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Color name
HEX #3EC899

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EC899 it is the complementary color #C13766. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EC899. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EC899 shade: #43C894, #54DAA7, #65ECBA, #76FECD and #87FFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EC899. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EC899 shade: #3EC899, #2DB686, #1CA473, #0B9260 and #00804D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EC899 shade: #3CC898, #3CC872, #3CC84C, #50C83C and #76C83C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EC899 shade: #3CC898, #3CC8BE, #3CACC8, #3C86C8 and #3C60C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EC899 shade matches the following richer shades: #3CC898, #27DC9E and #13F0A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EC899 shade: #3CC898, #50B391, #649F8B, #788B85 and #8C777E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EC899 shade: #3CC84C, #3CC871, #3CC897, #3CC8BC and #3CAEC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EC899 shade: #278A68, #30AA80, #3CC898, #5CD1A9 and #7CDABA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EC899 shade: #3EC899, #3C51C8 and #C85F3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EC899 shade: #3EC899, #973CC8 and #C8973C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EC899 shade: #3EC899, #3C51C8, #C83C6D and #C8B33C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EC899 shade: #3EC899, #513CC8, #C83C6D and #B3C83C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 24 / 22

HEX #3EC899

RGB 62 200 153

HSL 159.57, 0.56%, 0.51%

LAB 72.65, -47.88, 12.96

 

Complementary color

CMYK 0 / 72 / 47 / 24

HEX #C13766

RGB 193 55 102

HSL 339.57, 0.56%, 0.49%

LAB 45.67, 57.72, 5.12

 

CMYK 67 / 0 / 26 / 22

HEX #43C894

RGB 67 200 148

HSL 156.54, 0.55%, 0.52%

LAB 72.65, -48.2, 15.66

 

CMYK 61 / 0 / 23 / 15

HEX #54DAA7

RGB 84 218 167

HSL 157.16, 0.64%, 0.59%

LAB 78.94, -48.44, 14.42

 

CMYK 57 / 0 / 21 / 7

HEX #65ECBA

RGB 101 236 186

HSL 157.78, 0.78%, 0.66%

LAB 85.15, -48.55, 13.28

 

CMYK 54 / 0 / 19 / 0

HEX #76FECD

RGB 118 254 205

HSL 158.38, 0.99%, 0.73%

LAB 91.3, -48.55, 12.23

 

CMYK 47 / 0 / 12 / 0

HEX #87FFE0

RGB 135 255 224

HSL 164.5, 1%, 0.76%

LAB 92.6, -41.08, 4.36

 

CMYK 69 / 0 / 24 / 22

HEX #3EC899

RGB 62 200 153

HSL 159.57, 0.56%, 0.51%

LAB 72.65, -47.88, 12.96

 

CMYK 75 / 0 / 26 / 29

HEX #2DB686

RGB 45 182 134

HSL 158.98, 0.6%, 0.45%

LAB 66.32, -47.29, 14.31

 

CMYK 83 / 0 / 30 / 36

HEX #1CA473

RGB 28 164 115

HSL 158.38, 0.71%, 0.38%

LAB 59.92, -46.37, 15.82

 

CMYK 92 / 0 / 34 / 43

HEX #0B9260

RGB 11 146 96

HSL 157.78, 0.86%, 0.31%

LAB 53.46, -44.95, 17.51

 

CMYK 100 / 0 / 40 / 50

HEX #00804D

RGB 0 128 77

HSL 156.09, 1%, 0.25%

LAB 46.94, -42.9, 19.42

 

CMYK 70 / 0 / 24 / 22

HEX #3CC898

RGB 60 200 152

HSL 159.43, 0.56%, 0.51%

LAB 72.59, -48.41, 13.4

 

CMYK 70 / 0 / 43 / 22

HEX #3CC872

RGB 60 200 114

HSL 143.14, 0.56%, 0.51%

LAB 71.88, -56.09, 32.47

 

