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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E6915 it is the complementary color #C196EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E6915. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E6915 shade: #436910, #547B23, #658D36, #769F49 and #87B15C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E6915. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E6915 shade: #3E6915, #2D5702, #1C4500, #0B3300 and #002100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E6915 shade: #3E6A15, #556A15, #6A6815, #6A5115 and #6A3A15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E6915 shade: #3E6A15, #276A15, #156A19, #156A30 and #156A47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E6915 shade matches the following richer shades: #3E6A15, #3E740A and #3E7F00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E6915 shade: #3E6A15, #3E601F, #3F5529, #3F4B33 and #3F413E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E6915 shade: #6A6715, #566A15, #3F6A15, #286A15 and #156A17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E6915 shade: #162507, #2A480E, #3E6A15, #538C1B and #67AF22

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E6915 shade: #3E6915, #156A50 and #6A1561

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E6915 shade: #3E6915, #153F6A and #6A153F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E6915 shade: #3E6915, #156A50, #3F156A and #6A152E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E6915 shade: #3E6915, #156A6A, #3F156A and #6A1515

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 80 / 59

HEX #3E6915

RGB 62 105 21

HSL 90.71, 0.67%, 0.25%

LAB 39.88, -29.58, 39.59

 

Complementary color

CMYK 18 / 36 / 0 / 8

HEX #C196EA

RGB 193 150 234

HSL 270.71, 0.67%, 0.75%

LAB 68.82, 31.89, -36.37

 

CMYK 36 / 0 / 85 / 59

HEX #436910

RGB 67 105 16

HSL 85.62, 0.74%, 0.24%

LAB 40.14, -27.9, 41.62

 

CMYK 32 / 0 / 72 / 52

HEX #547B23

RGB 84 123 35

HSL 86.59, 0.56%, 0.31%

LAB 47.2, -28.44, 41.77

 

CMYK 28 / 0 / 62 / 45

HEX #658D36

RGB 101 141 54

HSL 87.59, 0.45%, 0.38%

LAB 54.11, -28.71, 41.03

 

CMYK 26 / 0 / 54 / 38

HEX #769F49

RGB 118 159 73

HSL 88.6, 0.37%, 0.45%

LAB 60.9, -28.83, 39.95

 

CMYK 24 / 0 / 48 / 31

HEX #87B15C

RGB 135 177 92

HSL 89.65, 0.35%, 0.53%

LAB 67.55, -28.86, 38.78

 

CMYK 41 / 0 / 80 / 59

HEX #3E6915

RGB 62 105 21

HSL 90.71, 0.67%, 0.25%

LAB 39.88, -29.58, 39.59

 

CMYK 48 / 0 / 98 / 66

HEX #2D5702

RGB 45 87 2

HSL 89.65, 0.96%, 0.17%

LAB 32.65, -28.82, 38.84

 

CMYK 59 / 0 / 100 / 73

HEX #1C4500

RGB 28 69 0

HSL 95.65, 1%, 0.14%

LAB 25.27, -27.1, 33.1

 

CMYK 78 / 0 / 100 / 80

HEX #0B3300

RGB 11 51 0

HSL 107.06, 1%, 0.1%

LAB 17.64, -24.76, 24.68

 

CMYK 100 / 0 / 100 / 87

HEX #002100

RGB 0 33 0

HSL 120, 1%, 0.06%

LAB 9.7, -19.54, 14.13

 

CMYK 42 / 0 / 80 / 58

HEX #3E6A15

RGB 62 106 21

HSL 91.06, 0.67%, 0.25%

LAB 40.22, -30.04, 39.91

 

CMYK 20 / 0 / 80 / 58

HEX #556A15

RGB 85 106 21

HSL 74.82, 0.67%, 0.25%

LAB 41.68, -20.42, 41.81

 

CMYK 0 / 2 / 80 / 58

HEX #6A6815

RGB 106 104 21

HSL 58.59, 0.67%, 0.25%

LAB 42.79, -9.53, 43.47

 

