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Color name
HEX #3E8228

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E8228 it is the complementary color #C17DD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E8228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E8228 shade: #438223, #549436, #65A649, #76B85C and #87CA6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E8228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E8228 shade: #3E8228, #2D7015, #1C5E02, #0B4C00 and #003A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E8228 shade: #3D8027, #558027, #6D8027, #807B27 and #806327

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E8228 shade: #3D8027, #278029, #278041, #278059 and #278071

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E8228 shade matches the following richer shades: #3D8027, #368E19 and #2F9B0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E8228 shade: #3D8027, #447335, #4B6542, #525750 and #594A5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E8228 shade: #6D8027, #558027, #3D8027, #278029 and #278040

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E8228 shade: #1F4114, #2E611D, #3D8027, #4CA031 and #5BBF3A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E8228 shade: #3E8228, #27807C and #802761

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E8228 shade: #3E8228, #273D80 and #80273D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E8228 shade: #3E8228, #27807C, #6A2780 and #80272C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E8228 shade: #3E8228, #276A80, #6A2780 and #803D27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 69 / 49

HEX #3E8228

RGB 62 130 40

HSL 105.33, 0.53%, 0.33%

LAB 48.44, -38.97, 40.59

 

Complementary color

CMYK 10 / 42 / 0 / 16

HEX #C17DD7

RGB 193 125 215

HSL 285.33, 0.53%, 0.67%

LAB 62.43, 41.53, -35.78

 

CMYK 48 / 0 / 73 / 49

HEX #438223

RGB 67 130 35

HSL 99.79, 0.58%, 0.32%

LAB 48.61, -37.82, 42.94

 

CMYK 43 / 0 / 64 / 42

HEX #549436

RGB 84 148 54

HSL 100.85, 0.47%, 0.4%

LAB 55.41, -38.14, 42.22

 

CMYK 39 / 0 / 56 / 35

HEX #65A649

RGB 101 166 73

HSL 101.94, 0.39%, 0.47%

LAB 62.1, -38.23, 41.14

 

CMYK 36 / 0 / 50 / 28

HEX #76B85C

RGB 118 184 92

HSL 103.04, 0.39%, 0.54%

LAB 68.68, -38.19, 39.95

 

CMYK 33 / 0 / 45 / 21

HEX #87CA6F

RGB 135 202 111

HSL 104.18, 0.46%, 0.61%

LAB 75.16, -38.08, 38.73

 

CMYK 52 / 0 / 69 / 49

HEX #3E8228

RGB 62 130 40

HSL 105.33, 0.53%, 0.33%

LAB 48.44, -38.97, 40.59

 

CMYK 60 / 0 / 81 / 56

HEX #2D7015

RGB 45 112 21

HSL 104.18, 0.68%, 0.26%

LAB 41.53, -38.29, 40.91

 

CMYK 70 / 0 / 98 / 63

HEX #1C5E02

RGB 28 94 2

HSL 103.04, 0.96%, 0.19%

LAB 34.51, -36.94, 40.08

 

CMYK 86 / 0 / 100 / 70

HEX #0B4C00

RGB 11 76 0

HSL 111.32, 1%, 0.15%

LAB 27.41, -34.12, 34.84

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 52 / 0 / 70 / 50

HEX #3D8027

RGB 61 128 39

HSL 105.17, 0.53%, 0.33%

LAB 47.72, -38.55, 40.25

 

CMYK 34 / 0 / 70 / 50

HEX #558027

RGB 85 128 39

HSL 88.99, 0.53%, 0.33%

LAB 48.9, -30.1, 41.86

 

CMYK 15 / 0 / 70 / 50

HEX #6D8027

RGB 109 128 39

HSL 72.81, 0.53%, 0.33%

LAB 50.49, -20.12, 44.01

 

CMYK 0 / 4 / 70 / 50

HEX #807B27

RGB 128 123 39

HSL 56.63, 0.53%, 0.33%

LAB 50.57, -8.86, 44.59

 

CMYK 0 / 23 / 70 / 50

HEX #806327

RGB 128 99 39

HSL 40.45, 0.53%, 0.33%

LAB 43.74, 4.85, 37.46

 

CMYK 52 / 0 / 70 / 50

HEX #3D8027

RGB 61 128 39

HSL 105.17, 0.53%, 0.33%

LAB 47.72, -38.55, 40.25

 

CMYK 70 / 0 / 68 / 50

HEX #278029

RGB 39 128 41

HSL 121.35, 0.53%, 0.33%

LAB 47.01, -44.08, 38.39

 

CMYK 70 / 0 / 49 / 50

HEX #278041

RGB 39 128 65

HSL 137.53, 0.53%, 0.33%

LAB 47.3, -40.73, 26.66

 

CMYK 70 / 0 / 30 / 50

HEX #278059

RGB 39 128 89

HSL 153.71, 0.53%, 0.33%

LAB 47.74, -35.91, 13.72

 

CMYK 70 / 0 / 12 / 50

HEX #278071

RGB 39 128 113

HSL 169.89, 0.53%, 0.33%

LAB 48.34, -29.76, 0.54

 

CMYK 52 / 0 / 70 / 50

HEX #3D8027

RGB 61 128 39

HSL 105.17, 0.53%, 0.33%

LAB 47.72, -38.55, 40.25

 

CMYK 62 / 0 / 82 / 44

HEX #368E19

RGB 54 142 25

HSL 105.13, 0.7%, 0.33%

LAB 52.06, -47.01, 49.67

 

CMYK 70 / 0 / 92 / 39

HEX #2F9B0C

RGB 47 155 12

HSL 105.31, 0.86%, 0.33%

LAB 56.16, -53.69, 56.25

 

