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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E5A34 it is the complementary color #C1A5CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E5A34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E5A34 shade: #435A2F, #546C42, #657E55, #769068 and #87A27B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E5A34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E5A34 shade: #3E5A34, #2D4821, #1C360E, #0B2400 and #001200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E5A34 shade: #3E5A34, #485A34, #535A34, #5A5734 and #5A4D34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E5A34 shade: #3E5A34, #345A34, #345A3E, #345A49 and #345A53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E5A34 shade matches the following richer shades: #3E5A34, #386628, #33711D, #2D7D11 and #288805

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E5A34 shade: #3E5A34, #434F3F, #49434B, #4E3856 and #542C62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E5A34 shade: #525A34, #485A34, #3E5A34, #345A34 and #345A3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E5A34 shade: #1A2616, #2C4025, #3E5A34, #507443 and #628F52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E5A34 shade: #3E5A34, #345A58 and #5A344D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E5A34 shade: #3E5A34, #343E5A and #5A343E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E5A34 shade: #3E5A34, #345A58, #50345A and #5A3436

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E5A34 shade: #3E5A34, #34515A, #50345A and #5A3D34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 42 / 65

HEX #3E5A34

RGB 62 90 52

HSL 104.21, 0.27%, 0.28%

LAB 35.17, -18.62, 18.69

 

Complementary color

CMYK 5 / 19 / 0 / 20

HEX #C1A5CB

RGB 193 165 203

HSL 284.21, 0.27%, 0.72%

LAB 71.25, 17.11, -15.58

 

CMYK 26 / 0 / 48 / 65

HEX #435A2F

RGB 67 90 47

HSL 92.09, 0.31%, 0.27%

LAB 35.42, -17.34, 22.01

 

CMYK 22 / 0 / 39 / 58

HEX #546C42

RGB 84 108 66

HSL 94.29, 0.24%, 0.34%

LAB 42.77, -17.25, 20.68

 

CMYK 20 / 0 / 33 / 51

HEX #657E55

RGB 101 126 85

HSL 96.59, 0.19%, 0.41%

LAB 49.91, -17.13, 19.45

 

CMYK 18 / 0 / 28 / 44

HEX #769068

RGB 118 144 104

HSL 99, 0.16%, 0.49%

LAB 56.88, -17.01, 18.31

 

CMYK 17 / 0 / 24 / 36

HEX #87A27B

RGB 135 162 123

HSL 101.54, 0.17%, 0.56%

LAB 63.69, -16.9, 17.26

 

CMYK 31 / 0 / 42 / 65

HEX #3E5A34

RGB 62 90 52

HSL 104.21, 0.27%, 0.28%

LAB 35.17, -18.62, 18.69

 

CMYK 38 / 0 / 54 / 72

HEX #2D4821

RGB 45 72 33

HSL 101.54, 0.37%, 0.21%

LAB 27.58, -18.78, 20.1

 

CMYK 48 / 0 / 74 / 79

HEX #1C360E

RGB 28 54 14

HSL 99, 0.59%, 0.13%

LAB 19.71, -18.76, 21.4

 

CMYK 69 / 0 / 100 / 86

HEX #0B2400

RGB 11 36 0

HSL 101.67, 1%, 0.07%

LAB 11.5, -18.09, 16.73

 

CMYK 100 / 0 / 100 / 93

HEX #001200

RGB 0 18 0

HSL 120, 1%, 0.04%

LAB 3.91, -7.98, 5.71

 

CMYK 31 / 0 / 42 / 65

HEX #3E5A34

RGB 62 90 52

HSL 104.21, 0.27%, 0.28%

LAB 35.17, -18.62, 18.69

 

CMYK 20 / 0 / 42 / 65

HEX #485A34

RGB 72 90 52

HSL 88.42, 0.27%, 0.28%

LAB 35.86, -14.49, 19.73

 

CMYK 8 / 0 / 42 / 65

HEX #535A34

RGB 83 90 52

HSL 71.05, 0.27%, 0.28%

LAB 36.74, -9.65, 21.03

 

