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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E8DD4 it is the complementary color #C1722B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E8DD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E8DD4 shade: #438DCF, #549FE2, #65B1F5, #76C3FF and #87D5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E8DD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E8DD4 shade: #3E8DD4, #2D7BC1, #1C69AE, #0B579B and #004588

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E8DD4 shade: #3E8DD4, #3E65D4, #403ED4, #693ED4 and #913ED4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E8DD4 shade: #3E8DD4, #3E65D4 and #3E3ED4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E8DD4 shade matches the following richer shades: #3E8DD4, #2B8EE7 and #188FFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E8DD4 shade: #3E8DD4, #518CC1, #648BAE, #778A9B and #8A8988

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E8DD4 shade: #3ED4CA, #3EB6D4, #3E8ED4, #3E66D4 and #3E3ED4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E8DD4 shade: #22639E, #2A79BF, #3E8DD4, #60A1DC and #82B5E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E8DD4 shade: #3E8DD4, #A23ED4 and #CAD43E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E8DD4 shade: #3E8DD4, #D43E8E and #8ED43E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E8DD4 shade: #3E8DD4, #A23ED4, #D4843E and #70D43E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E8DD4 shade: #3E8DD4, #CF3ED4, #D4843E and #43D43E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 33 / 0 / 17

HEX #3E8DD4

RGB 62 141 212

HSL 208.4, 0.64%, 0.54%

LAB 56.91, -0.9, -43.43

 

Complementary color

CMYK 0 / 41 / 78 / 24

HEX #C1722B

RGB 193 114 43

HSL 28.4, 0.64%, 0.46%

LAB 55.63, 25.69, 50.33

 

CMYK 68 / 32 / 0 / 19

HEX #438DCF

RGB 67 141 207

HSL 208.29, 0.59%, 0.54%

LAB 56.83, -1.88, -40.73

 

CMYK 63 / 30 / 0 / 11

HEX #549FE2

RGB 84 159 226

HSL 208.31, 0.71%, 0.61%

LAB 63.48, -3, -40.83

 

CMYK 59 / 28 / 0 / 4

HEX #65B1F5

RGB 101 177 245

HSL 208.33, 0.88%, 0.68%

LAB 70.04, -3.9, -40.93

 

CMYK 54 / 24 / 0 / 0

HEX #76C3FF

RGB 118 195 255

HSL 206.28, 1%, 0.73%

LAB 76.13, -7.32, -36.78

 

CMYK 47 / 16 / 0 / 0

HEX #87D5FF

RGB 135 213 255

HSL 201, 1%, 0.76%

LAB 81.82, -13.11, -27.97

 

CMYK 71 / 33 / 0 / 17

HEX #3E8DD4

RGB 62 141 212

HSL 208.4, 0.64%, 0.54%

LAB 56.91, -0.9, -43.43

 

CMYK 77 / 36 / 0 / 24

HEX #2D7BC1

RGB 45 123 193

HSL 208.38, 0.62%, 0.47%

LAB 50.19, 0.73, -43.31

 

CMYK 84 / 40 / 0 / 32

HEX #1C69AE

RGB 28 105 174

HSL 208.36, 0.72%, 0.4%

LAB 43.37, 2.84, -43.16

 

CMYK 93 / 44 / 0 / 39

HEX #0B579B

RGB 11 87 155

HSL 208.33, 0.87%, 0.33%

LAB 36.47, 5.58, -42.92

 

CMYK 100 / 49 / 0 / 47

HEX #004588

RGB 0 69 136

HSL 209.56, 1%, 0.27%

LAB 29.5, 9.11, -42.55

 

CMYK 71 / 33 / 0 / 17

HEX #3E8DD4

RGB 62 141 212

HSL 208.4, 0.64%, 0.54%

LAB 56.91, -0.9, -43.43

 