CMYK 70 / 0 / 62 / 22

HEX #3CC84C

RGB 60 200 76

HSL 126.86, 0.56%, 0.51%

LAB 71.41, -61.53, 50.15

 

CMYK 60 / 0 / 70 / 22

HEX #50C83C

RGB 80 200 60

HSL 111.43, 0.56%, 0.51%

LAB 71.79, -58.98, 57.27

 

CMYK 41 / 0 / 70 / 22

HEX #76C83C

RGB 118 200 60

HSL 95.14, 0.56%, 0.51%

LAB 73.21, -48.15, 59.19

 

CMYK 70 / 0 / 24 / 22

HEX #3CC898

RGB 60 200 152

HSL 159.43, 0.56%, 0.51%

LAB 72.59, -48.41, 13.4

 

CMYK 70 / 0 / 5 / 22

HEX #3CC8BE

RGB 60 200 190

HSL 175.71, 0.56%, 0.51%

LAB 73.54, -38.78, -5.79

 

CMYK 70 / 14 / 0 / 22

HEX #3CACC8

RGB 60 172 200

HSL 192, 0.56%, 0.51%

LAB 65.46, -22.29, -23.43

 

CMYK 70 / 33 / 0 / 22

HEX #3C86C8

RGB 60 134 200

HSL 208.29, 0.56%, 0.51%

LAB 54.22, -1.29, -40.9

 

CMYK 70 / 52 / 0 / 22

HEX #3C60C8

RGB 60 96 200

HSL 224.57, 0.56%, 0.51%

LAB 43.5, 22.29, -58.01

 

CMYK 70 / 0 / 24 / 22

HEX #3CC898

RGB 60 200 152

HSL 159.43, 0.56%, 0.51%

LAB 72.59, -48.41, 13.4

 

CMYK 82 / 0 / 28 / 14

HEX #27DC9E

RGB 39 220 158

HSL 159.45, 0.72%, 0.51%

LAB 78.51, -57.38, 18.45

 

CMYK 92 / 0 / 31 / 6

HEX #13F0A5

RGB 19 240 165

HSL 159.64, 0.88%, 0.51%

LAB 84.57, -64.46, 23.16

 

CMYK 70 / 0 / 24 / 22

HEX #3CC898

RGB 60 200 152

HSL 159.43, 0.56%, 0.51%

LAB 72.59, -48.41, 13.4

 

CMYK 55 / 0 / 19 / 30

HEX #50B391

RGB 80 179 145

HSL 159.39, 0.39%, 0.51%

LAB 66.51, -37.28, 8.68

 

CMYK 37 / 0 / 13 / 38

HEX #649F8B

RGB 100 159 139

HSL 159.66, 0.24%, 0.51%

LAB 61.11, -23.91, 4.38

 

CMYK 14 / 0 / 4 / 45

HEX #788B85

RGB 120 139 133

HSL 161.05, 0.08%, 0.51%

LAB 56.24, -8.09, 0.9

 

CMYK 0 / 15 / 10 / 45

HEX #8C777E

RGB 140 119 126

HSL 340, 0.08%, 0.51%

LAB 52.15, 9.38, -0.81

 

CMYK 70 / 0 / 62 / 22

HEX #3CC84C

RGB 60 200 76

HSL 126.86, 0.56%, 0.51%

LAB 71.41, -61.53, 50.15

 

CMYK 70 / 0 / 44 / 22

HEX #3CC871

RGB 60 200 113

HSL 142.71, 0.56%, 0.51%

LAB 71.87, -56.26, 32.96

 

CMYK 70 / 0 / 25 / 22

HEX #3CC897

RGB 60 200 151

HSL 159, 0.56%, 0.51%

LAB 72.56, -48.64, 13.91

 

CMYK 70 / 0 / 6 / 22

HEX #3CC8BC

RGB 60 200 188

HSL 174.86, 0.56%, 0.51%

LAB 73.48, -39.33, -4.78

 

CMYK 70 / 13 / 0 / 22

HEX #3CAEC8

RGB 60 174 200

HSL 191.14, 0.56%, 0.51%

LAB 66.06, -23.31, -22.51

 