CMYK 52 / 0 / 70 / 50

HEX #3D8027

RGB 61 128 39

HSL 105.17, 0.53%, 0.33%

LAB 47.72, -38.55, 40.25

 

CMYK 41 / 0 / 54 / 55

HEX #447335

RGB 68 115 53

HSL 105.48, 0.37%, 0.33%

LAB 43.87, -28.84, 29.12

 

CMYK 26 / 0 / 35 / 60

HEX #4B6542

RGB 75 101 66

HSL 104.57, 0.21%, 0.33%

LAB 39.91, -17.06, 16.79

 

CMYK 6 / 0 / 8 / 66

HEX #525750

RGB 82 87 80

HSL 102.86, 0.04%, 0.33%

LAB 36.35, -3.48, 3.38

 

CMYK 5 / 21 / 0 / 63

HEX #594A5E

RGB 89 74 94

HSL 285, 0.12%, 0.33%

LAB 33.63, 10.47, -9.38

 

CMYK 15 / 0 / 70 / 50

HEX #6D8027

RGB 109 128 39

HSL 72.81, 0.53%, 0.33%

LAB 50.49, -20.12, 44.01

 

CMYK 34 / 0 / 70 / 50

HEX #558027

RGB 85 128 39

HSL 88.99, 0.53%, 0.33%

LAB 48.9, -30.1, 41.86

 

CMYK 52 / 0 / 70 / 50

HEX #3D8027

RGB 61 128 39

HSL 105.17, 0.53%, 0.33%

LAB 47.72, -38.55, 40.25

 

CMYK 70 / 0 / 68 / 50

HEX #278029

RGB 39 128 41

HSL 121.35, 0.53%, 0.33%

LAB 47.01, -44.08, 38.39

 

CMYK 70 / 0 / 50 / 50

HEX #278040

RGB 39 128 64

HSL 136.85, 0.53%, 0.33%

LAB 47.29, -40.9, 27.19

 

CMYK 52 / 0 / 69 / 75

HEX #1F4114

RGB 31 65 20

HSL 105.33, 0.53%, 0.17%

LAB 24.07, -22.43, 23.13

 

CMYK 53 / 0 / 70 / 62

HEX #2E611D

RGB 46 97 29

HSL 105, 0.54%, 0.25%

LAB 36.4, -31.04, 32.42

 

CMYK 52 / 0 / 70 / 50

HEX #3D8027

RGB 61 128 39

HSL 105.17, 0.53%, 0.33%

LAB 47.72, -38.55, 40.25

 

CMYK 53 / 0 / 69 / 37

HEX #4CA031

RGB 76 160 49

HSL 105.41, 0.53%, 0.41%

LAB 58.88, -46.08, 48.05

 

CMYK 52 / 0 / 70 / 25

HEX #5BBF3A

RGB 91 191 58

HSL 105.11, 0.53%, 0.49%

LAB 69.32, -53.01, 55.58

 

CMYK 52 / 0 / 69 / 49

HEX #3E8228

RGB 62 130 40

HSL 105.33, 0.53%, 0.33%

LAB 48.44, -38.97, 40.59

 

CMYK 70 / 0 / 3 / 50

HEX #27807C

RGB 39 128 124

HSL 177.3, 0.53%, 0.33%

LAB 48.67, -26.56, -5.45

 

CMYK 0 / 70 / 24 / 50

HEX #802761

RGB 128 39 97

HSL 320.9, 0.53%, 0.33%

LAB 31.59, 44.22, -13.9

 

CMYK 52 / 0 / 69 / 49

HEX #3E8228

RGB 62 130 40

HSL 105.33, 0.53%, 0.33%

LAB 48.44, -38.97, 40.59

 

CMYK 70 / 52 / 0 / 50

HEX #273D80

RGB 39 61 128

HSL 225.17, 0.53%, 0.33%

LAB 27.65, 15.3, -40.51

 

CMYK 0 / 70 / 52 / 50

HEX #80273D

RGB 128 39 61

HSL 345.17, 0.53%, 0.33%

LAB 30.34, 39.92, 7.84

 

CMYK 52 / 0 / 69 / 49

HEX #3E8228

RGB 62 130 40

HSL 105.33, 0.53%, 0.33%

LAB 48.44, -38.97, 40.59

 

CMYK 70 / 0 / 3 / 50

HEX #27807C

RGB 39 128 124

HSL 177.3, 0.53%, 0.33%

LAB 48.67, -26.56, -5.45

 

CMYK 17 / 70 / 0 / 50

HEX #6A2780

RGB 106 39 128

HSL 285.17, 0.53%, 0.33%

LAB 29.6, 43.87, -37.01

 

CMYK 0 / 70 / 66 / 50

HEX #80272C

RGB 128 39 44

HSL 356.63, 0.53%, 0.33%

LAB 29.97, 38.56, 18.5

 

CMYK 52 / 0 / 69 / 49

HEX #3E8228

RGB 62 130 40

HSL 105.33, 0.53%, 0.33%

LAB 48.44, -38.97, 40.59

 

CMYK 70 / 17 / 0 / 50

HEX #276A80

RGB 39 106 128

HSL 194.83, 0.53%, 0.33%

LAB 41.69, -13.5, -18.39

 

CMYK 17 / 70 / 0 / 50

HEX #6A2780

RGB 106 39 128

HSL 285.17, 0.53%, 0.33%

LAB 29.6, 43.87, -37.01

 

CMYK 0 / 52 / 70 / 50

HEX #803D27

RGB 128 61 39

HSL 14.83, 0.53%, 0.33%

LAB 34.13, 27.1, 26.7

 

Description

Color code: HEX #3E8228 | qconv.com Color code: HEX #3E8228 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 130 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 130 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 69 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 69% 49% C M Y K

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Provide designers and agencies with accurate color values.

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