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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E561E it is the complementary color #C1A9E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E561E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E561E shade: #435619, #54682C, #657A3F, #768C52 and #879E65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E561E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E561E shade: #3E561E, #2D440B, #1C3200, #0B2000 and #000E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E561E shade: #3E561E, #4D561E, #56501E, #56411E and #56321E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E561E shade: #3E561E, #2F561E, #20561E, #1E562B and #1E563B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E561E shade matches the following richer shades: #3E561E, #406015, #41690B and #427302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E561E shade: #3E561E, #3D4D27, #3B4331, #3A3A3A and #393044

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E561E shade: #56501E, #4E561E, #3F561E, #30561E and #21561E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E561E shade: #121909, #283813, #3E561E, #547529 and #6A9333

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E561E shade: #3E561E, #1E5641 and #561E55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E561E shade: #3E561E, #1E3F56 and #561E3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E561E shade: #3E561E, #1E5641, #351E56 and #561E34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E561E shade: #3E561E, #1E5652, #351E56 and #561E23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 65 / 66

HEX #3E561E

RGB 62 86 30

HSL 85.71, 0.48%, 0.23%

LAB 33.51, -19.43, 29

 

Complementary color

CMYK 14 / 25 / 0 / 12

HEX #C1A9E1

RGB 193 169 225

HSL 265.71, 0.48%, 0.77%

LAB 72.99, 19.43, -25.01

 

CMYK 22 / 0 / 71 / 66

HEX #435619

RGB 67 86 25

HSL 78.69, 0.55%, 0.22%

LAB 33.81, -17.66, 31.9

 

CMYK 19 / 0 / 58 / 59

HEX #54682C

RGB 84 104 44

HSL 80, 0.41%, 0.29%

LAB 41.16, -17.99, 30.9

 

CMYK 17 / 0 / 48 / 52

HEX #657A3F

RGB 101 122 63

HSL 81.36, 0.32%, 0.36%

LAB 48.32, -18.14, 29.66

 

CMYK 16 / 0 / 41 / 45

HEX #768C52

RGB 118 140 82

HSL 82.76, 0.26%, 0.44%

LAB 55.3, -18.21, 28.4

 

CMYK 15 / 0 / 36 / 38

HEX #879E65

RGB 135 158 101

HSL 84.21, 0.23%, 0.51%

LAB 62.12, -18.23, 27.18

 

CMYK 28 / 0 / 65 / 66

HEX #3E561E

RGB 62 86 30

HSL 85.71, 0.48%, 0.23%

LAB 33.51, -19.43, 29

 

CMYK 34 / 0 / 84 / 73

HEX #2D440B

RGB 45 68 11

HSL 84.21, 0.72%, 0.15%

LAB 25.91, -19.04, 29.58

 

CMYK 44 / 0 / 100 / 80

HEX #1C3200

RGB 28 50 0

HSL 86.4, 1%, 0.1%

LAB 18.05, -18.08, 25.35

 

CMYK 66 / 0 / 100 / 87

HEX #0B2000

RGB 11 32 0

HSL 99.38, 1%, 0.06%

LAB 9.83, -15.56, 14.39

 

CMYK 100 / 0 / 100 / 95

HEX #000E00

RGB 0 14 0

HSL 120, 1%, 0.03%

LAB 2.84, -5.8, 4.14

 

CMYK 28 / 0 / 65 / 66

HEX #3E561E

RGB 62 86 30

HSL 85.71, 0.48%, 0.23%

LAB 33.51, -19.43, 29

 

CMYK 10 / 0 / 65 / 66

HEX #4D561E

RGB 77 86 30

HSL 69.64, 0.48%, 0.23%

LAB 34.66, -12.59, 30.59

 

CMYK 0 / 7 / 65 / 66

HEX #56501E

RGB 86 80 30

HSL 53.57, 0.48%, 0.23%

LAB 33.58, -4.73, 29.65

 

