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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EACD4 it is the complementary color #C1532B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EACD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EACD4 shade: #43ACCF, #54BEE2, #65D0F5, #76E2FF and #87F4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EACD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EACD4 shade: #3EACD4, #2D9AC1, #1C88AE, #0B769B and #006488

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EACD4 shade: #3EACD4, #3E84D4, #3E5BD4, #493ED4 and #723ED4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EACD4 shade: #3EACD4, #3E84D4, #3E5BD4 and #3E3ED4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EACD4 shade matches the following richer shades: #3EACD4, #2BB5E7 and #18BEFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EACD4 shade: #3EACD4, #51A3C1, #649BAE, #77929B and #8A8988

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EACD4 shade: #3ED4AC, #3ED4D4, #3EACD4, #3E84D4 and #3E5CD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EACD4 shade: #227D9E, #2A98BF, #3EACD4, #60BBDC and #82C9E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EACD4 shade: #3EACD4, #843ED4 and #D4C03E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EACD4 shade: #3EACD4, #D43EAC and #ACD43E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EACD4 shade: #3EACD4, #843ED4, #D4663E and #8ED43E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EACD4 shade: #3EACD4, #B13ED4, #D4663E and #61D43E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 19 / 0 / 17

HEX #3EACD4

RGB 62 172 212

HSL 196, 0.64%, 0.54%

LAB 65.97, -18.17, -29.28

 

Complementary color

CMYK 0 / 57 / 78 / 24

HEX #C1532B

RGB 193 83 43

HSL 16, 0.64%, 0.46%

LAB 49.13, 41.85, 43.88

 

CMYK 68 / 17 / 0 / 19

HEX #43ACCF

RGB 67 172 207

HSL 195, 0.59%, 0.54%

LAB 65.91, -19.05, -26.61

 

CMYK 63 / 16 / 0 / 11

HEX #54BEE2

RGB 84 190 226

HSL 195.21, 0.71%, 0.61%

LAB 72.36, -19.8, -27.06

 

CMYK 59 / 15 / 0 / 4

HEX #65D0F5

RGB 101 208 245

HSL 195.42, 0.88%, 0.68%

LAB 78.74, -20.37, -27.48

 

CMYK 54 / 11 / 0 / 0

HEX #76E2FF

RGB 118 226 255

HSL 192.7, 1%, 0.73%

LAB 84.72, -23.34, -23.6

 

CMYK 47 / 4 / 0 / 0

HEX #87F4FF

RGB 135 244 255

HSL 185.5, 1%, 0.76%

LAB 90.35, -28.58, -15.04

 

CMYK 71 / 19 / 0 / 17

HEX #3EACD4

RGB 62 172 212

HSL 196, 0.64%, 0.54%

LAB 65.97, -18.17, -29.28

 

CMYK 77 / 20 / 0 / 24

HEX #2D9AC1

RGB 45 154 193

HSL 195.81, 0.62%, 0.47%

LAB 59.45, -17.01, -28.8

 

CMYK 84 / 22 / 0 / 32

HEX #1C88AE

RGB 28 136 174

HSL 195.62, 0.72%, 0.4%

LAB 52.85, -15.49, -28.24

 

CMYK 93 / 24 / 0 / 39

HEX #0B769B

RGB 11 118 155

HSL 195.42, 0.87%, 0.33%

LAB 46.17, -13.48, -27.59

 

CMYK 100 / 26 / 0 / 47

HEX #006488

RGB 0 100 136

HSL 195.88, 1%, 0.27%

LAB 39.4, -10.88, -26.82

 

CMYK 71 / 19 / 0 / 17

HEX #3EACD4

RGB 62 172 212

HSL 196, 0.64%, 0.54%

LAB 65.97, -18.17, -29.28

 

CMYK 71 / 38 / 0 / 17

HEX #3E84D4

RGB 62 132 212

HSL 212, 0.64%, 0.54%

LAB 54.32, 4.44, -47.52

 

