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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E594B it is the complementary color #C1A6B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E594B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E594B shade: #435946, #546B59, #657D6C, #768F7F and #87A192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E594B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E594B shade: #3E594B, #2D4738, #1C3525, #0B2312 and #001100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E594B shade: #3E5A4B, #3E5A44, #405A3E, #475A3E and #4F5A3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E594B shade: #3E5A4B, #3E5A53, #3E595A, #3E525A and #3E4A5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E594B shade matches the following richer shades: #3E5A4B, #32664B, #25734B, #197F4A and #0D8B4A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E594B shade: #3E5A4B, #4B4D4C, #57414C, #63354D and #70284D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E594B shade: #405A3E, #3E5A44, #3E5A4B, #3E5A52 and #3E5A5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E594B shade: #1C2923, #2D4137, #3E5A4B, #4F7260 and #608A74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E594B shade: #3E594B, #3E475A and #5A403E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E594B shade: #3E594B, #4B3E5A and #5A4B3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E594B shade: #3E594B, #3E475A, #5A3E4D and #5A513E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E594B shade: #3E594B, #3E3F5A, #5A3E4D and #5A593E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 16 / 65

HEX #3E594B

RGB 62 89 75

HSL 148.89, 0.18%, 0.3%

LAB 35.35, -13.49, 4.87

 

Complementary color

CMYK 0 / 14 / 7 / 24

HEX #C1A6B4

RGB 193 166 180

HSL 328.89, 0.18%, 0.7%

LAB 70.81, 12.24, -3.55

 

CMYK 25 / 0 / 21 / 65

HEX #435946

RGB 67 89 70

HSL 128.18, 0.14%, 0.31%

LAB 35.56, -12.72, 8.31

 

CMYK 21 / 0 / 17 / 58

HEX #546B59

RGB 84 107 89

HSL 133.04, 0.12%, 0.37%

LAB 42.95, -12.52, 7.31

 

CMYK 19 / 0 / 14 / 51

HEX #657D6C

RGB 101 125 108

HSL 137.5, 0.11%, 0.44%

LAB 50.12, -12.36, 6.41

 

CMYK 17 / 0 / 11 / 44

HEX #768F7F

RGB 118 143 127

HSL 141.6, 0.1%, 0.51%

LAB 57.1, -12.23, 5.57

 

CMYK 16 / 0 / 9 / 37

HEX #87A192

RGB 135 161 146

HSL 145.38, 0.12%, 0.58%

LAB 63.93, -12.13, 4.79

 

CMYK 30 / 0 / 16 / 65

HEX #3E594B

RGB 62 89 75

HSL 148.89, 0.18%, 0.3%

LAB 35.35, -13.49, 4.87

 

CMYK 37 / 0 / 21 / 72

HEX #2D4738

RGB 45 71 56

HSL 145.38, 0.22%, 0.23%

LAB 27.71, -13.77, 5.9

 

CMYK 47 / 0 / 30 / 79

HEX #1C3525

RGB 28 53 37

HSL 141.6, 0.31%, 0.16%

LAB 19.75, -14.1, 7.12

 

CMYK 69 / 0 / 49 / 86

HEX #0B2312

RGB 11 35 18

HSL 137.5, 0.52%, 0.09%

LAB 11.39, -14.36, 8.46

 

CMYK 100 / 0 / 100 / 93

HEX #001100

RGB 0 17 0

HSL 120, 1%, 0.03%

LAB 3.62, -7.4, 5.29

 

CMYK 31 / 0 / 17 / 65

HEX #3E5A4B

RGB 62 90 75

HSL 147.86, 0.18%, 0.3%

LAB 35.68, -14.06, 5.34

 

CMYK 31 / 0 / 24 / 65

HEX #3E5A44

RGB 62 90 68

HSL 132.86, 0.18%, 0.3%

LAB 35.51, -15.61, 9.43

 

CMYK 29 / 0 / 31 / 65

HEX #405A3E

RGB 64 90 62

HSL 115.71, 0.18%, 0.3%

LAB 35.5, -16.05, 13.12

 

