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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3ED496 it is the complementary color #C12B69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3ED496. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3ED496 shade: #43D491, #54E6A4, #65F8B7, #76FFCA and #87FFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3ED496. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3ED496 shade: #3ED496, #2DC283, #1CB070, #0B9E5D and #008C4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3ED496 shade: #3ED496, #3ED46E, #3ED445, #60D43E and #88D43E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3ED496 shade: #3ED496, #3ED4BF, #3EC1D4, #3E99D4 and #3E70D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3ED496 shade matches the following richer shades: #3ED496, #2BE79A and #18FA9D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3ED496 shade: #3ED496, #51C193, #64AE90, #779B8C and #8A8889

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3ED496 shade: #3ED446, #3ED46E, #3ED496, #3ED4BE and #3EC3D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3ED496 shade: #229E6B, #2ABF82, #3ED496, #60DCA9 and #82E3BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3ED496 shade: #3ED496, #3E5FD4 and #D45A3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3ED496 shade: #3ED496, #963ED4 and #D4963E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3ED496 shade: #3ED496, #3E5FD4, #D43E7D and #D4B43E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3ED496 shade: #3ED496, #4B3ED4, #D43E7D and #C8D43E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 29 / 17

HEX #3ED496

RGB 62 212 150

HSL 155.2, 0.64%, 0.54%

LAB 76.26, -53.37, 19.59

 

Complementary color

CMYK 0 / 78 / 46 / 24

HEX #C12B69

RGB 193 43 105

HSL 335.2, 0.64%, 0.46%

LAB 44.35, 61.93, 1.36

 

CMYK 68 / 0 / 32 / 17

HEX #43D491

RGB 67 212 145

HSL 152.28, 0.63%, 0.55%

LAB 76.27, -53.65, 22.25

 

CMYK 63 / 0 / 29 / 10

HEX #54E6A4

RGB 84 230 164

HSL 152.88, 0.74%, 0.62%

LAB 82.46, -53.97, 20.91

 

CMYK 59 / 0 / 26 / 3

HEX #65F8B7

RGB 101 248 183

HSL 153.47, 0.91%, 0.68%

LAB 88.6, -54.13, 19.68

 

CMYK 54 / 0 / 21 / 0

HEX #76FFCA

RGB 118 255 202

HSL 156.79, 1%, 0.73%

LAB 91.52, -49.61, 14.09

 

CMYK 47 / 0 / 13 / 0

HEX #87FFDD

RGB 135 255 221

HSL 163, 1%, 0.76%

LAB 92.53, -41.74, 5.81

 

CMYK 71 / 0 / 29 / 17

HEX #3ED496

RGB 62 212 150

HSL 155.2, 0.64%, 0.54%

LAB 76.26, -53.37, 19.59

 

CMYK 77 / 0 / 32 / 24

HEX #2DC283

RGB 45 194 131

HSL 154.63, 0.62%, 0.47%

LAB 70.02, -52.7, 21.05

 

CMYK 84 / 0 / 36 / 31

HEX #1CB070

RGB 28 176 112

HSL 154.05, 0.73%, 0.4%

LAB 63.73, -51.66, 22.65

 

CMYK 93 / 0 / 41 / 38

HEX #0B9E5D

RGB 11 158 93

HSL 153.47, 0.87%, 0.33%

LAB 57.38, -50.12, 24.42

 

CMYK 100 / 0 / 47 / 45

HEX #008C4A

RGB 0 140 74

HSL 151.71, 1%, 0.27%

LAB 50.98, -47.92, 26.36

 

CMYK 71 / 0 / 29 / 17

HEX #3ED496

RGB 62 212 150

HSL 155.2, 0.64%, 0.54%

LAB 76.26, -53.37, 19.59

 

CMYK 71 / 0 / 48 / 17

HEX #3ED46E

RGB 62 212 110

HSL 139.2, 0.64%, 0.54%

LAB 75.6, -60.77, 39.23

 

