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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F1CBE it is the complementary color #C0E341. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F1CBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F1CBE shade: #441CB9, #552ECC, #6640DF, #7752F2 and #8864FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F1CBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F1CBE shade: #3F1CBE, #2E0AAB, #1D0098, #0C0085 and #000072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F1CBE shade: #3F1CBE, #6B1CBE, #971CBE, #BE1CBA and #BE1C8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F1CBE shade: #3F1CBE and #1C1CBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F1CBE shade matches the following richer shades: #3F1CBE and #350AD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F1CBE shade: #3F1CBE, #492EAD, #533F9B, #5D5189 and #676377

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F1CBE shade: #1C52BE, #1C27BE, #3C1CBE, #681CBE and #931CBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F1CBE shade: #271177, #33179A, #3F1CBE, #4D25DE and #6B49E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F1CBE shade: #3F1CBE, #BE1C7D and #3CBE1C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F1CBE shade: #3F1CBE, #BE3C1C and #1CBE3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F1CBE shade: #3F1CBE, #BE1C7D, #9EBE1C and #1CBE5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F1CBE shade: #3F1CBE, #BE1C4D, #9EBE1C and #1CBE8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 85 / 0 / 25

HEX #3F1CBE

RGB 63 28 190

HSL 252.96, 0.74%, 0.43%

LAB 28.39, 57.8, -76.91

 

Complementary color

CMYK 15 / 0 / 71 / 11

HEX #C0E341

RGB 192 227 65

HSL 72.96, 0.74%, 0.57%

LAB 85.26, -32.42, 70.85

 

CMYK 63 / 85 / 0 / 27

HEX #441CB9

RGB 68 28 185

HSL 255.29, 0.74%, 0.42%

LAB 28.28, 56.84, -74.12

 

CMYK 58 / 77 / 0 / 20

HEX #552ECC

RGB 85 46 204

HSL 254.81, 0.63%, 0.49%

LAB 34.49, 56.27, -74.98

 

CMYK 54 / 71 / 0 / 13

HEX #6640DF

RGB 102 64 223

HSL 254.34, 0.71%, 0.56%

LAB 40.93, 55.12, -75.29

 

CMYK 51 / 66 / 0 / 5

HEX #7752F2

RGB 119 82 242

HSL 253.88, 0.86%, 0.64%

LAB 47.45, 53.76, -75.3

 

CMYK 47 / 61 / 0 / 0

HEX #8864FF

RGB 136 100 255

HSL 253.94, 1%, 0.7%

LAB 53.57, 50.71, -72.53

 

CMYK 67 / 85 / 0 / 25

HEX #3F1CBE

RGB 63 28 190

HSL 252.96, 0.74%, 0.43%

LAB 28.39, 57.8, -76.91

 

CMYK 73 / 94 / 0 / 33

HEX #2E0AAB

RGB 46 10 171

HSL 253.42, 0.89%, 0.35%

LAB 22.79, 57.16, -74.92

 

CMYK 81 / 100 / 0 / 40

HEX #1D0098

RGB 29 0 152

HSL 251.45, 1%, 0.3%

LAB 18.05, 54.25, -71.25

 

CMYK 91 / 100 / 0 / 48

HEX #0C0085

RGB 12 0 133

HSL 245.41, 1%, 0.26%

LAB 14.24, 48.99, -65.75

 

CMYK 100 / 100 / 0 / 55

HEX #000072

RGB 0 0 114

HSL 240, 1%, 0.22%

LAB 10.67, 43.72, -59.55

 

CMYK 67 / 85 / 0 / 25

HEX #3F1CBE

RGB 63 28 190

HSL 252.96, 0.74%, 0.43%

LAB 28.39, 57.8, -76.91

 

CMYK 44 / 85 / 0 / 25

HEX #6B1CBE

RGB 107 28 190

HSL 269.26, 0.74%, 0.43%

LAB 33.29, 62.29, -68.65

 

CMYK 21 / 85 / 0 / 25

HEX #971CBE

RGB 151 28 190

HSL 285.56, 0.74%, 0.43%

LAB 39.79, 68.68, -57.77

 

CMYK 0 / 85 / 2 / 25

HEX #BE1CBA

RGB 190 28 186

HSL 301.48, 0.74%, 0.43%

LAB 46.07, 74.81, -44.98

 

CMYK 0 / 85 / 25 / 25

HEX #BE1C8E

RGB 190 28 142

HSL 317.78, 0.74%, 0.43%

LAB 43.84, 68.83, -22.23

 

CMYK 67 / 85 / 0 / 25

HEX #3F1CBE

RGB 63 28 190

HSL 252.96, 0.74%, 0.43%

LAB 28.39, 57.8, -76.91

 

CMYK 85 / 85 / 0 / 25

HEX #1C1CBE

RGB 28 28 190

HSL 240, 0.74%, 0.43%

LAB 26.14, 55.87, -80.71

 

CMYK 67 / 85 / 0 / 25

HEX #3F1CBE

RGB 63 28 190

HSL 252.96, 0.74%, 0.43%

LAB 28.39, 57.8, -76.91

 

CMYK 75 / 95 / 0 / 18

HEX #350AD0

RGB 53 10 208

HSL 253.03, 0.91%, 0.43%

LAB 28.19, 66.89, -87.83

 

CMYK 67 / 85 / 0 / 25

HEX #3F1CBE

RGB 63 28 190

HSL 252.96, 0.74%, 0.43%

LAB 28.39, 57.8, -76.91

 

