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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F4554 it is the complementary color #C0BAAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F4554. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F4554 shade: #44454F, #555762, #666975, #777B88 and #888D9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F4554. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F4554 shade: #3F4554, #2E3341, #1D212E, #0C0F1B and #000008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F4554 shade: #3F4554, #3F3F54, #443F54, #4A3F54 and #503F54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F4554 shade: #3F4554, #3F3F54 and #3F3F54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F4554 shade matches the following richer shades: #3F4554, #334060, #273B6C, #1B3678 and #0F3084

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F4554 shade: #3F4554, #4B4A48, #574F3C, #635430 and #6F5A24

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F4554 shade: #3F5054, #3F4B54, #3F4554, #3F4054 and #443F54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F4554 shade: #1C1E25, #2D323C, #3F4554, #51586B and #636C83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F4554 shade: #3F4554, #523F54 and #4E543F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F4554 shade: #3F4554, #543F45 and #45543F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F4554 shade: #3F4554, #523F54, #544E3F and #41543F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F4554 shade: #3F4554, #543F50, #544E3F and #3F5443

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 18 / 0 / 67

HEX #3F4554

RGB 63 69 84

HSL 222.86, 0.14%, 0.29%

LAB 29.29, 1.37, -9.77

 

Complementary color

CMYK 0 / 3 / 11 / 25

HEX #C0BAAB

RGB 192 186 171

HSL 42.86, 0.14%, 0.71%

LAB 75.62, -0.5, 8.35

 

CMYK 14 / 13 / 0 / 69

HEX #44454F

RGB 68 69 79

HSL 234.55, 0.07%, 0.29%

LAB 29.54, 1.95, -6.13

 

CMYK 13 / 11 / 0 / 62

HEX #555762

RGB 85 87 98

HSL 230.77, 0.07%, 0.36%

LAB 37.17, 1.71, -6.61

 

CMYK 13 / 10 / 0 / 54

HEX #666975

RGB 102 105 117

HSL 228, 0.07%, 0.43%

LAB 44.54, 1.5, -7.09

 

CMYK 13 / 10 / 0 / 47

HEX #777B88

RGB 119 123 136

HSL 225.88, 0.07%, 0.5%

LAB 51.68, 1.3, -7.57

 

CMYK 12 / 9 / 0 / 39

HEX #888D9B

RGB 136 141 155

HSL 224.21, 0.09%, 0.57%

LAB 58.65, 1.11, -8.04

 

CMYK 25 / 18 / 0 / 67

HEX #3F4554

RGB 63 69 84

HSL 222.86, 0.14%, 0.29%

LAB 29.29, 1.37, -9.77

 

CMYK 29 / 22 / 0 / 75

HEX #2E3341

RGB 46 51 65

HSL 224.21, 0.17%, 0.22%

LAB 21.32, 1.67, -9.46

 

CMYK 37 / 28 / 0 / 82

HEX #1D212E

RGB 29 33 46

HSL 225.88, 0.23%, 0.15%

LAB 12.9, 2.06, -9.22

 

CMYK 56 / 44 / 0 / 89

HEX #0C0F1B

RGB 12 15 27

HSL 228, 0.38%, 0.08%

LAB 4.51, 1.89, -7.95

 

CMYK 100 / 100 / 0 / 97

HEX #000008

RGB 0 0 8

HSL 240, 1%, 0.02%

LAB 0.16, 1.11, -3.03

 

CMYK 25 / 18 / 0 / 67

HEX #3F4554

RGB 63 69 84

HSL 222.86, 0.14%, 0.29%

LAB 29.29, 1.37, -9.77

 

CMYK 25 / 25 / 0 / 67

HEX #3F3F54

RGB 63 63 84

HSL 240, 0.14%, 0.29%

LAB 27.44, 5.3, -12.59

 

CMYK 19 / 25 / 0 / 67

HEX #443F54

RGB 68 63 84

HSL 254.29, 0.14%, 0.29%

LAB 27.91, 7.15, -11.83

 