CMYK 21 / 0 / 31 / 65

HEX #475A3E

RGB 71 90 62

HSL 100.71, 0.18%, 0.3%

LAB 35.98, -13.25, 13.86

 

CMYK 12 / 0 / 31 / 65

HEX #4F5A3E

RGB 79 90 62

HSL 83.57, 0.18%, 0.3%

LAB 36.6, -9.9, 14.8

 

CMYK 31 / 0 / 17 / 65

HEX #3E5A4B

RGB 62 90 75

HSL 147.86, 0.18%, 0.3%

LAB 35.68, -14.06, 5.34

 

CMYK 31 / 0 / 8 / 65

HEX #3E5A53

RGB 62 90 83

HSL 165, 0.18%, 0.3%

LAB 35.91, -12.15, 0.69

 

CMYK 31 / 1 / 0 / 65

HEX #3E595A

RGB 62 89 90

HSL 182.14, 0.18%, 0.3%

LAB 35.8, -9.75, -3.83

 

CMYK 31 / 9 / 0 / 65

HEX #3E525A

RGB 62 82 90

HSL 197.14, 0.18%, 0.3%

LAB 33.56, -5.54, -7.19

 

CMYK 31 / 18 / 0 / 65

HEX #3E4A5A

RGB 62 74 90

HSL 214.29, 0.18%, 0.3%

LAB 31.02, -0.53, -11.02

 

CMYK 31 / 0 / 17 / 65

HEX #3E5A4B

RGB 62 90 75

HSL 147.86, 0.18%, 0.3%

LAB 35.68, -14.06, 5.34

 

CMYK 51 / 0 / 26 / 60

HEX #32664B

RGB 50 102 75

HSL 148.85, 0.34%, 0.3%

LAB 39.05, -24.4, 10

 

CMYK 68 / 0 / 35 / 55

HEX #25734B

RGB 37 115 75

HSL 149.23, 0.51%, 0.3%

LAB 43.01, -33.74, 15.37

 

CMYK 80 / 0 / 42 / 50

HEX #197F4A

RGB 25 127 74

HSL 148.82, 0.67%, 0.3%

LAB 46.82, -40.97, 21

 

CMYK 91 / 0 / 47 / 45

HEX #0D8B4A

RGB 13 139 74

HSL 149.05, 0.83%, 0.3%

LAB 50.74, -46.74, 26.07

 

CMYK 31 / 0 / 17 / 65

HEX #3E5A4B

RGB 62 90 75

HSL 147.86, 0.18%, 0.3%

LAB 35.68, -14.06, 5.34

 

CMYK 3 / 0 / 1 / 70

HEX #4B4D4C

RGB 75 77 76

HSL 150, 0.01%, 0.3%

LAB 32.54, -1.03, 0.3

 

CMYK 0 / 25 / 13 / 66

HEX #57414C

RGB 87 65 76

HSL 330, 0.14%, 0.3%

LAB 30.23, 11.57, -2.95

 

CMYK 0 / 46 / 22 / 61

HEX #63354D

RGB 99 53 77

HSL 328.7, 0.3%, 0.3%

LAB 28.73, 24.08, -5.65

 

CMYK 0 / 64 / 31 / 56

HEX #70284D

RGB 112 40 77

HSL 329.17, 0.47%, 0.3%

LAB 28.11, 35.9, -6.37

 

CMYK 29 / 0 / 31 / 65

HEX #405A3E

RGB 64 90 62

HSL 115.71, 0.18%, 0.3%

LAB 35.5, -16.05, 13.12

 

CMYK 31 / 0 / 24 / 65

HEX #3E5A44

RGB 62 90 68

HSL 132.86, 0.18%, 0.3%

LAB 35.51, -15.61, 9.43

 

CMYK 31 / 0 / 17 / 65

HEX #3E5A4B

RGB 62 90 75

HSL 147.86, 0.18%, 0.3%

LAB 35.68, -14.06, 5.34

 

CMYK 31 / 0 / 9 / 65

HEX #3E5A52

RGB 62 90 82

HSL 162.86, 0.18%, 0.3%

LAB 35.88, -12.39, 1.27

 

