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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E9EDF it is the complementary color #C16120. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E9EDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E9EDF shade: #439EDA, #54B0ED, #65C2FF, #76D4FF and #87E6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E9EDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E9EDF shade: #3E9EDF, #2D8CCC, #1C7AB9, #0B68A6 and #005693

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E9EDF shade: #3E9EDF, #3E72DF, #3E47DF, #603EDF and #8B3EDF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E9EDF shade: #3E9EDF, #3E72DF, #3E47DF and #3E3EDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E9EDF shade matches the following richer shades: #3E9EDF and #2BA1F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E9EDF shade: #3E9EDF, #509ACD, #6297BB, #7493A9 and #869096

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E9EDF shade: #3EDFCA, #3ECADF, #3E9EDF, #3E73DF and #3E48DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E9EDF shade: #1C73AE, #228BD2, #3E9EDF, #61B0E5 and #84C1EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E9EDF shade: #3E9EDF, #9E3EDF and #DFDF3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E9EDF shade: #3E9EDF, #DF3E9E and #9EDF3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E9EDF shade: #3E9EDF, #9E3EDF, #DF7E3E and #7EDF3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E9EDF shade: #3E9EDF, #CF3EDF, #DF7E3E and #4EDF3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 29 / 0 / 13

HEX #3E9EDF

RGB 62 158 223

HSL 204.22, 0.72%, 0.56%

LAB 62.34, -6.85, -41.01

 

Complementary color

CMYK 0 / 50 / 83 / 24

HEX #C16120

RGB 193 97 32

HSL 24.22, 0.72%, 0.44%

LAB 51.83, 34.4, 51.43

 

CMYK 69 / 28 / 0 / 15

HEX #439EDA

RGB 67 158 218

HSL 203.84, 0.67%, 0.56%

LAB 62.26, -7.85, -38.36

 

CMYK 65 / 26 / 0 / 7

HEX #54B0ED

RGB 84 176 237

HSL 203.92, 0.81%, 0.63%

LAB 68.79, -8.91, -38.58

 

CMYK 60 / 24 / 0 / 0

HEX #65C2FF

RGB 101 194 255

HSL 203.77, 1%, 0.7%

LAB 75.18, -10.06, -38.31

 

CMYK 54 / 17 / 0 / 0

HEX #76D4FF

RGB 118 212 255

HSL 198.83, 1%, 0.73%

LAB 80.83, -16.26, -29.55

 

CMYK 47 / 10 / 0 / 0

HEX #87E6FF

RGB 135 230 255

HSL 192.5, 1%, 0.76%

LAB 86.49, -21.74, -20.86

 

CMYK 72 / 29 / 0 / 13

HEX #3E9EDF

RGB 62 158 223

HSL 204.22, 0.72%, 0.56%

LAB 62.34, -6.85, -41.01

 

CMYK 78 / 31 / 0 / 20

HEX #2D8CCC

RGB 45 140 204

HSL 204.15, 0.64%, 0.49%

LAB 55.76, -5.32, -40.76

 

CMYK 85 / 34 / 0 / 27

HEX #1C7AB9

RGB 28 122 185

HSL 204.08, 0.74%, 0.42%

LAB 49.09, -3.37, -40.47

 

CMYK 93 / 37 / 0 / 35

HEX #0B68A6

RGB 11 104 166

HSL 204, 0.88%, 0.35%

LAB 42.35, -0.86, -40.09

 

CMYK 100 / 41 / 0 / 42

HEX #005693

RGB 0 86 147

HSL 204.9, 1%, 0.29%

LAB 35.52, 2.34, -39.61

 

CMYK 72 / 29 / 0 / 13

HEX #3E9EDF

RGB 62 158 223

HSL 204.22, 0.72%, 0.56%

LAB 62.34, -6.85, -41.01

 

CMYK 72 / 49 / 0 / 13

HEX #3E72DF

RGB 62 114 223

HSL 220.62, 0.72%, 0.56%

LAB 49.96, 19.5, -60.71

 

