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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F473E it is the complementary color #C0B8C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F473E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F473E shade: #444739, #55594C, #666B5F, #777D72 and #888F85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F473E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F473E shade: #3F473E, #2E352B, #1D2318 and #0C1105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F473E shade: #3E463D, #41463D, #43463D, #46463D and #46453D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F473E shade: #3E463D, #3D463F, #3D4641, #3D4644 and #3D4646

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F473E shade matches the following richer shades: #3E463D, #365132, #2E5C28, #25671D and #1D7112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F473E shade: #3E463D, #473C48, #4F3153, #57265D and #601C68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F473E shade: #43463D, #41463D, #3E463D, #3D463F and #3D4641

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F473E shade: #171A17, #2B302A, #3E463D, #525D50 and #657364

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F473E shade: #3F473E, #3D4646 and #463D42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F473E shade: #3F473E, #3D3E46 and #463D3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F473E shade: #3F473E, #3D4646, #453D46 and #463E3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F473E shade: #3F473E, #3D4346, #453D46 and #46413D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 13 / 72

HEX #3F473E

RGB 63 71 62

HSL 113.33, 0.07%, 0.26%

LAB 29.19, -5.29, 4.31

 

Complementary color

CMYK 1 / 5 / 0 / 24

HEX #C0B8C1

RGB 192 184 193

HSL 293.33, 0.07%, 0.74%

LAB 75.66, 4.47, -3.55

 

CMYK 4 / 0 / 20 / 72

HEX #444739

RGB 68 71 57

HSL 72.86, 0.11%, 0.25%

LAB 29.49, -4.15, 8.02

 

CMYK 4 / 0 / 15 / 65

HEX #55594C

RGB 85 89 76

HSL 78.46, 0.08%, 0.32%

LAB 37.11, -4.25, 6.99

 

CMYK 5 / 0 / 11 / 58

HEX #666B5F

RGB 102 107 95

HSL 85, 0.06%, 0.4%

LAB 44.47, -4.34, 6.07

 

CMYK 5 / 0 / 9 / 51

HEX #777D72

RGB 119 125 114

HSL 92.73, 0.05%, 0.47%

LAB 51.61, -4.43, 5.22

 

CMYK 5 / 0 / 7 / 44

HEX #888F85

RGB 136 143 133

HSL 102, 0.04%, 0.54%

LAB 58.58, -4.5, 4.43

 

CMYK 11 / 0 / 13 / 72

HEX #3F473E

RGB 63 71 62

HSL 113.33, 0.07%, 0.26%

LAB 29.19, -5.29, 4.31

 

CMYK 13 / 0 / 19 / 79

HEX #2E352B

RGB 46 53 43

HSL 102, 0.1%, 0.19%

LAB 21.21, -5.32, 5.32

 

CMYK 17 / 0 / 31 / 86

HEX #1D2318

RGB 29 35 24

HSL 92.73, 0.19%, 0.12%

LAB 12.79, -5.38, 6.51

 

CMYK 29 / 0 / 71 / 93

HEX #0C1105

RGB 12 17 5

HSL 85, 0.55%, 0.04%

LAB 4.43, -3.53, 4.51

 

CMYK 11 / 0 / 13 / 73

HEX #3E463D

RGB 62 70 61

HSL 113.33, 0.07%, 0.26%

LAB 28.75, -5.3, 4.32

 

CMYK 7 / 0 / 13 / 73

HEX #41463D

RGB 65 70 61

HSL 93.33, 0.07%, 0.26%

LAB 29.01, -4.04, 4.72

 

CMYK 4 / 0 / 13 / 73

HEX #43463D

RGB 67 70 61

HSL 80, 0.07%, 0.26%

LAB 29.19, -3.18, 5

 

CMYK 0 / 0 / 13 / 73

HEX #46463D

RGB 70 70 61

HSL 60, 0.07%, 0.26%

LAB 29.46, -1.88, 5.43

 

