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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F3181 it is the complementary color #C0CE7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F3181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F3181 shade: #44317C, #55438F, #6655A2, #7767B5 and #8879C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F3181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F3181 shade: #3F3181, #2E1F6E, #1D0D5B, #0C0048 and #000035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F3181 shade: #3F3181, #543181, #6A3181, #803181 and #81316D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F3181 shade: #3F3181 and #313181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F3181 shade matches the following richer shades: #3F3181, #35228F, #2C149E and #2205AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F3181 shade: #3F3181, #483F72, #514D64, #5B5C56 and #646A47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F3181 shade: #314E81, #313981, #3E3181, #533181 and #693181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F3181 shade: #211A45, #302563, #3F3181, #4D3C9F and #5E4ABA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F3181 shade: #3F3181, #813163 and #438131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F3181 shade: #3F3181, #813E31 and #31813E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F3181 shade: #3F3181, #813163, #748131 and #31814E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F3181 shade: #3F3181, #81314B, #748131 and #318166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 62 / 0 / 49

HEX #3F3181

RGB 63 49 129

HSL 250.5, 0.45%, 0.35%

LAB 26.27, 28.49, -43.27

 

Complementary color

CMYK 7 / 0 / 39 / 19

HEX #C0CE7E

RGB 192 206 126

HSL 70.5, 0.45%, 0.65%

LAB 80.1, -17.22, 38.19

 

CMYK 45 / 60 / 0 / 51

HEX #44317C

RGB 68 49 124

HSL 255.2, 0.43%, 0.34%

LAB 26.39, 28.05, -39.9

 

CMYK 41 / 53 / 0 / 44

HEX #55438F

RGB 85 67 143

HSL 254.21, 0.36%, 0.41%

LAB 33.83, 26.71, -39.66

 

CMYK 37 / 48 / 0 / 36

HEX #6655A2

RGB 102 85 162

HSL 253.25, 0.31%, 0.48%

LAB 41.11, 25.55, -39.43

 

CMYK 34 / 43 / 0 / 29

HEX #7767B5

RGB 119 103 181

HSL 252.31, 0.35%, 0.56%

LAB 48.21, 24.54, -39.25

 

CMYK 32 / 40 / 0 / 22

HEX #8879C8

RGB 136 121 200

HSL 251.39, 0.42%, 0.63%

LAB 55.15, 23.67, -39.12

 

CMYK 51 / 62 / 0 / 49

HEX #3F3181

RGB 63 49 129

HSL 250.5, 0.45%, 0.35%

LAB 26.27, 28.49, -43.27

 

CMYK 58 / 72 / 0 / 57

HEX #2E1F6E

RGB 46 31 110

HSL 251.39, 0.56%, 0.28%

LAB 18.74, 30.2, -43.48

 

CMYK 68 / 86 / 0 / 64

HEX #1D0D5B

RGB 29 13 91

HSL 252.31, 0.75%, 0.2%

LAB 11.31, 31.77, -43.2

 

CMYK 83 / 100 / 0 / 72

HEX #0C0048

RGB 12 0 72

HSL 250, 1%, 0.14%

LAB 4.93, 30, -40.72

 

CMYK 100 / 100 / 0 / 79

HEX #000035

RGB 0 0 53

HSL 240, 1%, 0.1%

LAB 2.32, 16.32, -31.29

 

CMYK 51 / 62 / 0 / 49

HEX #3F3181

RGB 63 49 129

HSL 250.5, 0.45%, 0.35%

LAB 26.27, 28.49, -43.27

 

CMYK 35 / 62 / 0 / 49

HEX #543181

RGB 84 49 129

HSL 266.25, 0.45%, 0.35%

LAB 28.55, 33.44, -39.47

 

CMYK 18 / 62 / 0 / 49

HEX #6A3181

RGB 106 49 129

HSL 282.75, 0.45%, 0.35%

LAB 31.45, 39.16, -34.67

 

CMYK 1 / 62 / 0 / 49

HEX #803181

RGB 128 49 129

HSL 299.25, 0.45%, 0.35%

LAB 34.74, 45.1, -29.24

 

CMYK 0 / 62 / 16 / 49

HEX #81316D

RGB 129 49 109

HSL 315, 0.45%, 0.35%

LAB 33.92, 41.88, -17.97

 

CMYK 51 / 62 / 0 / 49

HEX #3F3181

RGB 63 49 129

HSL 250.5, 0.45%, 0.35%

LAB 26.27, 28.49, -43.27

 

CMYK 62 / 62 / 0 / 49

HEX #313181

RGB 49 49 129

HSL 240, 0.45%, 0.35%

LAB 25.06, 25.66, -45.29

 

CMYK 51 / 62 / 0 / 49

HEX #3F3181

RGB 63 49 129

HSL 250.5, 0.45%, 0.35%

LAB 26.27, 28.49, -43.27

 

CMYK 63 / 76 / 0 / 44

HEX #35228F

RGB 53 34 143

HSL 250.46, 0.62%, 0.35%

LAB 23.28, 40.23, -56.93

 

CMYK 72 / 87 / 0 / 38

HEX #2C149E

RGB 44 20 158

HSL 250.43, 0.78%, 0.35%

LAB 21.96, 50.46, -68.39

 

CMYK 80 / 97 / 0 / 33

HEX #2205AC

RGB 34 5 172

HSL 250.42, 0.94%, 0.35%

LAB 21.68, 58.17, -77.39

 

CMYK 51 / 62 / 0 / 49

HEX #3F3181

RGB 63 49 129

HSL 250.5, 0.45%, 0.35%

LAB 26.27, 28.49, -43.27

 