CMYK 71 / 52 / 0 / 17

HEX #3E65D4

RGB 62 101 212

HSL 224.4, 0.64%, 0.54%

LAB 45.75, 23.73, -61.26

 

CMYK 70 / 71 / 0 / 17

HEX #403ED4

RGB 64 62 212

HSL 240.8, 0.64%, 0.54%

LAB 36.53, 48.02, -76.3

 

CMYK 50 / 71 / 0 / 17

HEX #693ED4

RGB 105 62 212

HSL 257.2, 0.64%, 0.54%

LAB 39.92, 53.52, -70.62

 

CMYK 32 / 71 / 0 / 17

HEX #913ED4

RGB 145 62 212

HSL 273.2, 0.64%, 0.54%

LAB 44.54, 60.6, -62.88

 

CMYK 71 / 33 / 0 / 17

HEX #3E8DD4

RGB 62 141 212

HSL 208.4, 0.64%, 0.54%

LAB 56.91, -0.9, -43.43

 

CMYK 71 / 52 / 0 / 17

HEX #3E65D4

RGB 62 101 212

HSL 224.4, 0.64%, 0.54%

LAB 45.75, 23.73, -61.26

 

CMYK 71 / 71 / 0 / 17

HEX #3E3ED4

RGB 62 62 212

HSL 240, 0.64%, 0.54%

LAB 36.41, 47.81, -76.51

 

CMYK 71 / 33 / 0 / 17

HEX #3E8DD4

RGB 62 141 212

HSL 208.4, 0.64%, 0.54%

LAB 56.91, -0.9, -43.43

 

CMYK 81 / 39 / 0 / 9

HEX #2B8EE7

RGB 43 142 231

HSL 208.4, 0.8%, 0.54%

LAB 57.68, 3.16, -52.85

 

CMYK 90 / 43 / 0 / 2

HEX #188FFA

RGB 24 143 250

HSL 208.41, 0.96%, 0.54%

LAB 58.73, 8.39, -61.69

 

CMYK 71 / 33 / 0 / 17

HEX #3E8DD4

RGB 62 141 212

HSL 208.4, 0.64%, 0.54%

LAB 56.91, -0.9, -43.43

 

CMYK 58 / 27 / 0 / 24

HEX #518CC1

RGB 81 140 193

HSL 208.39, 0.47%, 0.54%

LAB 56.44, -3.42, -33.38

 

CMYK 43 / 20 / 0 / 32

HEX #648BAE

RGB 100 139 174

HSL 208.38, 0.31%, 0.54%

LAB 56.32, -4.13, -22.68

 

CMYK 23 / 11 / 0 / 39

HEX #778A9B

RGB 119 138 155

HSL 208.33, 0.15%, 0.54%

LAB 56.55, -2.9, -11.31

 

CMYK 0 / 1 / 1 / 46

HEX #8A8988

RGB 138 137 136

HSL 30, 0.01%, 0.54%

LAB 57.15, 0.18, 0.66

 

CMYK 71 / 0 / 5 / 17

HEX #3ED4CA

RGB 62 212 202

HSL 176, 0.64%, 0.54%

LAB 77.5, -40.64, -6.39

 

CMYK 71 / 14 / 0 / 17

HEX #3EB6D4

RGB 62 182 212

HSL 192, 0.64%, 0.54%

LAB 68.92, -23.35, -24.75

 

CMYK 71 / 33 / 0 / 17

HEX #3E8ED4

RGB 62 142 212

HSL 208, 0.64%, 0.54%

LAB 57.2, -1.49, -42.97

 

CMYK 71 / 52 / 0 / 17

HEX #3E66D4

RGB 62 102 212

HSL 224, 0.64%, 0.54%

LAB 46.02, 23.09, -60.83

 

CMYK 71 / 71 / 0 / 17

HEX #3E3ED4

RGB 62 62 212

HSL 240, 0.64%, 0.54%

LAB 36.41, 47.81, -76.51

 

