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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EE37E it is the complementary color #C11C81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EE37E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EE37E shade: #43E379, #54F58C, #65FF9F, #76FFB2 and #87FFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EE37E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EE37E shade: #3EE37E, #2DD16B, #1CBF58, #0BAD45 and #009B32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EE37E shade: #3FE37E, #3FE352, #58E33F, #84E33F and #B0E33F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EE37E shade: #3FE37E, #3FE3AB, #3FE3D7, #3FC3E3 and #3F96E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EE37E shade matches the following richer shades: #3FE37E and #2DF57A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EE37E shade: #3FE37E, #50D182, #62C086, #74AE8A and #869C8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EE37E shade: #57E33F, #3FE352, #3FE37E, #3FE3AA and #3FE3D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EE37E shade: #1AB656, #1FDA67, #3FE37E, #63E897 and #87EDAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EE37E shade: #3EE37E, #3F83E3 and #E33F41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EE37E shade: #3EE37E, #7E3FE3 and #E37E3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EE37E shade: #3EE37E, #3F83E3, #E33FA4 and #E39F3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EE37E shade: #3EE37E, #3F52E3, #E33FA4 and #E3D03F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 44 / 11

HEX #3EE37E

RGB 62 227 126

HSL 143.27, 0.75%, 0.57%

LAB 80.44, -63.49, 37.48

 

Complementary color

CMYK 0 / 85 / 33 / 24

HEX #C11C81

RGB 193 28 129

HSL 323.27, 0.75%, 0.43%

LAB 43.88, 68.02, -14.18

 

CMYK 70 / 0 / 47 / 11

HEX #43E379

RGB 67 227 121

HSL 140.25, 0.74%, 0.58%

LAB 80.47, -63.55, 39.99

 

CMYK 66 / 0 / 43 / 4

HEX #54F58C

RGB 84 245 140

HSL 140.87, 0.89%, 0.65%

LAB 86.55, -64.08, 38.53

 

CMYK 60 / 0 / 38 / 0

HEX #65FF9F

RGB 101 255 159

HSL 142.6, 1%, 0.7%

LAB 90.22, -61.4, 34.03

 

CMYK 54 / 0 / 30 / 0

HEX #76FFB2

RGB 118 255 178

HSL 146.28, 1%, 0.73%

LAB 91.05, -54.4, 25.68

 

CMYK 47 / 0 / 23 / 0

HEX #87FFC5

RGB 135 255 197

HSL 151, 1%, 0.76%

LAB 92, -46.77, 17.41

 

CMYK 73 / 0 / 44 / 11

HEX #3EE37E

RGB 62 227 126

HSL 143.27, 0.75%, 0.57%

LAB 80.44, -63.49, 37.48

 

CMYK 78 / 0 / 49 / 18

HEX #2DD16B

RGB 45 209 107

HSL 142.68, 0.65%, 0.5%

LAB 74.33, -62.56, 39.05

 

CMYK 85 / 0 / 54 / 25

HEX #1CBF58

RGB 28 191 88

HSL 142.09, 0.74%, 0.43%

LAB 68.18, -61.18, 40.69

 

CMYK 94 / 0 / 60 / 32

HEX #0BAD45

RGB 11 173 69

HSL 141.48, 0.88%, 0.36%

LAB 61.99, -59.18, 42.33

 

CMYK 100 / 0 / 68 / 39

HEX #009B32

RGB 0 155 50

HSL 139.35, 1%, 0.3%

LAB 55.76, -56.42, 43.84

 

CMYK 72 / 0 / 44 / 11

HEX #3FE37E

RGB 63 227 126

HSL 143.05, 0.75%, 0.57%

LAB 80.46, -63.35, 37.51

 

CMYK 72 / 0 / 64 / 11

HEX #3FE352

RGB 63 227 82

HSL 126.95, 0.75%, 0.57%

LAB 79.96, -69.28, 57.18

 