CMYK 0 / 3 / 42 / 65

HEX #5A5734

RGB 90 87 52

HSL 55.26, 0.27%, 0.28%

LAB 36.44, -4.7, 20.77

 

CMYK 0 / 14 / 42 / 65

HEX #5A4D34

RGB 90 77 52

HSL 39.47, 0.27%, 0.28%

LAB 33.41, 1.38, 16.84

 

CMYK 31 / 0 / 42 / 65

HEX #3E5A34

RGB 62 90 52

HSL 104.21, 0.27%, 0.28%

LAB 35.17, -18.62, 18.69

 

CMYK 42 / 0 / 42 / 65

HEX #345A34

RGB 52 90 52

HSL 120, 0.27%, 0.28%

LAB 34.58, -22.4, 17.81

 

CMYK 42 / 0 / 31 / 65

HEX #345A3E

RGB 52 90 62

HSL 135.79, 0.27%, 0.28%

LAB 34.78, -20.45, 12.03

 

CMYK 42 / 0 / 19 / 65

HEX #345A49

RGB 52 90 73

HSL 153.16, 0.27%, 0.28%

LAB 35.05, -17.96, 5.61

 

CMYK 42 / 0 / 8 / 65

HEX #345A53

RGB 52 90 83

HSL 168.95, 0.27%, 0.28%

LAB 35.33, -15.41, -0.22

 

CMYK 31 / 0 / 42 / 65

HEX #3E5A34

RGB 62 90 52

HSL 104.21, 0.27%, 0.28%

LAB 35.17, -18.62, 18.69

 

CMYK 45 / 0 / 61 / 60

HEX #386628

RGB 56 102 40

HSL 104.52, 0.44%, 0.28%

LAB 38.72, -28.65, 29.7

 

CMYK 55 / 0 / 74 / 56

HEX #33711D

RGB 51 113 29

HSL 104.29, 0.59%, 0.28%

LAB 42.16, -36.3, 38.55

 

CMYK 64 / 0 / 86 / 51

HEX #2D7D11

RGB 45 125 17

HSL 104.44, 0.76%, 0.28%

LAB 46, -43.48, 46.3

 

CMYK 71 / 0 / 96 / 47

HEX #288805

RGB 40 136 5

HSL 103.97, 0.93%, 0.28%

LAB 49.58, -48.97, 51.87

 

CMYK 31 / 0 / 42 / 65

HEX #3E5A34

RGB 62 90 52

HSL 104.21, 0.27%, 0.28%

LAB 35.17, -18.62, 18.69

 

CMYK 15 / 0 / 20 / 69

HEX #434F3F

RGB 67 79 63

HSL 105, 0.11%, 0.28%

LAB 32.13, -8.3, 7.89

 

CMYK 3 / 11 / 0 / 71

HEX #49434B

RGB 73 67 75

HSL 285, 0.06%, 0.28%

LAB 29.26, 4.28, -3.9

 

CMYK 9 / 35 / 0 / 66

HEX #4E3856

RGB 78 56 86

HSL 284, 0.21%, 0.28%

LAB 27.07, 16, -14.33

 

CMYK 14 / 55 / 0 / 62

HEX #542C62

RGB 84 44 98

HSL 284.44, 0.38%, 0.28%

LAB 25.47, 28.44, -24.61

 

CMYK 9 / 0 / 42 / 65

HEX #525A34

RGB 82 90 52

HSL 72.63, 0.27%, 0.28%

LAB 36.66, -10.1, 20.9

 

CMYK 20 / 0 / 42 / 65

HEX #485A34

RGB 72 90 52

HSL 88.42, 0.27%, 0.28%

LAB 35.86, -14.49, 19.73

 

CMYK 31 / 0 / 42 / 65

HEX #3E5A34

RGB 62 90 52

HSL 104.21, 0.27%, 0.28%

LAB 35.17, -18.62, 18.69

 

CMYK 42 / 0 / 42 / 65

HEX #345A34

RGB 52 90 52

HSL 120, 0.27%, 0.28%

LAB 34.58, -22.4, 17.81

 