CMYK 0 / 24 / 65 / 66

HEX #56411E

RGB 86 65 30

HSL 37.5, 0.48%, 0.23%

LAB 29.04, 4.54, 24.5

 

CMYK 0 / 42 / 65 / 66

HEX #56321E

RGB 86 50 30

HSL 21.43, 0.48%, 0.23%

LAB 24.81, 14.08, 19.47

 

CMYK 28 / 0 / 65 / 66

HEX #3E561E

RGB 62 86 30

HSL 85.71, 0.48%, 0.23%

LAB 33.51, -19.43, 29

 

CMYK 45 / 0 / 65 / 66

HEX #2F561E

RGB 47 86 30

HSL 101.79, 0.48%, 0.23%

LAB 32.6, -25.51, 27.73

 

CMYK 63 / 0 / 65 / 66

HEX #20561E

RGB 32 86 30

HSL 117.86, 0.48%, 0.23%

LAB 31.93, -30.44, 26.8

 

CMYK 65 / 0 / 50 / 66

HEX #1E562B

RGB 30 86 43

HSL 133.93, 0.48%, 0.23%

LAB 32.05, -28.95, 19.67

 

CMYK 65 / 0 / 31 / 66

HEX #1E563B

RGB 30 86 59

HSL 151.07, 0.48%, 0.23%

LAB 32.36, -25.56, 10.4

 

CMYK 28 / 0 / 65 / 66

HEX #3E561E

RGB 62 86 30

HSL 85.71, 0.48%, 0.23%

LAB 33.51, -19.43, 29

 

CMYK 33 / 0 / 78 / 62

HEX #406015

RGB 64 96 21

HSL 85.6, 0.64%, 0.23%

LAB 36.95, -24.46, 36.77

 

CMYK 38 / 0 / 90 / 59

HEX #41690B

RGB 65 105 11

HSL 85.53, 0.81%, 0.23%

LAB 40, -28.92, 42.88

 

CMYK 43 / 0 / 98 / 55

HEX #427302

RGB 66 115 2

HSL 86.02, 0.97%, 0.23%

LAB 43.4, -33.4, 47.88

 

CMYK 28 / 0 / 65 / 66

HEX #3E561E

RGB 62 86 30

HSL 85.71, 0.48%, 0.23%

LAB 33.51, -19.43, 29

 

CMYK 21 / 0 / 49 / 70

HEX #3D4D27

RGB 61 77 39

HSL 85.26, 0.33%, 0.23%

LAB 30.51, -13.83, 20.44

 

CMYK 12 / 0 / 27 / 74

HEX #3B4331

RGB 59 67 49

HSL 86.67, 0.16%, 0.23%

LAB 27.2, -7.16, 9.87

 

CMYK 0 / 0 / 0 / 77

HEX #3A3A3A

RGB 58 58 58

HSL 0, 0%, 0.23%

LAB 24.42, 0, -0

 

CMYK 16 / 29 / 0 / 73

HEX #393044

RGB 57 48 68

HSL 267, 0.17%, 0.23%

LAB 21.58, 8.79, -10.99

 

CMYK 0 / 7 / 65 / 66

HEX #56501E

RGB 86 80 30

HSL 53.57, 0.48%, 0.23%

LAB 33.58, -4.73, 29.65

 

CMYK 9 / 0 / 65 / 66

HEX #4E561E

RGB 78 86 30

HSL 68.57, 0.48%, 0.23%

LAB 34.74, -12.12, 30.71

 

CMYK 27 / 0 / 65 / 66

HEX #3F561E

RGB 63 86 30

HSL 84.64, 0.48%, 0.23%

LAB 33.58, -18.99, 29.1

 

CMYK 44 / 0 / 65 / 66

HEX #30561E

RGB 48 86 30

HSL 100.71, 0.48%, 0.23%

LAB 32.65, -25.13, 27.8

 

