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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F4822 it is the complementary color #C0B7DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F4822. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F4822 shade: #44481D, #555A30, #666C43, #777E56 and #889069

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F4822. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F4822 shade: #3F4822, #2E360F, #1D2400, #0C1200 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F4822 shade: #3F4822, #484722, #483D22, #483222 and #482822

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F4822 shade: #3F4822, #354822, #2A4822, #224824 and #22482E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F4822 shade matches the following richer shades: #3F4822, #445119, #485A10 and #4D6208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F4822 shade: #3F4822, #3B402A, #363733, #322E3C and #2D2644

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F4822 shade: #483D22, #484722, #3F4822, #354822 and #2B4822

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F4822 shade: #0E1007, #272C15, #3F4822, #58642F and #70803C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F4822 shade: #3F4822, #224832 and #422248

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F4822 shade: #3F4822, #223F48 and #48223F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F4822 shade: #3F4822, #224832, #2B2248 and #482238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F4822 shade: #3F4822, #22483E, #2B2248 and #48222C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 53 / 72

HEX #3F4822

RGB 63 72 34

HSL 74.21, 0.36%, 0.21%

LAB 28.92, -10.67, 21.46

 

Complementary color

CMYK 13 / 17 / 0 / 13

HEX #C0B7DD

RGB 192 183 221

HSL 254.21, 0.36%, 0.79%

LAB 76.25, 10.58, -17.88

 

CMYK 6 / 0 / 60 / 72

HEX #44481D

RGB 68 72 29

HSL 65.58, 0.43%, 0.2%

LAB 29.29, -8.84, 24.87

 

CMYK 6 / 0 / 47 / 65

HEX #555A30

RGB 85 90 48

HSL 67.14, 0.3%, 0.27%

LAB 36.85, -9.26, 23.53

 

CMYK 6 / 0 / 38 / 58

HEX #666C43

RGB 102 108 67

HSL 68.78, 0.23%, 0.34%

LAB 44.17, -9.53, 22.2

 

CMYK 6 / 0 / 32 / 51

HEX #777E56

RGB 119 126 86

HSL 70.5, 0.19%, 0.42%

LAB 51.28, -9.71, 20.96

 

CMYK 6 / 0 / 27 / 44

HEX #889069

RGB 136 144 105

HSL 72.31, 0.16%, 0.49%

LAB 58.23, -9.83, 19.81

 

CMYK 13 / 0 / 53 / 72

HEX #3F4822

RGB 63 72 34

HSL 74.21, 0.36%, 0.21%

LAB 28.92, -10.67, 21.46

 

CMYK 15 / 0 / 72 / 79

HEX #2E360F

RGB 46 54 15

HSL 72.31, 0.57%, 0.14%

LAB 21.03, -10.29, 22.72

 

CMYK 19 / 0 / 100 / 86

HEX #1D2400

RGB 29 36 0

HSL 71.67, 1%, 0.07%

LAB 12.75, -9.57, 18.64

 

CMYK 33 / 0 / 100 / 93

HEX #0C1200

RGB 12 18 0

HSL 80, 1%, 0.04%

LAB 4.61, -4.82, 6.82

 

CMYK 13 / 0 / 53 / 72

HEX #3F4822

RGB 63 72 34

HSL 74.21, 0.36%, 0.21%

LAB 28.92, -10.67, 21.46

 

CMYK 0 / 1 / 53 / 72

HEX #484722

RGB 72 71 34

HSL 58.42, 0.36%, 0.21%

LAB 29.41, -5.75, 22.25

 

CMYK 0 / 15 / 53 / 72

HEX #483D22

RGB 72 61 34

HSL 42.63, 0.36%, 0.21%

LAB 26.25, 0.51, 18.35

 

CMYK 0 / 31 / 53 / 72

HEX #483222

RGB 72 50 34

HSL 25.26, 0.36%, 0.21%

LAB 22.91, 7.66, 14.09

 

