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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E76C0 it is the complementary color #C1893F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E76C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E76C0 shade: #4376BB, #5488CE, #659AE1, #76ACF4 and #87BEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E76C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E76C0 shade: #3E76C0, #2D64AD, #1C529A, #0B4087 and #002E74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E76C0 shade: #3E76C0, #3E53C0, #4C3EC0, #6F3EC0 and #923EC0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E76C0 shade: #3E76C0, #3E53C0 and #3E3EC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E76C0 shade matches the following richer shades: #3E76C0, #2973D5, #1570E9 and #006DFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E76C0 shade: #3E76C0, #5379AB, #677C97, #7C7F82 and #90816E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E76C0 shade: #3EBCC0, #3E99C0, #3E76C0, #3E54C0 and #4B3EC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E76C0 shade: #2A5082, #3463A1, #3E76C0, #5D8CCA and #7CA2D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E76C0 shade: #3E76C0, #A23EC0 and #AAC03E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E76C0 shade: #3E76C0, #C03E76 and #76C03E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E76C0 shade: #3E76C0, #A23EC0, #C0883E and #5CC03E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E76C0 shade: #3E76C0, #C03EB7, #C0883E and #3EC047

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 39 / 0 / 25

HEX #3E76C0

RGB 62 118 192

HSL 214.15, 0.51%, 0.5%

LAB 49.24, 5.83, -44.21

 

Complementary color

CMYK 0 / 29 / 67 / 24

HEX #C1893F

RGB 193 137 63

HSL 34.15, 0.51%, 0.5%

LAB 61.3, 14.06, 47.01

 

CMYK 64 / 37 / 0 / 27

HEX #4376BB

RGB 67 118 187

HSL 214.5, 0.47%, 0.5%

LAB 49.18, 4.93, -41.41

 

CMYK 59 / 34 / 0 / 19

HEX #5488CE

RGB 84 136 206

HSL 214.43, 0.55%, 0.57%

LAB 56.04, 3.76, -41.36

 

CMYK 55 / 32 / 0 / 12

HEX #659AE1

RGB 101 154 225

HSL 214.35, 0.67%, 0.64%

LAB 62.77, 2.83, -41.34

 

CMYK 52 / 30 / 0 / 4

HEX #76ACF4

RGB 118 172 244

HSL 214.29, 0.85%, 0.71%

LAB 69.39, 2.06, -41.34

 

CMYK 47 / 25 / 0 / 0

HEX #87BEFF

RGB 135 190 255

HSL 212.5, 1%, 0.76%

LAB 75.57, -0.86, -37.59

 

CMYK 68 / 39 / 0 / 25

HEX #3E76C0

RGB 62 118 192

HSL 214.15, 0.51%, 0.5%

LAB 49.24, 5.83, -44.21

 

CMYK 74 / 42 / 0 / 32

HEX #2D64AD

RGB 45 100 173

HSL 214.22, 0.59%, 0.43%

LAB 42.29, 7.56, -44.26

 

CMYK 82 / 47 / 0 / 40

HEX #1C529A

RGB 28 82 154

HSL 214.29, 0.69%, 0.36%

LAB 35.23, 9.82, -44.29

 

CMYK 92 / 53 / 0 / 47

HEX #0B4087

RGB 11 64 135

HSL 214.35, 0.85%, 0.29%

LAB 28.08, 12.83, -44.22

 

CMYK 100 / 60 / 0 / 55

HEX #002E74

RGB 0 46 116

HSL 216.21, 1%, 0.23%

LAB 20.88, 16.79, -43.94

 

CMYK 68 / 39 / 0 / 25

HEX #3E76C0

RGB 62 118 192

HSL 214.15, 0.51%, 0.5%

LAB 49.24, 5.83, -44.21

 

CMYK 68 / 57 / 0 / 25

HEX #3E53C0

RGB 62 83 192

HSL 230.31, 0.51%, 0.5%

LAB 39.61, 28.05, -59.68

 