CMYK 71 / 57 / 0 / 17

HEX #3E5BD4

RGB 62 91 212

HSL 228.4, 0.64%, 0.54%

LAB 43.15, 30.08, -65.48

 

CMYK 66 / 71 / 0 / 17

HEX #493ED4

RGB 73 62 212

HSL 244.4, 0.64%, 0.54%

LAB 37.14, 49.03, -75.28

 

CMYK 46 / 71 / 0 / 17

HEX #723ED4

RGB 114 62 212

HSL 260.8, 0.64%, 0.54%

LAB 40.86, 55, -69.05

 

CMYK 71 / 19 / 0 / 17

HEX #3EACD4

RGB 62 172 212

HSL 196, 0.64%, 0.54%

LAB 65.97, -18.17, -29.28

 

CMYK 71 / 38 / 0 / 17

HEX #3E84D4

RGB 62 132 212

HSL 212, 0.64%, 0.54%

LAB 54.32, 4.44, -47.52

 

CMYK 71 / 57 / 0 / 17

HEX #3E5BD4

RGB 62 91 212

HSL 228.4, 0.64%, 0.54%

LAB 43.15, 30.08, -65.48

 

CMYK 71 / 71 / 0 / 17

HEX #3E3ED4

RGB 62 62 212

HSL 240, 0.64%, 0.54%

LAB 36.41, 47.81, -76.51

 

CMYK 71 / 19 / 0 / 17

HEX #3EACD4

RGB 62 172 212

HSL 196, 0.64%, 0.54%

LAB 65.97, -18.17, -29.28

 

CMYK 81 / 22 / 0 / 9

HEX #2BB5E7

RGB 43 181 231

HSL 195.96, 0.8%, 0.54%

LAB 68.99, -18.71, -35.06

 

CMYK 90 / 24 / 0 / 2

HEX #18BEFA

RGB 24 190 250

HSL 195.93, 0.96%, 0.54%

LAB 72.18, -18.16, -40.43

 

CMYK 71 / 19 / 0 / 17

HEX #3EACD4

RGB 62 172 212

HSL 196, 0.64%, 0.54%

LAB 65.97, -18.17, -29.28

 

CMYK 58 / 16 / 0 / 24

HEX #51A3C1

RGB 81 163 193

HSL 196.07, 0.47%, 0.54%

LAB 63.17, -16.2, -22.98

 

CMYK 43 / 11 / 0 / 32

HEX #649BAE

RGB 100 155 174

HSL 195.41, 0.31%, 0.54%

LAB 60.96, -13.03, -15.6

 

CMYK 23 / 6 / 0 / 39

HEX #77929B

RGB 119 146 155

HSL 195, 0.15%, 0.54%

LAB 58.83, -7.39, -7.9

 

CMYK 0 / 1 / 1 / 46

HEX #8A8988

RGB 138 137 136

HSL 30, 0.01%, 0.54%

LAB 57.15, 0.18, 0.66

 

CMYK 71 / 0 / 19 / 17

HEX #3ED4AC

RGB 62 212 172

HSL 164, 0.64%, 0.54%

LAB 76.73, -48.37, 8.57

 

CMYK 71 / 0 / 0 / 17

HEX #3ED4D4

RGB 62 212 212

HSL 180, 0.64%, 0.54%

LAB 77.79, -37.85, -11.32

 

CMYK 71 / 19 / 0 / 17

HEX #3EACD4

RGB 62 172 212

HSL 196, 0.64%, 0.54%

LAB 65.97, -18.17, -29.28

 

CMYK 71 / 38 / 0 / 17

HEX #3E84D4

RGB 62 132 212

HSL 212, 0.64%, 0.54%

LAB 54.32, 4.44, -47.52

 

CMYK 71 / 57 / 0 / 17

HEX #3E5CD4

RGB 62 92 212

HSL 228, 0.64%, 0.54%

LAB 43.41, 29.45, -65.06

 