CMYK 0 / 44 / 53 / 72

HEX #482822

RGB 72 40 34

HSL 9.47, 0.36%, 0.21%

LAB 20.09, 14.21, 10.36

 

CMYK 13 / 0 / 53 / 72

HEX #3F4822

RGB 63 72 34

HSL 74.21, 0.36%, 0.21%

LAB 28.92, -10.67, 21.46

 

CMYK 26 / 0 / 53 / 72

HEX #354822

RGB 53 72 34

HSL 90, 0.36%, 0.21%

LAB 28.13, -15.24, 20.32

 

CMYK 42 / 0 / 53 / 72

HEX #2A4822

RGB 42 72 34

HSL 107.37, 0.36%, 0.21%

LAB 27.41, -19.83, 19.27

 

CMYK 53 / 0 / 50 / 72

HEX #224824

RGB 34 72 36

HSL 123.16, 0.36%, 0.21%

LAB 27.02, -22.41, 17.48

 

CMYK 53 / 0 / 36 / 72

HEX #22482E

RGB 34 72 46

HSL 138.95, 0.36%, 0.21%

LAB 27.22, -20.42, 11.54

 

CMYK 13 / 0 / 53 / 72

HEX #3F4822

RGB 63 72 34

HSL 74.21, 0.36%, 0.21%

LAB 28.92, -10.67, 21.46

 

CMYK 16 / 0 / 69 / 68

HEX #445119

RGB 68 81 25

HSL 73.93, 0.53%, 0.21%

LAB 32.22, -14.44, 30.23

 

CMYK 20 / 0 / 82 / 65

HEX #485A10

RGB 72 90 16

HSL 74.59, 0.7%, 0.21%

LAB 35.45, -18.14, 37.43

 

CMYK 21 / 0 / 92 / 62

HEX #4D6208

RGB 77 98 8

HSL 74, 0.85%, 0.21%

LAB 38.43, -20.42, 42.61

 

CMYK 13 / 0 / 53 / 72

HEX #3F4822

RGB 63 72 34

HSL 74.21, 0.36%, 0.21%

LAB 28.92, -10.67, 21.46

 

CMYK 8 / 0 / 34 / 75

HEX #3B402A

RGB 59 64 42

HSL 73.64, 0.21%, 0.21%

LAB 26.05, -6.54, 12.8

 

CMYK 2 / 0 / 7 / 78

HEX #363733

RGB 54 55 51

HSL 75, 0.04%, 0.21%

LAB 22.85, -1.33, 2.35

 

CMYK 17 / 23 / 0 / 76

HEX #322E3C

RGB 50 46 60

HSL 257.14, 0.13%, 0.21%

LAB 19.88, 5.25, -8.21

 

CMYK 34 / 44 / 0 / 73

HEX #2D2644

RGB 45 38 68

HSL 254, 0.28%, 0.21%

LAB 17.28, 11.32, -17.77

 

CMYK 0 / 15 / 53 / 72

HEX #483D22

RGB 72 61 34

HSL 42.63, 0.36%, 0.21%

LAB 26.25, 0.51, 18.35

 

CMYK 0 / 1 / 53 / 72

HEX #484722

RGB 72 71 34

HSL 58.42, 0.36%, 0.21%

LAB 29.41, -5.75, 22.25

 

CMYK 13 / 0 / 53 / 72

HEX #3F4822

RGB 63 72 34

HSL 74.21, 0.36%, 0.21%

LAB 28.92, -10.67, 21.46

 

CMYK 26 / 0 / 53 / 72

HEX #354822

RGB 53 72 34

HSL 90, 0.36%, 0.21%

LAB 28.13, -15.24, 20.32

 

CMYK 40 / 0 / 53 / 72

HEX #2B4822

RGB 43 72 34

HSL 105.79, 0.36%, 0.21%

LAB 27.47, -19.43, 19.35

 

