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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E6BBB it is the complementary color #C19444. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E6BBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E6BBB shade: #436BB6, #547DC9, #658FDC, #76A1EF and #87B3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E6BBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E6BBB shade: #3E6BBB, #2D59A8, #1C4795, #0B3582 and #00236F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E6BBB shade: #3E6BBB, #3E49BB, #543EBB, #763EBB and #983EBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E6BBB shade: #3E6BBB, #3E49BB and #3E3EBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E6BBB shade matches the following richer shades: #3E6BBB, #2A65CF, #1660E3 and #015AF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E6BBB shade: #3E6BBB, #5271A7, #667692, #7B7C7E and #8F826A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E6BBB shade: #3EAEBB, #3E8DBB, #3E6CBB, #3E4ABB and #533EBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E6BBB shade: #29477D, #34599C, #3E6BBB, #5A82C8 and #7999D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E6BBB shade: #3E6BBB, #A63EBB and #9EBB3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E6BBB shade: #3E6BBB, #BB3E6C and #6CBB3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E6BBB shade: #3E6BBB, #A63EBB, #BB8D3E and #53BB3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E6BBB shade: #3E6BBB, #BB3EAA, #BB8D3E and #3EBB4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 43 / 0 / 27

HEX #3E6BBB

RGB 62 107 187

HSL 218.4, 0.5%, 0.49%

LAB 45.81, 10.89, -46.78

 

Complementary color

CMYK 0 / 23 / 65 / 24

HEX #C19444

RGB 193 148 68

HSL 38.4, 0.5%, 0.51%

LAB 64.11, 8.34, 47.72

 

CMYK 63 / 41 / 0 / 29

HEX #436BB6

RGB 67 107 182

HSL 219.13, 0.46%, 0.49%

LAB 45.75, 10, -43.95

 

CMYK 58 / 38 / 0 / 21

HEX #547DC9

RGB 84 125 201

HSL 218.97, 0.52%, 0.56%

LAB 52.7, 8.7, -43.81

 

CMYK 54 / 35 / 0 / 14

HEX #658FDC

RGB 101 143 220

HSL 218.82, 0.63%, 0.63%

LAB 59.51, 7.66, -43.7

 

CMYK 51 / 33 / 0 / 6

HEX #76A1EF

RGB 118 161 239

HSL 218.68, 0.79%, 0.7%

LAB 66.19, 6.8, -43.62

 

CMYK 47 / 30 / 0 / 0

HEX #87B3FF

RGB 135 179 255

HSL 218, 1%, 0.76%

LAB 72.64, 5.22, -42.16

 

CMYK 67 / 43 / 0 / 27

HEX #3E6BBB

RGB 62 107 187

HSL 218.4, 0.5%, 0.49%

LAB 45.81, 10.89, -46.78

 

CMYK 73 / 47 / 0 / 34

HEX #2D59A8

RGB 45 89 168

HSL 218.54, 0.58%, 0.42%

LAB 38.78, 12.78, -46.93

 

CMYK 81 / 52 / 0 / 42

HEX #1C4795

RGB 28 71 149

HSL 218.68, 0.68%, 0.35%

LAB 31.63, 15.24, -47.06

 

CMYK 92 / 59 / 0 / 49

HEX #0B3582

RGB 11 53 130

HSL 218.82, 0.84%, 0.28%

LAB 24.41, 18.49, -47.05

 

CMYK 100 / 68 / 0 / 56

HEX #00236F

RGB 0 35 111

HSL 221.08, 1%, 0.22%

LAB 17.23, 22.66, -46.71

 

CMYK 67 / 43 / 0 / 27

HEX #3E6BBB

RGB 62 107 187

HSL 218.4, 0.5%, 0.49%

LAB 45.81, 10.89, -46.78

 

CMYK 67 / 61 / 0 / 27

HEX #3E49BB

RGB 62 73 187

HSL 234.72, 0.5%, 0.49%

LAB 36.7, 32.68, -61.48

 

