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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F3ABF it is the complementary color #C0C540. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F3ABF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F3ABF shade: #443ABA, #554CCD, #665EE0, #7770F3 and #8882FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F3ABF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F3ABF shade: #3F3ABF, #2E28AC, #1D1699, #0C0486 and #000073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F3ABF shade: #3F3ABF, #633ABF, #873ABF, #AA3ABF and #BF3AAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F3ABF shade: #3F3ABF and #3A3ABF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F3ABF shade matches the following richer shades: #3F3ABF, #2D26D3 and #1A12E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F3ABF shade: #3F3ABF, #524EAA, #656396, #777782 and #8A8B6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F3ABF shade: #3A7CBF, #3A59BF, #3F3ABF, #623ABF and #853ABF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F3ABF shade: #2A2780, #35319F, #3F3ABF, #5B57CB and #7A77D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F3ABF shade: #3F3ABF, #BF3AA0 and #6BBF3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F3ABF shade: #3F3ABF, #BF3F3A and #3ABF3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F3ABF shade: #3F3ABF, #BF3AA0, #BABF3A and #3ABF59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F3ABF shade: #3F3ABF, #BF3A78, #BABF3A and #3ABF81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 70 / 0 / 25

HEX #3F3ABF

RGB 63 58 191

HSL 242.26, 0.53%, 0.49%

LAB 33.66, 43.36, -68.81

 

Complementary color

CMYK 3 / 0 / 68 / 23

HEX #C0C540

RGB 192 197 64

HSL 62.26, 0.53%, 0.51%

LAB 76.99, -18.07, 63

 

CMYK 63 / 69 / 0 / 27

HEX #443ABA

RGB 68 58 186

HSL 244.69, 0.52%, 0.48%

LAB 33.56, 42.38, -66

 

CMYK 59 / 63 / 0 / 20

HEX #554CCD

RGB 85 76 205

HSL 244.19, 0.56%, 0.55%

LAB 40.42, 40.43, -65.83

 

CMYK 54 / 58 / 0 / 12

HEX #665EE0

RGB 102 94 224

HSL 243.69, 0.68%, 0.62%

LAB 47.25, 38.66, -65.54

 

CMYK 51 / 54 / 0 / 5

HEX #7770F3

RGB 119 112 243

HSL 243.21, 0.85%, 0.7%

LAB 54.01, 37.08, -65.22

 

CMYK 47 / 49 / 0 / 0

HEX #8882FF

RGB 136 130 255

HSL 242.88, 1%, 0.75%

LAB 60.27, 33.65, -61.73

 

CMYK 67 / 70 / 0 / 25

HEX #3F3ABF

RGB 63 58 191

HSL 242.26, 0.53%, 0.49%

LAB 33.66, 43.36, -68.81

 

CMYK 73 / 77 / 0 / 33

HEX #2E28AC

RGB 46 40 172

HSL 242.73, 0.62%, 0.42%

LAB 26.95, 45.52, -68.6

 

CMYK 81 / 86 / 0 / 40

HEX #1D1699

RGB 29 22 153

HSL 243.21, 0.75%, 0.34%

LAB 20.58, 47.27, -67.65

 

CMYK 91 / 97 / 0 / 47

HEX #0C0486

RGB 12 4 134

HSL 243.69, 0.94%, 0.27%

LAB 14.88, 47.76, -65.32

 

CMYK 100 / 100 / 0 / 55

HEX #000073

RGB 0 0 115

HSL 240, 1%, 0.23%

LAB 10.83, 44, -59.92

 

CMYK 67 / 70 / 0 / 25

HEX #3F3ABF

RGB 63 58 191

HSL 242.26, 0.53%, 0.49%

LAB 33.66, 43.36, -68.81

 

CMYK 48 / 70 / 0 / 25

HEX #633ABF

RGB 99 58 191

HSL 258.5, 0.53%, 0.49%

LAB 36.82, 48.77, -63.51

 

CMYK 29 / 70 / 0 / 25

HEX #873ABF

RGB 135 58 191

HSL 274.74, 0.53%, 0.49%

LAB 41.12, 55.63, -56.33

 

CMYK 11 / 70 / 0 / 25

HEX #AA3ABF

RGB 170 58 191

HSL 290.53, 0.53%, 0.49%

LAB 46.09, 63.06, -48.07

 

CMYK 0 / 70 / 8 / 25

HEX #BF3AAF

RGB 191 58 175

HSL 307.22, 0.53%, 0.49%

LAB 48.51, 65.14, -34.66

 

CMYK 67 / 70 / 0 / 25

HEX #3F3ABF

RGB 63 58 191

HSL 242.26, 0.53%, 0.49%

LAB 33.66, 43.36, -68.81

 

CMYK 70 / 70 / 0 / 25

HEX #3A3ABF

RGB 58 58 191

HSL 240, 0.53%, 0.49%

LAB 33.32, 42.76, -69.37

 

CMYK 67 / 70 / 0 / 25

HEX #3F3ABF

RGB 63 58 191

HSL 242.26, 0.53%, 0.49%

LAB 33.66, 43.36, -68.81

 

CMYK 79 / 82 / 0 / 17

HEX #2D26D3

RGB 45 38 211

HSL 242.43, 0.69%, 0.49%

LAB 30.99, 58.55, -84.93

 

CMYK 89 / 92 / 0 / 9

HEX #1A12E7

RGB 26 18 231

HSL 242.25, 0.86%, 0.49%

LAB 30.45, 70.37, -97.36

 

CMYK 67 / 70 / 0 / 25

HEX #3F3ABF

RGB 63 58 191

HSL 242.26, 0.53%, 0.49%

LAB 33.66, 43.36, -68.81

 

