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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F65BA it is the complementary color #C09A45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F65BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F65BA shade: #4465B5, #5577C8, #6689DB, #779BEE and #88ADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F65BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F65BA shade: #3F65BA, #2E53A7, #1D4194, #0C2F81 and #001D6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F65BA shade: #3F65BA, #3F44BA, #5B3FBA, #7C3FBA and #9D3FBA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F65BA shade: #3F65BA, #3F44BA and #3F3FBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F65BA shade matches the following richer shades: #3F65BA, #2B5DCE, #1756E2 and #034EF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F65BA shade: #3F65BA, #536DA5, #687591, #7C7C7D and #908469

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F65BA shade: #3FA7BA, #3F87BA, #3F66BA, #3F45BA and #5A3FBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F65BA shade: #2A447C, #35549B, #3F65BA, #5B7DC7 and #7A95D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F65BA shade: #3F65BA, #AB3FBA and #97BA3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F65BA shade: #3F65BA, #BA3F66 and #66BA3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F65BA shade: #3F65BA, #AB3FBA, #BA933F and #4EBA3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F65BA shade: #3F65BA, #BA3FA3, #BA933F and #3FBA56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 46 / 0 / 27

HEX #3F65BA

RGB 63 101 186

HSL 221.46, 0.49%, 0.49%

LAB 44.1, 14.5, -48.93

 

Complementary color

CMYK 0 / 20 / 64 / 25

HEX #C09A45

RGB 192 154 69

HSL 41.46, 0.49%, 0.51%

LAB 65.55, 4.7, 48.82

 

CMYK 62 / 44 / 0 / 29

HEX #4465B5

RGB 68 101 181

HSL 222.48, 0.45%, 0.49%

LAB 44.05, 13.62, -46.08

 

CMYK 58 / 41 / 0 / 22

HEX #5577C8

RGB 85 119 200

HSL 222.26, 0.51%, 0.56%

LAB 51.03, 12.23, -45.88

 

CMYK 53 / 37 / 0 / 14

HEX #6689DB

RGB 102 137 219

HSL 222.05, 0.62%, 0.63%

LAB 57.88, 11.11, -45.71

 

CMYK 50 / 35 / 0 / 7

HEX #779BEE

RGB 119 155 238

HSL 221.85, 0.78%, 0.7%

LAB 64.59, 10.18, -45.58

 

CMYK 47 / 32 / 0 / 0

HEX #88ADFF

RGB 136 173 255

HSL 221.34, 1%, 0.77%

LAB 71.11, 8.82, -44.55

 

CMYK 66 / 46 / 0 / 27

HEX #3F65BA

RGB 63 101 186

HSL 221.46, 0.49%, 0.49%

LAB 44.1, 14.5, -48.93

 

CMYK 72 / 50 / 0 / 35

HEX #2E53A7

RGB 46 83 167

HSL 221.65, 0.57%, 0.42%

LAB 37.04, 16.49, -49.14

 

CMYK 80 / 56 / 0 / 42

HEX #1D4194

RGB 29 65 148

HSL 221.85, 0.67%, 0.35%

LAB 29.86, 19.06, -49.31

 

CMYK 91 / 64 / 0 / 49

HEX #0C2F81

RGB 12 47 129

HSL 222.05, 0.83%, 0.28%

LAB 22.64, 22.41, -49.32

 

CMYK 100 / 74 / 0 / 57

HEX #001D6E

RGB 0 29 110

HSL 224.18, 1%, 0.22%

LAB 15.51, 26.53, -48.89

 

CMYK 66 / 46 / 0 / 27

HEX #3F65BA

RGB 63 101 186

HSL 221.46, 0.49%, 0.49%

LAB 44.1, 14.5, -48.93

 

CMYK 66 / 63 / 0 / 27

HEX #3F44BA

RGB 63 68 186

HSL 237.56, 0.49%, 0.49%

LAB 35.47, 35.62, -62.89

 

