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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E7A28 it is the complementary color #C185D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E7A28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E7A28 shade: #437A23, #548C36, #659E49, #76B05C and #87C26F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E7A28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E7A28 shade: #3E7A28, #2D6815, #1C5602, #0B4400 and #003200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E7A28 shade: #3E7B27, #547B27, #6B7B27, #7B7427 and #7B5E27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E7A28 shade: #3E7B27, #277B28, #277B3E, #277B54 and #277B6B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E7A28 shade matches the following richer shades: #3E7B27, #38881A, #32950D and #2BA200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E7A28 shade: #3E7B27, #446E35, #4A6042, #50534F and #56465C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E7A28 shade: #6B7B27, #557B27, #3F7B27, #297B27 and #277B3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E7A28 shade: #1E3C13, #2E5C1D, #3E7B27, #4E9A32 and #5DB93C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E7A28 shade: #3E7A28, #277B74 and #7B2760

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E7A28 shade: #3E7A28, #273F7B and #7B273F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E7A28 shade: #3E7A28, #277B74, #63277B and #7B272E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E7A28 shade: #3E7A28, #27697B, #63277B and #7B3A27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 67 / 52

HEX #3E7A28

RGB 62 122 40

HSL 103.9, 0.51%, 0.32%

LAB 45.77, -35.59, 37.71

 

Complementary color

CMYK 10 / 38 / 0 / 16

HEX #C185D7

RGB 193 133 215

HSL 283.9, 0.51%, 0.68%

LAB 64.18, 37.19, -33.07

 

CMYK 45 / 0 / 71 / 52

HEX #437A23

RGB 67 122 35

HSL 97.93, 0.55%, 0.31%

LAB 45.95, -34.37, 40.19

 

CMYK 40 / 0 / 61 / 45

HEX #548C36

RGB 84 140 54

HSL 99.07, 0.44%, 0.38%

LAB 52.85, -34.6, 39.34

 

CMYK 36 / 0 / 54 / 38

HEX #659E49

RGB 101 158 73

HSL 100.24, 0.37%, 0.45%

LAB 59.62, -34.63, 38.2

 

CMYK 33 / 0 / 48 / 31

HEX #76B05C

RGB 118 176 92

HSL 101.43, 0.35%, 0.53%

LAB 66.27, -34.56, 36.98

 

CMYK 30 / 0 / 43 / 24

HEX #87C26F

RGB 135 194 111

HSL 102.65, 0.4%, 0.6%

LAB 72.81, -34.43, 35.76

 

CMYK 49 / 0 / 67 / 52

HEX #3E7A28

RGB 62 122 40

HSL 103.9, 0.51%, 0.32%

LAB 45.77, -35.59, 37.71

 

CMYK 57 / 0 / 80 / 59

HEX #2D6815

RGB 45 104 21

HSL 102.65, 0.66%, 0.25%

LAB 38.75, -35.05, 38.21

 

CMYK 67 / 0 / 98 / 66

HEX #1C5602

RGB 28 86 2

HSL 101.43, 0.95%, 0.17%

LAB 31.59, -33.91, 37.68

 

CMYK 84 / 0 / 100 / 73

HEX #0B4400

RGB 11 68 0

HSL 110.29, 1%, 0.13%

LAB 24.34, -31.27, 32.02

 

CMYK 100 / 0 / 100 / 80

HEX #003200

RGB 0 50 0

HSL 120, 1%, 0.1%

LAB 16.9, -27.33, 23.7

 

CMYK 50 / 0 / 68 / 52

HEX #3E7B27

RGB 62 123 39

HSL 103.57, 0.52%, 0.32%

LAB 46.09, -36.12, 38.51

 

CMYK 32 / 0 / 68 / 52

HEX #547B27

RGB 84 123 39

HSL 87.86, 0.52%, 0.32%

LAB 47.23, -28.12, 40.08

 

CMYK 13 / 0 / 68 / 52

HEX #6B7B27

RGB 107 123 39

HSL 71.43, 0.52%, 0.32%

LAB 48.81, -18.39, 42.22

 