CMYK 78 / 37 / 0 / 38

HEX #22639E

RGB 34 99 158

HSL 208.55, 0.65%, 0.38%

LAB 40.79, 1.03, -37.8

 

CMYK 78 / 37 / 0 / 25

HEX #2A79BF

RGB 42 121 191

HSL 208.19, 0.64%, 0.46%

LAB 49.41, 0.86, -43.4

 

CMYK 71 / 33 / 0 / 17

HEX #3E8DD4

RGB 62 141 212

HSL 208.4, 0.64%, 0.54%

LAB 56.91, -0.9, -43.43

 

CMYK 56 / 27 / 0 / 14

HEX #60A1DC

RGB 96 161 220

HSL 208.55, 0.64%, 0.62%

LAB 64.28, -3.76, -36.24

 

CMYK 43 / 20 / 0 / 11

HEX #82B5E3

RGB 130 181 227

HSL 208.45, 0.63%, 0.7%

LAB 71.78, -4.96, -28.33

 

CMYK 71 / 33 / 0 / 17

HEX #3E8DD4

RGB 62 141 212

HSL 208.4, 0.64%, 0.54%

LAB 56.91, -0.9, -43.43

 

CMYK 24 / 71 / 0 / 17

HEX #A23ED4

RGB 162 62 212

HSL 280, 0.64%, 0.54%

LAB 46.82, 63.93, -59.1

 

CMYK 5 / 0 / 71 / 17

HEX #CAD43E

RGB 202 212 62

HSL 64, 0.64%, 0.54%

LAB 81.83, -21.41, 68.79

 

CMYK 71 / 33 / 0 / 17

HEX #3E8DD4

RGB 62 141 212

HSL 208.4, 0.64%, 0.54%

LAB 56.91, -0.9, -43.43

 

CMYK 0 / 71 / 33 / 17

HEX #D43E8E

RGB 212 62 142

HSL 328, 0.64%, 0.54%

LAB 51.15, 64.66, -10.74

 

CMYK 33 / 0 / 71 / 17

HEX #8ED43E

RGB 142 212 62

HSL 88, 0.64%, 0.54%

LAB 77.98, -44.79, 63.69

 

CMYK 71 / 33 / 0 / 17

HEX #3E8DD4

RGB 62 141 212

HSL 208.4, 0.64%, 0.54%

LAB 56.91, -0.9, -43.43

 

CMYK 24 / 71 / 0 / 17

HEX #A23ED4

RGB 162 62 212

HSL 280, 0.64%, 0.54%

LAB 46.82, 63.93, -59.1

 

CMYK 0 / 38 / 71 / 17

HEX #D4843E

RGB 212 132 62

HSL 28, 0.64%, 0.54%

LAB 62.38, 24.83, 49.33

 

CMYK 47 / 0 / 71 / 17

HEX #70D43E

RGB 112 212 62

HSL 100, 0.64%, 0.54%

LAB 76.61, -54.64, 61.85

 

CMYK 71 / 33 / 0 / 17

HEX #3E8DD4

RGB 62 141 212

HSL 208.4, 0.64%, 0.54%

LAB 56.91, -0.9, -43.43

 

CMYK 2 / 71 / 0 / 17

HEX #CF3ED4

RGB 207 62 212

HSL 298, 0.64%, 0.54%

LAB 53.45, 73.25, -48.1

 

CMYK 0 / 38 / 71 / 17

HEX #D4843E

RGB 212 132 62

HSL 28, 0.64%, 0.54%

LAB 62.38, 24.83, 49.33

 

CMYK 68 / 0 / 71 / 17

HEX #43D43E

RGB 67 212 62

HSL 118, 0.64%, 0.54%

LAB 75.22, -65.61, 59.98

 

Description

Color code: HEX #3E8DD4 | qconv.com Color code: HEX #3E8DD4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 141 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 141 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 33 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 33% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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