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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E92D0 it is the complementary color #C16D2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E92D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E92D0 shade: #4392CB, #54A4DE, #65B6F1, #76C8FF and #87DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E92D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E92D0 shade: #3E92D0, #2D80BD, #1C6EAA, #0B5C97 and #004A84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E92D0 shade: #3E92D0, #3E6AD0, #3E43D0, #603ED0 and #873ED0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E92D0 shade: #3E92D0, #3E6AD0, #3E43D0 and #3E3ED0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E92D0 shade matches the following richer shades: #3E92D0, #2A95E3 and #1798F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E92D0 shade: #3E92D0, #518FBC, #648CA9, #788996 and #8B8682

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E92D0 shade: #3ED0BF, #3EBAD0, #3E93D0, #3E6CD0 and #3E45D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E92D0 shade: #246697, #2C7DB8, #3E92D0, #5FA4D8 and #80B7E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E92D0 shade: #3E92D0, #983ED0 and #CDD03E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E92D0 shade: #3E92D0, #D03E93 and #93D03E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E92D0 shade: #3E92D0, #983ED0, #D07A3E and #76D03E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E92D0 shade: #3E92D0, #C43ED0, #D07A3E and #4AD03E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 30 / 0 / 18

HEX #3E92D0

RGB 62 146 208

HSL 205.48, 0.61%, 0.53%

LAB 58.17, -5.19, -39.2

 

Complementary color

CMYK 0 / 44 / 76 / 24

HEX #C16D2F

RGB 193 109 47

HSL 25.48, 0.61%, 0.47%

LAB 54.53, 28.57, 47.44

 

CMYK 67 / 28 / 0 / 20

HEX #4392CB

RGB 67 146 203

HSL 205.15, 0.57%, 0.53%

LAB 58.1, -6.13, -36.49

 

CMYK 62 / 26 / 0 / 13

HEX #54A4DE

RGB 84 164 222

HSL 205.22, 0.68%, 0.6%

LAB 64.73, -7.11, -36.67

 

CMYK 58 / 24 / 0 / 5

HEX #65B6F1

RGB 101 182 241

HSL 205.29, 0.83%, 0.67%

LAB 71.26, -7.89, -36.85

 

CMYK 54 / 22 / 0 / 0

HEX #76C8FF

RGB 118 200 255

HSL 204.09, 1%, 0.73%

LAB 77.51, -9.99, -34.66

 

CMYK 47 / 15 / 0 / 0

HEX #87DAFF

RGB 135 218 255

HSL 198.5, 1%, 0.76%

LAB 83.19, -15.69, -25.88

 

CMYK 70 / 30 / 0 / 18

HEX #3E92D0

RGB 62 146 208

HSL 205.48, 0.61%, 0.53%

LAB 58.17, -5.19, -39.2

 

CMYK 76 / 32 / 0 / 26

HEX #2D80BD

RGB 45 128 189

HSL 205.42, 0.62%, 0.46%

LAB 51.46, -3.73, -39

 

CMYK 84 / 35 / 0 / 33

HEX #1C6EAA

RGB 28 110 170

HSL 205.35, 0.72%, 0.39%

LAB 44.66, -1.82, -38.76

 

CMYK 93 / 39 / 0 / 41

HEX #0B5C97

RGB 11 92 151

HSL 205.29, 0.86%, 0.32%

LAB 37.77, 0.69, -38.44

 

CMYK 100 / 44 / 0 / 48

HEX #004A84

RGB 0 74 132

HSL 206.36, 1%, 0.26%

LAB 30.79, 3.97, -38

 

CMYK 70 / 30 / 0 / 18

HEX #3E92D0

RGB 62 146 208

HSL 205.48, 0.61%, 0.53%

LAB 58.17, -5.19, -39.2

 

CMYK 70 / 49 / 0 / 18

HEX #3E6AD0

RGB 62 106 208

HSL 221.92, 0.61%, 0.53%

LAB 46.82, 19.1, -57.24

 

