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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3ECC1D it is the complementary color #C133E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3ECC1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3ECC1D shade: #43CC18, #54DE2B, #65F03E, #76FF51 and #87FF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3ECC1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3ECC1D shade: #3ECC1D, #2DBA0A, #1CA800, #0B9600 and #008400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3ECC1D shade: #3ECD1D, #6DCD1D, #9DCD1D, #CCCD1D and #CD9E1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3ECC1D shade: #3ECD1D, #1DCD2B, #1DCD5B, #1DCD8A and #1DCDB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3ECC1D shade matches the following richer shades: #3ECD1D and #32E00A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3ECC1D shade: #3ECD1D, #4ABA30, #56A743, #619456 and #6D8169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3ECC1D shade: #9ECD1D, #6FCD1D, #40CD1D, #1DCD29 and #1DCD57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3ECC1D shade: #288513, #33A918, #3ECD1D, #53E132 and #71E656

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3ECC1D shade: #3ECC1D, #1DCDCD and #CD1D86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3ECC1D shade: #3ECC1D, #1D40CD and #CD1D40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3ECC1D shade: #3ECC1D, #1DCDCD, #AA1DCD and #CD1D1D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3ECC1D shade: #3ECC1D, #1D98CD, #AA1DCD and #CD521D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 86 / 20

HEX #3ECC1D

RGB 62 204 29

HSL 108.69, 0.75%, 0.46%

LAB 72.43, -66, 67.12

 

Complementary color

CMYK 15 / 77 / 0 / 11

HEX #C133E2

RGB 193 51 226

HSL 288.69, 0.75%, 0.54%

LAB 50.92, 76.33, -60.24

 

CMYK 67 / 0 / 88 / 20

HEX #43CC18

RGB 67 204 24

HSL 105.67, 0.79%, 0.45%

LAB 72.52, -65.23, 68.26

 

CMYK 62 / 0 / 81 / 13

HEX #54DE2B

RGB 84 222 43

HSL 106.26, 0.73%, 0.52%

LAB 78.64, -66.68, 69.53

 

CMYK 58 / 0 / 74 / 6

HEX #65F03E

RGB 101 240 62

HSL 106.85, 0.86%, 0.59%

LAB 84.71, -67.7, 69.84

 

CMYK 54 / 0 / 68 / 0

HEX #76FF51

RGB 118 255 81

HSL 107.24, 1%, 0.66%

LAB 89.84, -67.34, 68.63

 

CMYK 47 / 0 / 61 / 0

HEX #87FF64

RGB 135 255 100

HSL 106.45, 1%, 0.7%

LAB 90.59, -61.14, 62.13

 

CMYK 70 / 0 / 86 / 20

HEX #3ECC1D

RGB 62 204 29

HSL 108.69, 0.75%, 0.46%

LAB 72.43, -66, 67.12

 

CMYK 76 / 0 / 95 / 27

HEX #2DBA0A

RGB 45 186 10

HSL 108.07, 0.9%, 0.38%

LAB 66.29, -63.91, 64.97

 

CMYK 83 / 0 / 100 / 34

HEX #1CA800

RGB 28 168 0

HSL 110, 1%, 0.33%

LAB 60.12, -61.03, 61.13

 

CMYK 93 / 0 / 100 / 41

HEX #0B9600

RGB 11 150 0

HSL 115.6, 1%, 0.29%

LAB 53.9, -57.32, 56.08

 

CMYK 100 / 0 / 100 / 48

HEX #008400

RGB 0 132 0

HSL 120, 1%, 0.26%

LAB 47.63, -52.86, 51.02

 

CMYK 70 / 0 / 86 / 20

HEX #3ECD1D

RGB 62 205 29

HSL 108.75, 0.75%, 0.46%

LAB 72.74, -66.31, 67.4

 

CMYK 47 / 0 / 86 / 20

HEX #6DCD1D

RGB 109 205 29

HSL 92.73, 0.75%, 0.46%

LAB 74.19, -54.64, 69.23

 