CMYK 0 / 24 / 80 / 58

HEX #6A5115

RGB 106 81 21

HSL 42.35, 0.67%, 0.25%

LAB 35.99, 3.98, 37.12

 

CMYK 0 / 45 / 80 / 58

HEX #6A3A15

RGB 106 58 21

HSL 26.12, 0.67%, 0.25%

LAB 29.77, 18.03, 31.03

 

CMYK 42 / 0 / 80 / 58

HEX #3E6A15

RGB 62 106 21

HSL 91.06, 0.67%, 0.25%

LAB 40.22, -30.04, 39.91

 

CMYK 63 / 0 / 80 / 58

HEX #276A15

RGB 39 106 21

HSL 107.29, 0.67%, 0.25%

LAB 39.23, -37.59, 38.61

 

CMYK 80 / 0 / 76 / 58

HEX #156A19

RGB 21 106 25

HSL 122.82, 0.67%, 0.25%

LAB 38.79, -41.16, 36.46

 

CMYK 80 / 0 / 55 / 58

HEX #156A30

RGB 21 106 48

HSL 139.06, 0.67%, 0.25%

LAB 39.04, -38.18, 25.53

 

CMYK 80 / 0 / 33 / 58

HEX #156A47

RGB 21 106 71

HSL 155.29, 0.67%, 0.25%

LAB 39.45, -33.49, 12.82

 

CMYK 42 / 0 / 80 / 58

HEX #3E6A15

RGB 62 106 21

HSL 91.06, 0.67%, 0.25%

LAB 40.22, -30.04, 39.91

 

CMYK 47 / 0 / 91 / 55

HEX #3E740A

RGB 62 116 10

HSL 90.57, 0.84%, 0.25%

LAB 43.56, -35.02, 46.13

 

CMYK 51 / 0 / 100 / 50

HEX #3E7F00

RGB 62 127 0

HSL 90.71, 1%, 0.25%

LAB 47.24, -39.93, 51.27

 

CMYK 42 / 0 / 80 / 58

HEX #3E6A15

RGB 62 106 21

HSL 91.06, 0.67%, 0.25%

LAB 40.22, -30.04, 39.91

 

CMYK 35 / 0 / 68 / 62

HEX #3E601F

RGB 62 96 31

HSL 91.38, 0.51%, 0.25%

LAB 36.91, -24.46, 32.26

 

CMYK 26 / 0 / 52 / 67

HEX #3F5529

RGB 63 85 41

HSL 90, 0.35%, 0.25%

LAB 33.38, -17.15, 22.87

 

CMYK 16 / 0 / 32 / 71

HEX #3F4B33

RGB 63 75 51

HSL 90, 0.19%, 0.25%

LAB 30.23, -9.88, 12.77

 

CMYK 3 / 0 / 5 / 75

HEX #3F413E

RGB 63 65 62

HSL 100, 0.02%, 0.25%

LAB 27.26, -1.51, 1.53

 

CMYK 0 / 3 / 80 / 58

HEX #6A6715

RGB 106 103 21

HSL 57.88, 0.67%, 0.25%

LAB 42.49, -8.97, 43.19

 

CMYK 19 / 0 / 80 / 58

HEX #566A15

RGB 86 106 21

HSL 74.12, 0.67%, 0.25%

LAB 41.75, -19.97, 41.9

 

CMYK 41 / 0 / 80 / 58

HEX #3F6A15

RGB 63 106 21

HSL 90.35, 0.67%, 0.25%

LAB 40.28, -29.66, 39.98

 

CMYK 62 / 0 / 80 / 58

HEX #286A15

RGB 40 106 21

HSL 106.59, 0.67%, 0.25%

LAB 39.26, -37.32, 38.65

 

CMYK 80 / 0 / 78 / 58

HEX #156A17

RGB 21 106 23

HSL 121.41, 0.67%, 0.25%

LAB 38.78, -41.34, 37.24

 