CMYK 70 / 68 / 0 / 18

HEX #3E43D0

RGB 62 67 208

HSL 237.95, 0.61%, 0.53%

LAB 37.1, 43.57, -73.06

 

CMYK 54 / 70 / 0 / 18

HEX #603ED0

RGB 96 62 208

HSL 253.97, 0.61%, 0.53%

LAB 38.7, 50.99, -70.34

 

CMYK 35 / 70 / 0 / 18

HEX #873ED0

RGB 135 62 208

HSL 270, 0.61%, 0.53%

LAB 42.99, 57.76, -63.17

 

CMYK 70 / 30 / 0 / 18

HEX #3E92D0

RGB 62 146 208

HSL 205.48, 0.61%, 0.53%

LAB 58.17, -5.19, -39.2

 

CMYK 70 / 49 / 0 / 18

HEX #3E6AD0

RGB 62 106 208

HSL 221.92, 0.61%, 0.53%

LAB 46.82, 19.1, -57.24

 

CMYK 70 / 68 / 0 / 18

HEX #3E43D0

RGB 62 67 208

HSL 237.95, 0.61%, 0.53%

LAB 37.1, 43.57, -73.06

 

CMYK 70 / 70 / 0 / 18

HEX #3E3ED0

RGB 62 62 208

HSL 240, 0.61%, 0.53%

LAB 36.03, 46.5, -74.83

 

CMYK 70 / 30 / 0 / 18

HEX #3E92D0

RGB 62 146 208

HSL 205.48, 0.61%, 0.53%

LAB 58.17, -5.19, -39.2

 

CMYK 81 / 34 / 0 / 11

HEX #2A95E3

RGB 42 149 227

HSL 205.3, 0.77%, 0.53%

LAB 59.46, -2.51, -47.8

 

CMYK 91 / 38 / 0 / 3

HEX #1798F7

RGB 23 152 247

HSL 205.45, 0.93%, 0.53%

LAB 61.09, 1.86, -56.27

 

CMYK 70 / 30 / 0 / 18

HEX #3E92D0

RGB 62 146 208

HSL 205.48, 0.61%, 0.53%

LAB 58.17, -5.19, -39.2

 

CMYK 57 / 24 / 0 / 26

HEX #518FBC

RGB 81 143 188

HSL 205.23, 0.44%, 0.53%

LAB 57.1, -6.73, -29.52

 

CMYK 41 / 17 / 0 / 34

HEX #648CA9

RGB 100 140 169

HSL 205.22, 0.29%, 0.53%

LAB 56.42, -6.1, -19.67

 

CMYK 20 / 9 / 0 / 41

HEX #788996

RGB 120 137 150

HSL 206, 0.13%, 0.53%

LAB 56.17, -3.19, -8.99

 

CMYK 0 / 4 / 6 / 45

HEX #8B8682

RGB 139 134 130

HSL 26.67, 0.04%, 0.53%

LAB 56.24, 1.11, 2.81

 

CMYK 70 / 0 / 8 / 18

HEX #3ED0BF

RGB 62 208 191

HSL 173.01, 0.61%, 0.53%

LAB 76.01, -41.83, -2.68

 

CMYK 70 / 11 / 0 / 18

HEX #3EBAD0

RGB 62 186 208

HSL 189.04, 0.61%, 0.53%

LAB 69.96, -26.61, -20.96

 

CMYK 70 / 29 / 0 / 18

HEX #3E93D0

RGB 62 147 208

HSL 205.07, 0.61%, 0.53%

LAB 58.46, -5.76, -38.74

 

CMYK 70 / 48 / 0 / 18

HEX #3E6CD0

RGB 62 108 208

HSL 221.1, 0.61%, 0.53%

LAB 47.37, 17.84, -56.36

 

CMYK 70 / 67 / 0 / 18

HEX #3E45D0

RGB 62 69 208

HSL 237.12, 0.61%, 0.53%

LAB 37.54, 42.38, -72.34

 