CMYK 61 / 0 / 72 / 11

HEX #58E33F

RGB 88 227 63

HSL 110.85, 0.75%, 0.57%

LAB 80.39, -66.22, 65.08

 

CMYK 42 / 0 / 72 / 11

HEX #84E33F

RGB 132 227 63

HSL 94.76, 0.75%, 0.57%

LAB 81.95, -54.23, 67.15

 

CMYK 22 / 0 / 72 / 11

HEX #B0E33F

RGB 176 227 63

HSL 78.66, 0.75%, 0.57%

LAB 84.24, -38.73, 70.18

 

CMYK 72 / 0 / 44 / 11

HEX #3FE37E

RGB 63 227 126

HSL 143.05, 0.75%, 0.57%

LAB 80.46, -63.35, 37.51

 

CMYK 72 / 0 / 25 / 11

HEX #3FE3AB

RGB 63 227 171

HSL 159.51, 0.75%, 0.57%

LAB 81.26, -54.55, 15.51

 

CMYK 72 / 0 / 5 / 11

HEX #3FE3D7

RGB 63 227 215

HSL 175.61, 0.75%, 0.57%

LAB 82.33, -43.63, -6.19

 

CMYK 72 / 14 / 0 / 11

HEX #3FC3E3

RGB 63 195 227

HSL 191.71, 0.75%, 0.57%

LAB 73.31, -25.1, -26.2

 

CMYK 72 / 34 / 0 / 11

HEX #3F96E3

RGB 63 150 227

HSL 208.17, 0.75%, 0.57%

LAB 60.26, -0.76, -46.5

 

CMYK 72 / 0 / 44 / 11

HEX #3FE37E

RGB 63 227 126

HSL 143.05, 0.75%, 0.57%

LAB 80.46, -63.35, 37.51

 

CMYK 82 / 0 / 50 / 4

HEX #2DF57A

RGB 45 245 122

HSL 143.1, 0.91%, 0.57%

LAB 85.64, -72.2, 45.92

 

CMYK 72 / 0 / 44 / 11

HEX #3FE37E

RGB 63 227 126

HSL 143.05, 0.75%, 0.57%

LAB 80.46, -63.35, 37.51

 

CMYK 62 / 0 / 38 / 18

HEX #50D182

RGB 80 209 130

HSL 143.26, 0.58%, 0.57%

LAB 75.4, -53.01, 28.95

 

CMYK 49 / 0 / 30 / 25

HEX #62C086

RGB 98 192 134

HSL 142.98, 0.43%, 0.57%

LAB 70.88, -41.05, 20.85

 

CMYK 33 / 0 / 21 / 32

HEX #74AE8A

RGB 116 174 138

HSL 142.76, 0.26%, 0.57%

LAB 66.38, -26.71, 12.57

 

CMYK 14 / 0 / 9 / 39

HEX #869C8E

RGB 134 156 142

HSL 141.82, 0.1%, 0.57%

LAB 62.34, -10.6, 4.73

 

CMYK 62 / 0 / 72 / 11

HEX #57E33F

RGB 87 227 63

HSL 111.22, 0.75%, 0.57%

LAB 80.36, -66.44, 65.04

 

CMYK 72 / 0 / 64 / 11

HEX #3FE352

RGB 63 227 82

HSL 126.95, 0.75%, 0.57%

LAB 79.96, -69.28, 57.18

 

CMYK 72 / 0 / 44 / 11

HEX #3FE37E

RGB 63 227 126

HSL 143.05, 0.75%, 0.57%

LAB 80.46, -63.35, 37.51

 

CMYK 72 / 0 / 25 / 11

HEX #3FE3AA

RGB 63 227 170

HSL 159.15, 0.75%, 0.57%

LAB 81.24, -54.78, 16

 

CMYK 72 / 0 / 6 / 11

HEX #3FE3D5

RGB 63 227 213

HSL 174.88, 0.75%, 0.57%

LAB 82.27, -44.17, -5.21

 

