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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F6F9B it is the complementary color #C09064. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F6F9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F6F9B shade: #446F96, #5581A9, #6693BC, #77A5CF and #88B7E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F6F9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F6F9B shade: #3F6F9B, #2E5D88, #1D4B75, #0C3962 and #00274F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F6F9B shade: #3F6F9B, #3F569B, #413F9B, #5A3F9B and #723F9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F6F9B shade: #3F6F9B, #3F569B and #3F3F9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F6F9B shade matches the following richer shades: #3F6F9B, #2D70AD, #1C71BF and #0A71D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F6F9B shade: #3F6F9B, #516E89, #636E78, #746D66 and #866C54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F6F9B shade: #3F9B95, #3F899B, #3F709B, #3F589B and #3F3F9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F6F9B shade: #274561, #335A7E, #3F6F9B, #4D84B6 and #6B98C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F6F9B shade: #3F6F9B, #7D3F9B and #959B3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F6F9B shade: #3F6F9B, #9B3F70 and #709B3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F6F9B shade: #3F6F9B, #7D3F9B, #9B6A3F and #5E9B3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F6F9B shade: #3F6F9B, #983F9B, #9B6A3F and #429B3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 28 / 0 / 39

HEX #3F6F9B

RGB 63 111 155

HSL 208.7, 0.42%, 0.43%

LAB 45.35, -2.59, -28.77

 

Complementary color

CMYK 0 / 25 / 48 / 25

HEX #C09064

RGB 192 144 100

HSL 28.7, 0.42%, 0.57%

LAB 63.4, 12.72, 30.37

 

CMYK 55 / 26 / 0 / 41

HEX #446F96

RGB 68 111 150

HSL 208.54, 0.38%, 0.43%

LAB 45.36, -3.13, -25.77

 

CMYK 50 / 24 / 0 / 34

HEX #5581A9

RGB 85 129 169

HSL 208.57, 0.33%, 0.5%

LAB 52.39, -3.69, -25.92

 

CMYK 46 / 22 / 0 / 26

HEX #6693BC

RGB 102 147 188

HSL 208.6, 0.39%, 0.57%

LAB 59.27, -4.13, -26.08

 

CMYK 43 / 20 / 0 / 19

HEX #77A5CF

RGB 119 165 207

HSL 208.64, 0.48%, 0.64%

LAB 66.01, -4.48, -26.27

 

CMYK 40 / 19 / 0 / 11

HEX #88B7E2

RGB 136 183 226

HSL 208.67, 0.61%, 0.71%

LAB 72.62, -4.77, -26.47

 

CMYK 59 / 28 / 0 / 39

HEX #3F6F9B

RGB 63 111 155

HSL 208.7, 0.42%, 0.43%

LAB 45.35, -2.59, -28.77

 

CMYK 66 / 32 / 0 / 47

HEX #2E5D88

RGB 46 93 136

HSL 208.67, 0.49%, 0.36%

LAB 38.18, -1.6, -28.67

 

CMYK 75 / 36 / 0 / 54

HEX #1D4B75

RGB 29 75 117

HSL 208.64, 0.6%, 0.29%

LAB 30.83, -0.2, -28.56

 

CMYK 88 / 42 / 0 / 62

HEX #0C3962

RGB 12 57 98

HSL 208.6, 0.78%, 0.22%

LAB 23.29, 1.9, -28.42

 

CMYK 100 / 51 / 0 / 69

HEX #00274F

RGB 0 39 79

HSL 210.38, 1%, 0.15%

LAB 15.57, 5.05, -28.18

 

CMYK 59 / 28 / 0 / 39

HEX #3F6F9B

RGB 63 111 155

HSL 208.7, 0.42%, 0.43%

LAB 45.35, -2.59, -28.77

 

CMYK 59 / 45 / 0 / 39

HEX #3F569B

RGB 63 86 155

HSL 225, 0.42%, 0.43%

LAB 37.98, 13.13, -40.39

 

CMYK 58 / 59 / 0 / 39

HEX #413F9B

RGB 65 63 155

HSL 241.3, 0.42%, 0.43%

LAB 31.91, 28.54, -50.16

 

CMYK 42 / 59 / 0 / 39

HEX #5A3F9B

RGB 90 63 155

HSL 257.61, 0.42%, 0.43%

LAB 34.18, 33.91, -46.38

 

CMYK 26 / 59 / 0 / 39

HEX #723F9B

RGB 114 63 155

HSL 273.26, 0.42%, 0.43%

LAB 36.93, 39.84, -41.82

 