CMYK 55 / 67 / 0 / 27

HEX #543EBB

RGB 84 62 187

HSL 250.56, 0.5%, 0.49%

LAB 35.83, 42.84, -62.84

 

CMYK 37 / 67 / 0 / 27

HEX #763EBB

RGB 118 62 187

HSL 266.88, 0.5%, 0.49%

LAB 39.39, 49.27, -56.89

 

CMYK 19 / 67 / 0 / 27

HEX #983EBB

RGB 152 62 187

HSL 283.2, 0.5%, 0.49%

LAB 43.81, 56.64, -49.53

 

CMYK 67 / 43 / 0 / 27

HEX #3E6BBB

RGB 62 107 187

HSL 218.4, 0.5%, 0.49%

LAB 45.81, 10.89, -46.78

 

CMYK 67 / 61 / 0 / 27

HEX #3E49BB

RGB 62 73 187

HSL 234.72, 0.5%, 0.49%

LAB 36.7, 32.68, -61.48

 

CMYK 67 / 67 / 0 / 27

HEX #3E3EBB

RGB 62 62 187

HSL 240, 0.5%, 0.49%

LAB 34.1, 39.52, -65.73

 

CMYK 67 / 43 / 0 / 27

HEX #3E6BBB

RGB 62 107 187

HSL 218.4, 0.5%, 0.49%

LAB 45.81, 10.89, -46.78

 

CMYK 80 / 51 / 0 / 19

HEX #2A65CF

RGB 42 101 207

HSL 218.55, 0.66%, 0.49%

LAB 44.67, 19.5, -60.19

 

CMYK 90 / 58 / 0 / 11

HEX #1660E3

RGB 22 96 227

HSL 218.34, 0.82%, 0.49%

LAB 44.35, 29, -72.12

 

CMYK 100 / 64 / 0 / 3

HEX #015AF8

RGB 1 90 248

HSL 218.38, 0.99%, 0.49%

LAB 44.37, 40.18, -83.92

 

CMYK 67 / 43 / 0 / 27

HEX #3E6BBB

RGB 62 107 187

HSL 218.4, 0.5%, 0.49%

LAB 45.81, 10.89, -46.78

 

CMYK 51 / 32 / 0 / 35

HEX #5271A7

RGB 82 113 167

HSL 218.12, 0.34%, 0.49%

LAB 47.49, 4.48, -32.41

 

CMYK 30 / 19 / 0 / 43

HEX #667692

RGB 102 118 146

HSL 218.18, 0.18%, 0.49%

LAB 49.32, 0.96, -17.14

 

CMYK 2 / 2 / 0 / 51

HEX #7B7C7E

RGB 123 124 126

HSL 220, 0.01%, 0.49%

LAB 51.99, 0.03, -1.23

 

CMYK 0 / 9 / 26 / 44

HEX #8F826A

RGB 143 130 106

HSL 38.92, 0.15%, 0.49%

LAB 54.91, 0.93, 14.8

 

CMYK 67 / 7 / 0 / 27

HEX #3EAEBB

RGB 62 174 187

HSL 186.24, 0.5%, 0.49%

LAB 65.66, -27.02, -15.91

 

CMYK 67 / 25 / 0 / 27

HEX #3E8DBB

RGB 62 141 187

HSL 202.08, 0.5%, 0.49%

LAB 55.75, -9.5, -31.11

 

CMYK 67 / 42 / 0 / 27

HEX #3E6CBB

RGB 62 108 187

HSL 217.92, 0.5%, 0.49%

LAB 46.09, 10.26, -46.33

 

CMYK 67 / 60 / 0 / 27

HEX #3E4ABB

RGB 62 74 187

HSL 234.24, 0.5%, 0.49%

LAB 36.95, 32.04, -61.08

 

CMYK 56 / 67 / 0 / 27

HEX #533EBB

RGB 83 62 187

HSL 250.08, 0.5%, 0.49%

LAB 35.74, 42.68, -62.99

 