CMYK 86 / 0 / 53 / 29

HEX #1AB656

RGB 26 182 86

HSL 143.08, 0.75%, 0.41%

LAB 65.24, -58.66, 38.07

 

CMYK 86 / 0 / 53 / 15

HEX #1FDA67

RGB 31 218 103

HSL 143.1, 0.75%, 0.49%

LAB 76.93, -67.53, 44.17

 

CMYK 72 / 0 / 44 / 11

HEX #3FE37E

RGB 63 227 126

HSL 143.05, 0.75%, 0.57%

LAB 80.46, -63.35, 37.51

 

CMYK 57 / 0 / 35 / 9

HEX #63E897

RGB 99 232 151

HSL 143.46, 0.74%, 0.65%

LAB 83.23, -54.32, 28.72

 

CMYK 43 / 0 / 26 / 7

HEX #87EDAF

RGB 135 237 175

HSL 143.53, 0.74%, 0.73%

LAB 86.41, -43.22, 20.94

 

CMYK 73 / 0 / 44 / 11

HEX #3EE37E

RGB 62 227 126

HSL 143.27, 0.75%, 0.57%

LAB 80.44, -63.49, 37.48

 

CMYK 72 / 42 / 0 / 11

HEX #3F83E3

RGB 63 131 227

HSL 215.12, 0.75%, 0.57%

LAB 54.9, 10.55, -55.02

 

CMYK 0 / 72 / 71 / 11

HEX #E33F41

RGB 227 63 65

HSL 359.27, 0.75%, 0.57%

LAB 52.14, 62.66, 36.98

 

CMYK 73 / 0 / 44 / 11

HEX #3EE37E

RGB 62 227 126

HSL 143.27, 0.75%, 0.57%

LAB 80.44, -63.49, 37.48

 

CMYK 44 / 72 / 0 / 11

HEX #7E3FE3

RGB 126 63 227

HSL 263.05, 0.75%, 0.57%

LAB 43.56, 60.38, -73.16

 

CMYK 0 / 44 / 72 / 11

HEX #E37E3F

RGB 227 126 63

HSL 23.05, 0.75%, 0.57%

LAB 63.02, 34.2, 50.12

 

CMYK 73 / 0 / 44 / 11

HEX #3EE37E

RGB 62 227 126

HSL 143.27, 0.75%, 0.57%

LAB 80.44, -63.49, 37.48

 

CMYK 72 / 42 / 0 / 11

HEX #3F83E3

RGB 63 131 227

HSL 215.12, 0.75%, 0.57%

LAB 54.9, 10.55, -55.02

 

CMYK 0 / 72 / 28 / 11

HEX #E33FA4

RGB 227 63 164

HSL 323.05, 0.75%, 0.57%

LAB 54.62, 70.78, -18.25

 

CMYK 0 / 30 / 72 / 11

HEX #E39F3F

RGB 227 159 63

HSL 35.12, 0.75%, 0.57%

LAB 70.52, 16.71, 57.92

 

CMYK 73 / 0 / 44 / 11

HEX #3EE37E

RGB 62 227 126

HSL 143.27, 0.75%, 0.57%

LAB 80.44, -63.49, 37.48

 

CMYK 72 / 64 / 0 / 11

HEX #3F52E3

RGB 63 82 227

HSL 233.05, 0.75%, 0.57%

LAB 42.21, 41.09, -75.57

 

CMYK 0 / 72 / 28 / 11

HEX #E33FA4

RGB 227 63 164

HSL 323.05, 0.75%, 0.57%

LAB 54.62, 70.78, -18.25

 

CMYK 0 / 8 / 72 / 11

HEX #E3D03F

RGB 227 208 63

HSL 53.05, 0.75%, 0.57%

LAB 82.81, -8.91, 70.08

 

Description

Color code: HEX #3EE37E | qconv.com Color code: HEX #3EE37E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 227 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 227 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 44 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 44% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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