CMYK 0 / 1 / 13 / 73

HEX #46453D

RGB 70 69 61

HSL 53.33, 0.07%, 0.26%

LAB 29.15, -1.25, 4.98

 

CMYK 11 / 0 / 13 / 73

HEX #3E463D

RGB 62 70 61

HSL 113.33, 0.07%, 0.26%

LAB 28.75, -5.3, 4.32

 

CMYK 13 / 0 / 10 / 73

HEX #3D463F

RGB 61 70 63

HSL 133.33, 0.07%, 0.26%

LAB 28.72, -5.28, 2.98

 

CMYK 13 / 0 / 7 / 73

HEX #3D4641

RGB 61 70 65

HSL 146.67, 0.07%, 0.26%

LAB 28.78, -4.83, 1.77

 

CMYK 13 / 0 / 3 / 73

HEX #3D4644

RGB 61 70 68

HSL 166.67, 0.07%, 0.26%

LAB 28.88, -4.13, -0.04

 

CMYK 13 / 0 / 0 / 73

HEX #3D4646

RGB 61 70 70

HSL 180, 0.07%, 0.26%

LAB 28.94, -3.65, -1.25

 

CMYK 11 / 0 / 13 / 73

HEX #3E463D

RGB 62 70 61

HSL 113.33, 0.07%, 0.26%

LAB 28.75, -5.3, 4.32

 

CMYK 33 / 0 / 38 / 68

HEX #365132

RGB 54 81 50

HSL 112.26, 0.24%, 0.26%

LAB 31.58, -17.23, 15.08

 

CMYK 50 / 0 / 57 / 64

HEX #2E5C28

RGB 46 92 40

HSL 113.08, 0.39%, 0.26%

LAB 34.78, -27.41, 24.91

 

CMYK 64 / 0 / 72 / 60

HEX #25671D

RGB 37 103 29

HSL 113.51, 0.56%, 0.26%

LAB 38.17, -36.24, 34.22

 

CMYK 74 / 0 / 84 / 56

HEX #1D7112

RGB 29 113 18

HSL 113.05, 0.73%, 0.26%

LAB 41.4, -42.72, 41.61

 

CMYK 11 / 0 / 13 / 73

HEX #3E463D

RGB 62 70 61

HSL 113.33, 0.07%, 0.26%

LAB 28.75, -5.3, 4.32

 

CMYK 1 / 17 / 0 / 72

HEX #473C48

RGB 71 60 72

HSL 295, 0.09%, 0.26%

LAB 26.85, 7.34, -5.55

 

CMYK 5 / 41 / 0 / 67

HEX #4F3153

RGB 79 49 83

HSL 292.94, 0.26%, 0.26%

LAB 25.21, 20.17, -15.22

 

CMYK 6 / 59 / 0 / 64

HEX #57265D

RGB 87 38 93

HSL 293.45, 0.42%, 0.26%

LAB 24.33, 31.67, -23.1

 

CMYK 8 / 73 / 0 / 59

HEX #601C68

RGB 96 28 104

HSL 293.68, 0.58%, 0.26%

LAB 24.69, 41.3, -29.62

 

CMYK 4 / 0 / 13 / 73

HEX #43463D

RGB 67 70 61

HSL 80, 0.07%, 0.26%

LAB 29.19, -3.18, 5

 

CMYK 7 / 0 / 13 / 73

HEX #41463D

RGB 65 70 61

HSL 93.33, 0.07%, 0.26%

LAB 29.01, -4.04, 4.72

 

CMYK 11 / 0 / 13 / 73

HEX #3E463D

RGB 62 70 61

HSL 113.33, 0.07%, 0.26%

LAB 28.75, -5.3, 4.32

 

CMYK 13 / 0 / 10 / 73

HEX #3D463F

RGB 61 70 63

HSL 133.33, 0.07%, 0.26%

LAB 28.72, -5.28, 2.98

 