CMYK 12 / 25 / 0 / 67

HEX #4A3F54

RGB 74 63 84

HSL 271.43, 0.14%, 0.29%

LAB 28.51, 9.42, -10.86

 

CMYK 5 / 25 / 0 / 67

HEX #503F54

RGB 80 63 84

HSL 288.57, 0.14%, 0.29%

LAB 29.16, 11.75, -9.82

 

CMYK 25 / 18 / 0 / 67

HEX #3F4554

RGB 63 69 84

HSL 222.86, 0.14%, 0.29%

LAB 29.29, 1.37, -9.77

 

CMYK 25 / 25 / 0 / 67

HEX #3F3F54

RGB 63 63 84

HSL 240, 0.14%, 0.29%

LAB 27.44, 5.3, -12.59

 

CMYK 25 / 25 / 0 / 67

HEX #3F3F54

RGB 63 63 84

HSL 240, 0.14%, 0.29%

LAB 27.44, 5.3, -12.59

 

CMYK 25 / 18 / 0 / 67

HEX #3F4554

RGB 63 69 84

HSL 222.86, 0.14%, 0.29%

LAB 29.29, 1.37, -9.77

 

CMYK 47 / 33 / 0 / 62

HEX #334060

RGB 51 64 96

HSL 222.67, 0.31%, 0.29%

LAB 27.34, 4.33, -20.61

 

CMYK 64 / 45 / 0 / 58

HEX #273B6C

RGB 39 59 108

HSL 222.61, 0.47%, 0.29%

LAB 25.69, 8.98, -30.99

 

CMYK 78 / 55 / 0 / 53

HEX #1B3678

RGB 27 54 120

HSL 222.58, 0.63%, 0.29%

LAB 24.41, 15.16, -40.73

 

CMYK 89 / 64 / 0 / 48

HEX #0F3084

RGB 15 48 132

HSL 223.08, 0.8%, 0.29%

LAB 23.28, 23.15, -50.16

 

CMYK 25 / 18 / 0 / 67

HEX #3F4554

RGB 63 69 84

HSL 222.86, 0.14%, 0.29%

LAB 29.29, 1.37, -9.77

 

CMYK 0 / 1 / 4 / 71

HEX #4B4A48

RGB 75 74 72

HSL 40, 0.02%, 0.29%

LAB 31.49, -0.01, 1.33

 

CMYK 0 / 9 / 31 / 66

HEX #574F3C

RGB 87 79 60

HSL 42.22, 0.18%, 0.29%

LAB 33.87, -0.08, 12.45

 

CMYK 0 / 15 / 52 / 61

HEX #635430

RGB 99 84 48

HSL 42.35, 0.35%, 0.29%

LAB 36.38, 0.85, 23.24

 

CMYK 0 / 19 / 68 / 56

HEX #6F5A24

RGB 111 90 36

HSL 43.2, 0.51%, 0.29%

LAB 39.27, 1.89, 33.57

 

CMYK 25 / 5 / 0 / 67

HEX #3F5054

RGB 63 80 84

HSL 191.43, 0.14%, 0.29%

LAB 32.78, -5.57, -4.54

 

CMYK 25 / 11 / 0 / 67

HEX #3F4B54

RGB 63 75 84

HSL 205.71, 0.14%, 0.29%

LAB 31.18, -2.46, -6.92

 

CMYK 25 / 18 / 0 / 67

HEX #3F4554

RGB 63 69 84

HSL 222.86, 0.14%, 0.29%

LAB 29.29, 1.37, -9.77

 

CMYK 25 / 24 / 0 / 67

HEX #3F4054

RGB 63 64 84

HSL 237.14, 0.14%, 0.29%

LAB 27.75, 4.64, -12.13

 

CMYK 19 / 25 / 0 / 67

HEX #443F54

RGB 68 63 84

HSL 254.29, 0.14%, 0.29%

LAB 27.91, 7.15, -11.83

 