CMYK 23 / 0 / 86 / 20

HEX #9DCD1D

RGB 157 205 29

HSL 76.36, 0.75%, 0.46%

LAB 76.63, -37.65, 72.28

 

CMYK 0 / 0 / 86 / 20

HEX #CCCD1D

RGB 204 205 29

HSL 60.34, 0.75%, 0.46%

LAB 79.95, -18.31, 76.38

 

CMYK 0 / 23 / 86 / 20

HEX #CD9E1D

RGB 205 158 29

HSL 43.98, 0.75%, 0.46%

LAB 67.67, 6.5, 66.4

 

CMYK 70 / 0 / 86 / 20

HEX #3ECD1D

RGB 62 205 29

HSL 108.75, 0.75%, 0.46%

LAB 72.74, -66.31, 67.4

 

CMYK 86 / 0 / 79 / 20

HEX #1DCD2B

RGB 29 205 43

HSL 124.77, 0.75%, 0.46%

LAB 72.29, -70.02, 63.22

 

CMYK 86 / 0 / 56 / 20

HEX #1DCD5B

RGB 29 205 91

HSL 141.14, 0.75%, 0.46%

LAB 72.68, -65.22, 44.69

 

CMYK 86 / 0 / 33 / 20

HEX #1DCD8A

RGB 29 205 138

HSL 157.16, 0.75%, 0.46%

LAB 73.39, -56.92, 21.9

 

CMYK 86 / 0 / 10 / 20

HEX #1DCDB9

RGB 29 205 185

HSL 173.18, 0.75%, 0.46%

LAB 74.46, -45.4, -1.77

 

CMYK 70 / 0 / 86 / 20

HEX #3ECD1D

RGB 62 205 29

HSL 108.75, 0.75%, 0.46%

LAB 72.74, -66.31, 67.4

 

CMYK 78 / 0 / 96 / 12

HEX #32E00A

RGB 50 224 10

HSL 108.79, 0.91%, 0.46%

LAB 78.47, -74.4, 75

 

CMYK 70 / 0 / 86 / 20

HEX #3ECD1D

RGB 62 205 29

HSL 108.75, 0.75%, 0.46%

LAB 72.74, -66.31, 67.4

 

CMYK 60 / 0 / 74 / 27

HEX #4ABA30

RGB 74 186 48

HSL 108.7, 0.59%, 0.46%

LAB 67.12, -56.39, 56.85

 

CMYK 49 / 0 / 60 / 35

HEX #56A743

RGB 86 167 67

HSL 108.6, 0.43%, 0.46%

LAB 61.67, -44.15, 43.32

 

CMYK 34 / 0 / 42 / 42

HEX #619456

RGB 97 148 86

HSL 109.35, 0.26%, 0.46%

LAB 56.48, -29.6, 27.49

 

CMYK 16 / 0 / 19 / 49

HEX #6D8169

RGB 109 129 105

HSL 110, 0.1%, 0.46%

LAB 51.81, -12.18, 10.63

 

CMYK 23 / 0 / 86 / 20

HEX #9ECD1D

RGB 158 205 29

HSL 76.02, 0.75%, 0.46%

LAB 76.69, -37.25, 72.35

 

CMYK 46 / 0 / 86 / 20

HEX #6FCD1D

RGB 111 205 29

HSL 92.05, 0.75%, 0.46%

LAB 74.27, -54.02, 69.33

 

CMYK 69 / 0 / 86 / 20

HEX #40CD1D

RGB 64 205 29

HSL 108.07, 0.75%, 0.46%

LAB 72.79, -65.94, 67.46

 

CMYK 86 / 0 / 80 / 20

HEX #1DCD29

RGB 29 205 41

HSL 124.09, 0.75%, 0.46%

LAB 72.28, -70.15, 63.8

 

CMYK 86 / 0 / 58 / 20

HEX #1DCD57

RGB 29 205 87

HSL 139.77, 0.75%, 0.46%

LAB 72.64, -65.76, 46.49

 

