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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EA9E9 it is the complementary color #C15616. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EA9E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EA9E9 shade: #43A9E4, #54BBF7, #65CDFF, #76DFFF and #87F1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EA9E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EA9E9 shade: #3EA9E9, #2D97D6, #1C85C3, #0B73B0 and #00619D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EA9E9 shade: #3EA9E9, #3E7BE9, #3E4DE9, #5D3EE9 and #8B3EE9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EA9E9 shade: #3EA9E9, #3E7BE9, #3E4DE9 and #3E3EE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EA9E9 shade matches the following richer shades: #3EA9E9 and #2CADFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EA9E9 shade: #3EA9E9, #4FA5D8, #60A0C6, #729CB5 and #8398A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EA9E9 shade: #3EE9CD, #3ED8E9, #3EAAE9, #3E7DE9 and #3E4FE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EA9E9 shade: #1580BF, #1998E5, #3EA9E9, #63B9ED and #88CAF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EA9E9 shade: #3EA9E9, #9F3EE9 and #E9E33E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EA9E9 shade: #3EA9E9, #E93EAA and #AAE93E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EA9E9 shade: #3EA9E9, #9F3EE9, #E97D3E and #88E93E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EA9E9 shade: #3EA9E9, #D23EE9, #E97D3E and #55E93E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 27 / 0 / 9

HEX #3EA9E9

RGB 62 169 233

HSL 202.46, 0.8%, 0.58%

LAB 65.97, -9.57, -40.84

 

Complementary color

CMYK 0 / 55 / 89 / 24

HEX #C15616

RGB 193 86 22

HSL 22.46, 0.8%, 0.42%

LAB 49.56, 39.76, 53.3

 

CMYK 71 / 26 / 0 / 11

HEX #43A9E4

RGB 67 169 228

HSL 201.99, 0.75%, 0.58%

LAB 65.88, -10.6, -38.22

 

CMYK 66 / 24 / 0 / 3

HEX #54BBF7

RGB 84 187 247

HSL 202.09, 0.91%, 0.65%

LAB 72.32, -11.66, -38.5

 

CMYK 60 / 20 / 0 / 0

HEX #65CDFF

RGB 101 205 255

HSL 199.48, 1%, 0.7%

LAB 78.26, -15.87, -33.55

 

CMYK 54 / 13 / 0 / 0

HEX #76DFFF

RGB 118 223 255

HSL 194.01, 1%, 0.73%

LAB 83.89, -21.84, -24.87

 

CMYK 47 / 5 / 0 / 0

HEX #87F1FF

RGB 135 241 255

HSL 187, 1%, 0.76%

LAB 89.52, -27.13, -16.28

 

CMYK 73 / 27 / 0 / 9

HEX #3EA9E9

RGB 62 169 233

HSL 202.46, 0.8%, 0.58%

LAB 65.97, -9.57, -40.84

 

CMYK 79 / 29 / 0 / 16

HEX #2D97D6

RGB 45 151 214

HSL 202.37, 0.67%, 0.51%

LAB 59.48, -8.05, -40.53

 

CMYK 86 / 32 / 0 / 24

HEX #1C85C3

RGB 28 133 195

HSL 202.28, 0.75%, 0.44%

LAB 52.91, -6.12, -40.17

 

CMYK 94 / 35 / 0 / 31

HEX #0B73B0

RGB 11 115 176

HSL 202.18, 0.88%, 0.37%

LAB 46.27, -3.68, -39.74

 

CMYK 100 / 38 / 0 / 38

HEX #00619D

RGB 0 97 157

HSL 202.93, 1%, 0.31%

LAB 39.55, -0.61, -39.2

 

CMYK 73 / 27 / 0 / 9

HEX #3EA9E9

RGB 62 169 233

HSL 202.46, 0.8%, 0.58%

LAB 65.97, -9.57, -40.84

 

CMYK 73 / 47 / 0 / 9

HEX #3E7BE9

RGB 62 123 233

HSL 218.6, 0.8%, 0.58%

LAB 53.03, 17.51, -61.38

 