CMYK 31 / 0 / 0 / 65

HEX #3E5A5A

RGB 62 90 90

HSL 180, 0.18%, 0.3%

LAB 36.13, -10.34, -3.36

 

CMYK 32 / 0 / 15 / 84

HEX #1C2923

RGB 28 41 35

HSL 152.31, 0.19%, 0.14%

LAB 15.24, -7.2, 2.14

 

CMYK 31 / 0 / 15 / 75

HEX #2D4137

RGB 45 65 55

HSL 150, 0.18%, 0.22%

LAB 25.61, -10.46, 3.56

 

CMYK 31 / 0 / 17 / 65

HEX #3E5A4B

RGB 62 90 75

HSL 147.86, 0.18%, 0.3%

LAB 35.68, -14.06, 5.34

 

CMYK 31 / 0 / 16 / 55

HEX #4F7260

RGB 79 114 96

HSL 149.14, 0.18%, 0.38%

LAB 45, -16.69, 6

 

CMYK 30 / 0 / 16 / 46

HEX #608A74

RGB 96 138 116

HSL 148.57, 0.18%, 0.46%

LAB 53.95, -19.43, 7.18

 

CMYK 30 / 0 / 16 / 65

HEX #3E594B

RGB 62 89 75

HSL 148.89, 0.18%, 0.3%

LAB 35.35, -13.49, 4.87

 

CMYK 31 / 21 / 0 / 65

HEX #3E475A

RGB 62 71 90

HSL 220.71, 0.18%, 0.3%

LAB 30.08, 1.4, -12.45

 

CMYK 0 / 29 / 31 / 65

HEX #5A403E

RGB 90 64 62

HSL 4.29, 0.18%, 0.3%

LAB 29.88, 11.01, 5.69

 

CMYK 30 / 0 / 16 / 65

HEX #3E594B

RGB 62 89 75

HSL 148.89, 0.18%, 0.3%

LAB 35.35, -13.49, 4.87

 

CMYK 17 / 31 / 0 / 65

HEX #4B3E5A

RGB 75 62 90

HSL 267.86, 0.18%, 0.3%

LAB 28.59, 11.96, -14.63

 

CMYK 0 / 17 / 31 / 65

HEX #5A4B3E

RGB 90 75 62

HSL 27.86, 0.18%, 0.3%

LAB 33.04, 4.07, 10.1

 

CMYK 30 / 0 / 16 / 65

HEX #3E594B

RGB 62 89 75

HSL 148.89, 0.18%, 0.3%

LAB 35.35, -13.49, 4.87

 

CMYK 31 / 21 / 0 / 65

HEX #3E475A

RGB 62 71 90

HSL 220.71, 0.18%, 0.3%

LAB 30.08, 1.4, -12.45

 

CMYK 0 / 31 / 14 / 65

HEX #5A3E4D

RGB 90 62 77

HSL 327.86, 0.18%, 0.3%

LAB 29.8, 14.92, -4.19

 

CMYK 0 / 10 / 31 / 65

HEX #5A513E

RGB 90 81 62

HSL 40.71, 0.18%, 0.3%

LAB 34.82, 0.35, 12.55

 

CMYK 30 / 0 / 16 / 65

HEX #3E594B

RGB 62 89 75

HSL 148.89, 0.18%, 0.3%

LAB 35.35, -13.49, 4.87

 

CMYK 31 / 30 / 0 / 65

HEX #3E3F5A

RGB 62 63 90

HSL 237.86, 0.18%, 0.3%

LAB 27.62, 6.65, -16.23

 

CMYK 0 / 31 / 14 / 65

HEX #5A3E4D

RGB 90 62 77

HSL 327.86, 0.18%, 0.3%

LAB 29.8, 14.92, -4.19

 

CMYK 0 / 1 / 31 / 65

HEX #5A593E

RGB 90 89 62

HSL 57.86, 0.18%, 0.3%

LAB 37.24, -4.49, 15.82

 

Description

Color code: HEX #3E594B | qconv.com Color code: HEX #3E594B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 89 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 89 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 16 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 16% 65% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - McDougall Reidy &...
Link: http://www.mcdougallreidy.co.nz

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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