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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E6013 it is the complementary color #C19FEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E6013. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E6013 shade: #43600E, #547221, #658434, #769647 and #87A85A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E6013. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E6013 shade: #3E6013, #2D4E00, #1C3C00, #0B2A00 and #001800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E6013 shade: #3F6113, #546113, #615A13, #614513 and #612F13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E6013 shade: #3F6113, #2A6113, #146113, #136127 and #13613C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E6013 shade matches the following richer shades: #3F6113, #406B09 and #417400

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E6013 shade: #3F6113, #3E581C, #3D4E26, #3B452F and #3A3B39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E6013 shade: #615A13, #546113, #3F6113, #2A6113 and #156113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E6013 shade: #121D05, #293F0C, #3F6113, #55841A and #6BA620

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E6013 shade: #3E6013, #136145 and #61135F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E6013 shade: #3E6013, #133F61 and #61133F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E6013 shade: #3E6013, #136145, #351361 and #611330

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E6013 shade: #3E6013, #13615C, #351361 and #611318

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 80 / 62

HEX #3E6013

RGB 62 96 19

HSL 86.49, 0.67%, 0.23%

LAB 36.81, -25.43, 37.37

 

Complementary color

CMYK 18 / 33 / 0 / 7

HEX #C19FEC

RGB 193 159 236

HSL 266.49, 0.67%, 0.77%

LAB 71, 27.35, -34.07

 

CMYK 30 / 0 / 85 / 62

HEX #43600E

RGB 67 96 14

HSL 81.22, 0.75%, 0.22%

LAB 37.1, -23.6, 39.49

 

CMYK 26 / 0 / 71 / 55

HEX #547221

RGB 84 114 33

HSL 82.22, 0.55%, 0.29%

LAB 44.27, -24.17, 39.6

 

CMYK 23 / 0 / 61 / 48

HEX #658434

RGB 101 132 52

HSL 83.25, 0.43%, 0.36%

LAB 51.29, -24.48, 38.8

 

CMYK 21 / 0 / 53 / 41

HEX #769647

RGB 118 150 71

HSL 84.3, 0.36%, 0.43%

LAB 58.15, -24.64, 37.69

 

CMYK 20 / 0 / 46 / 34

HEX #87A85A

RGB 135 168 90

HSL 85.38, 0.31%, 0.51%

LAB 64.88, -24.71, 36.49

 

CMYK 35 / 0 / 80 / 62

HEX #3E6013

RGB 62 96 19

HSL 86.49, 0.67%, 0.23%

LAB 36.81, -25.43, 37.37

 

CMYK 42 / 0 / 100 / 69

HEX #2D4E00

RGB 45 78 0

HSL 85.38, 1%, 0.15%

LAB 29.43, -24.75, 37.03

 

CMYK 53 / 0 / 100 / 76

HEX #1C3C00

RGB 28 60 0

HSL 92, 1%, 0.12%

LAB 21.87, -23.03, 29.68

 

CMYK 74 / 0 / 100 / 84

HEX #0B2A00

RGB 11 42 0

HSL 104.29, 1%, 0.08%

LAB 13.98, -20.94, 20.07

 

CMYK 100 / 0 / 100 / 91

HEX #001800

RGB 0 24 0

HSL 120, 1%, 0.05%

LAB 5.9, -12.05, 8.62

 

CMYK 35 / 0 / 80 / 62

HEX #3F6113

RGB 63 97 19

HSL 86.15, 0.67%, 0.23%

LAB 37.21, -25.5, 37.77

 

CMYK 13 / 0 / 80 / 62

HEX #546113

RGB 84 97 19

HSL 70, 0.67%, 0.23%

LAB 38.69, -16.18, 39.7

 

CMYK 0 / 7 / 80 / 62

HEX #615A13

RGB 97 90 19

HSL 54.62, 0.67%, 0.23%

LAB 37.66, -5.94, 39.16

 

CMYK 0 / 29 / 80 / 62

HEX #614513

RGB 97 69 19

HSL 38.46, 0.67%, 0.23%

LAB 31.45, 6.79, 33.25

 

CMYK 0 / 52 / 80 / 62

HEX #612F13

RGB 97 47 19

HSL 21.54, 0.67%, 0.23%

LAB 25.63, 20.36, 27.41

 

CMYK 35 / 0 / 80 / 62

HEX #3F6113

RGB 63 97 19

HSL 86.15, 0.67%, 0.23%

LAB 37.21, -25.5, 37.77

 

CMYK 57 / 0 / 80 / 62

HEX #2A6113

RGB 42 97 19

HSL 102.31, 0.67%, 0.23%

LAB 36.15, -33.22, 36.38

 

CMYK 79 / 0 / 80 / 62

HEX #146113

RGB 20 97 19

HSL 119.23, 0.67%, 0.23%

LAB 35.49, -38.66, 35.5

 

CMYK 80 / 0 / 60 / 62

HEX #136127

RGB 19 97 39

HSL 135.38, 0.67%, 0.23%

LAB 35.66, -36.48, 26.31

 

CMYK 80 / 0 / 38 / 62

HEX #13613C

RGB 19 97 60

HSL 151.54, 0.67%, 0.23%

LAB 36.01, -32.46, 14.72

 

CMYK 35 / 0 / 80 / 62

HEX #3F6113

RGB 63 97 19

HSL 86.15, 0.67%, 0.23%

LAB 37.21, -25.5, 37.77

 

CMYK 40 / 0 / 92 / 58

HEX #406B09

RGB 64 107 9

HSL 86.33, 0.84%, 0.23%

LAB 40.61, -30.32, 43.88

 

CMYK 44 / 0 / 100 / 55

HEX #417400

RGB 65 116 0

HSL 86.38, 1%, 0.23%

LAB 43.68, -34.28, 48.55

 