CMYK 52 / 54 / 0 / 33

HEX #524EAA

RGB 82 78 170

HSL 242.61, 0.37%, 0.49%

LAB 38.1, 27.42, -49.1

 

CMYK 33 / 34 / 0 / 41

HEX #656396

RGB 101 99 150

HSL 242.35, 0.2%, 0.49%

LAB 44.08, 13.23, -27.6

 

CMYK 8 / 8 / 0 / 49

HEX #777782

RGB 119 119 130

HSL 240, 0.04%, 0.49%

LAB 50.37, 2.31, -6.01

 

CMYK 1 / 0 / 21 / 45

HEX #8A8B6E

RGB 138 139 110

HSL 62.07, 0.12%, 0.49%

LAB 57.07, -5.52, 15.43

 

CMYK 70 / 35 / 0 / 25

HEX #3A7CBF

RGB 58 124 191

HSL 210.23, 0.53%, 0.49%

LAB 50.78, 1.19, -41.2

 

CMYK 70 / 53 / 0 / 25

HEX #3A59BF

RGB 58 89 191

HSL 226.02, 0.53%, 0.49%

LAB 40.91, 23.23, -57

 

CMYK 67 / 70 / 0 / 25

HEX #3F3ABF

RGB 63 58 191

HSL 242.26, 0.53%, 0.49%

LAB 33.66, 43.36, -68.81

 

CMYK 49 / 70 / 0 / 25

HEX #623ABF

RGB 98 58 191

HSL 258.05, 0.53%, 0.49%

LAB 36.71, 48.6, -63.68

 

CMYK 30 / 70 / 0 / 25

HEX #853ABF

RGB 133 58 191

HSL 273.83, 0.53%, 0.49%

LAB 40.86, 55.23, -56.76

 

CMYK 67 / 70 / 0 / 50

HEX #2A2780

RGB 42 39 128

HSL 242.02, 0.53%, 0.33%

LAB 21.95, 30.71, -49.76

 

CMYK 67 / 69 / 0 / 38

HEX #35319F

RGB 53 49 159

HSL 242.18, 0.53%, 0.41%

LAB 28, 36.76, -59.01

 

CMYK 67 / 70 / 0 / 25

HEX #3F3ABF

RGB 63 58 191

HSL 242.26, 0.53%, 0.49%

LAB 33.66, 43.36, -68.81

 

CMYK 55 / 57 / 0 / 20

HEX #5B57CB

RGB 91 87 203

HSL 242.07, 0.53%, 0.57%

LAB 43.29, 34.22, -60

 

CMYK 43 / 44 / 0 / 16

HEX #7A77D5

RGB 122 119 213

HSL 241.91, 0.53%, 0.65%

LAB 54.17, 24.73, -48.12

 

CMYK 67 / 70 / 0 / 25

HEX #3F3ABF

RGB 63 58 191

HSL 242.26, 0.53%, 0.49%

LAB 33.66, 43.36, -68.81

 

CMYK 0 / 70 / 16 / 25

HEX #BF3AA0

RGB 191 58 160

HSL 313.98, 0.53%, 0.49%

LAB 47.8, 62.92, -26.9

 

CMYK 44 / 0 / 70 / 25

HEX #6BBF3A

RGB 107 191 58

HSL 97.89, 0.53%, 0.49%

LAB 69.96, -48.21, 56.45

 

CMYK 67 / 70 / 0 / 25

HEX #3F3ABF

RGB 63 58 191

HSL 242.26, 0.53%, 0.49%

LAB 33.66, 43.36, -68.81

 

CMYK 0 / 67 / 70 / 25

HEX #BF3F3A

RGB 191 63 58

HSL 2.26, 0.53%, 0.49%

LAB 45.55, 50.86, 31.65

 

CMYK 70 / 0 / 67 / 25

HEX #3ABF3F

RGB 58 191 63

HSL 122.26, 0.53%, 0.49%

LAB 68.4, -60.23, 52.33

 

CMYK 67 / 70 / 0 / 25

HEX #3F3ABF

RGB 63 58 191

HSL 242.26, 0.53%, 0.49%

LAB 33.66, 43.36, -68.81

 

CMYK 0 / 70 / 16 / 25

HEX #BF3AA0

RGB 191 58 160

HSL 313.98, 0.53%, 0.49%

LAB 47.8, 62.92, -26.9

 

CMYK 3 / 0 / 70 / 25

HEX #BABF3A

RGB 186 191 58

HSL 62.26, 0.53%, 0.49%

LAB 74.83, -17.92, 62.95

 

CMYK 70 / 0 / 53 / 25

HEX #3ABF59

RGB 58 191 89

HSL 133.98, 0.53%, 0.49%

LAB 68.67, -57.11, 40.91

 

CMYK 67 / 70 / 0 / 25

HEX #3F3ABF

RGB 63 58 191

HSL 242.26, 0.53%, 0.49%

LAB 33.66, 43.36, -68.81

 

CMYK 0 / 70 / 37 / 25

HEX #BF3A78

RGB 191 58 120

HSL 332.03, 0.53%, 0.49%

LAB 46.26, 57.84, -5.13

 

CMYK 3 / 0 / 70 / 25

HEX #BABF3A

RGB 186 191 58

HSL 62.26, 0.53%, 0.49%

LAB 74.83, -17.92, 62.95

 

CMYK 70 / 0 / 32 / 25

HEX #3ABF81

RGB 58 191 129

HSL 152.03, 0.53%, 0.49%

LAB 69.29, -50.12, 21.15

 

Description

Color code: HEX #3F3ABF | qconv.com Color code: HEX #3F3ABF | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 58 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 58 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 70 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 70% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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