CMYK 72 / 0 / 25 / 46

HEX #278A68

RGB 39 138 104

HSL 159.39, 0.56%, 0.35%

LAB 51.39, -36.73, 10.16

 

CMYK 72 / 0 / 25 / 33

HEX #30AA80

RGB 48 170 128

HSL 159.34, 0.56%, 0.43%

LAB 62.45, -43.32, 12.2

 

CMYK 70 / 0 / 24 / 22

HEX #3CC898

RGB 60 200 152

HSL 159.43, 0.56%, 0.51%

LAB 72.59, -48.41, 13.4

 

CMYK 56 / 0 / 19 / 18

HEX #5CD1A9

RGB 92 209 169

HSL 159.49, 0.56%, 0.59%

LAB 76.52, -42.56, 9.98

 

CMYK 43 / 0 / 15 / 15

HEX #7CDABA

RGB 124 218 186

HSL 159.57, 0.56%, 0.67%

LAB 80.72, -35.33, 7.08

 

CMYK 69 / 0 / 24 / 22

HEX #3EC899

RGB 62 200 153

HSL 159.57, 0.56%, 0.51%

LAB 72.65, -47.88, 12.96

 

CMYK 70 / 60 / 0 / 22

HEX #3C51C8

RGB 60 81 200

HSL 231, 0.56%, 0.51%

LAB 39.61, 31.9, -64.34

 

CMYK 0 / 53 / 70 / 22

HEX #C85F3C

RGB 200 95 60

HSL 15, 0.56%, 0.51%

LAB 52.72, 39.35, 39.23

 

CMYK 69 / 0 / 24 / 22

HEX #3EC899

RGB 62 200 153

HSL 159.57, 0.56%, 0.51%

LAB 72.65, -47.88, 12.96

 

CMYK 25 / 70 / 0 / 22

HEX #973CC8

RGB 151 60 200

HSL 279, 0.56%, 0.51%

LAB 44.21, 60.01, -56.47

 

CMYK 0 / 25 / 70 / 22

HEX #C8973C

RGB 200 151 60

HSL 39, 0.56%, 0.51%

LAB 65.54, 9.28, 53.16

 

CMYK 69 / 0 / 24 / 22

HEX #3EC899

RGB 62 200 153

HSL 159.57, 0.56%, 0.51%

LAB 72.65, -47.88, 12.96

 

CMYK 70 / 60 / 0 / 22

HEX #3C51C8

RGB 60 81 200

HSL 231, 0.56%, 0.51%

LAB 39.61, 31.9, -64.34

 

CMYK 0 / 70 / 46 / 22

HEX #C83C6D

RGB 200 60 109

HSL 339, 0.56%, 0.51%

LAB 47.77, 58.59, 4

 

CMYK 0 / 11 / 70 / 22

HEX #C8B33C

RGB 200 179 60

HSL 51, 0.56%, 0.51%

LAB 72.79, -5.68, 60.55

 

CMYK 69 / 0 / 24 / 22

HEX #3EC899

RGB 62 200 153

HSL 159.57, 0.56%, 0.51%

LAB 72.65, -47.88, 12.96

 

CMYK 60 / 70 / 0 / 22

HEX #513CC8

RGB 81 60 200

HSL 249, 0.56%, 0.51%

LAB 36.27, 47.47, -69.73

 

CMYK 0 / 70 / 46 / 22

HEX #C83C6D

RGB 200 60 109

HSL 339, 0.56%, 0.51%

LAB 47.77, 58.59, 4

 

CMYK 11 / 0 / 70 / 22

HEX #B3C83C

RGB 179 200 60

HSL 69, 0.56%, 0.51%

LAB 76.81, -25.17, 64

 

Description

Color code: HEX #3EC899 | qconv.com Color code: HEX #3EC899 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 200 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 200 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 24 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 24% 22% C M Y K

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Provide designers and agencies with accurate color values.

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