CMYK 13 / 0 / 7 / 73

HEX #3D4641

RGB 61 70 65

HSL 146.67, 0.07%, 0.26%

LAB 28.78, -4.83, 1.77

 

CMYK 12 / 0 / 12 / 90

HEX #171A17

RGB 23 26 23

HSL 120, 0.06%, 0.1%

LAB 8.85, -2.21, 1.61

 

CMYK 10 / 0 / 13 / 81

HEX #2B302A

RGB 43 48 42

HSL 110, 0.07%, 0.18%

LAB 19.2, -3.61, 3.1

 

CMYK 11 / 0 / 13 / 73

HEX #3E463D

RGB 62 70 61

HSL 113.33, 0.07%, 0.26%

LAB 28.75, -5.3, 4.32

 

CMYK 12 / 0 / 14 / 64

HEX #525D50

RGB 82 93 80

HSL 110.77, 0.08%, 0.34%

LAB 38.2, -7.07, 6.03

 

CMYK 12 / 0 / 13 / 55

HEX #657364

RGB 101 115 100

HSL 116, 0.07%, 0.42%

LAB 46.91, -8.37, 6.54

 

CMYK 11 / 0 / 13 / 72

HEX #3F473E

RGB 63 71 62

HSL 113.33, 0.07%, 0.26%

LAB 29.19, -5.29, 4.31

 

CMYK 13 / 0 / 0 / 73

HEX #3D4646

RGB 61 70 70

HSL 180, 0.07%, 0.26%

LAB 28.94, -3.65, -1.25

 

CMYK 0 / 13 / 6 / 73

HEX #463D42

RGB 70 61 66

HSL 326.67, 0.07%, 0.26%

LAB 26.83, 4.94, -1.64

 

CMYK 11 / 0 / 13 / 72

HEX #3F473E

RGB 63 71 62

HSL 113.33, 0.07%, 0.26%

LAB 29.19, -5.29, 4.31

 

CMYK 13 / 11 / 0 / 73

HEX #3D3E46

RGB 61 62 70

HSL 233.33, 0.07%, 0.26%

LAB 26.39, 1.49, -5.02

 

CMYK 0 / 13 / 11 / 73

HEX #463D3E

RGB 70 61 62

HSL 353.33, 0.07%, 0.26%

LAB 26.7, 4.1, 0.81

 

CMYK 11 / 0 / 13 / 72

HEX #3F473E

RGB 63 71 62

HSL 113.33, 0.07%, 0.26%

LAB 29.19, -5.29, 4.31

 

CMYK 13 / 0 / 0 / 73

HEX #3D4646

RGB 61 70 70

HSL 180, 0.07%, 0.26%

LAB 28.94, -3.65, -1.25

 

CMYK 1 / 13 / 0 / 73

HEX #453D46

RGB 69 61 70

HSL 293.33, 0.07%, 0.26%

LAB 26.86, 5.41, -4.23

 

CMYK 0 / 11 / 13 / 73

HEX #463E3D

RGB 70 62 61

HSL 6.67, 0.07%, 0.26%

LAB 26.97, 3.24, 1.87

 

CMYK 11 / 0 / 13 / 72

HEX #3F473E

RGB 63 71 62

HSL 113.33, 0.07%, 0.26%

LAB 29.19, -5.29, 4.31

 

CMYK 13 / 4 / 0 / 73

HEX #3D4346

RGB 61 67 70

HSL 200, 0.07%, 0.26%

LAB 27.98, -1.74, -2.67

 

CMYK 1 / 13 / 0 / 73

HEX #453D46

RGB 69 61 70

HSL 293.33, 0.07%, 0.26%

LAB 26.86, 5.41, -4.23

 

CMYK 0 / 7 / 13 / 73

HEX #46413D

RGB 70 65 61

HSL 26.67, 0.07%, 0.26%

LAB 27.9, 1.3, 3.2

 

Description

Color code: HEX #3F473E | qconv.com Color code: HEX #3F473E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 71 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 71 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 13 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 13% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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