CMYK 73 / 67 / 0 / 9

HEX #3E4DE9

RGB 62 77 233

HSL 234.74, 0.8%, 0.58%

LAB 41.56, 46.04, -80.05

 

CMYK 60 / 73 / 0 / 9

HEX #5D3EE9

RGB 93 62 233

HSL 250.88, 0.8%, 0.58%

LAB 40.66, 57.77, -81.44

 

CMYK 40 / 73 / 0 / 9

HEX #8B3EE9

RGB 139 62 233

HSL 267.02, 0.8%, 0.58%

LAB 45.38, 64.42, -73.52

 

CMYK 73 / 27 / 0 / 9

HEX #3EA9E9

RGB 62 169 233

HSL 202.46, 0.8%, 0.58%

LAB 65.97, -9.57, -40.84

 

CMYK 73 / 47 / 0 / 9

HEX #3E7BE9

RGB 62 123 233

HSL 218.6, 0.8%, 0.58%

LAB 53.03, 17.51, -61.38

 

CMYK 73 / 67 / 0 / 9

HEX #3E4DE9

RGB 62 77 233

HSL 234.74, 0.8%, 0.58%

LAB 41.56, 46.04, -80.05

 

CMYK 73 / 73 / 0 / 9

HEX #3E3EE9

RGB 62 62 233

HSL 240, 0.8%, 0.58%

LAB 38.47, 54.56, -85.13

 

CMYK 73 / 27 / 0 / 9

HEX #3EA9E9

RGB 62 169 233

HSL 202.46, 0.8%, 0.58%

LAB 65.97, -9.57, -40.84

 

CMYK 82 / 31 / 0 / 2

HEX #2CADFA

RGB 44 173 250

HSL 202.43, 0.95%, 0.58%

LAB 67.52, -7.74, -47.71

 

CMYK 73 / 27 / 0 / 9

HEX #3EA9E9

RGB 62 169 233

HSL 202.46, 0.8%, 0.58%

LAB 65.97, -9.57, -40.84

 

CMYK 63 / 24 / 0 / 15

HEX #4FA5D8

RGB 79 165 216

HSL 202.34, 0.64%, 0.58%

LAB 64.59, -10.47, -33.59

 

CMYK 52 / 19 / 0 / 22

HEX #60A0C6

RGB 96 160 198

HSL 202.35, 0.47%, 0.58%

LAB 63.1, -9.89, -25.83

 

CMYK 37 / 14 / 0 / 29

HEX #729CB5

RGB 114 156 181

HSL 202.39, 0.31%, 0.58%

LAB 62.25, -7.9, -17.53

 

CMYK 20 / 7 / 0 / 36

HEX #8398A4

RGB 131 152 164

HSL 201.82, 0.15%, 0.58%

LAB 61.62, -4.72, -8.77

 

CMYK 73 / 0 / 12 / 9

HEX #3EE9CD

RGB 62 233 205

HSL 170.18, 0.8%, 0.58%

LAB 83.81, -48.96, 1.28

 

CMYK 73 / 7 / 0 / 9

HEX #3ED8E9

RGB 62 216 233

HSL 185.96, 0.8%, 0.58%

LAB 79.62, -33.62, -19.81

 

CMYK 73 / 27 / 0 / 9

HEX #3EAAE9

RGB 62 170 233

HSL 202.11, 0.8%, 0.58%

LAB 66.26, -10.13, -40.39

 

CMYK 73 / 46 / 0 / 9

HEX #3E7DE9

RGB 62 125 233

HSL 217.89, 0.8%, 0.58%

LAB 53.57, 16.27, -60.51

 

CMYK 73 / 66 / 0 / 9

HEX #3E4FE9

RGB 62 79 233

HSL 234.04, 0.8%, 0.58%

LAB 42, 44.85, -79.32

 