CMYK 51 / 66 / 0 / 27

HEX #5B3FBA

RGB 91 63 186

HSL 253.66, 0.49%, 0.49%

LAB 36.6, 43.2, -60.96

 

CMYK 33 / 66 / 0 / 27

HEX #7C3FBA

RGB 124 63 186

HSL 269.76, 0.49%, 0.49%

LAB 40.22, 49.77, -54.91

 

CMYK 16 / 66 / 0 / 27

HEX #9D3FBA

RGB 157 63 186

HSL 285.85, 0.49%, 0.49%

LAB 44.62, 57.13, -47.62

 

CMYK 66 / 46 / 0 / 27

HEX #3F65BA

RGB 63 101 186

HSL 221.46, 0.49%, 0.49%

LAB 44.1, 14.5, -48.93

 

CMYK 66 / 63 / 0 / 27

HEX #3F44BA

RGB 63 68 186

HSL 237.56, 0.49%, 0.49%

LAB 35.47, 35.62, -62.89

 

CMYK 66 / 66 / 0 / 27

HEX #3F3FBA

RGB 63 63 186

HSL 240, 0.49%, 0.49%

LAB 34.31, 38.71, -64.8

 

CMYK 66 / 46 / 0 / 27

HEX #3F65BA

RGB 63 101 186

HSL 221.46, 0.49%, 0.49%

LAB 44.1, 14.5, -48.93

 

CMYK 79 / 55 / 0 / 19

HEX #2B5DCE

RGB 43 93 206

HSL 221.6, 0.65%, 0.49%

LAB 42.46, 24.4, -63.19

 

CMYK 90 / 62 / 0 / 11

HEX #1756E2

RGB 23 86 226

HSL 221.38, 0.82%, 0.49%

LAB 41.73, 35.1, -75.83

 

CMYK 99 / 68 / 0 / 4

HEX #034EF6

RGB 3 78 246

HSL 221.48, 0.98%, 0.49%

LAB 41.41, 46.92, -87.67

 

CMYK 66 / 46 / 0 / 27

HEX #3F65BA

RGB 63 101 186

HSL 221.46, 0.49%, 0.49%

LAB 44.1, 14.5, -48.93

 

CMYK 50 / 34 / 0 / 35

HEX #536DA5

RGB 83 109 165

HSL 220.98, 0.33%, 0.49%

LAB 46.3, 6.54, -33.09

 

CMYK 28 / 19 / 0 / 43

HEX #687591

RGB 104 117 145

HSL 220.98, 0.16%, 0.49%

LAB 49.14, 1.92, -16.81

 

CMYK 1 / 1 / 0 / 51

HEX #7C7C7D

RGB 124 124 125

HSL 240, 0%, 0.49%

LAB 52.04, 0.2, -0.55

 

CMYK 0 / 8 / 27 / 44

HEX #908469

RGB 144 132 105

HSL 41.54, 0.16%, 0.49%

LAB 55.53, 0.06, 16.24

 

CMYK 66 / 10 / 0 / 27

HEX #3FA7BA

RGB 63 167 186

HSL 189.27, 0.49%, 0.49%

LAB 63.54, -23.64, -18.56

 

CMYK 66 / 27 / 0 / 27

HEX #3F87BA

RGB 63 135 186

HSL 204.88, 0.49%, 0.49%

LAB 53.95, -6.24, -33.34

 

CMYK 66 / 45 / 0 / 27

HEX #3F66BA

RGB 63 102 186

HSL 220.98, 0.49%, 0.49%

LAB 44.38, 13.86, -48.48

 

CMYK 66 / 63 / 0 / 27

HEX #3F45BA

RGB 63 69 186

HSL 237.07, 0.49%, 0.49%

LAB 35.71, 35, -62.51

 

CMYK 52 / 66 / 0 / 27

HEX #5A3FBA

RGB 90 63 186

HSL 253.17, 0.49%, 0.49%

LAB 36.51, 43.02, -61.12

 

