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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E8FF5 it is the complementary color #C1700A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E8FF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E8FF5 shade: #438FF0, #54A1FF, #65B3FF, #76C5FF and #87D7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E8FF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E8FF5 shade: #3E8FF5, #2D7DE2, #1C6BCF, #0B59BC and #0047A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E8FF5 shade: #3D8EF4, #3D5CF4, #4E3DF4, #803DF4 and #B13DF4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E8FF5 shade: #3D8EF4, #3D5CF4 and #3D3DF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E8FF5 shade matches the following richer shades: #3D8EF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E8FF5 shade: #3D8EF4, #4D90E4, #5E92D3, #6E94C3 and #7F96B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E8FF5 shade: #3DF1F4, #3DC0F4, #3D8FF4, #3D5EF4 and #4C3DF4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E8FF5 shade: #0B64D4, #1677F2, #3D8EF4, #64A5F6 and #8BBBF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E8FF5 shade: #3E8FF5, #C63DF4 and #D9F43D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E8FF5 shade: #3E8FF5, #F43D8F and #8FF43D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E8FF5 shade: #3E8FF5, #C63DF4, #F4A23D and #6BF43D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E8FF5 shade: #3E8FF5, #F43DEB, #F4A23D and #3DF446

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 42 / 0 / 4

HEX #3E8FF5

RGB 62 143 245

HSL 213.44, 0.9%, 0.6%

LAB 59.22, 9.63, -58.12

 

Complementary color

CMYK 0 / 42 / 95 / 24

HEX #C1700A

RGB 193 112 10

HSL 33.44, 0.9%, 0.4%

LAB 55.02, 25.95, 60.41

 

CMYK 72 / 40 / 0 / 6

HEX #438FF0

RGB 67 143 240

HSL 213.64, 0.85%, 0.6%

LAB 59.09, 8.48, -55.55

 

CMYK 67 / 37 / 0 / 0

HEX #54A1FF

RGB 84 161 255

HSL 212.98, 1%, 0.66%

LAB 65.43, 5.5, -53.66

 

CMYK 60 / 30 / 0 / 0

HEX #65B3FF

RGB 101 179 255

HSL 209.61, 1%, 0.7%

LAB 71.03, -1.87, -44.8

 

CMYK 54 / 23 / 0 / 0

HEX #76C5FF

RGB 118 197 255

HSL 205.4, 1%, 0.73%

LAB 76.68, -8.39, -35.93

 

CMYK 47 / 16 / 0 / 0

HEX #87D7FF

RGB 135 215 255

HSL 200, 1%, 0.76%

LAB 82.36, -14.15, -27.13

 

CMYK 75 / 42 / 0 / 4

HEX #3E8FF5

RGB 62 143 245

HSL 213.44, 0.9%, 0.6%

LAB 59.22, 9.63, -58.12

 

CMYK 80 / 45 / 0 / 11

HEX #2D7DE2

RGB 45 125 226

HSL 213.48, 0.76%, 0.53%

LAB 52.64, 11.81, -58.12

 

CMYK 86 / 48 / 0 / 19

HEX #1C6BCF

RGB 28 107 207

HSL 213.52, 0.76%, 0.46%

LAB 46, 14.47, -58.06

 

CMYK 94 / 53 / 0 / 26

HEX #0B59BC

RGB 11 89 188

HSL 213.56, 0.89%, 0.39%

LAB 39.32, 17.75, -57.88

 

CMYK 100 / 58 / 0 / 34

HEX #0047A9

RGB 0 71 169

HSL 214.79, 1%, 0.33%

LAB 32.64, 21.7, -57.52

 

CMYK 75 / 42 / 0 / 4

HEX #3D8EF4

RGB 61 142 244

HSL 213.44, 0.89%, 0.6%

LAB 58.85, 9.76, -58.15

 

CMYK 75 / 62 / 0 / 4

HEX #3D5CF4

RGB 61 92 244

HSL 229.84, 0.89%, 0.6%

LAB 45.88, 40.66, -79.15

 

CMYK 68 / 75 / 0 / 4

HEX #4E3DF4

RGB 78 61 244

HSL 245.57, 0.89%, 0.6%

LAB 40.39, 59.87, -88.14

 

CMYK 48 / 75 / 0 / 4

HEX #803DF4

RGB 128 61 244

HSL 261.97, 0.89%, 0.6%

LAB 44.88, 65.85, -80.59

 

CMYK 27 / 75 / 0 / 4

HEX #B13DF4

RGB 177 61 244

HSL 278.03, 0.89%, 0.6%

LAB 50.94, 73.66, -70.45

 

CMYK 75 / 42 / 0 / 4

HEX #3D8EF4

RGB 61 142 244

HSL 213.44, 0.89%, 0.6%

LAB 58.85, 9.76, -58.15

 

CMYK 75 / 62 / 0 / 4

HEX #3D5CF4

RGB 61 92 244

HSL 229.84, 0.89%, 0.6%

LAB 45.88, 40.66, -79.15

 

CMYK 75 / 75 / 0 / 4

HEX #3D3DF4

RGB 61 61 244

HSL 240, 0.89%, 0.6%

LAB 39.35, 58.45, -89.9

 

CMYK 75 / 42 / 0 / 4

HEX #3D8EF4

RGB 61 142 244

HSL 213.44, 0.89%, 0.6%

LAB 58.85, 9.76, -58.15

 

CMYK 75 / 42 / 0 / 4

HEX #3D8EF4

RGB 61 142 244

HSL 213.44, 0.89%, 0.6%

LAB 58.85, 9.76, -58.15

 