CMYK 58 / 73 / 0 / 32

HEX #492EAD

RGB 73 46 173

HSL 252.76, 0.58%, 0.43%

LAB 30.37, 45.75, -63.5

 

CMYK 46 / 59 / 0 / 39

HEX #533F9B

RGB 83 63 155

HSL 253.04, 0.42%, 0.43%

LAB 33.48, 32.3, -47.54

 

CMYK 32 / 41 / 0 / 46

HEX #5D5189

RGB 93 81 137

HSL 252.86, 0.26%, 0.43%

LAB 37.87, 18.42, -29.53

 

CMYK 13 / 17 / 0 / 53

HEX #676377

RGB 103 99 119

HSL 252, 0.09%, 0.43%

LAB 42.97, 5.94, -10.64

 

CMYK 85 / 57 / 0 / 25

HEX #1C52BE

RGB 28 82 190

HSL 220, 0.74%, 0.43%

LAB 37.84, 24.15, -61.44

 

CMYK 85 / 79 / 0 / 25

HEX #1C27BE

RGB 28 39 190

HSL 235.93, 0.74%, 0.43%

LAB 27.89, 50.73, -77.81

 

CMYK 68 / 85 / 0 / 25

HEX #3C1CBE

RGB 60 28 190

HSL 251.85, 0.74%, 0.43%

LAB 28.14, 57.57, -77.34

 

CMYK 45 / 85 / 0 / 25

HEX #681CBE

RGB 104 28 190

HSL 268.15, 0.74%, 0.43%

LAB 32.9, 61.91, -69.32

 

CMYK 23 / 85 / 0 / 25

HEX #931CBE

RGB 147 28 190

HSL 284.07, 0.74%, 0.43%

LAB 39.16, 68.04, -58.83

 

CMYK 67 / 86 / 0 / 53

HEX #271177

RGB 39 17 119

HSL 252.94, 0.75%, 0.27%

LAB 16.33, 39.74, -53.3

 

CMYK 67 / 85 / 0 / 40

HEX #33179A

RGB 51 23 154

HSL 252.82, 0.74%, 0.35%

LAB 22.48, 48.65, -65.06

 

CMYK 67 / 85 / 0 / 25

HEX #3F1CBE

RGB 63 28 190

HSL 252.96, 0.74%, 0.43%

LAB 28.39, 57.8, -76.91

 

CMYK 65 / 83 / 0 / 13

HEX #4D25DE

RGB 77 37 222

HSL 252.97, 0.74%, 0.51%

LAB 34.34, 64.2, -85.64

 

CMYK 53 / 68 / 0 / 11

HEX #6B49E3

RGB 107 73 227

HSL 253.25, 0.73%, 0.59%

LAB 43.41, 52.34, -73.47

 

CMYK 67 / 85 / 0 / 25

HEX #3F1CBE

RGB 63 28 190

HSL 252.96, 0.74%, 0.43%

LAB 28.39, 57.8, -76.91

 

CMYK 0 / 85 / 34 / 25

HEX #BE1C7D

RGB 190 28 125

HSL 324.07, 0.74%, 0.43%

LAB 43.15, 66.9, -12.88

 

CMYK 68 / 0 / 85 / 25

HEX #3CBE1C

RGB 60 190 28

HSL 108.15, 0.74%, 0.43%

LAB 67.93, -61.96, 63.34

 

CMYK 67 / 85 / 0 / 25

HEX #3F1CBE

RGB 63 28 190

HSL 252.96, 0.74%, 0.43%

LAB 28.39, 57.8, -76.91

 

CMYK 0 / 68 / 85 / 25

HEX #BE3C1C

RGB 190 60 28

HSL 11.85, 0.74%, 0.43%

LAB 44.61, 50.61, 46.64

 

CMYK 85 / 0 / 68 / 25

HEX #1CBE3C

RGB 28 190 60

HSL 131.85, 0.74%, 0.43%

LAB 67.58, -64.3, 52.51

 

CMYK 67 / 85 / 0 / 25

HEX #3F1CBE

RGB 63 28 190

HSL 252.96, 0.74%, 0.43%

LAB 28.39, 57.8, -76.91

 

CMYK 0 / 85 / 34 / 25

HEX #BE1C7D

RGB 190 28 125

HSL 324.07, 0.74%, 0.43%

LAB 43.15, 66.9, -12.88

 

CMYK 17 / 0 / 85 / 25

HEX #9EBE1C

RGB 158 190 28

HSL 71.85, 0.74%, 0.43%

LAB 72.35, -30.37, 68.9

 

CMYK 85 / 0 / 51 / 25

HEX #1CBE5D

RGB 28 190 93

HSL 144.07, 0.74%, 0.43%

LAB 67.92, -60.09, 37.92

 

CMYK 67 / 85 / 0 / 25

HEX #3F1CBE

RGB 63 28 190

HSL 252.96, 0.74%, 0.43%

LAB 28.39, 57.8, -76.91

 

CMYK 0 / 85 / 59 / 25

HEX #BE1C4D

RGB 190 28 77

HSL 341.85, 0.74%, 0.43%

LAB 41.71, 62.78, 15.09

 

CMYK 17 / 0 / 85 / 25

HEX #9EBE1C

RGB 158 190 28

HSL 71.85, 0.74%, 0.43%

LAB 72.35, -30.37, 68.9

 

CMYK 85 / 0 / 25 / 25

HEX #1CBE8E

RGB 28 190 142

HSL 162.22, 0.74%, 0.43%

LAB 68.77, -50.35, 13.36

 

Description

Color code: HEX #3F1CBE | qconv.com Color code: HEX #3F1CBE | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 28 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 28 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 85 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 85% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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