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Color name
HEX #3F5B0A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F5B0A it is the complementary color #C0A4F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F5B0A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F5B0A shade: #445B05, #556D18, #667F2B, #77913E and #88A351

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F5B0A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F5B0A shade: #3F5B0A, #2E4900, #1D3700, #0C2500 and #001300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F5B0A shade: #3F5B0A, #555B0A, #5B4B0A, #5B350A and #5B1F0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F5B0A shade: #3F5B0A, #295B0A, #135B0A, #0A5B16 and #0A5B2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F5B0A shade matches the following richer shades: #3F5B0A and #426401

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F5B0A shade: #3F5B0A, #3D5312, #3A4B1A, #374322 and #353A2B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F5B0A shade: #5B4B0A, #565B0A, #405B0A, #2A5B0A and #155B0A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F5B0A shade: #0C1101, #253606, #3F5B0A, #59800E and #73A612

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F5B0A shade: #3F5B0A, #0A5B35 and #560A5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F5B0A shade: #3F5B0A, #0A405B and #5B0A40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F5B0A shade: #3F5B0A, #0A5B35, #250A5B and #5B0A30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F5B0A shade: #3F5B0A, #0A5B4E, #250A5B and #5B0A17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 89 / 64

HEX #3F5B0A

RGB 63 91 10

HSL 80.74, 0.8%, 0.2%

LAB 35.12, -23, 38.84

 

Complementary color

CMYK 22 / 33 / 0 / 4

HEX #C0A4F5

RGB 192 164 245

HSL 260.74, 0.8%, 0.8%

LAB 72.46, 26.31, -36.72

 

CMYK 25 / 0 / 95 / 64

HEX #445B05

RGB 68 91 5

HSL 76.05, 0.9%, 0.19%

LAB 35.44, -20.98, 40.72

 

CMYK 22 / 0 / 78 / 57

HEX #556D18

RGB 85 109 24

HSL 76.94, 0.64%, 0.26%

LAB 42.66, -21.81, 41.65

 

CMYK 20 / 0 / 66 / 50

HEX #667F2B

RGB 102 127 43

HSL 77.86, 0.49%, 0.33%

LAB 49.71, -22.33, 41.28

 

CMYK 18 / 0 / 57 / 43

HEX #77913E

RGB 119 145 62

HSL 78.8, 0.4%, 0.41%

LAB 56.61, -22.65, 40.35

 

CMYK 17 / 0 / 50 / 36

HEX #88A351

RGB 136 163 81

HSL 79.76, 0.34%, 0.48%

LAB 63.36, -22.85, 39.21

 

CMYK 31 / 0 / 89 / 64

HEX #3F5B0A

RGB 63 91 10

HSL 80.74, 0.8%, 0.2%

LAB 35.12, -23, 38.84

 

CMYK 37 / 0 / 100 / 71

HEX #2E4900

RGB 46 73 0

HSL 82.19, 1%, 0.14%

LAB 27.7, -21.86, 35.64

 

CMYK 47 / 0 / 100 / 78

HEX #1D3700

RGB 29 55 0

HSL 88.36, 1%, 0.11%

LAB 20.02, -20.2, 27.66

 

CMYK 68 / 0 / 100 / 85

HEX #0C2500

RGB 12 37 0

HSL 100.54, 1%, 0.07%

LAB 11.97, -18.27, 17.38

 

CMYK 100 / 0 / 100 / 93

HEX #001300

RGB 0 19 0

HSL 120, 1%, 0.04%

LAB 4.21, -8.59, 6.14

 

CMYK 31 / 0 / 89 / 64

HEX #3F5B0A

RGB 63 91 10

HSL 80.74, 0.8%, 0.2%

LAB 35.12, -23, 38.84

 

CMYK 7 / 0 / 89 / 64

HEX #555B0A

RGB 85 91 10

HSL 64.44, 0.8%, 0.2%

LAB 36.81, -12.77, 40.96

 