CMYK 60 / 68 / 0 / 25

HEX #4C3EC0

RGB 76 62 192

HSL 246.46, 0.51%, 0.5%

LAB 35.57, 43.13, -66.22

 

CMYK 42 / 68 / 0 / 25

HEX #6F3EC0

RGB 111 62 192

HSL 262.62, 0.51%, 0.5%

LAB 38.95, 49.17, -60.56

 

CMYK 24 / 68 / 0 / 25

HEX #923EC0

RGB 146 62 192

HSL 278.77, 0.51%, 0.5%

LAB 43.3, 56.37, -53.31

 

CMYK 68 / 39 / 0 / 25

HEX #3E76C0

RGB 62 118 192

HSL 214.15, 0.51%, 0.5%

LAB 49.24, 5.83, -44.21

 

CMYK 68 / 57 / 0 / 25

HEX #3E53C0

RGB 62 83 192

HSL 230.31, 0.51%, 0.5%

LAB 39.61, 28.05, -59.68

 

CMYK 68 / 68 / 0 / 25

HEX #3E3EC0

RGB 62 62 192

HSL 240, 0.51%, 0.5%

LAB 34.55, 41.2, -67.93

 

CMYK 68 / 39 / 0 / 25

HEX #3E76C0

RGB 62 118 192

HSL 214.15, 0.51%, 0.5%

LAB 49.24, 5.83, -44.21

 

CMYK 81 / 46 / 0 / 16

HEX #2973D5

RGB 41 115 213

HSL 214.19, 0.68%, 0.5%

LAB 48.93, 12.77, -56.74

 

CMYK 91 / 52 / 0 / 9

HEX #1570E9

RGB 21 112 233

HSL 214.25, 0.83%, 0.5%

LAB 49.05, 21, -67.87

 

CMYK 100 / 57 / 0 / 0

HEX #006DFE

RGB 0 109 254

HSL 214.25, 1%, 0.5%

LAB 49.61, 30.39, -78.68

 

CMYK 68 / 39 / 0 / 25

HEX #3E76C0

RGB 62 118 192

HSL 214.15, 0.51%, 0.5%

LAB 49.24, 5.83, -44.21

 

CMYK 51 / 29 / 0 / 33

HEX #5379AB

RGB 83 121 171

HSL 214.09, 0.35%, 0.5%

LAB 50.04, 1.16, -30.74

 

CMYK 32 / 18 / 0 / 41

HEX #677C97

RGB 103 124 151

HSL 213.75, 0.19%, 0.5%

LAB 51.31, -0.93, -17.04

 

CMYK 5 / 2 / 0 / 49

HEX #7C7F82

RGB 124 127 130

HSL 210, 0.02%, 0.5%

LAB 53.03, -0.5, -2.02

 

CMYK 0 / 10 / 24 / 44

HEX #90816E

RGB 144 129 110

HSL 33.53, 0.13%, 0.5%

LAB 54.82, 2.51, 12.39

 

CMYK 68 / 2 / 0 / 25

HEX #3EBCC0

RGB 62 188 192

HSL 181.85, 0.51%, 0.5%

LAB 70.03, -32.36, -12.09

 

CMYK 68 / 20 / 0 / 25

HEX #3E99C0

RGB 62 153 192

HSL 198, 0.51%, 0.5%

LAB 59.54, -14.5, -28.07

 

CMYK 68 / 39 / 0 / 25

HEX #3E76C0

RGB 62 118 192

HSL 214.15, 0.51%, 0.5%

LAB 49.24, 5.83, -44.21

 

CMYK 68 / 56 / 0 / 25

HEX #3E54C0

RGB 62 84 192

HSL 229.85, 0.51%, 0.5%

LAB 39.87, 27.41, -59.26

 

CMYK 61 / 68 / 0 / 25

HEX #4B3EC0

RGB 75 62 192

HSL 246, 0.51%, 0.5%

LAB 35.49, 42.98, -66.35

 