CMYK 42 / 0 / 31 / 65

HEX #345A3E

RGB 52 90 62

HSL 135.79, 0.27%, 0.28%

LAB 34.78, -20.45, 12.03

 

CMYK 32 / 0 / 42 / 85

HEX #1A2616

RGB 26 38 22

HSL 105, 0.27%, 0.12%

LAB 13.61, -9.19, 8.99

 

CMYK 31 / 0 / 42 / 75

HEX #2C4025

RGB 44 64 37

HSL 104.44, 0.27%, 0.2%

LAB 24.75, -14.1, 14.04

 

CMYK 31 / 0 / 42 / 65

HEX #3E5A34

RGB 62 90 52

HSL 104.21, 0.27%, 0.28%

LAB 35.17, -18.62, 18.69

 

CMYK 31 / 0 / 42 / 55

HEX #507443

RGB 80 116 67

HSL 104.08, 0.27%, 0.36%

LAB 45.08, -22.87, 23.07

 

CMYK 31 / 0 / 43 / 44

HEX #628F52

RGB 98 143 82

HSL 104.26, 0.27%, 0.44%

LAB 54.92, -27.42, 27.65

 

CMYK 31 / 0 / 42 / 65

HEX #3E5A34

RGB 62 90 52

HSL 104.21, 0.27%, 0.28%

LAB 35.17, -18.62, 18.69

 

CMYK 42 / 0 / 2 / 65

HEX #345A58

RGB 52 90 88

HSL 176.84, 0.27%, 0.28%

LAB 35.49, -14.04, -3.11

 

CMYK 0 / 42 / 14 / 65

HEX #5A344D

RGB 90 52 77

HSL 320.53, 0.27%, 0.28%

LAB 27.2, 21.19, -8.08

 

CMYK 31 / 0 / 42 / 65

HEX #3E5A34

RGB 62 90 52

HSL 104.21, 0.27%, 0.28%

LAB 35.17, -18.62, 18.69

 

CMYK 42 / 31 / 0 / 65

HEX #343E5A

RGB 52 62 90

HSL 224.21, 0.27%, 0.28%

LAB 26.49, 4.02, -18.05

 

CMYK 0 / 42 / 31 / 65

HEX #5A343E

RGB 90 52 62

HSL 344.21, 0.27%, 0.28%

LAB 26.67, 18.58, 1.08

 

CMYK 31 / 0 / 42 / 65

HEX #3E5A34

RGB 62 90 52

HSL 104.21, 0.27%, 0.28%

LAB 35.17, -18.62, 18.69

 

CMYK 42 / 0 / 2 / 65

HEX #345A58

RGB 52 90 88

HSL 176.84, 0.27%, 0.28%

LAB 35.49, -14.04, -3.11

 

CMYK 11 / 42 / 0 / 65

HEX #50345A

RGB 80 52 90

HSL 284.21, 0.27%, 0.28%

LAB 26.45, 20.26, -17.89

 

CMYK 0 / 42 / 40 / 65

HEX #5A3436

RGB 90 52 54

HSL 356.84, 0.27%, 0.28%

LAB 26.44, 17.38, 6.06

 

CMYK 31 / 0 / 42 / 65

HEX #3E5A34

RGB 62 90 52

HSL 104.21, 0.27%, 0.28%

LAB 35.17, -18.62, 18.69

 

CMYK 42 / 10 / 0 / 65

HEX #34515A

RGB 52 81 90

HSL 194.21, 0.27%, 0.28%

LAB 32.6, -8.15, -8.69

 

CMYK 11 / 42 / 0 / 65

HEX #50345A

RGB 80 52 90

HSL 284.21, 0.27%, 0.28%

LAB 26.45, 20.26, -17.89

 

CMYK 0 / 32 / 42 / 65

HEX #5A3D34

RGB 90 61 52

HSL 14.21, 0.27%, 0.28%

LAB 28.8, 11.43, 10.65

 

Description

Color code: HEX #3E5A34 | qconv.com Color code: HEX #3E5A34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 90 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 90 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 42 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 42% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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