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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EBB05 it is the complementary color #C144FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EBB05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EBB05 shade: #43BB00, #54CD13, #65DF26, #76F139 and #87FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EBB05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EBB05 shade: #3EBB05, #2DA900, #1C9700, #0B8500 and #007300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EBB05 shade: #3EBC04, #70BC04, #A1BC04, #BCA604 and #BC7404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EBB05 shade: #3EBC04, #0CBC04, #04BC2E, #04BC60 and #04BC91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EBB05 shade matches the following richer shades: #3EBC04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EBB05 shade: #3EBC04, #44AD14, #4A9D24, #508D33 and #557E43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EBB05 shade: #A1BC04, #70BC04, #3FBC04, #0EBC04 and #04BC2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EBB05 shade: #236C02, #319403, #3EBC04, #4BE505 and #60F91B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EBB05 shade: #3EBB05, #04BCA7 and #BC0488

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EBB05 shade: #3EBB05, #043FBC and #BC043F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EBB05 shade: #3EBB05, #04BCA7, #8204BC and #BC041A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EBB05 shade: #3EBB05, #049BBC, #8204BC and #BC2604

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 97 / 27

HEX #3EBB05

RGB 62 187 5

HSL 101.21, 0.95%, 0.38%

LAB 66.96, -61.25, 66.25

 

Complementary color

CMYK 23 / 73 / 0 / 2

HEX #C144FA

RGB 193 68 250

HSL 281.21, 0.95%, 0.62%

LAB 54.42, 75.21, -68.06

 

CMYK 64 / 0 / 100 / 27

HEX #43BB00

RGB 67 187 0

HSL 98.5, 1%, 0.37%

LAB 67.08, -60.27, 66.99

 

CMYK 59 / 0 / 91 / 20

HEX #54CD13

RGB 84 205 19

HSL 99.03, 0.83%, 0.44%

LAB 73.28, -61.91, 69.93

 

CMYK 55 / 0 / 83 / 13

HEX #65DF26

RGB 101 223 38

HSL 99.57, 0.74%, 0.51%

LAB 79.43, -63.13, 71.7

 

CMYK 51 / 0 / 76 / 5

HEX #76F139

RGB 118 241 57

HSL 100.11, 0.87%, 0.58%

LAB 85.53, -64, 72.4

 

CMYK 47 / 0 / 70 / 0

HEX #87FF4C

RGB 135 255 76

HSL 100.22, 1%, 0.65%

LAB 90.41, -63.12, 71.2

 

CMYK 67 / 0 / 97 / 27

HEX #3EBB05

RGB 62 187 5

HSL 101.21, 0.95%, 0.38%

LAB 66.96, -61.25, 66.25

 

CMYK 73 / 0 / 100 / 34

HEX #2DA900

RGB 45 169 0

HSL 104.02, 1%, 0.33%

LAB 60.72, -58.89, 61.73

 

CMYK 81 / 0 / 100 / 41

HEX #1C9700

RGB 28 151 0

HSL 108.87, 1%, 0.3%

LAB 54.43, -55.94, 56.58

 

CMYK 92 / 0 / 100 / 48

HEX #0B8500

RGB 11 133 0

HSL 115.04, 1%, 0.26%

LAB 48.07, -52.33, 51.41

 

CMYK 100 / 0 / 100 / 55

HEX #007300

RGB 0 115 0

HSL 120, 1%, 0.23%

LAB 41.63, -47.88, 46.21

 

CMYK 67 / 0 / 98 / 26

HEX #3EBC04

RGB 62 188 4

HSL 101.09, 0.96%, 0.38%

LAB 67.28, -61.6, 66.62

 

CMYK 40 / 0 / 98 / 26

HEX #70BC04

RGB 112 188 4

HSL 84.78, 0.96%, 0.38%

LAB 69.05, -47.6, 68.79

 

CMYK 14 / 0 / 98 / 26

HEX #A1BC04

RGB 161 188 4

HSL 68.8, 0.96%, 0.38%

LAB 71.93, -28.64, 72.26

 

CMYK 0 / 12 / 98 / 26

HEX #BCA604

RGB 188 166 4

HSL 52.83, 0.96%, 0.38%

LAB 68, -5.76, 70.31

 

CMYK 0 / 38 / 98 / 26

HEX #BC7404

RGB 188 116 4

HSL 36.52, 0.96%, 0.38%

LAB 55.27, 21.52, 61.36

 

CMYK 67 / 0 / 98 / 26

HEX #3EBC04

RGB 62 188 4

HSL 101.09, 0.96%, 0.38%

LAB 67.28, -61.6, 66.62

 

CMYK 94 / 0 / 98 / 26

HEX #0CBC04

RGB 12 188 4

HSL 117.39, 0.96%, 0.38%

LAB 66.56, -67.9, 65.75

 

CMYK 98 / 0 / 76 / 26

HEX #04BC2E

RGB 4 188 46

HSL 133.7, 0.96%, 0.38%

LAB 66.66, -66.41, 56.74

 

CMYK 98 / 0 / 49 / 26

HEX #04BC60

RGB 4 188 96

HSL 150, 0.96%, 0.38%

LAB 67.15, -60.31, 35.43

 

CMYK 98 / 0 / 23 / 26

HEX #04BC91

RGB 4 188 145

HSL 165.98, 0.96%, 0.38%

LAB 68.05, -50.05, 10.69

 

CMYK 67 / 0 / 98 / 26

HEX #3EBC04

RGB 62 188 4

HSL 101.09, 0.96%, 0.38%

LAB 67.28, -61.6, 66.62

 

CMYK 67 / 0 / 98 / 26

HEX #3EBC04

RGB 62 188 4

HSL 101.09, 0.96%, 0.38%

LAB 67.28, -61.6, 66.62

 

