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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F3450 it is the complementary color #C0CBAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F3450. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F3450 shade: #44344B, #55465E, #665871, #776A84 and #887C97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F3450. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F3450 shade: #3F3450, #2E223D, #1D102A, #0C0017 and #000004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F3450 shade: #3F3450, #463450, #4E3450, #50344A and #503443

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F3450 shade: #3F3450, #373450 and #343450

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F3450 shade matches the following richer shades: #3F3450, #3D295A, #3A1E65, #381470 and #36097B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F3450 shade: #3F3450, #413F45, #43493A, #465430 and #485F25

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F3450 shade: #343850, #373450, #3F3450, #463450 and #4D3450

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F3450 shade: #17131E, #2B2437, #3F3450, #534469 and #665482

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F3450 shade: #3F3450, #50343F and #345034

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F3450 shade: #3F3450, #503F34 and #34503F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F3450 shade: #3F3450, #50343F, #455034 and #345044

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F3450 shade: #3F3450, #503437, #455034 and #34504C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 35 / 0 / 69

HEX #3F3450

RGB 63 52 80

HSL 263.57, 0.21%, 0.26%

LAB 23.97, 11.56, -15.3

 

Complementary color

CMYK 5 / 0 / 14 / 20

HEX #C0CBAF

RGB 192 203 175

HSL 83.57, 0.21%, 0.74%

LAB 80.19, -8.75, 12.7

 

CMYK 9 / 31 / 0 / 71

HEX #44344B

RGB 68 52 75

HSL 281.74, 0.18%, 0.25%

LAB 24.3, 12.16, -11.43

 

CMYK 10 / 26 / 0 / 63

HEX #55465E

RGB 85 70 94

HSL 277.5, 0.15%, 0.32%

LAB 32.08, 11.5, -11.77

 

CMYK 10 / 22 / 0 / 56

HEX #665871

RGB 102 88 113

HSL 273.6, 0.12%, 0.39%

LAB 39.57, 10.94, -12.12

 

CMYK 10 / 20 / 0 / 48

HEX #776A84

RGB 119 106 132

HSL 270, 0.11%, 0.47%

LAB 46.84, 10.46, -12.48

 

CMYK 10 / 18 / 0 / 41

HEX #887C97

RGB 136 124 151

HSL 266.67, 0.11%, 0.54%

LAB 53.9, 10.03, -12.85

 

CMYK 21 / 35 / 0 / 69

HEX #3F3450

RGB 63 52 80

HSL 263.57, 0.21%, 0.26%

LAB 23.97, 11.56, -15.3

 

CMYK 25 / 44 / 0 / 76

HEX #2E223D

RGB 46 34 61

HSL 266.67, 0.28%, 0.19%

LAB 15.81, 12.4, -15.21

 

CMYK 31 / 62 / 0 / 84

HEX #1D102A

RGB 29 16 42

HSL 270, 0.45%, 0.11%

LAB 7.22, 13.36, -15.15

 

CMYK 48 / 100 / 0 / 91

HEX #0C0017

RGB 12 0 23

HSL 271.3, 1%, 0.05%

LAB 1.26, 7.09, -9.57

 

CMYK 100 / 100 / 0 / 98

HEX #000004

RGB 0 0 4

HSL 240, 1%, 0.01%

LAB 0.08, 0.56, -1.51

 

CMYK 21 / 35 / 0 / 69

HEX #3F3450

RGB 63 52 80

HSL 263.57, 0.21%, 0.26%

LAB 23.97, 11.56, -15.3

 

CMYK 13 / 35 / 0 / 69

HEX #463450

RGB 70 52 80

HSL 278.57, 0.21%, 0.26%

LAB 24.76, 14.16, -14.03

 

CMYK 2 / 35 / 0 / 69

HEX #4E3450

RGB 78 52 80

HSL 295.71, 0.21%, 0.26%

LAB 25.73, 17.19, -12.45

 

CMYK 0 / 35 / 7 / 69

HEX #50344A

RGB 80 52 74

HSL 312.86, 0.21%, 0.26%

LAB 25.73, 16.66, -8.45

 

CMYK 0 / 35 / 16 / 69

HEX #503443

RGB 80 52 67

HSL 327.86, 0.21%, 0.26%

LAB 25.46, 15.25, -4.19

 

CMYK 21 / 35 / 0 / 69

HEX #3F3450

RGB 63 52 80

HSL 263.57, 0.21%, 0.26%

LAB 23.97, 11.56, -15.3

 

CMYK 31 / 35 / 0 / 69

HEX #373450

RGB 55 52 80

HSL 246.43, 0.21%, 0.26%

LAB 23.16, 8.69, -16.62

 

CMYK 35 / 35 / 0 / 69

HEX #343450

RGB 52 52 80

HSL 240, 0.21%, 0.26%

LAB 22.88, 7.66, -17.08

 

CMYK 21 / 35 / 0 / 69

HEX #3F3450

RGB 63 52 80

HSL 263.57, 0.21%, 0.26%

LAB 23.97, 11.56, -15.3

 

CMYK 32 / 54 / 0 / 65

HEX #3D295A

RGB 61 41 90

HSL 264.49, 0.37%, 0.26%

LAB 21.27, 21.08, -26.2

 

CMYK 43 / 70 / 0 / 60

HEX #3A1E65

RGB 58 30 101

HSL 263.66, 0.54%, 0.26%

LAB 19.09, 30.41, -36.98

 

CMYK 50 / 82 / 0 / 56

HEX #381470

RGB 56 20 112

HSL 263.48, 0.7%, 0.26%

LAB 17.97, 38.47, -46

 

CMYK 56 / 93 / 0 / 52

HEX #36097B

RGB 54 9 123

HSL 263.68, 0.86%, 0.26%

LAB 17.51, 45.32, -53.86

 