CMYK 0 / 18 / 89 / 64

HEX #5B4B0A

RGB 91 75 10

HSL 48.15, 0.8%, 0.2%

LAB 32.43, -0.33, 37.45

 

CMYK 0 / 42 / 89 / 64

HEX #5B350A

RGB 91 53 10

HSL 31.85, 0.8%, 0.2%

LAB 26.13, 13.43, 31.98

 

CMYK 0 / 66 / 89 / 64

HEX #5B1F0A

RGB 91 31 10

HSL 15.56, 0.8%, 0.2%

LAB 20.93, 26.4, 26.73

 

CMYK 31 / 0 / 89 / 64

HEX #3F5B0A

RGB 63 91 10

HSL 80.74, 0.8%, 0.2%

LAB 35.12, -23, 38.84

 

CMYK 55 / 0 / 89 / 64

HEX #295B0A

RGB 41 91 10

HSL 97.04, 0.8%, 0.2%

LAB 33.93, -31.57, 37.32

 

CMYK 79 / 0 / 89 / 64

HEX #135B0A

RGB 19 91 10

HSL 113.33, 0.8%, 0.2%

LAB 33.23, -37.34, 36.42

 

CMYK 89 / 0 / 76 / 64

HEX #0A5B16

RGB 10 91 22

HSL 128.89, 0.8%, 0.2%

LAB 33.15, -37.76, 31.83

 

CMYK 89 / 0 / 52 / 64

HEX #0A5B2C

RGB 10 91 44

HSL 145.19, 0.8%, 0.2%

LAB 33.41, -34.53, 20.72

 

CMYK 31 / 0 / 89 / 64

HEX #3F5B0A

RGB 63 91 10

HSL 80.74, 0.8%, 0.2%

LAB 35.12, -23, 38.84

 

CMYK 34 / 0 / 99 / 61

HEX #426401

RGB 66 100 1

HSL 80.61, 0.98%, 0.2%

LAB 38.33, -26.52, 44.15

 

CMYK 31 / 0 / 89 / 64

HEX #3F5B0A

RGB 63 91 10

HSL 80.74, 0.8%, 0.2%

LAB 35.12, -23, 38.84

 

CMYK 27 / 0 / 78 / 67

HEX #3D5312

RGB 61 83 18

HSL 80.31, 0.64%, 0.2%

LAB 32.31, -19.3, 33.34

 

CMYK 23 / 0 / 65 / 71

HEX #3A4B1A

RGB 58 75 26

HSL 80.82, 0.49%, 0.2%

LAB 29.43, -15.64, 26.43

 

CMYK 18 / 0 / 49 / 74

HEX #374322

RGB 55 67 34

HSL 81.82, 0.33%, 0.2%

LAB 26.57, -11.45, 18.4

 

CMYK 9 / 0 / 26 / 77

HEX #353A2B

RGB 53 58 43

HSL 80, 0.15%, 0.2%

LAB 23.53, -5.36, 8.64

 

CMYK 0 / 18 / 89 / 64

HEX #5B4B0A

RGB 91 75 10

HSL 48.15, 0.8%, 0.2%

LAB 32.43, -0.33, 37.45

 

CMYK 5 / 0 / 89 / 64

HEX #565B0A

RGB 86 91 10

HSL 63.7, 0.8%, 0.2%

LAB 36.9, -12.28, 41.07

 

CMYK 30 / 0 / 89 / 64

HEX #405B0A

RGB 64 91 10

HSL 80, 0.8%, 0.2%

LAB 35.19, -22.56, 38.92

 

CMYK 54 / 0 / 89 / 64

HEX #2A5B0A

RGB 42 91 10

HSL 96.3, 0.8%, 0.2%

LAB 33.98, -31.23, 37.38

 

CMYK 77 / 0 / 89 / 64

HEX #155B0A

RGB 21 91 10

HSL 111.85, 0.8%, 0.2%

LAB 33.27, -36.95, 36.48

 