CMYK 35 / 0 / 80 / 62

HEX #3F6113

RGB 63 97 19

HSL 86.15, 0.67%, 0.23%

LAB 37.21, -25.5, 37.77

 

CMYK 30 / 0 / 68 / 65

HEX #3E581C

RGB 62 88 28

HSL 86, 0.52%, 0.23%

LAB 34.16, -20.68, 30.73

 

CMYK 22 / 0 / 51 / 69

HEX #3D4E26

RGB 61 78 38

HSL 85.5, 0.34%, 0.23%

LAB 30.83, -14.53, 21.43

 

CMYK 14 / 0 / 32 / 73

HEX #3B452F

RGB 59 69 47

HSL 87.27, 0.19%, 0.23%

LAB 27.82, -8.75, 11.99

 

CMYK 2 / 0 / 3 / 77

HEX #3A3B39

RGB 58 59 57

HSL 90, 0.02%, 0.23%

LAB 24.71, -0.88, 1.08

 

CMYK 0 / 7 / 80 / 62

HEX #615A13

RGB 97 90 19

HSL 54.62, 0.67%, 0.23%

LAB 37.66, -5.94, 39.16

 

CMYK 13 / 0 / 80 / 62

HEX #546113

RGB 84 97 19

HSL 70, 0.67%, 0.23%

LAB 38.69, -16.18, 39.7

 

CMYK 35 / 0 / 80 / 62

HEX #3F6113

RGB 63 97 19

HSL 86.15, 0.67%, 0.23%

LAB 37.21, -25.5, 37.77

 

CMYK 57 / 0 / 80 / 62

HEX #2A6113

RGB 42 97 19

HSL 102.31, 0.67%, 0.23%

LAB 36.15, -33.22, 36.38

 

CMYK 78 / 0 / 80 / 62

HEX #156113

RGB 21 97 19

HSL 118.46, 0.67%, 0.23%

LAB 35.51, -38.48, 35.53

 

CMYK 38 / 0 / 83 / 89

HEX #121D05

RGB 18 29 5

HSL 87.5, 0.71%, 0.07%

LAB 9.14, -10.07, 11.44

 

CMYK 35 / 0 / 81 / 75

HEX #293F0C

RGB 41 63 12

HSL 85.88, 0.68%, 0.15%

LAB 23.85, -18.1, 27.03

 

CMYK 35 / 0 / 80 / 62

HEX #3F6113

RGB 63 97 19

HSL 86.15, 0.67%, 0.23%

LAB 37.21, -25.5, 37.77

 

CMYK 36 / 0 / 80 / 48

HEX #55841A

RGB 85 132 26

HSL 86.6, 0.67%, 0.31%

LAB 50.11, -32.84, 48.01

 

CMYK 36 / 0 / 81 / 35

HEX #6BA620

RGB 107 166 32

HSL 86.42, 0.68%, 0.39%

LAB 62.09, -39.38, 57.68

 

CMYK 35 / 0 / 80 / 62

HEX #3E6013

RGB 62 96 19

HSL 86.49, 0.67%, 0.23%

LAB 36.81, -25.43, 37.37

 

CMYK 80 / 0 / 29 / 62

HEX #136145

RGB 19 97 69

HSL 158.46, 0.67%, 0.23%

LAB 36.21, -30.28, 9.54

 

CMYK 0 / 80 / 2 / 62

HEX #61135F

RGB 97 19 95

HSL 301.54, 0.67%, 0.23%

LAB 23.11, 43.25, -26.23

 

CMYK 35 / 0 / 80 / 62

HEX #3E6013

RGB 62 96 19

HSL 86.49, 0.67%, 0.23%

LAB 36.81, -25.43, 37.37

 

CMYK 80 / 35 / 0 / 62

HEX #133F61

RGB 19 63 97

HSL 206.15, 0.67%, 0.23%

LAB 25.43, -1.76, -24.37

 

CMYK 0 / 80 / 35 / 62

HEX #61133F

RGB 97 19 63

HSL 326.15, 0.67%, 0.23%

LAB 21.45, 38.31, -7.2

 

CMYK 35 / 0 / 80 / 62

HEX #3E6013

RGB 62 96 19

HSL 86.49, 0.67%, 0.23%

LAB 36.81, -25.43, 37.37

 

CMYK 80 / 0 / 29 / 62

HEX #136145

RGB 19 97 69

HSL 158.46, 0.67%, 0.23%

LAB 36.21, -30.28, 9.54

 

CMYK 45 / 80 / 0 / 62

HEX #351361

RGB 53 19 97

HSL 266.15, 0.67%, 0.23%

LAB 15.93, 34.21, -39.51

 

CMYK 0 / 80 / 51 / 62

HEX #611330

RGB 97 19 48

HSL 337.69, 0.67%, 0.23%

LAB 20.91, 36.59, 2.45

 

CMYK 35 / 0 / 80 / 62

HEX #3E6013

RGB 62 96 19

HSL 86.49, 0.67%, 0.23%

LAB 36.81, -25.43, 37.37

 

CMYK 80 / 0 / 5 / 62

HEX #13615C

RGB 19 97 92

HSL 176.15, 0.67%, 0.23%

LAB 36.86, -23.62, -3.71

 

CMYK 45 / 80 / 0 / 62

HEX #351361

RGB 53 19 97

HSL 266.15, 0.67%, 0.23%

LAB 15.93, 34.21, -39.51

 

CMYK 0 / 80 / 75 / 62

HEX #611318

RGB 97 19 24

HSL 356.15, 0.67%, 0.23%

LAB 20.33, 34.74, 18.43

 

Description

Color code: HEX #3E6013 | qconv.com Color code: HEX #3E6013 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 96 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 96 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 80 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 80% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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