CMYK 78 / 21 / 0 / 38

HEX #227D9E

RGB 34 125 158

HSL 195.97, 0.65%, 0.38%

LAB 48.85, -14.45, -25.15

 

CMYK 78 / 20 / 0 / 25

HEX #2A98BF

RGB 42 152 191

HSL 195.7, 0.64%, 0.46%

LAB 58.71, -16.94, -28.83

 

CMYK 71 / 19 / 0 / 17

HEX #3EACD4

RGB 62 172 212

HSL 196, 0.64%, 0.54%

LAB 65.97, -18.17, -29.28

 

CMYK 56 / 15 / 0 / 14

HEX #60BBDC

RGB 96 187 220

HSL 195.97, 0.64%, 0.62%

LAB 71.69, -17.84, -24.8

 

CMYK 43 / 11 / 0 / 11

HEX #82C9E3

RGB 130 201 227

HSL 196.08, 0.63%, 0.7%

LAB 77.32, -15.57, -19.88

 

CMYK 71 / 19 / 0 / 17

HEX #3EACD4

RGB 62 172 212

HSL 196, 0.64%, 0.54%

LAB 65.97, -18.17, -29.28

 

CMYK 38 / 71 / 0 / 17

HEX #843ED4

RGB 132 62 212

HSL 268, 0.64%, 0.54%

LAB 42.92, 58.16, -65.6

 

CMYK 0 / 9 / 71 / 17

HEX #D4C03E

RGB 212 192 62

HSL 52, 0.64%, 0.54%

LAB 77.31, -7.16, 64.63

 

CMYK 71 / 19 / 0 / 17

HEX #3EACD4

RGB 62 172 212

HSL 196, 0.64%, 0.54%

LAB 65.97, -18.17, -29.28

 

CMYK 0 / 71 / 19 / 17

HEX #D43EAC

RGB 212 62 172

HSL 316, 0.64%, 0.54%

LAB 52.31, 68.39, -26.72

 

CMYK 19 / 0 / 71 / 17

HEX #ACD43E

RGB 172 212 62

HSL 76, 0.64%, 0.54%

LAB 79.73, -33.54, 66.01

 

CMYK 71 / 19 / 0 / 17

HEX #3EACD4

RGB 62 172 212

HSL 196, 0.64%, 0.54%

LAB 65.97, -18.17, -29.28

 

CMYK 38 / 71 / 0 / 17

HEX #843ED4

RGB 132 62 212

HSL 268, 0.64%, 0.54%

LAB 42.92, 58.16, -65.6

 

CMYK 0 / 52 / 71 / 17

HEX #D4663E

RGB 212 102 62

HSL 16, 0.64%, 0.54%

LAB 55.93, 40.55, 42.29

 

CMYK 33 / 0 / 71 / 17

HEX #8ED43E

RGB 142 212 62

HSL 88, 0.64%, 0.54%

LAB 77.98, -44.79, 63.69

 

CMYK 71 / 19 / 0 / 17

HEX #3EACD4

RGB 62 172 212

HSL 196, 0.64%, 0.54%

LAB 65.97, -18.17, -29.28

 

CMYK 17 / 71 / 0 / 17

HEX #B13ED4

RGB 177 62 212

HSL 286, 0.64%, 0.54%

LAB 48.94, 66.97, -55.57

 

CMYK 0 / 52 / 71 / 17

HEX #D4663E

RGB 212 102 62

HSL 16, 0.64%, 0.54%

LAB 55.93, 40.55, 42.29

 

CMYK 54 / 0 / 71 / 17

HEX #61D43E

RGB 97 212 62

HSL 106, 0.64%, 0.54%

LAB 76.05, -58.86, 61.11

 

Description

Color code: HEX #3EACD4 | qconv.com Color code: HEX #3EACD4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 172 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 172 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 19 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 19% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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