CMYK 29 / 0 / 94 / 93

HEX #0C1101

RGB 12 17 1

HSL 78.75, 0.89%, 0.04%

LAB 4.35, -4.09, 6.03

 

CMYK 31 / 0 / 89 / 79

HEX #253606

RGB 37 54 6

HSL 81.25, 0.8%, 0.12%

LAB 20.22, -15.5, 25.59

 

CMYK 31 / 0 / 89 / 64

HEX #3F5B0A

RGB 63 91 10

HSL 80.74, 0.8%, 0.2%

LAB 35.12, -23, 38.84

 

CMYK 30 / 0 / 89 / 50

HEX #59800E

RGB 89 128 14

HSL 80.53, 0.8%, 0.28%

LAB 49, -29.91, 50.46

 

CMYK 31 / 0 / 89 / 35

HEX #73A612

RGB 115 166 18

HSL 80.68, 0.8%, 0.36%

LAB 62.47, -36.87, 61.59

 

CMYK 31 / 0 / 89 / 64

HEX #3F5B0A

RGB 63 91 10

HSL 80.74, 0.8%, 0.2%

LAB 35.12, -23, 38.84

 

CMYK 89 / 0 / 42 / 64

HEX #0A5B35

RGB 10 91 53

HSL 151.85, 0.8%, 0.2%

LAB 33.57, -32.67, 15.62

 

CMYK 5 / 89 / 0 / 64

HEX #560A5B

RGB 86 10 91

HSL 296.3, 0.8%, 0.2%

LAB 19.85, 42.73, -28.91

 

CMYK 31 / 0 / 89 / 64

HEX #3F5B0A

RGB 63 91 10

HSL 80.74, 0.8%, 0.2%

LAB 35.12, -23, 38.84

 

CMYK 89 / 30 / 0 / 64

HEX #0A405B

RGB 10 64 91

HSL 200, 0.8%, 0.2%

LAB 25.22, -6, -20.82

 

CMYK 0 / 89 / 30 / 64

HEX #5B0A40

RGB 91 10 64

HSL 320, 0.8%, 0.2%

LAB 19.27, 39.57, -11.33

 

CMYK 31 / 0 / 89 / 64

HEX #3F5B0A

RGB 63 91 10

HSL 80.74, 0.8%, 0.2%

LAB 35.12, -23, 38.84

 

CMYK 89 / 0 / 42 / 64

HEX #0A5B35

RGB 10 91 53

HSL 151.85, 0.8%, 0.2%

LAB 33.57, -32.67, 15.62

 

CMYK 59 / 89 / 0 / 64

HEX #250A5B

RGB 37 10 91

HSL 260, 0.8%, 0.2%

LAB 11.73, 34.16, -42.48

 

CMYK 0 / 89 / 47 / 64

HEX #5B0A30

RGB 91 10 48

HSL 331.85, 0.8%, 0.2%

LAB 18.6, 37.65, -1.06

 

CMYK 31 / 0 / 89 / 64

HEX #3F5B0A

RGB 63 91 10

HSL 80.74, 0.8%, 0.2%

LAB 35.12, -23, 38.84

 

CMYK 89 / 0 / 14 / 64

HEX #0A5B4E

RGB 10 91 78

HSL 170.37, 0.8%, 0.2%

LAB 34.18, -25.99, 1.07

 

CMYK 59 / 89 / 0 / 64

HEX #250A5B

RGB 37 10 91

HSL 260, 0.8%, 0.2%

LAB 11.73, 34.16, -42.48

 

CMYK 0 / 89 / 75 / 64

HEX #5B0A17

RGB 91 10 23

HSL 350.37, 0.8%, 0.2%

LAB 17.93, 35.65, 15.9

 

Description

Color code: HEX #3F5B0A | qconv.com Color code: HEX #3F5B0A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 91 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 91 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 89 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 89% 64% C M Y K

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Provide designers and agencies with accurate color values.

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