CMYK 66 / 45 / 0 / 51

HEX #2A447C

RGB 42 68 124

HSL 220.98, 0.49%, 0.33%

LAB 29.62, 9.51, -34.83

 

CMYK 66 / 46 / 0 / 39

HEX #35549B

RGB 53 84 155

HSL 221.76, 0.49%, 0.41%

LAB 36.86, 12.47, -42.22

 

CMYK 66 / 46 / 0 / 27

HEX #3F65BA

RGB 63 101 186

HSL 221.46, 0.49%, 0.49%

LAB 44.1, 14.5, -48.93

 

CMYK 54 / 37 / 0 / 22

HEX #5B7DC7

RGB 91 125 199

HSL 221.11, 0.49%, 0.57%

LAB 52.97, 9.53, -42.22

 

CMYK 42 / 29 / 0 / 18

HEX #7A95D1

RGB 122 149 209

HSL 221.38, 0.49%, 0.65%

LAB 61.86, 5.9, -33.79

 

CMYK 66 / 46 / 0 / 27

HEX #3F65BA

RGB 63 101 186

HSL 221.46, 0.49%, 0.49%

LAB 44.1, 14.5, -48.93

 

CMYK 8 / 66 / 0 / 27

HEX #AB3FBA

RGB 171 63 186

HSL 292.68, 0.49%, 0.49%

LAB 46.66, 60.37, -44.24

 

CMYK 19 / 0 / 66 / 27

HEX #97BA3F

RGB 151 186 63

HSL 77.07, 0.49%, 0.49%

LAB 70.91, -29.63, 56.2

 

CMYK 66 / 46 / 0 / 27

HEX #3F65BA

RGB 63 101 186

HSL 221.46, 0.49%, 0.49%

LAB 44.1, 14.5, -48.93

 

CMYK 0 / 66 / 45 / 27

HEX #BA3F66

RGB 186 63 102

HSL 340.98, 0.49%, 0.49%

LAB 45.57, 52.5, 4.81

 

CMYK 45 / 0 / 66 / 27

HEX #66BA3F

RGB 102 186 63

HSL 100.98, 0.49%, 0.49%

LAB 68.24, -47.37, 52.57

 

CMYK 66 / 46 / 0 / 27

HEX #3F65BA

RGB 63 101 186

HSL 221.46, 0.49%, 0.49%

LAB 44.1, 14.5, -48.93

 

CMYK 8 / 66 / 0 / 27

HEX #AB3FBA

RGB 171 63 186

HSL 292.68, 0.49%, 0.49%

LAB 46.66, 60.37, -44.24

 

CMYK 0 / 21 / 66 / 27

HEX #BA933F

RGB 186 147 63

HSL 40.98, 0.49%, 0.49%

LAB 63.07, 5.51, 48.72

 

CMYK 58 / 0 / 66 / 27

HEX #4EBA3F

RGB 78 186 63

HSL 112.68, 0.49%, 0.49%

LAB 67.35, -54.15, 51.34

 

CMYK 66 / 46 / 0 / 27

HEX #3F65BA

RGB 63 101 186

HSL 221.46, 0.49%, 0.49%

LAB 44.1, 14.5, -48.93

 

CMYK 0 / 66 / 12 / 27

HEX #BA3FA3

RGB 186 63 163

HSL 311.22, 0.49%, 0.49%

LAB 47.8, 60.2, -28.74

 

CMYK 0 / 21 / 66 / 27

HEX #BA933F

RGB 186 147 63

HSL 40.98, 0.49%, 0.49%

LAB 63.07, 5.51, 48.72

 

CMYK 66 / 0 / 54 / 27

HEX #3FBA56

RGB 63 186 86

HSL 131.22, 0.49%, 0.49%

LAB 67.16, -54.81, 40.56

 

Description

Color code: HEX #3F65BA | qconv.com Color code: HEX #3F65BA | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 101 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 101 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 46 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 46% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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