CMYK 89 / 33 / 0 / 25

HEX #1580BF

RGB 21 128 191

HSL 202.24, 0.8%, 0.42%

LAB 51.11, -5.16, -40.74

 

CMYK 89 / 34 / 0 / 10

HEX #1998E5

RGB 25 152 229

HSL 202.65, 0.8%, 0.5%

LAB 60.18, -4.73, -47.8

 

CMYK 73 / 27 / 0 / 9

HEX #3EA9E9

RGB 62 169 233

HSL 202.46, 0.8%, 0.58%

LAB 65.97, -9.57, -40.84

 

CMYK 58 / 22 / 0 / 7

HEX #63B9ED

RGB 99 185 237

HSL 202.61, 0.79%, 0.66%

LAB 71.87, -11.12, -33.75

 

CMYK 44 / 16 / 0 / 5

HEX #88CAF1

RGB 136 202 241

HSL 202.29, 0.79%, 0.74%

LAB 78.36, -10.91, -25.78

 

CMYK 73 / 27 / 0 / 9

HEX #3EA9E9

RGB 62 169 233

HSL 202.46, 0.8%, 0.58%

LAB 65.97, -9.57, -40.84

 

CMYK 32 / 73 / 0 / 9

HEX #9F3EE9

RGB 159 62 233

HSL 274.04, 0.8%, 0.58%

LAB 47.88, 67.83, -69.35

 

CMYK 0 / 3 / 73 / 9

HEX #E9E33E

RGB 233 227 62

HSL 57.89, 0.8%, 0.58%

LAB 88.26, -15.9, 75.77

 

CMYK 73 / 27 / 0 / 9

HEX #3EA9E9

RGB 62 169 233

HSL 202.46, 0.8%, 0.58%

LAB 65.97, -9.57, -40.84

 

CMYK 0 / 73 / 27 / 9

HEX #E93EAA

RGB 233 62 170

HSL 322.11, 0.8%, 0.58%

LAB 55.76, 73.29, -19.94

 

CMYK 27 / 0 / 73 / 9

HEX #AAE93E

RGB 170 233 62

HSL 82.11, 0.8%, 0.58%

LAB 85.59, -43.67, 71.71

 

CMYK 73 / 27 / 0 / 9

HEX #3EA9E9

RGB 62 169 233

HSL 202.46, 0.8%, 0.58%

LAB 65.97, -9.57, -40.84

 

CMYK 32 / 73 / 0 / 9

HEX #9F3EE9

RGB 159 62 233

HSL 274.04, 0.8%, 0.58%

LAB 47.88, 67.83, -69.35

 

CMYK 0 / 46 / 73 / 9

HEX #E97D3E

RGB 233 125 62

HSL 22.11, 0.8%, 0.58%

LAB 63.62, 37.06, 51.48

 

CMYK 42 / 0 / 73 / 9

HEX #88E93E

RGB 136 233 62

HSL 94.04, 0.8%, 0.58%

LAB 83.89, -55.37, 69.47

 

CMYK 73 / 27 / 0 / 9

HEX #3EA9E9

RGB 62 169 233

HSL 202.46, 0.8%, 0.58%

LAB 65.97, -9.57, -40.84

 

CMYK 10 / 73 / 0 / 9

HEX #D23EE9

RGB 210 62 233

HSL 291.93, 0.8%, 0.58%

LAB 55.1, 77.38, -57.33

 

CMYK 0 / 46 / 73 / 9

HEX #E97D3E

RGB 233 125 62

HSL 22.11, 0.8%, 0.58%

LAB 63.62, 37.06, 51.48

 

CMYK 64 / 0 / 73 / 9

HEX #55E93E

RGB 85 233 62

HSL 111.93, 0.8%, 0.58%

LAB 82.14, -68.94, 67.15

 

Description

Color code: HEX #3EA9E9 | qconv.com Color code: HEX #3EA9E9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 169 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 169 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 27 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 27% 0% 9% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

43% - 内蒙古资源网_中国最大最权威的综合性资源...
Link: http://www.nrnet.cn

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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