CMYK 21 / 35 / 0 / 69

HEX #3F3450

RGB 63 52 80

HSL 263.57, 0.21%, 0.26%

LAB 23.97, 11.56, -15.3

 

CMYK 6 / 9 / 0 / 73

HEX #413F45

RGB 65 63 69

HSL 260, 0.05%, 0.26%

LAB 27.04, 2.22, -3.35

 

CMYK 8 / 0 / 21 / 71

HEX #43493A

RGB 67 73 58

HSL 84, 0.11%, 0.26%

LAB 30.07, -5.64, 8.17

 

CMYK 17 / 0 / 43 / 67

HEX #465430

RGB 70 84 48

HSL 83.33, 0.27%, 0.26%

LAB 33.68, -12.55, 19.26

 

CMYK 24 / 0 / 61 / 63

HEX #485F25

RGB 72 95 37

HSL 83.79, 0.44%, 0.26%

LAB 37.29, -19.14, 29.86

 

CMYK 35 / 30 / 0 / 69

HEX #343850

RGB 52 56 80

HSL 231.43, 0.21%, 0.26%

LAB 24.12, 4.93, -15.16

 

CMYK 31 / 35 / 0 / 69

HEX #373450

RGB 55 52 80

HSL 246.43, 0.21%, 0.26%

LAB 23.16, 8.69, -16.62

 

CMYK 21 / 35 / 0 / 69

HEX #3F3450

RGB 63 52 80

HSL 263.57, 0.21%, 0.26%

LAB 23.97, 11.56, -15.3

 

CMYK 13 / 35 / 0 / 69

HEX #463450

RGB 70 52 80

HSL 278.57, 0.21%, 0.26%

LAB 24.76, 14.16, -14.03

 

CMYK 4 / 35 / 0 / 69

HEX #4D3450

RGB 77 52 80

HSL 293.57, 0.21%, 0.26%

LAB 25.6, 16.81, -12.65

 

CMYK 23 / 37 / 0 / 88

HEX #17131E

RGB 23 19 30

HSL 261.82, 0.22%, 0.1%

LAB 6.7, 4.74, -6.9

 

CMYK 22 / 35 / 0 / 78

HEX #2B2437

RGB 43 36 55

HSL 262.11, 0.21%, 0.18%

LAB 15.75, 8.1, -11.11

 

CMYK 21 / 35 / 0 / 69

HEX #3F3450

RGB 63 52 80

HSL 263.57, 0.21%, 0.26%

LAB 23.97, 11.56, -15.3

 

CMYK 21 / 35 / 0 / 59

HEX #534469

RGB 83 68 105

HSL 264.32, 0.21%, 0.34%

LAB 31.79, 14.79, -19.22

 

CMYK 22 / 35 / 0 / 49

HEX #665482

RGB 102 84 130

HSL 263.48, 0.21%, 0.42%

LAB 39.2, 17.54, -23.12

 

CMYK 21 / 35 / 0 / 69

HEX #3F3450

RGB 63 52 80

HSL 263.57, 0.21%, 0.26%

LAB 23.97, 11.56, -15.3

 

CMYK 0 / 35 / 21 / 69

HEX #50343F

RGB 80 52 63

HSL 336.43, 0.21%, 0.26%

LAB 25.32, 14.5, -1.73

 

CMYK 35 / 0 / 35 / 69

HEX #345034

RGB 52 80 52

HSL 120, 0.21%, 0.26%

LAB 31.15, -17.08, 13.26

 

CMYK 21 / 35 / 0 / 69

HEX #3F3450

RGB 63 52 80

HSL 263.57, 0.21%, 0.26%

LAB 23.97, 11.56, -15.3

 

CMYK 0 / 21 / 35 / 69

HEX #503F34

RGB 80 63 52

HSL 23.57, 0.21%, 0.26%

LAB 28.14, 5.53, 9.55

 

CMYK 35 / 0 / 21 / 69

HEX #34503F

RGB 52 80 63

HSL 143.57, 0.21%, 0.26%

LAB 31.41, -14.75, 6.72

 

CMYK 21 / 35 / 0 / 69

HEX #3F3450

RGB 63 52 80

HSL 263.57, 0.21%, 0.26%

LAB 23.97, 11.56, -15.3

 

CMYK 0 / 35 / 21 / 69

HEX #50343F

RGB 80 52 63

HSL 336.43, 0.21%, 0.26%

LAB 25.32, 14.5, -1.73

 

CMYK 14 / 0 / 35 / 69

HEX #455034

RGB 69 80 52

HSL 83.57, 0.21%, 0.26%

LAB 32.37, -10.04, 15.1

 

CMYK 35 / 0 / 15 / 69

HEX #345044

RGB 52 80 68

HSL 154.29, 0.21%, 0.26%

LAB 31.54, -13.57, 3.74

 

CMYK 21 / 35 / 0 / 69

HEX #3F3450

RGB 63 52 80

HSL 263.57, 0.21%, 0.26%

LAB 23.97, 11.56, -15.3

 

CMYK 0 / 35 / 31 / 69

HEX #503437

RGB 80 52 55

HSL 353.57, 0.21%, 0.26%

LAB 25.07, 13.11, 3.25

 

CMYK 14 / 0 / 35 / 69

HEX #455034

RGB 69 80 52

HSL 83.57, 0.21%, 0.26%

LAB 32.37, -10.04, 15.1

 

CMYK 35 / 0 / 5 / 69

HEX #34504C

RGB 52 80 76

HSL 171.43, 0.21%, 0.26%

LAB 31.78, -11.52, -1

 

Description

Color code: HEX #3F3450 | qconv.com Color code: HEX #3F3450 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 52 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 52 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 35 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 35% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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