CMYK 0 / 6 / 68 / 52

HEX #7B7427

RGB 123 116 39

HSL 55, 0.52%, 0.32%

LAB 48.07, -7.28, 41.87

 

CMYK 0 / 24 / 68 / 52

HEX #7B5E27

RGB 123 94 39

HSL 39.29, 0.52%, 0.32%

LAB 41.79, 5.44, 35.18

 

CMYK 50 / 0 / 68 / 52

HEX #3E7B27

RGB 62 123 39

HSL 103.57, 0.52%, 0.32%

LAB 46.09, -36.12, 38.51

 

CMYK 68 / 0 / 67 / 52

HEX #277B28

RGB 39 123 40

HSL 120.71, 0.52%, 0.32%

LAB 45.29, -42.33, 36.95

 

CMYK 68 / 0 / 50 / 52

HEX #277B3E

RGB 39 123 62

HSL 136.43, 0.52%, 0.32%

LAB 45.56, -39.24, 26.1

 

CMYK 68 / 0 / 32 / 52

HEX #277B54

RGB 39 123 84

HSL 152.14, 0.52%, 0.32%

LAB 45.96, -34.86, 14.17

 

CMYK 68 / 0 / 13 / 52

HEX #277B6B

RGB 39 123 107

HSL 168.57, 0.52%, 0.32%

LAB 46.52, -29.03, 1.44

 

CMYK 50 / 0 / 68 / 52

HEX #3E7B27

RGB 62 123 39

HSL 103.57, 0.52%, 0.32%

LAB 46.09, -36.12, 38.51

 

CMYK 59 / 0 / 81 / 47

HEX #38881A

RGB 56 136 26

HSL 103.64, 0.68%, 0.32%

LAB 50.13, -44.19, 47.56

 

CMYK 66 / 0 / 91 / 42

HEX #32950D

RGB 50 149 13

HSL 103.68, 0.84%, 0.32%

LAB 54.24, -50.99, 54.47

 

CMYK 73 / 0 / 100 / 36

HEX #2BA200

RGB 43 162 0

HSL 104.07, 1%, 0.32%

LAB 58.37, -57.04, 59.84

 

CMYK 50 / 0 / 68 / 52

HEX #3E7B27

RGB 62 123 39

HSL 103.57, 0.52%, 0.32%

LAB 46.09, -36.12, 38.51

 

CMYK 38 / 0 / 52 / 57

HEX #446E35

RGB 68 110 53

HSL 104.21, 0.35%, 0.32%

LAB 42.21, -26.43, 27.09

 

CMYK 23 / 0 / 31 / 62

HEX #4A6042

RGB 74 96 66

HSL 104, 0.19%, 0.32%

LAB 38.23, -14.7, 14.51

 

CMYK 4 / 0 / 5 / 67

HEX #50534F

RGB 80 83 79

HSL 105, 0.02%, 0.32%

LAB 34.92, -2.07, 1.92

 

CMYK 7 / 24 / 0 / 64

HEX #56465C

RGB 86 70 92

HSL 283.64, 0.14%, 0.32%

LAB 32.1, 11.41, -10.44

 

CMYK 13 / 0 / 68 / 52

HEX #6B7B27

RGB 107 123 39

HSL 71.43, 0.52%, 0.32%

LAB 48.81, -18.39, 42.22

 

CMYK 31 / 0 / 68 / 52

HEX #557B27

RGB 85 123 39

HSL 87.14, 0.52%, 0.32%

LAB 47.29, -27.72, 40.16

 

CMYK 49 / 0 / 68 / 52

HEX #3F7B27

RGB 63 123 39

HSL 102.86, 0.52%, 0.32%

LAB 46.14, -35.79, 38.57

 

CMYK 67 / 0 / 68 / 52

HEX #297B27

RGB 41 123 39

HSL 118.57, 0.52%, 0.32%

LAB 45.34, -41.99, 37.48

 