CMYK 66 / 37 / 0 / 11

HEX #4D90E4

RGB 77 144 228

HSL 213.38, 0.74%, 0.6%

LAB 59.09, 5.17, -48.88

 

CMYK 55 / 31 / 0 / 17

HEX #5E92D3

RGB 94 146 211

HSL 213.33, 0.57%, 0.6%

LAB 59.56, 1.57, -38.6

 

CMYK 44 / 24 / 0 / 24

HEX #6E94C3

RGB 110 148 195

HSL 213.18, 0.41%, 0.6%

LAB 60.28, -0.63, -28.44

 

CMYK 29 / 16 / 0 / 30

HEX #7F96B2

RGB 127 150 178

HSL 212.94, 0.25%, 0.6%

LAB 61.25, -1.51, -17.27

 

CMYK 75 / 1 / 0 / 4

HEX #3DF1F4

RGB 61 241 244

HSL 180.98, 0.89%, 0.6%

LAB 87.21, -42.03, -14.21

 

CMYK 75 / 21 / 0 / 4

HEX #3DC0F4

RGB 61 192 244

HSL 197.05, 0.89%, 0.6%

LAB 73.04, -18.36, -35.81

 

CMYK 75 / 41 / 0 / 4

HEX #3D8FF4

RGB 61 143 244

HSL 213.11, 0.89%, 0.6%

LAB 59.13, 9.16, -57.71

 

CMYK 75 / 61 / 0 / 4

HEX #3D5EF4

RGB 61 94 244

HSL 229.18, 0.89%, 0.6%

LAB 46.35, 39.43, -78.38

 

CMYK 69 / 75 / 0 / 4

HEX #4C3DF4

RGB 76 61 244

HSL 244.92, 0.89%, 0.6%

LAB 40.26, 59.69, -88.37

 

CMYK 95 / 53 / 0 / 17

HEX #0B64D4

RGB 11 100 212

HSL 213.43, 0.9%, 0.44%

LAB 44.15, 20.12, -63.93

 

CMYK 91 / 51 / 0 / 5

HEX #1677F2

RGB 22 119 242

HSL 213.55, 0.89%, 0.52%

LAB 51.58, 20.07, -68.79

 

CMYK 75 / 42 / 0 / 4

HEX #3D8EF4

RGB 61 142 244

HSL 213.44, 0.89%, 0.6%

LAB 58.85, 9.76, -58.15

 

CMYK 59 / 33 / 0 / 4

HEX #64A5F6

RGB 100 165 246

HSL 213.29, 0.89%, 0.68%

LAB 66.73, 2.97, -46.67

 

CMYK 44 / 25 / 0 / 3

HEX #8BBBF8

RGB 139 187 248

HSL 213.58, 0.89%, 0.76%

LAB 74.7, -0.22, -35.16

 

CMYK 75 / 42 / 0 / 4

HEX #3E8FF5

RGB 62 143 245

HSL 213.44, 0.9%, 0.6%

LAB 59.22, 9.63, -58.12

 

CMYK 19 / 75 / 0 / 4

HEX #C63DF4

RGB 198 61 244

HSL 284.92, 0.89%, 0.6%

LAB 53.89, 77.4, -65.53

 

CMYK 11 / 0 / 75 / 4

HEX #D9F43D

RGB 217 244 61

HSL 68.85, 0.89%, 0.6%

LAB 91.59, -30.57, 78.75

 

CMYK 75 / 42 / 0 / 4

HEX #3E8FF5

RGB 62 143 245

HSL 213.44, 0.9%, 0.6%

LAB 59.22, 9.63, -58.12

 

CMYK 0 / 75 / 41 / 4

HEX #F43D8F

RGB 244 61 143

HSL 333.11, 0.89%, 0.6%

LAB 56.64, 73.5, -2.56

 

CMYK 41 / 0 / 75 / 4

HEX #8FF43D

RGB 143 244 61

HSL 93.11, 0.89%, 0.6%

LAB 87.43, -57.49, 73.33

 

CMYK 75 / 42 / 0 / 4

HEX #3E8FF5

RGB 62 143 245

HSL 213.44, 0.9%, 0.6%

LAB 59.22, 9.63, -58.12

 

CMYK 19 / 75 / 0 / 4

HEX #C63DF4

RGB 198 61 244

HSL 284.92, 0.89%, 0.6%

LAB 53.89, 77.4, -65.53

 

CMYK 0 / 34 / 75 / 4

HEX #F4A23D

RGB 244 162 61

HSL 33.11, 0.89%, 0.6%

LAB 73.16, 22.17, 62.05

 

CMYK 56 / 0 / 75 / 4

HEX #6BF43D

RGB 107 244 61

HSL 104.92, 0.89%, 0.6%

LAB 86.09, -67.68, 71.58

 

CMYK 75 / 42 / 0 / 4

HEX #3E8FF5

RGB 62 143 245

HSL 213.44, 0.9%, 0.6%

LAB 59.22, 9.63, -58.12

 

CMYK 0 / 75 / 4 / 4

HEX #F43DEB

RGB 244 61 235

HSL 302.95, 0.89%, 0.6%

LAB 60.4, 84.74, -49.7

 

CMYK 0 / 34 / 75 / 4

HEX #F4A23D

RGB 244 162 61

HSL 33.11, 0.89%, 0.6%

LAB 73.16, 22.17, 62.05

 

CMYK 75 / 0 / 71 / 4

HEX #3DF446

RGB 61 244 70

HSL 122.95, 0.89%, 0.6%

LAB 85.07, -75.95, 67.2

 

Description

Color code: HEX #3E8FF5 | qconv.com Color code: HEX #3E8FF5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 143 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 143 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 42 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 42% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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