CMYK 24 / 19 / 0 / 85

HEX #1C1E25

RGB 28 30 37

HSL 226.67, 0.14%, 0.13%

LAB 11.34, 1.03, -5.06

 

CMYK 25 / 17 / 0 / 76

HEX #2D323C

RGB 45 50 60

HSL 220, 0.14%, 0.21%

LAB 20.69, 0.52, -7.02

 

CMYK 25 / 18 / 0 / 67

HEX #3F4554

RGB 63 69 84

HSL 222.86, 0.14%, 0.29%

LAB 29.29, 1.37, -9.77

 

CMYK 24 / 18 / 0 / 58

HEX #51586B

RGB 81 88 107

HSL 223.85, 0.14%, 0.37%

LAB 37.46, 1.9, -11.79

 

CMYK 24 / 18 / 0 / 49

HEX #636C83

RGB 99 108 131

HSL 223.13, 0.14%, 0.45%

LAB 45.66, 2.05, -13.84

 

CMYK 25 / 18 / 0 / 67

HEX #3F4554

RGB 63 69 84

HSL 222.86, 0.14%, 0.29%

LAB 29.29, 1.37, -9.77

 

CMYK 2 / 25 / 0 / 67

HEX #523F54

RGB 82 63 84

HSL 294.29, 0.14%, 0.29%

LAB 29.38, 12.53, -9.46

 

CMYK 7 / 0 / 25 / 67

HEX #4E543F

RGB 78 84 63

HSL 77.14, 0.14%, 0.29%

LAB 34.64, -6.62, 11.51

 

CMYK 25 / 18 / 0 / 67

HEX #3F4554

RGB 63 69 84

HSL 222.86, 0.14%, 0.29%

LAB 29.29, 1.37, -9.77

 

CMYK 0 / 25 / 18 / 67

HEX #543F45

RGB 84 63 69

HSL 342.86, 0.14%, 0.29%

LAB 29.08, 10.24, -0.12

 

CMYK 18 / 0 / 25 / 67

HEX #45543F

RGB 69 84 63

HSL 102.86, 0.14%, 0.29%

LAB 33.91, -10.43, 10.38

 

CMYK 25 / 18 / 0 / 67

HEX #3F4554

RGB 63 69 84

HSL 222.86, 0.14%, 0.29%

LAB 29.29, 1.37, -9.77

 

CMYK 2 / 25 / 0 / 67

HEX #523F54

RGB 82 63 84

HSL 294.29, 0.14%, 0.29%

LAB 29.38, 12.53, -9.46

 

CMYK 0 / 7 / 25 / 67

HEX #544E3F

RGB 84 78 63

HSL 42.86, 0.14%, 0.29%

LAB 33.33, -0.33, 9.79

 

CMYK 23 / 0 / 25 / 67

HEX #41543F

RGB 65 84 63

HSL 114.29, 0.14%, 0.29%

LAB 33.61, -12.06, 9.93

 

CMYK 25 / 18 / 0 / 67

HEX #3F4554

RGB 63 69 84

HSL 222.86, 0.14%, 0.29%

LAB 29.29, 1.37, -9.77

 

CMYK 0 / 25 / 5 / 67

HEX #543F50

RGB 84 63 80

HSL 311.43, 0.14%, 0.29%

LAB 29.46, 12.45, -6.72

 

CMYK 0 / 7 / 25 / 67

HEX #544E3F

RGB 84 78 63

HSL 42.86, 0.14%, 0.29%

LAB 33.33, -0.33, 9.79

 

CMYK 25 / 0 / 20 / 67

HEX #3F5443

RGB 63 84 67

HSL 131.43, 0.14%, 0.29%

LAB 33.57, -12.02, 7.35

 

Description

Color code: HEX #3F4554 | qconv.com Color code: HEX #3F4554 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 69 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 69 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 18 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 18% 0% 67% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - 福岡の新築、注文住宅、リフォームなら原口...
Link: http://haraguchisouken.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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