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Color name
HEX #3F2578

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F2578 it is the complementary color #C0DA87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F2578. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F2578 shade: #442573, #553786, #664999, #775BAC and #886DBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F2578. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F2578 shade: #3F2578, #2E1365, #1D0152, #0C003F and #00002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F2578 shade: #3F2578, #562578, #6C2578, #78256E and #782558

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F2578 shade: #3F2578, #282578 and #252578

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F2578 shade matches the following richer shades: #3F2578, #3A1885 and #350B92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F2578 shade: #3F2578, #44316C, #483E5F, #4D4B52 and #525845

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F2578 shade: #253878, #272578, #3E2578, #542578 and #6A2578

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F2578 shade: #1E1139, #2E1B59, #3F2578, #4F2E98 and #6038B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F2578 shade: #3F2578, #78254F and #2D7825

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F2578 shade: #3F2578, #783E25 and #25783E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F2578 shade: #3F2578, #78254F, #5F7825 and #25784F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F2578 shade: #3F2578, #782535, #5F7825 and #257868

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 69 / 0 / 53

HEX #3F2578

RGB 63 37 120

HSL 258.8, 0.53%, 0.31%

LAB 22.78, 33.05, -43.25

 

Complementary color

CMYK 12 / 0 / 38 / 15

HEX #C0DA87

RGB 192 218 135

HSL 78.8, 0.53%, 0.69%

LAB 83.49, -22.07, 38.01

 

CMYK 41 / 68 / 0 / 55

HEX #442573

RGB 68 37 115

HSL 263.85, 0.51%, 0.3%

LAB 22.96, 32.67, -39.72

 

CMYK 37 / 59 / 0 / 47

HEX #553786

RGB 85 55 134

HSL 262.78, 0.42%, 0.37%

LAB 30.36, 31.51, -39.67

 

CMYK 33 / 52 / 0 / 40

HEX #664999

RGB 102 73 153

HSL 261.75, 0.35%, 0.44%

LAB 37.64, 30.37, -39.55

 

CMYK 31 / 47 / 0 / 33

HEX #775BAC

RGB 119 91 172

HSL 260.74, 0.33%, 0.52%

LAB 44.78, 29.33, -39.42

 

CMYK 29 / 43 / 0 / 25

HEX #886DBF

RGB 136 109 191

HSL 259.76, 0.39%, 0.59%

LAB 51.76, 28.39, -39.32

 

CMYK 48 / 69 / 0 / 53

HEX #3F2578

RGB 63 37 120

HSL 258.8, 0.53%, 0.31%

LAB 22.78, 33.05, -43.25

 

CMYK 54 / 81 / 0 / 60

HEX #2E1365

RGB 46 19 101

HSL 259.76, 0.68%, 0.24%

LAB 15.41, 34.18, -43.04

 

CMYK 65 / 99 / 0 / 68

HEX #1D0152

RGB 29 1 82

HSL 260.74, 0.98%, 0.16%

LAB 8.06, 35.27, -42.45

 

CMYK 81 / 100 / 0 / 75

HEX #0C003F

RGB 12 0 63

HSL 251.43, 1%, 0.12%

LAB 3.95, 25.33, -35.92

 

CMYK 100 / 100 / 0 / 83

HEX #00002C

RGB 0 0 44

HSL 240, 1%, 0.09%

LAB 1.64, 11.54, -25.61

 

CMYK 48 / 69 / 0 / 53

HEX #3F2578

RGB 63 37 120

HSL 258.8, 0.53%, 0.31%

LAB 22.78, 33.05, -43.25

 

CMYK 28 / 69 / 0 / 53

HEX #562578

RGB 86 37 120

HSL 275.42, 0.53%, 0.31%

LAB 25.74, 38.21, -38.32

 

CMYK 10 / 69 / 0 / 53

HEX #6C2578

RGB 108 37 120

HSL 291.33, 0.53%, 0.31%

LAB 29.08, 43.6, -32.78

 

CMYK 0 / 69 / 8 / 53

HEX #78256E

RGB 120 37 110

HSL 307.23, 0.53%, 0.31%

LAB 30.5, 44.85, -24.04

 

CMYK 0 / 69 / 27 / 53

HEX #782558

RGB 120 37 88

HSL 323.13, 0.53%, 0.31%

LAB 29.46, 41.39, -11.42

 

CMYK 48 / 69 / 0 / 53

HEX #3F2578

RGB 63 37 120

HSL 258.8, 0.53%, 0.31%

LAB 22.78, 33.05, -43.25

 

CMYK 67 / 69 / 0 / 53

HEX #282578

RGB 40 37 120

HSL 242.17, 0.53%, 0.31%

LAB 20.56, 28.85, -46.97

 

CMYK 69 / 69 / 0 / 53

HEX #252578

RGB 37 37 120

HSL 240, 0.53%, 0.31%

LAB 20.33, 28.4, -47.34

 

CMYK 48 / 69 / 0 / 53

HEX #3F2578

RGB 63 37 120

HSL 258.8, 0.53%, 0.31%

LAB 22.78, 33.05, -43.25

 

CMYK 56 / 82 / 0 / 48

HEX #3A1885

RGB 58 24 133

HSL 258.72, 0.69%, 0.31%

LAB 21, 42.9, -54.41

 

CMYK 64 / 92 / 0 / 43

HEX #350B92

RGB 53 11 146

HSL 258.67, 0.86%, 0.31%

LAB 20.33, 50.74, -63.68

 

CMYK 48 / 69 / 0 / 53

HEX #3F2578

RGB 63 37 120

HSL 258.8, 0.53%, 0.31%

LAB 22.78, 33.05, -43.25

 