CMYK 72 / 68 / 0 / 13

HEX #3E47DF

RGB 62 71 223

HSL 236.65, 0.72%, 0.56%

LAB 39.34, 46.23, -78

 

CMYK 57 / 72 / 0 / 13

HEX #603EDF

RGB 96 62 223

HSL 252.67, 0.72%, 0.56%

LAB 40.01, 55.29, -76.81

 

CMYK 38 / 72 / 0 / 13

HEX #8B3EDF

RGB 139 62 223

HSL 268.7, 0.72%, 0.56%

LAB 44.61, 62.04, -69.11

 

CMYK 72 / 29 / 0 / 13

HEX #3E9EDF

RGB 62 158 223

HSL 204.22, 0.72%, 0.56%

LAB 62.34, -6.85, -41.01

 

CMYK 72 / 49 / 0 / 13

HEX #3E72DF

RGB 62 114 223

HSL 220.62, 0.72%, 0.56%

LAB 49.96, 19.5, -60.71

 

CMYK 72 / 68 / 0 / 13

HEX #3E47DF

RGB 62 71 223

HSL 236.65, 0.72%, 0.56%

LAB 39.34, 46.23, -78

 

CMYK 72 / 72 / 0 / 13

HEX #3E3EDF

RGB 62 62 223

HSL 240, 0.72%, 0.56%

LAB 37.48, 51.37, -81.07

 

CMYK 72 / 29 / 0 / 13

HEX #3E9EDF

RGB 62 158 223

HSL 204.22, 0.72%, 0.56%

LAB 62.34, -6.85, -41.01

 

CMYK 82 / 33 / 0 / 5

HEX #2BA1F1

RGB 43 161 241

HSL 204.24, 0.88%, 0.56%

LAB 63.63, -4.27, -48.93

 

CMYK 72 / 29 / 0 / 13

HEX #3E9EDF

RGB 62 158 223

HSL 204.22, 0.72%, 0.56%

LAB 62.34, -6.85, -41.01

 

CMYK 61 / 25 / 0 / 20

HEX #509ACD

RGB 80 154 205

HSL 204.48, 0.56%, 0.56%

LAB 60.98, -7.72, -33.08

 

CMYK 48 / 19 / 0 / 27

HEX #6297BB

RGB 98 151 187

HSL 204.27, 0.4%, 0.56%

LAB 60.17, -7.67, -24.15

 

CMYK 31 / 13 / 0 / 34

HEX #7493A9

RGB 116 147 169

HSL 204.91, 0.24%, 0.56%

LAB 59.38, -5.44, -15.07

 

CMYK 11 / 4 / 0 / 41

HEX #869096

RGB 134 144 150

HSL 202.5, 0.07%, 0.56%

LAB 59.17, -2.35, -4.42

 

CMYK 72 / 0 / 9 / 13

HEX #3EDFCA

RGB 62 223 202

HSL 172.17, 0.72%, 0.56%

LAB 80.77, -45.47, -1.57

 

CMYK 72 / 9 / 0 / 13

HEX #3ECADF

RGB 62 202 223

HSL 187.83, 0.72%, 0.56%

LAB 75.2, -29.91, -21.16

 

CMYK 72 / 29 / 0 / 13

HEX #3E9EDF

RGB 62 158 223

HSL 204.22, 0.72%, 0.56%

LAB 62.34, -6.85, -41.01

 

CMYK 72 / 48 / 0 / 13

HEX #3E73DF

RGB 62 115 223

HSL 220.25, 0.72%, 0.56%

LAB 50.23, 18.87, -60.27

 

CMYK 72 / 68 / 0 / 13

HEX #3E48DF

RGB 62 72 223

HSL 236.27, 0.72%, 0.56%

LAB 39.56, 45.64, -77.65

 