CMYK 68 / 0 / 51 / 52

HEX #277B3C

RGB 39 123 60

HSL 135, 0.52%, 0.32%

LAB 45.53, -39.57, 27.15

 

CMYK 50 / 0 / 68 / 76

HEX #1E3C13

RGB 30 60 19

HSL 103.9, 0.52%, 0.15%

LAB 22.14, -20.44, 21.47

 

CMYK 50 / 0 / 68 / 64

HEX #2E5C1D

RGB 46 92 29

HSL 103.81, 0.52%, 0.24%

LAB 34.65, -28.8, 30.51

 

CMYK 50 / 0 / 68 / 52

HEX #3E7B27

RGB 62 123 39

HSL 103.57, 0.52%, 0.32%

LAB 46.09, -36.12, 38.51

 

CMYK 49 / 0 / 68 / 40

HEX #4E9A32

RGB 78 154 50

HSL 103.85, 0.51%, 0.4%

LAB 57.04, -42.99, 45.69

 

CMYK 50 / 0 / 68 / 27

HEX #5DB93C

RGB 93 185 60

HSL 104.16, 0.51%, 0.48%

LAB 67.54, -49.96, 52.94

 

CMYK 49 / 0 / 67 / 52

HEX #3E7A28

RGB 62 122 40

HSL 103.9, 0.51%, 0.32%

LAB 45.77, -35.59, 37.71

 

CMYK 68 / 0 / 6 / 52

HEX #277B74

RGB 39 123 116

HSL 175, 0.52%, 0.32%

LAB 46.79, -26.44, -3.51

 

CMYK 0 / 68 / 22 / 52

HEX #7B2760

RGB 123 39 96

HSL 319.29, 0.52%, 0.32%

LAB 30.66, 42.6, -14.76

 

CMYK 49 / 0 / 67 / 52

HEX #3E7A28

RGB 62 122 40

HSL 103.9, 0.51%, 0.32%

LAB 45.77, -35.59, 37.71

 

CMYK 68 / 49 / 0 / 52

HEX #273F7B

RGB 39 63 123

HSL 222.86, 0.52%, 0.32%

LAB 27.89, 11.98, -36.98

 

CMYK 0 / 68 / 49 / 52

HEX #7B273F

RGB 123 39 63

HSL 342.86, 0.52%, 0.32%

LAB 29.47, 38.42, 5.14

 

CMYK 49 / 0 / 67 / 52

HEX #3E7A28

RGB 62 122 40

HSL 103.9, 0.51%, 0.32%

LAB 45.77, -35.59, 37.71

 

CMYK 68 / 0 / 6 / 52

HEX #277B74

RGB 39 123 116

HSL 175, 0.52%, 0.32%

LAB 46.79, -26.44, -3.51

 

CMYK 20 / 68 / 0 / 52

HEX #63277B

RGB 99 39 123

HSL 282.86, 0.52%, 0.32%

LAB 28.2, 41.07, -36.15

 

CMYK 0 / 68 / 63 / 52

HEX #7B272E

RGB 123 39 46

HSL 355, 0.52%, 0.32%

LAB 29.05, 36.92, 15.83

 

CMYK 49 / 0 / 67 / 52

HEX #3E7A28

RGB 62 122 40

HSL 103.9, 0.51%, 0.32%

LAB 45.77, -35.59, 37.71

 

CMYK 68 / 15 / 0 / 52

HEX #27697B

RGB 39 105 123

HSL 192.86, 0.52%, 0.32%

LAB 41.16, -14.64, -16.17

 

CMYK 20 / 68 / 0 / 52

HEX #63277B

RGB 99 39 123

HSL 282.86, 0.52%, 0.32%

LAB 28.2, 41.07, -36.15

 

CMYK 0 / 53 / 68 / 52

HEX #7B3A27

RGB 123 58 39

HSL 13.57, 0.52%, 0.32%

LAB 32.66, 26.66, 24.77

 

Description

Color code: HEX #3E7A28 | qconv.com Color code: HEX #3E7A28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 122 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 122 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 67 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 67% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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