CMYK 37 / 55 / 0 / 58

HEX #44316C

RGB 68 49 108

HSL 259.32, 0.38%, 0.31%

LAB 25.29, 23.2, -31.49

 

CMYK 24 / 35 / 0 / 63

HEX #483E5F

RGB 72 62 95

HSL 258.18, 0.21%, 0.31%

LAB 28.51, 12.2, -18.01

 

CMYK 6 / 9 / 0 / 68

HEX #4D4B52

RGB 77 75 82

HSL 257.14, 0.04%, 0.31%

LAB 32.3, 2.38, -3.85

 

CMYK 7 / 0 / 22 / 65

HEX #525845

RGB 82 88 69

HSL 78.95, 0.12%, 0.31%

LAB 36.37, -6.22, 10.24

 

CMYK 69 / 53 / 0 / 53

HEX #253878

RGB 37 56 120

HSL 226.27, 0.53%, 0.31%

LAB 25.5, 15.32, -38.95

 

CMYK 68 / 69 / 0 / 53

HEX #272578

RGB 39 37 120

HSL 241.45, 0.53%, 0.31%

LAB 20.48, 28.7, -47.09

 

CMYK 48 / 69 / 0 / 53

HEX #3E2578

RGB 62 37 120

HSL 258.07, 0.53%, 0.31%

LAB 22.67, 32.85, -43.44

 

CMYK 30 / 69 / 0 / 53

HEX #542578

RGB 84 37 120

HSL 273.98, 0.53%, 0.31%

LAB 25.45, 37.74, -38.79

 

CMYK 12 / 69 / 0 / 53

HEX #6A2578

RGB 106 37 120

HSL 289.88, 0.53%, 0.31%

LAB 28.76, 43.1, -33.31

 

CMYK 47 / 70 / 0 / 78

HEX #1E1139

RGB 30 17 57

HSL 259.5, 0.54%, 0.15%

LAB 8.76, 17.98, -23.69

 

CMYK 48 / 70 / 0 / 65

HEX #2E1B59

RGB 46 27 89

HSL 258.39, 0.53%, 0.23%

LAB 15.93, 25.84, -34.2

 

CMYK 48 / 69 / 0 / 53

HEX #3F2578

RGB 63 37 120

HSL 258.8, 0.53%, 0.31%

LAB 22.78, 33.05, -43.25

 

CMYK 48 / 70 / 0 / 40

HEX #4F2E98

RGB 79 46 152

HSL 258.68, 0.54%, 0.39%

LAB 29.12, 40.54, -52.82

 

CMYK 48 / 70 / 0 / 28

HEX #6038B8

RGB 96 56 184

HSL 258.75, 0.53%, 0.47%

LAB 35.55, 47.34, -61.47

 

CMYK 48 / 69 / 0 / 53

HEX #3F2578

RGB 63 37 120

HSL 258.8, 0.53%, 0.31%

LAB 22.78, 33.05, -43.25

 

CMYK 0 / 69 / 34 / 53

HEX #78254F

RGB 120 37 79

HSL 329.64, 0.53%, 0.31%

LAB 29.11, 40.17, -6.04

 

CMYK 63 / 0 / 69 / 53

HEX #2D7825

RGB 45 120 37

HSL 114.22, 0.53%, 0.31%

LAB 44.41, -40.06, 37.41

 

CMYK 48 / 69 / 0 / 53

HEX #3F2578

RGB 63 37 120

HSL 258.8, 0.53%, 0.31%

LAB 22.78, 33.05, -43.25

 

CMYK 0 / 48 / 69 / 53

HEX #783E25

RGB 120 62 37

HSL 18.07, 0.53%, 0.31%

LAB 33.07, 22.95, 26.33

 

CMYK 69 / 0 / 48 / 53

HEX #25783E

RGB 37 120 62

HSL 138.07, 0.53%, 0.31%

LAB 44.48, -38.43, 24.72

 

CMYK 48 / 69 / 0 / 53

HEX #3F2578

RGB 63 37 120

HSL 258.8, 0.53%, 0.31%

LAB 22.78, 33.05, -43.25

 

CMYK 0 / 69 / 34 / 53

HEX #78254F

RGB 120 37 79

HSL 329.64, 0.53%, 0.31%

LAB 29.11, 40.17, -6.04

 

CMYK 21 / 0 / 69 / 53

HEX #5F7825

RGB 95 120 37

HSL 78.07, 0.53%, 0.31%

LAB 46.97, -22.22, 40.9

 

CMYK 69 / 0 / 34 / 53

HEX #25784F

RGB 37 120 79

HSL 150.36, 0.53%, 0.31%

LAB 44.79, -35.05, 15.46

 

CMYK 48 / 69 / 0 / 53

HEX #3F2578

RGB 63 37 120

HSL 258.8, 0.53%, 0.31%

LAB 22.78, 33.05, -43.25

 

CMYK 0 / 69 / 56 / 53

HEX #782535

RGB 120 37 53

HSL 348.43, 0.53%, 0.31%

LAB 28.31, 37.33, 10.09

 

CMYK 21 / 0 / 69 / 53

HEX #5F7825

RGB 95 120 37

HSL 78.07, 0.53%, 0.31%

LAB 46.97, -22.22, 40.9

 

CMYK 69 / 0 / 13 / 53

HEX #257868

RGB 37 120 104

HSL 168.43, 0.53%, 0.31%

LAB 45.39, -28.76, 1.58

 

Description

Color code: HEX #3F2578 | qconv.com Color code: HEX #3F2578 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 37 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 37 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 69 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 69% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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