CMYK 13 / 0 / 56 / 94

HEX #0E1007

RGB 14 16 7

HSL 73.33, 0.39%, 0.05%

LAB 4.33, -2.08, 3.57

 

CMYK 11 / 0 / 52 / 83

HEX #272C15

RGB 39 44 21

HSL 73.04, 0.35%, 0.13%

LAB 16.93, -6.88, 14.17

 

CMYK 13 / 0 / 53 / 72

HEX #3F4822

RGB 63 72 34

HSL 74.21, 0.36%, 0.21%

LAB 28.92, -10.67, 21.46

 

CMYK 12 / 0 / 53 / 61

HEX #58642F

RGB 88 100 47

HSL 73.58, 0.36%, 0.29%

LAB 40.24, -13.71, 28.28

 

CMYK 13 / 0 / 53 / 50

HEX #70803C

RGB 112 128 60

HSL 74.12, 0.36%, 0.37%

LAB 50.93, -17, 34.59

 

CMYK 13 / 0 / 53 / 72

HEX #3F4822

RGB 63 72 34

HSL 74.21, 0.36%, 0.21%

LAB 28.92, -10.67, 21.46

 

CMYK 53 / 0 / 31 / 72

HEX #224832

RGB 34 72 50

HSL 145.26, 0.36%, 0.21%

LAB 27.31, -19.51, 9.12

 

CMYK 8 / 53 / 0 / 72

HEX #422248

RGB 66 34 72

HSL 290.53, 0.36%, 0.21%

LAB 19.1, 22.46, -17.47

 

CMYK 13 / 0 / 53 / 72

HEX #3F4822

RGB 63 72 34

HSL 74.21, 0.36%, 0.21%

LAB 28.92, -10.67, 21.46

 

CMYK 53 / 13 / 0 / 72

HEX #223F48

RGB 34 63 72

HSL 194.21, 0.36%, 0.21%

LAB 24.84, -8, -8.88

 

CMYK 0 / 53 / 13 / 72

HEX #48223F

RGB 72 34 63

HSL 314.21, 0.36%, 0.21%

LAB 19.56, 22.67, -10.5

 

CMYK 13 / 0 / 53 / 72

HEX #3F4822

RGB 63 72 34

HSL 74.21, 0.36%, 0.21%

LAB 28.92, -10.67, 21.46

 

CMYK 53 / 0 / 31 / 72

HEX #224832

RGB 34 72 50

HSL 145.26, 0.36%, 0.21%

LAB 27.31, -19.51, 9.12

 

CMYK 40 / 53 / 0 / 72

HEX #2B2248

RGB 43 34 72

HSL 254.21, 0.36%, 0.21%

LAB 16.13, 14.77, -22.35

 

CMYK 0 / 53 / 22 / 72

HEX #482238

RGB 72 34 56

HSL 325.26, 0.36%, 0.21%

LAB 19.26, 21.35, -6.11

 

CMYK 13 / 0 / 53 / 72

HEX #3F4822

RGB 63 72 34

HSL 74.21, 0.36%, 0.21%

LAB 28.92, -10.67, 21.46

 

CMYK 53 / 0 / 14 / 72

HEX #22483E

RGB 34 72 62

HSL 164.21, 0.36%, 0.21%

LAB 27.63, -16.42, 1.83

 

CMYK 40 / 53 / 0 / 72

HEX #2B2248

RGB 43 34 72

HSL 254.21, 0.36%, 0.21%

LAB 16.13, 14.77, -22.35

 

CMYK 0 / 53 / 39 / 72

HEX #48222C

RGB 72 34 44

HSL 344.21, 0.36%, 0.21%

LAB 18.82, 19.38, 1.63

 

Description

Color code: HEX #3F4822 | qconv.com Color code: HEX #3F4822 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 72 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 72 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 53 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 53% 72% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - insideFRANK
Link: http://insidefrank.mx

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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