CMYK 37 / 45 / 0 / 55

HEX #483F72

RGB 72 63 114

HSL 250.59, 0.29%, 0.35%

LAB 29.78, 17, -28.15

 

CMYK 19 / 23 / 0 / 61

HEX #514D64

RGB 81 77 100

HSL 250.43, 0.13%, 0.35%

LAB 33.94, 7.01, -12.78

 

CMYK 1 / 0 / 7 / 64

HEX #5B5C56

RGB 91 92 86

HSL 70, 0.03%, 0.35%

LAB 38.81, -1.63, 3.31

 

CMYK 6 / 0 / 33 / 58

HEX #646A47

RGB 100 106 71

HSL 70.29, 0.2%, 0.35%

LAB 43.47, -8.69, 18.93

 

CMYK 62 / 40 / 0 / 49

HEX #314E81

RGB 49 78 129

HSL 218.25, 0.45%, 0.35%

LAB 33.32, 6.1, -32.02

 

CMYK 62 / 56 / 0 / 49

HEX #313981

RGB 49 57 129

HSL 234, 0.45%, 0.35%

LAB 27.2, 20.27, -41.83

 

CMYK 52 / 62 / 0 / 49

HEX #3E3181

RGB 62 49 129

HSL 249.75, 0.45%, 0.35%

LAB 26.17, 28.27, -43.43

 

CMYK 36 / 62 / 0 / 49

HEX #533181

RGB 83 49 129

HSL 265.5, 0.45%, 0.35%

LAB 28.43, 33.19, -39.67

 

CMYK 19 / 62 / 0 / 49

HEX #693181

RGB 105 49 129

HSL 282, 0.45%, 0.35%

LAB 31.31, 38.89, -34.9

 

CMYK 52 / 62 / 0 / 73

HEX #211A45

RGB 33 26 69

HSL 249.77, 0.45%, 0.19%

LAB 12.56, 16.56, -26.06

 

CMYK 52 / 63 / 0 / 61

HEX #302563

RGB 48 37 99

HSL 250.65, 0.46%, 0.27%

LAB 19.44, 23.05, -35.15

 

CMYK 51 / 62 / 0 / 49

HEX #3F3181

RGB 63 49 129

HSL 250.5, 0.45%, 0.35%

LAB 26.27, 28.49, -43.27

 

CMYK 52 / 62 / 0 / 38

HEX #4D3C9F

RGB 77 60 159

HSL 250.3, 0.45%, 0.43%

LAB 32.51, 34.09, -51.57

 

CMYK 49 / 60 / 0 / 27

HEX #5E4ABA

RGB 94 74 186

HSL 250.71, 0.45%, 0.51%

LAB 39.28, 37.39, -56.59

 

CMYK 51 / 62 / 0 / 49

HEX #3F3181

RGB 63 49 129

HSL 250.5, 0.45%, 0.35%

LAB 26.27, 28.49, -43.27

 

CMYK 0 / 62 / 23 / 49

HEX #813163

RGB 129 49 99

HSL 322.5, 0.45%, 0.35%

LAB 33.49, 40.31, -12.26

 

CMYK 48 / 0 / 62 / 49

HEX #438131

RGB 67 129 49

HSL 106.5, 0.45%, 0.35%

LAB 48.41, -36.04, 36.47

 

CMYK 51 / 62 / 0 / 49

HEX #3F3181

RGB 63 49 129

HSL 250.5, 0.45%, 0.35%

LAB 26.27, 28.49, -43.27

 

CMYK 0 / 52 / 62 / 49

HEX #813E31

RGB 129 62 49

HSL 9.75, 0.45%, 0.35%

LAB 34.67, 27.67, 21.34

 

CMYK 62 / 0 / 52 / 49

HEX #31813E

RGB 49 129 62

HSL 129.75, 0.45%, 0.35%

LAB 47.88, -39.42, 29.06

 

CMYK 51 / 62 / 0 / 49

HEX #3F3181

RGB 63 49 129

HSL 250.5, 0.45%, 0.35%

LAB 26.27, 28.49, -43.27

 

CMYK 0 / 62 / 23 / 49

HEX #813163

RGB 129 49 99

HSL 322.5, 0.45%, 0.35%

LAB 33.49, 40.31, -12.26

 

CMYK 10 / 0 / 62 / 49

HEX #748131

RGB 116 129 49

HSL 69.75, 0.45%, 0.35%

LAB 51.42, -16.81, 40.68

 

CMYK 62 / 0 / 40 / 49

HEX #31814E

RGB 49 129 78

HSL 141.75, 0.45%, 0.35%

LAB 48.14, -36.61, 20.6

 

CMYK 51 / 62 / 0 / 49

HEX #3F3181

RGB 63 49 129

HSL 250.5, 0.45%, 0.35%

LAB 26.27, 28.49, -43.27

 

CMYK 0 / 62 / 42 / 49

HEX #81314B

RGB 129 49 75

HSL 340.5, 0.45%, 0.35%

LAB 32.64, 37.09, 1.96

 

CMYK 10 / 0 / 62 / 49

HEX #748131

RGB 116 129 49

HSL 69.75, 0.45%, 0.35%

LAB 51.42, -16.81, 40.68

 

CMYK 62 / 0 / 21 / 49

HEX #318166

RGB 49 129 102

HSL 159.75, 0.45%, 0.35%

LAB 48.65, -31.26, 7.48

 

Description

Color code: HEX #3F3181 | qconv.com Color code: HEX #3F3181 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 49 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 49 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 62 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 62% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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