CMYK 62 / 0 / 65 / 66

HEX #21561E

RGB 33 86 30

HSL 116.79, 0.48%, 0.23%

LAB 31.97, -30.16, 26.85

 

CMYK 28 / 0 / 64 / 90

HEX #121909

RGB 18 25 9

HSL 86.25, 0.47%, 0.07%

LAB 7.62, -6.37, 7.6

 

CMYK 29 / 0 / 66 / 78

HEX #283813

RGB 40 56 19

HSL 85.95, 0.49%, 0.15%

LAB 21.31, -13.98, 20.68

 

CMYK 28 / 0 / 65 / 66

HEX #3E561E

RGB 62 86 30

HSL 85.71, 0.48%, 0.23%

LAB 33.51, -19.43, 29

 

CMYK 28 / 0 / 65 / 54

HEX #547529

RGB 84 117 41

HSL 86.05, 0.48%, 0.31%

LAB 45.31, -25, 37.09

 

CMYK 28 / 0 / 65 / 42

HEX #6A9333

RGB 106 147 51

HSL 85.63, 0.48%, 0.39%

LAB 56.26, -29.88, 44.84

 

CMYK 28 / 0 / 65 / 66

HEX #3E561E

RGB 62 86 30

HSL 85.71, 0.48%, 0.23%

LAB 33.51, -19.43, 29

 

CMYK 65 / 0 / 24 / 66

HEX #1E5641

RGB 30 86 65

HSL 157.5, 0.48%, 0.23%

LAB 32.51, -24.06, 6.86

 

CMYK 0 / 65 / 1 / 66

HEX #561E55

RGB 86 30 85

HSL 301.07, 0.48%, 0.23%

LAB 22.17, 33.91, -21.21

 

CMYK 28 / 0 / 65 / 66

HEX #3E561E

RGB 62 86 30

HSL 85.71, 0.48%, 0.23%

LAB 33.51, -19.43, 29

 

CMYK 65 / 27 / 0 / 66

HEX #1E3F56

RGB 30 63 86

HSL 204.64, 0.48%, 0.23%

LAB 25.27, -4.07, -17.44

 

CMYK 0 / 65 / 27 / 66

HEX #561E3F

RGB 86 30 63

HSL 324.64, 0.48%, 0.23%

LAB 21.08, 29.98, -7.97

 

CMYK 28 / 0 / 65 / 66

HEX #3E561E

RGB 62 86 30

HSL 85.71, 0.48%, 0.23%

LAB 33.51, -19.43, 29

 

CMYK 65 / 0 / 24 / 66

HEX #1E5641

RGB 30 86 65

HSL 157.5, 0.48%, 0.23%

LAB 32.51, -24.06, 6.86

 

CMYK 38 / 65 / 0 / 66

HEX #351E56

RGB 53 30 86

HSL 264.64, 0.48%, 0.23%

LAB 17.26, 24.74, -30

 

CMYK 0 / 65 / 40 / 66

HEX #561E34

RGB 86 30 52

HSL 336.43, 0.48%, 0.23%

LAB 20.65, 28.38, -0.99

 

CMYK 28 / 0 / 65 / 66

HEX #3E561E

RGB 62 86 30

HSL 85.71, 0.48%, 0.23%

LAB 33.51, -19.43, 29

 

CMYK 65 / 0 / 5 / 66

HEX #1E5652

RGB 30 86 82

HSL 175.71, 0.48%, 0.23%

LAB 33.01, -19.19, -3.12

 

CMYK 38 / 65 / 0 / 66

HEX #351E56

RGB 53 30 86

HSL 264.64, 0.48%, 0.23%

LAB 17.26, 24.74, -30

 

CMYK 0 / 65 / 59 / 66

HEX #561E23

RGB 86 30 35

HSL 354.64, 0.48%, 0.23%

LAB 20.16, 26.43, 10.18

 

Description

Color code: HEX #3E561E | qconv.com Color code: HEX #3E561E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 86 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 86 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 65 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 65% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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