CMYK 76 / 32 / 0 / 41

HEX #246697

RGB 36 102 151

HSL 205.57, 0.61%, 0.37%

LAB 41.39, -3.25, -32.66

 

CMYK 76 / 32 / 0 / 28

HEX #2C7DB8

RGB 44 125 184

HSL 205.29, 0.61%, 0.45%

LAB 50.29, -3.89, -37.98

 

CMYK 70 / 30 / 0 / 18

HEX #3E92D0

RGB 62 146 208

HSL 205.48, 0.61%, 0.53%

LAB 58.17, -5.19, -39.2

 

CMYK 56 / 24 / 0 / 15

HEX #5FA4D8

RGB 95 164 216

HSL 205.79, 0.61%, 0.61%

LAB 64.92, -6.88, -33.03

 

CMYK 43 / 18 / 0 / 12

HEX #80B7E0

RGB 128 183 224

HSL 205.63, 0.61%, 0.69%

LAB 72.12, -7.36, -26.19

 

CMYK 70 / 30 / 0 / 18

HEX #3E92D0

RGB 62 146 208

HSL 205.48, 0.61%, 0.53%

LAB 58.17, -5.19, -39.2

 

CMYK 27 / 70 / 0 / 18

HEX #983ED0

RGB 152 62 208

HSL 276.99, 0.61%, 0.53%

LAB 45.19, 61.08, -59.5

 

CMYK 1 / 0 / 70 / 18

HEX #CDD03E

RGB 205 208 62

HSL 61.23, 0.61%, 0.53%

LAB 80.98, -18.2, 68.04

 

CMYK 70 / 30 / 0 / 18

HEX #3E92D0

RGB 62 146 208

HSL 205.48, 0.61%, 0.53%

LAB 58.17, -5.19, -39.2

 

CMYK 0 / 70 / 29 / 18

HEX #D03E93

RGB 208 62 147

HSL 325.07, 0.61%, 0.53%

LAB 50.64, 64.18, -14.55

 

CMYK 29 / 0 / 70 / 18

HEX #93D03E

RGB 147 208 62

HSL 85.07, 0.61%, 0.53%

LAB 77.08, -41.26, 62.86

 

CMYK 70 / 30 / 0 / 18

HEX #3E92D0

RGB 62 146 208

HSL 205.48, 0.61%, 0.53%

LAB 58.17, -5.19, -39.2

 

CMYK 27 / 70 / 0 / 18

HEX #983ED0

RGB 152 62 208

HSL 276.99, 0.61%, 0.53%

LAB 45.19, 61.08, -59.5

 

CMYK 0 / 41 / 70 / 18

HEX #D07A3E

RGB 208 122 62

HSL 24.66, 0.61%, 0.53%

LAB 59.6, 28.54, 46.17

 

CMYK 43 / 0 / 70 / 18

HEX #76D03E

RGB 118 208 62

HSL 96.99, 0.61%, 0.53%

LAB 75.64, -51.23, 60.94

 

CMYK 70 / 30 / 0 / 18

HEX #3E92D0

RGB 62 146 208

HSL 205.48, 0.61%, 0.53%

LAB 58.17, -5.19, -39.2

 

CMYK 6 / 70 / 0 / 18

HEX #C43ED0

RGB 196 62 208

HSL 295.07, 0.61%, 0.53%

LAB 51.54, 70.23, -48.97

 

CMYK 0 / 41 / 70 / 18

HEX #D07A3E

RGB 208 122 62

HSL 24.66, 0.61%, 0.53%

LAB 59.6, 28.54, 46.17

 

CMYK 64 / 0 / 70 / 18

HEX #4AD03E

RGB 74 208 62

HSL 115.07, 0.61%, 0.53%

LAB 74.14, -62.91, 58.91

 

Description

Color code: HEX #3E92D0 | qconv.com Color code: HEX #3E92D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 146 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 146 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 30 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 30% 0% 18% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

46% - Welkom - Badminton v...
Link: http://bvdinteloord.nl

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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