CMYK 61 / 0 / 88 / 32

HEX #44AD14

RGB 68 173 20

HSL 101.18, 0.79%, 0.38%

LAB 62.65, -54.8, 60.53

 

CMYK 53 / 0 / 77 / 38

HEX #4A9D24

RGB 74 157 36

HSL 101.16, 0.63%, 0.38%

LAB 57.75, -46.49, 51.78

 

CMYK 43 / 0 / 64 / 45

HEX #508D33

RGB 80 141 51

HSL 100.67, 0.47%, 0.38%

LAB 52.94, -36.74, 40.8

 

CMYK 33 / 0 / 47 / 51

HEX #557E43

RGB 85 126 67

HSL 101.69, 0.31%, 0.38%

LAB 48.58, -26.02, 27.59

 

CMYK 14 / 0 / 98 / 26

HEX #A1BC04

RGB 161 188 4

HSL 68.8, 0.96%, 0.38%

LAB 71.93, -28.64, 72.26

 

CMYK 40 / 0 / 98 / 26

HEX #70BC04

RGB 112 188 4

HSL 84.78, 0.96%, 0.38%

LAB 69.05, -47.6, 68.79

 

CMYK 66 / 0 / 98 / 26

HEX #3FBC04

RGB 63 188 4

HSL 100.76, 0.96%, 0.38%

LAB 67.3, -61.39, 66.65

 

CMYK 93 / 0 / 98 / 26

HEX #0EBC04

RGB 14 188 4

HSL 116.74, 0.96%, 0.38%

LAB 66.57, -67.8, 65.76

 

CMYK 98 / 0 / 77 / 26

HEX #04BC2C

RGB 4 188 44

HSL 133.04, 0.96%, 0.38%

LAB 66.65, -66.56, 57.4

 

CMYK 68 / 0 / 98 / 58

HEX #236C02

RGB 35 108 2

HSL 101.32, 0.96%, 0.22%

LAB 39.73, -40.38, 44.41

 

CMYK 67 / 0 / 98 / 42

HEX #319403

RGB 49 148 3

HSL 100.97, 0.96%, 0.3%

LAB 53.86, -51.16, 55.8

 

CMYK 67 / 0 / 98 / 26

HEX #3EBC04

RGB 62 188 4

HSL 101.09, 0.96%, 0.38%

LAB 67.28, -61.6, 66.62

 

CMYK 67 / 0 / 98 / 10

HEX #4BE505

RGB 75 229 5

HSL 101.25, 0.96%, 0.46%

LAB 80.49, -71.9, 77.28

 

CMYK 61 / 0 / 89 / 2

HEX #60F91B

RGB 96 249 27

HSL 101.35, 0.95%, 0.54%

LAB 87.15, -73.4, 80.49

 

CMYK 67 / 0 / 97 / 27

HEX #3EBB05

RGB 62 187 5

HSL 101.21, 0.95%, 0.38%

LAB 66.96, -61.25, 66.25

 

CMYK 98 / 0 / 11 / 26

HEX #04BCA7

RGB 4 188 167

HSL 173.15, 0.96%, 0.38%

LAB 68.59, -44.23, -0.57

 

CMYK 0 / 98 / 28 / 26

HEX #BC0488

RGB 188 4 136

HSL 316.96, 0.96%, 0.38%

LAB 42.09, 70.95, -21.31

 

CMYK 67 / 0 / 97 / 27

HEX #3EBB05

RGB 62 187 5

HSL 101.21, 0.95%, 0.38%

LAB 66.96, -61.25, 66.25

 

CMYK 98 / 66 / 0 / 26

HEX #043FBC

RGB 4 63 188

HSL 220.76, 0.96%, 0.38%

LAB 32.28, 34.84, -69.38

 

CMYK 0 / 98 / 66 / 26

HEX #BC043F

RGB 188 4 63

HSL 340.76, 0.96%, 0.38%

LAB 39.81, 64.94, 21.37

 

CMYK 67 / 0 / 97 / 27

HEX #3EBB05

RGB 62 187 5

HSL 101.21, 0.95%, 0.38%

LAB 66.96, -61.25, 66.25

 

CMYK 98 / 0 / 11 / 26

HEX #04BCA7

RGB 4 188 167

HSL 173.15, 0.96%, 0.38%

LAB 68.59, -44.23, -0.57

 

CMYK 31 / 98 / 0 / 26

HEX #8204BC

RGB 130 4 188

HSL 281.09, 0.96%, 0.38%

LAB 34.93, 69.33, -64.66

 

CMYK 0 / 98 / 86 / 26

HEX #BC041A

RGB 188 4 26

HSL 352.83, 0.96%, 0.38%

LAB 39.33, 63.62, 42.92

 

CMYK 67 / 0 / 97 / 27

HEX #3EBB05

RGB 62 187 5

HSL 101.21, 0.95%, 0.38%

LAB 66.96, -61.25, 66.25

 

CMYK 98 / 18 / 0 / 26

HEX #049BBC

RGB 4 155 188

HSL 190.76, 0.96%, 0.38%

LAB 59.07, -22.02, -26.61

 

CMYK 31 / 98 / 0 / 26

HEX #8204BC

RGB 130 4 188

HSL 281.09, 0.96%, 0.38%

LAB 34.93, 69.33, -64.66

 

CMYK 0 / 80 / 98 / 26

HEX #BC2604

RGB 188 38 4

HSL 11.09, 0.96%, 0.38%

LAB 41.35, 57.22, 52.97

 

Description

Color code: HEX #3EBB05 | qconv.com Color code: HEX #3EBB05 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 187 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 187 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 97 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 97% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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