CMYK 84 / 34 / 0 / 32

HEX #1C73AE

RGB 28 115 174

HSL 204.25, 0.72%, 0.4%

LAB 46.4, -3.34, -38.35

 

CMYK 84 / 34 / 0 / 18

HEX #228BD2

RGB 34 139 210

HSL 204.2, 0.72%, 0.48%

LAB 55.54, -3.6, -44.51

 

CMYK 72 / 29 / 0 / 13

HEX #3E9EDF

RGB 62 158 223

HSL 204.22, 0.72%, 0.56%

LAB 62.34, -6.85, -41.01

 

CMYK 58 / 23 / 0 / 10

HEX #61B0E5

RGB 97 176 229

HSL 204.09, 0.72%, 0.64%

LAB 68.93, -9.08, -33.95

 

CMYK 44 / 18 / 0 / 8

HEX #84C1EB

RGB 132 193 235

HSL 204.47, 0.72%, 0.72%

LAB 75.48, -8.75, -26.99

 

CMYK 72 / 29 / 0 / 13

HEX #3E9EDF

RGB 62 158 223

HSL 204.22, 0.72%, 0.56%

LAB 62.34, -6.85, -41.01

 

CMYK 29 / 72 / 0 / 13

HEX #9E3EDF

RGB 158 62 223

HSL 275.78, 0.72%, 0.56%

LAB 47.03, 65.48, -65.06

 

CMYK 0 / 0 / 72 / 13

HEX #DFDF3E

RGB 223 223 62

HSL 60, 0.72%, 0.56%

LAB 86.41, -18.09, 73.74

 

CMYK 72 / 29 / 0 / 13

HEX #3E9EDF

RGB 62 158 223

HSL 204.22, 0.72%, 0.56%

LAB 62.34, -6.85, -41.01

 

CMYK 0 / 72 / 29 / 13

HEX #DF3E9E

RGB 223 62 158

HSL 324.22, 0.72%, 0.56%

LAB 53.6, 69.38, -16.34

 

CMYK 29 / 0 / 72 / 13

HEX #9EDF3E

RGB 158 223 62

HSL 84.22, 0.72%, 0.56%

LAB 82.05, -43.75, 68.03

 

CMYK 72 / 29 / 0 / 13

HEX #3E9EDF

RGB 62 158 223

HSL 204.22, 0.72%, 0.56%

LAB 62.34, -6.85, -41.01

 

CMYK 29 / 72 / 0 / 13

HEX #9E3EDF

RGB 158 62 223

HSL 275.78, 0.72%, 0.56%

LAB 47.03, 65.48, -65.06

 

CMYK 0 / 43 / 72 / 13

HEX #DF7E3E

RGB 223 126 62

HSL 23.85, 0.72%, 0.56%

LAB 62.47, 32.55, 49.85

 

CMYK 43 / 0 / 72 / 13

HEX #7EDF3E

RGB 126 223 62

HSL 96.15, 0.72%, 0.56%

LAB 80.49, -54.62, 65.96

 

CMYK 72 / 29 / 0 / 13

HEX #3E9EDF

RGB 62 158 223

HSL 204.22, 0.72%, 0.56%

LAB 62.34, -6.85, -41.01

 

CMYK 7 / 72 / 0 / 13

HEX #CF3EDF

RGB 207 62 223

HSL 294.04, 0.72%, 0.56%

LAB 54.07, 75.08, -53.37

 

CMYK 0 / 43 / 72 / 13

HEX #DF7E3E

RGB 223 126 62

HSL 23.85, 0.72%, 0.56%

LAB 62.47, 32.55, 49.85

 

CMYK 65 / 0 / 72 / 13

HEX #4EDF3E

RGB 78 223 62

HSL 114.04, 0.72%, 0.56%

LAB 78.89, -67.09, 63.83

 

Description

Color code: HEX #3E9EDF | qconv.com Color code: HEX #3E9EDF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 158 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 158 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 29 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 29% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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