CMYK 68 / 38 / 0 / 49

HEX #2A5082

RGB 42 80 130

HSL 214.09, 0.51%, 0.34%

LAB 33.65, 3.76, -32.14

 

CMYK 68 / 39 / 0 / 37

HEX #3463A1

RGB 52 99 161

HSL 214.13, 0.51%, 0.42%

LAB 41.57, 4.82, -38.3

 

CMYK 68 / 39 / 0 / 25

HEX #3E76C0

RGB 62 118 192

HSL 214.15, 0.51%, 0.5%

LAB 49.24, 5.83, -44.21

 

CMYK 54 / 31 / 0 / 21

HEX #5D8CCA

RGB 93 140 202

HSL 214.13, 0.51%, 0.58%

LAB 57.41, 2, -36.92

 

CMYK 42 / 24 / 0 / 17

HEX #7CA2D4

RGB 124 162 212

HSL 214.09, 0.51%, 0.66%

LAB 65.65, -0.13, -29.56

 

CMYK 68 / 39 / 0 / 25

HEX #3E76C0

RGB 62 118 192

HSL 214.15, 0.51%, 0.5%

LAB 49.24, 5.83, -44.21

 

CMYK 16 / 68 / 0 / 25

HEX #A23EC0

RGB 162 62 192

HSL 286.15, 0.51%, 0.5%

LAB 45.54, 59.88, -49.59

 

CMYK 11 / 0 / 68 / 25

HEX #AAC03E

RGB 170 192 62

HSL 70.15, 0.51%, 0.5%

LAB 73.93, -24.87, 60.13

 

CMYK 68 / 39 / 0 / 25

HEX #3E76C0

RGB 62 118 192

HSL 214.15, 0.51%, 0.5%

LAB 49.24, 5.83, -44.21

 

CMYK 0 / 68 / 39 / 25

HEX #C03E76

RGB 192 62 118

HSL 334.15, 0.51%, 0.5%

LAB 46.92, 56.37, -2.91

 

CMYK 39 / 0 / 68 / 25

HEX #76C03E

RGB 118 192 62

HSL 94.15, 0.51%, 0.5%

LAB 70.8, -44.69, 55.92

 

CMYK 68 / 39 / 0 / 25

HEX #3E76C0

RGB 62 118 192

HSL 214.15, 0.51%, 0.5%

LAB 49.24, 5.83, -44.21

 

CMYK 16 / 68 / 0 / 25

HEX #A23EC0

RGB 162 62 192

HSL 286.15, 0.51%, 0.5%

LAB 45.54, 59.88, -49.59

 

CMYK 0 / 29 / 68 / 25

HEX #C0883E

RGB 192 136 62

HSL 34.15, 0.51%, 0.5%

LAB 60.92, 14.12, 47.05

 

CMYK 52 / 0 / 68 / 25

HEX #5CC03E

RGB 92 192 62

HSL 106.15, 0.51%, 0.5%

LAB 69.7, -52.78, 54.42

 

CMYK 68 / 39 / 0 / 25

HEX #3E76C0

RGB 62 118 192

HSL 214.15, 0.51%, 0.5%

LAB 49.24, 5.83, -44.21

 

CMYK 0 / 68 / 5 / 25

HEX #C03EB7

RGB 192 62 183

HSL 304.15, 0.51%, 0.5%

LAB 49.58, 65.19, -37.65

 

CMYK 0 / 29 / 68 / 25

HEX #C0883E

RGB 192 136 62

HSL 34.15, 0.51%, 0.5%

LAB 60.92, 14.12, 47.05

 

CMYK 68 / 0 / 63 / 25

HEX #3EC047

RGB 62 192 71

HSL 124.15, 0.51%, 0.5%

LAB 68.88, -58.99, 49.49

 

Description

Color code: HEX #3E76C0 | qconv.com Color code: HEX #3E76C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 118 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 118 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 39 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 39% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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