CMYK 67 / 43 / 0 / 51

HEX #29477D

RGB 41 71 125

HSL 218.57, 0.51%, 0.33%

LAB 30.54, 7.66, -33.99

 

CMYK 67 / 43 / 0 / 39

HEX #34599C

RGB 52 89 156

HSL 218.65, 0.5%, 0.41%

LAB 38.33, 9.39, -40.47

 

CMYK 67 / 43 / 0 / 27

HEX #3E6BBB

RGB 62 107 187

HSL 218.4, 0.5%, 0.49%

LAB 45.81, 10.89, -46.78

 

CMYK 55 / 35 / 0 / 22

HEX #5A82C8

RGB 90 130 200

HSL 218.18, 0.5%, 0.57%

LAB 54.35, 6.63, -40.6

 

CMYK 42 / 27 / 0 / 18

HEX #7999D2

RGB 121 153 210

HSL 218.43, 0.5%, 0.65%

LAB 62.93, 3.63, -32.68

 

CMYK 67 / 43 / 0 / 27

HEX #3E6BBB

RGB 62 107 187

HSL 218.4, 0.5%, 0.49%

LAB 45.81, 10.89, -46.78

 

CMYK 11 / 67 / 0 / 27

HEX #A63EBB

RGB 166 62 187

HSL 289.92, 0.5%, 0.49%

LAB 45.83, 59.82, -46.19

 

CMYK 16 / 0 / 67 / 27

HEX #9EBB3E

RGB 158 187 62

HSL 73.92, 0.5%, 0.49%

LAB 71.66, -27.35, 57.54

 

CMYK 67 / 43 / 0 / 27

HEX #3E6BBB

RGB 62 107 187

HSL 218.4, 0.5%, 0.49%

LAB 45.81, 10.89, -46.78

 

CMYK 0 / 67 / 42 / 27

HEX #BB3E6C

RGB 187 62 108

HSL 337.92, 0.5%, 0.49%

LAB 45.76, 53.82, 1.42

 

CMYK 42 / 0 / 67 / 27

HEX #6CBB3E

RGB 108 187 62

HSL 97.92, 0.5%, 0.49%

LAB 68.81, -45.94, 53.66

 

CMYK 67 / 43 / 0 / 27

HEX #3E6BBB

RGB 62 107 187

HSL 218.4, 0.5%, 0.49%

LAB 45.81, 10.89, -46.78

 

CMYK 11 / 67 / 0 / 27

HEX #A63EBB

RGB 166 62 187

HSL 289.92, 0.5%, 0.49%

LAB 45.83, 59.82, -46.19

 

CMYK 0 / 25 / 67 / 27

HEX #BB8D3E

RGB 187 141 62

HSL 37.92, 0.5%, 0.49%

LAB 61.62, 9.18, 47.65

 

CMYK 56 / 0 / 67 / 27

HEX #53BB3E

RGB 83 187 62

HSL 109.92, 0.5%, 0.49%

LAB 67.82, -53.33, 52.31

 

CMYK 67 / 43 / 0 / 27

HEX #3E6BBB

RGB 62 107 187

HSL 218.4, 0.5%, 0.49%

LAB 45.81, 10.89, -46.78

 

CMYK 0 / 67 / 9 / 27

HEX #BB3EAA

RGB 187 62 170

HSL 308.16, 0.5%, 0.49%

LAB 48.15, 61.92, -32.33

 

CMYK 0 / 25 / 67 / 27

HEX #BB8D3E

RGB 187 141 62

HSL 37.92, 0.5%, 0.49%

LAB 61.62, 9.18, 47.65

 

CMYK 67 / 0 / 58 / 27

HEX #3EBB4F

RGB 62 187 79

HSL 128.16, 0.5%, 0.49%

LAB 67.37, -56.29, 44.15

 

Description

Color code: HEX #3E6BBB | qconv.com Color code: HEX #3E6BBB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 107 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 107 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 43 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 43% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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