CMYK 71 / 0 / 67 / 17

HEX #3ED445

RGB 62 212 69

HSL 122.8, 0.64%, 0.54%

LAB 75.16, -65.88, 57.21

 

CMYK 55 / 0 / 71 / 17

HEX #60D43E

RGB 96 212 62

HSL 106.4, 0.64%, 0.54%

LAB 76.02, -59.12, 61.06

 

CMYK 36 / 0 / 71 / 17

HEX #88D43E

RGB 136 212 62

HSL 90.4, 0.64%, 0.54%

LAB 77.68, -46.89, 63.28

 

CMYK 71 / 0 / 29 / 17

HEX #3ED496

RGB 62 212 150

HSL 155.2, 0.64%, 0.54%

LAB 76.26, -53.37, 19.59

 

CMYK 71 / 0 / 10 / 17

HEX #3ED4BF

RGB 62 212 191

HSL 171.6, 0.64%, 0.54%

LAB 77.2, -43.59, -0.92

 

CMYK 71 / 9 / 0 / 17

HEX #3EC1D4

RGB 62 193 212

HSL 187.6, 0.64%, 0.54%

LAB 72.17, -28.85, -19.79

 

CMYK 71 / 28 / 0 / 17

HEX #3E99D4

RGB 62 153 212

HSL 203.6, 0.64%, 0.54%

LAB 60.39, -7.8, -37.95

 

CMYK 71 / 47 / 0 / 17

HEX #3E70D4

RGB 62 112 212

HSL 220, 0.64%, 0.54%

LAB 48.72, 16.77, -56.48

 

CMYK 71 / 0 / 29 / 17

HEX #3ED496

RGB 62 212 150

HSL 155.2, 0.64%, 0.54%

LAB 76.26, -53.37, 19.59

 

CMYK 81 / 0 / 33 / 9

HEX #2BE79A

RGB 43 231 154

HSL 155.43, 0.8%, 0.54%

LAB 81.84, -61.95, 25.1

 

CMYK 90 / 0 / 37 / 2

HEX #18FA9D

RGB 24 250 157

HSL 155.31, 0.96%, 0.54%

LAB 87.48, -69.35, 31.17

 

CMYK 71 / 0 / 29 / 17

HEX #3ED496

RGB 62 212 150

HSL 155.2, 0.64%, 0.54%

LAB 76.26, -53.37, 19.59

 

CMYK 58 / 0 / 24 / 24

HEX #51C193

RGB 81 193 147

HSL 155.36, 0.47%, 0.54%

LAB 70.87, -42.81, 13.76

 

CMYK 43 / 0 / 17 / 32

HEX #64AE90

RGB 100 174 144

HSL 155.68, 0.31%, 0.54%

LAB 65.74, -30.18, 8.24

 

CMYK 23 / 0 / 10 / 39

HEX #779B8C

RGB 119 155 140

HSL 155, 0.15%, 0.54%

LAB 61.01, -15.63, 3.81

 

CMYK 0 / 1 / 1 / 46

HEX #8A8889

RGB 138 136 137

HSL 330, 0.01%, 0.54%

LAB 56.9, 0.94, -0.28

 

CMYK 71 / 0 / 67 / 17

HEX #3ED446

RGB 62 212 70

HSL 123.2, 0.64%, 0.54%

LAB 75.17, -65.79, 56.82

 

CMYK 71 / 0 / 48 / 17

HEX #3ED46E

RGB 62 212 110

HSL 139.2, 0.64%, 0.54%

LAB 75.6, -60.77, 39.23

 

CMYK 71 / 0 / 29 / 17

HEX #3ED496

RGB 62 212 150

HSL 155.2, 0.64%, 0.54%

LAB 76.26, -53.37, 19.59

 

CMYK 71 / 0 / 10 / 17

HEX #3ED4BE

RGB 62 212 190

HSL 171.2, 0.64%, 0.54%

LAB 77.18, -43.85, -0.43

 

CMYK 71 / 8 / 0 / 17

HEX #3EC3D4

RGB 62 195 212

HSL 186.8, 0.64%, 0.54%

LAB 72.77, -29.82, -18.89

 