CMYK 70 / 0 / 86 / 48

HEX #288513

RGB 40 133 19

HSL 108.95, 0.75%, 0.3%

LAB 48.6, -47.4, 48.06

 

CMYK 70 / 0 / 86 / 34

HEX #33A918

RGB 51 169 24

HSL 108.83, 0.75%, 0.38%

LAB 60.91, -57.06, 57.96

 

CMYK 70 / 0 / 86 / 20

HEX #3ECD1D

RGB 62 205 29

HSL 108.75, 0.75%, 0.46%

LAB 72.74, -66.31, 67.4

 

CMYK 63 / 0 / 78 / 12

HEX #53E132

RGB 83 225 50

HSL 108.69, 0.74%, 0.54%

LAB 79.57, -67.51, 68.42

 

CMYK 51 / 0 / 63 / 10

HEX #71E656

RGB 113 230 86

HSL 108.75, 0.74%, 0.62%

LAB 82.26, -59.15, 58.45

 

CMYK 70 / 0 / 86 / 20

HEX #3ECC1D

RGB 62 204 29

HSL 108.69, 0.75%, 0.46%

LAB 72.43, -66, 67.12

 

CMYK 86 / 0 / 0 / 20

HEX #1DCDCD

RGB 29 205 205

HSL 180, 0.75%, 0.46%

LAB 75.03, -39.7, -11.73

 

CMYK 0 / 86 / 35 / 20

HEX #CD1D86

RGB 205 29 134

HSL 324.2, 0.75%, 0.46%

LAB 46.42, 71.09, -13.17

 

CMYK 70 / 0 / 86 / 20

HEX #3ECC1D

RGB 62 204 29

HSL 108.69, 0.75%, 0.46%

LAB 72.43, -66, 67.12

 

CMYK 86 / 69 / 0 / 20

HEX #1D40CD

RGB 29 64 205

HSL 228.07, 0.75%, 0.46%

LAB 34.67, 41.55, -75.37

 

CMYK 0 / 86 / 69 / 20

HEX #CD1D40

RGB 205 29 64

HSL 348.07, 0.75%, 0.46%

LAB 44.56, 65.79, 27.48

 

CMYK 70 / 0 / 86 / 20

HEX #3ECC1D

RGB 62 204 29

HSL 108.69, 0.75%, 0.46%

LAB 72.43, -66, 67.12

 

CMYK 86 / 0 / 0 / 20

HEX #1DCDCD

RGB 29 205 205

HSL 180, 0.75%, 0.46%

LAB 75.03, -39.7, -11.73

 

CMYK 17 / 86 / 0 / 20

HEX #AA1DCD

RGB 170 29 205

HSL 288.07, 0.75%, 0.46%

LAB 43.99, 74.25, -59.57

 

CMYK 0 / 86 / 86 / 20

HEX #CD1D1D

RGB 205 29 29

HSL 0, 0.75%, 0.46%

LAB 44.16, 64.61, 46.93

 

CMYK 70 / 0 / 86 / 20

HEX #3ECC1D

RGB 62 204 29

HSL 108.69, 0.75%, 0.46%

LAB 72.43, -66, 67.12

 

CMYK 86 / 26 / 0 / 20

HEX #1D98CD

RGB 29 152 205

HSL 198.07, 0.75%, 0.46%

LAB 59.09, -13.2, -36.12

 

CMYK 17 / 86 / 0 / 20

HEX #AA1DCD

RGB 170 29 205

HSL 288.07, 0.75%, 0.46%

LAB 43.99, 74.25, -59.57

 

CMYK 0 / 60 / 86 / 20

HEX #CD521D

RGB 205 82 29

HSL 18.07, 0.75%, 0.46%

LAB 50.81, 46.37, 52.5

 

Description

Color code: HEX #3ECC1D | qconv.com Color code: HEX #3ECC1D | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 204 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 204 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 86 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 86% 20% C M Y K

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