CMYK 41 / 0 / 81 / 85

HEX #162507

RGB 22 37 7

HSL 90, 0.68%, 0.09%

LAB 12.67, -12.88, 15.57

 

CMYK 42 / 0 / 81 / 72

HEX #2A480E

RGB 42 72 14

HSL 91.03, 0.67%, 0.17%

LAB 27.18, -22.17, 29.52

 

CMYK 42 / 0 / 80 / 58

HEX #3E6A15

RGB 62 106 21

HSL 91.06, 0.67%, 0.25%

LAB 40.22, -30.04, 39.91

 

CMYK 41 / 0 / 81 / 45

HEX #538C1B

RGB 83 140 27

HSL 90.27, 0.68%, 0.33%

LAB 52.59, -37.09, 49.97

 

CMYK 41 / 0 / 81 / 31

HEX #67AF22

RGB 103 175 34

HSL 90.64, 0.67%, 0.41%

LAB 64.69, -44.52, 59.42

 

CMYK 41 / 0 / 80 / 59

HEX #3E6915

RGB 62 105 21

HSL 90.71, 0.67%, 0.25%

LAB 39.88, -29.58, 39.59

 

CMYK 80 / 0 / 25 / 58

HEX #156A50

RGB 21 106 80

HSL 161.65, 0.67%, 0.25%

LAB 39.66, -31.22, 7.7

 

CMYK 0 / 80 / 8 / 58

HEX #6A1561

RGB 106 21 97

HSL 306.35, 0.67%, 0.25%

LAB 25.15, 45.08, -24.22

 

CMYK 41 / 0 / 80 / 59

HEX #3E6915

RGB 62 105 21

HSL 90.71, 0.67%, 0.25%

LAB 39.88, -29.58, 39.59

 

CMYK 80 / 41 / 0 / 58

HEX #153F6A

RGB 21 63 106

HSL 210.35, 0.67%, 0.25%

LAB 26.03, 2.23, -29.22

 

CMYK 0 / 80 / 41 / 58

HEX #6A153F

RGB 106 21 63

HSL 330.35, 0.67%, 0.25%

LAB 23.54, 40.25, -3.89

 

CMYK 41 / 0 / 80 / 59

HEX #3E6915

RGB 62 105 21

HSL 90.71, 0.67%, 0.25%

LAB 39.88, -29.58, 39.59

 

CMYK 80 / 0 / 25 / 58

HEX #156A50

RGB 21 106 80

HSL 161.65, 0.67%, 0.25%

LAB 39.66, -31.22, 7.7

 

CMYK 41 / 80 / 0 / 58

HEX #3F156A

RGB 63 21 106

HSL 269.65, 0.67%, 0.25%

LAB 18.51, 37.58, -41.16

 

CMYK 0 / 80 / 57 / 58

HEX #6A152E

RGB 106 21 46

HSL 342.35, 0.67%, 0.25%

LAB 22.99, 38.53, 7.06

 

CMYK 41 / 0 / 80 / 59

HEX #3E6915

RGB 62 105 21

HSL 90.71, 0.67%, 0.25%

LAB 39.88, -29.58, 39.59

 

CMYK 80 / 0 / 0 / 58

HEX #156A6A

RGB 21 106 106

HSL 180, 0.67%, 0.25%

LAB 40.42, -23.49, -6.99

 

CMYK 41 / 80 / 0 / 58

HEX #3F156A

RGB 63 21 106

HSL 269.65, 0.67%, 0.25%

LAB 18.51, 37.58, -41.16

 

CMYK 0 / 80 / 80 / 58

HEX #6A1515

RGB 106 21 21

HSL 0, 0.67%, 0.25%

LAB 22.5, 36.93, 23.39

 

Description

Color code: HEX #3E6915 | qconv.com Color code: HEX #3E6915 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 105 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 105 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 80 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 80% 59% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

34% - Home - Life 10. Hume...
Link: http://www.humedalesdelamancha.es

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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