CMYK 78 / 0 / 32 / 38

HEX #229E6B

RGB 34 158 107

HSL 155.32, 0.65%, 0.38%

LAB 57.9, -45.12, 17.48

 

CMYK 78 / 0 / 32 / 25

HEX #2ABF82

RGB 42 191 130

HSL 155.44, 0.64%, 0.46%

LAB 69.02, -52.11, 20.2

 

CMYK 71 / 0 / 29 / 17

HEX #3ED496

RGB 62 212 150

HSL 155.2, 0.64%, 0.54%

LAB 76.26, -53.37, 19.59

 

CMYK 56 / 0 / 23 / 14

HEX #60DCA9

RGB 96 220 169

HSL 155.32, 0.64%, 0.62%

LAB 79.92, -46.47, 14.8

 

CMYK 43 / 0 / 18 / 11

HEX #82E3BB

RGB 130 227 187

HSL 155.26, 0.63%, 0.7%

LAB 83.59, -37.7, 10.68

 

CMYK 71 / 0 / 29 / 17

HEX #3ED496

RGB 62 212 150

HSL 155.2, 0.64%, 0.54%

LAB 76.26, -53.37, 19.59

 

CMYK 71 / 55 / 0 / 17

HEX #3E5FD4

RGB 62 95 212

HSL 226.8, 0.64%, 0.54%

LAB 44.18, 27.54, -63.81

 

CMYK 0 / 58 / 71 / 17

HEX #D45A3E

RGB 212 90 62

HSL 11.2, 0.64%, 0.54%

LAB 53.66, 46.4, 39.73

 

CMYK 71 / 0 / 29 / 17

HEX #3ED496

RGB 62 212 150

HSL 155.2, 0.64%, 0.54%

LAB 76.26, -53.37, 19.59

 

CMYK 29 / 71 / 0 / 17

HEX #963ED4

RGB 150 62 212

HSL 275.2, 0.64%, 0.54%

LAB 45.2, 61.56, -61.8

 

CMYK 0 / 29 / 71 / 17

HEX #D4963E

RGB 212 150 62

HSL 35.2, 0.64%, 0.54%

LAB 66.64, 15.11, 53.82

 

CMYK 71 / 0 / 29 / 17

HEX #3ED496

RGB 62 212 150

HSL 155.2, 0.64%, 0.54%

LAB 76.26, -53.37, 19.59

 

CMYK 71 / 55 / 0 / 17

HEX #3E5FD4

RGB 62 95 212

HSL 226.8, 0.64%, 0.54%

LAB 44.18, 27.54, -63.81

 

CMYK 0 / 71 / 41 / 17

HEX #D43E7D

RGB 212 62 125

HSL 334.8, 0.64%, 0.54%

LAB 50.6, 62.85, -1.35

 

CMYK 0 / 15 / 71 / 17

HEX #D4B43E

RGB 212 180 62

HSL 47.2, 0.64%, 0.54%

LAB 74.18, -0.92, 61.53

 

CMYK 71 / 0 / 29 / 17

HEX #3ED496

RGB 62 212 150

HSL 155.2, 0.64%, 0.54%

LAB 76.26, -53.37, 19.59

 

CMYK 65 / 71 / 0 / 17

HEX #4B3ED4

RGB 75 62 212

HSL 245.2, 0.64%, 0.54%

LAB 37.29, 49.28, -75.03

 

CMYK 0 / 71 / 41 / 17

HEX #D43E7D

RGB 212 62 125

HSL 334.8, 0.64%, 0.54%

LAB 50.6, 62.85, -1.35

 

CMYK 6 / 0 / 71 / 17

HEX #C8D43E

RGB 200 212 62

HSL 64.8, 0.64%, 0.54%

LAB 81.68, -22.23, 68.59

 

Description

Color code: HEX #3ED496 | qconv.com Color code: HEX #3ED496 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 212 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 212 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 29 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 29% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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