEX #323E7A

RGB 50 62 122

HSL 230, 0.42%, 0.34%

LAB 28.19, 14.53, -35.83

 

CMYK 59 / 49 / 0 / 40

HEX #3E4D98

RGB 62 77 152

HSL 230, 0.42%, 0.42%

LAB 35.2, 17.75, -43.04

 

CMYK 59 / 49 / 0 / 29

HEX #4A5CB5

RGB 74 92 181

HSL 229.91, 0.42%, 0.5%

LAB 41.92, 20.51, -49.48

 

CMYK 47 / 39 / 0 / 24

HEX #6776C1

RGB 103 118 193

HSL 230, 0.42%, 0.58%

LAB 51.49, 14.7, -41.08

 

CMYK 59 / 49 / 0 / 41

HEX #3E4D96

RGB 62 77 150

HSL 229.77, 0.42%, 0.42%

LAB 35.07, 17.05, -42.04

 

CMYK 0 / 59 / 1 / 40

HEX #983E96

RGB 152 62 150

HSL 301.33, 0.42%, 0.42%

LAB 41.72, 49.46, -30.86

 

CMYK 25 / 0 / 59 / 40

HEX #72983E

RGB 114 152 62

HSL 85.33, 0.42%, 0.42%

LAB 58.4, -28.14, 42.31

 

CMYK 59 / 49 / 0 / 41

HEX #3E4D96

RGB 62 77 150

HSL 229.77, 0.42%, 0.42%

LAB 35.07, 17.05, -42.04

 

CMYK 0 / 59 / 49 / 40

HEX #983E4E

RGB 152 62 78

HSL 349.33, 0.42%, 0.42%

LAB 39.02, 39.19, 9.65

 

CMYK 49 / 0 / 59 / 40

HEX #4E983E

RGB 78 152 62

HSL 109.33, 0.42%, 0.42%

LAB 56.51, -40.91, 39.65

 

CMYK 59 / 49 / 0 / 41

HEX #3E4D96

RGB 62 77 150

HSL 229.77, 0.42%, 0.42%

LAB 35.07, 17.05, -42.04

 

CMYK 0 / 59 / 1 / 40

HEX #983E96

RGB 152 62 150

HSL 301.33, 0.42%, 0.42%

LAB 41.72, 49.46, -30.86

 

CMYK 0 / 11 / 59 / 40

HEX #98873E

RGB 152 135 62

HSL 48.67, 0.42%, 0.42%

LAB 56.44, -3.01, 40.87

 

CMYK 59 / 0 / 59 / 40

HEX #3E983F

RGB 62 152 63

HSL 120.67, 0.42%, 0.42%

LAB 55.93, -45.27, 38.33

 

CMYK 59 / 49 / 0 / 41

HEX #3E4D96

RGB 62 77 150

HSL 229.77, 0.42%, 0.42%

LAB 35.07, 17.05, -42.04

 

CMYK 0 / 59 / 19 / 40

HEX #983E7B

RGB 152 62 123

HSL 319.33, 0.42%, 0.42%

LAB 40.49, 44.93, -16.3

 

CMYK 0 / 11 / 59 / 40

HEX #98873E

RGB 152 135 62

HSL 48.67, 0.42%, 0.42%

LAB 56.44, -3.01, 40.87

 

CMYK 59 / 0 / 41 / 40

HEX #3E985A

RGB 62 152 90

HSL 138.67, 0.42%, 0.42%

LAB 56.31, -41.1, 24.8

 

Description

Color code: HEX #3E4D96 | qconv.com Color code: HEX #3E4D96 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 77 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 77 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 49 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 49% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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