CMYK 59 / 28 / 0 / 39

HEX #3F6F9B

RGB 63 111 155

HSL 208.7, 0.42%, 0.43%

LAB 45.35, -2.59, -28.77

 

CMYK 59 / 45 / 0 / 39

HEX #3F569B

RGB 63 86 155

HSL 225, 0.42%, 0.43%

LAB 37.98, 13.13, -40.39

 

CMYK 59 / 59 / 0 / 39

HEX #3F3F9B

RGB 63 63 155

HSL 240, 0.42%, 0.43%

LAB 31.76, 28.16, -50.41

 

CMYK 59 / 28 / 0 / 39

HEX #3F6F9B

RGB 63 111 155

HSL 208.7, 0.42%, 0.43%

LAB 45.35, -2.59, -28.77

 

CMYK 74 / 35 / 0 / 32

HEX #2D70AD

RGB 45 112 173

HSL 208.59, 0.59%, 0.43%

LAB 45.86, 0.04, -38.59

 

CMYK 85 / 41 / 0 / 25

HEX #1C71BF

RGB 28 113 191

HSL 208.71, 0.74%, 0.43%

LAB 46.74, 4.44, -47.67

 

CMYK 95 / 46 / 0 / 18

HEX #0A71D0

RGB 10 113 208

HSL 208.79, 0.91%, 0.43%

LAB 47.53, 10.14, -56.17

 

CMYK 59 / 28 / 0 / 39

HEX #3F6F9B

RGB 63 111 155

HSL 208.7, 0.42%, 0.43%

LAB 45.35, -2.59, -28.77

 

CMYK 41 / 20 / 0 / 46

HEX #516E89

RGB 81 110 137

HSL 208.93, 0.26%, 0.43%

LAB 45.23, -3.15, -18.18

 

CMYK 18 / 8 / 0 / 53

HEX #636E78

RGB 99 110 120

HSL 208.57, 0.1%, 0.43%

LAB 45.85, -1.85, -6.95

 

CMYK 0 / 6 / 12 / 55

HEX #746D66

RGB 116 109 102

HSL 30, 0.06%, 0.43%

LAB 46.46, 1.4, 4.88

 

CMYK 0 / 19 / 37 / 47

HEX #866C54

RGB 134 108 84

HSL 28.8, 0.23%, 0.43%

LAB 47.54, 6.7, 17.33

 

CMYK 59 / 0 / 4 / 39

HEX #3F9B95

RGB 63 155 149

HSL 176.09, 0.42%, 0.43%

LAB 58.67, -28.48, -5.02

 

CMYK 59 / 12 / 0 / 39

HEX #3F899B

RGB 63 137 155

HSL 191.74, 0.42%, 0.43%

LAB 53.29, -17.45, -16.53

 

CMYK 59 / 28 / 0 / 39

HEX #3F709B

RGB 63 112 155

HSL 208.04, 0.42%, 0.43%

LAB 45.65, -3.19, -28.3

 

CMYK 59 / 43 / 0 / 39

HEX #3F589B

RGB 63 88 155

HSL 223.7, 0.42%, 0.43%

LAB 38.56, 11.83, -39.48

 

CMYK 59 / 59 / 0 / 39

HEX #3F3F9B

RGB 63 63 155

HSL 240, 0.42%, 0.43%

LAB 31.76, 28.16, -50.41

 

CMYK 60 / 29 / 0 / 62

HEX #274561

RGB 39 69 97

HSL 208.97, 0.43%, 0.27%

LAB 28.25, -1.86, -19.89

 

CMYK 60 / 29 / 0 / 51

HEX #335A7E

RGB 51 90 126

HSL 208.8, 0.42%, 0.35%

LAB 36.97, -2.24, -24.43

 

CMYK 59 / 28 / 0 / 39

HEX #3F6F9B

RGB 63 111 155

HSL 208.7, 0.42%, 0.43%

LAB 45.35, -2.59, -28.77

 

CMYK 58 / 27 / 0 / 29

HEX #4D84B6

RGB 77 132 182

HSL 208.57, 0.42%, 0.51%

LAB 53.45, -3.16, -31.8

 

CMYK 45 / 22 / 0 / 24

HEX #6B98C2

RGB 107 152 194

HSL 208.97, 0.42%, 0.59%

LAB 61.2, -3.96, -26.47

 

CMYK 59 / 28 / 0 / 39

HEX #3F6F9B

RGB 63 111 155

HSL 208.7, 0.42%, 0.43%

LAB 45.35, -2.59, -28.77

 

CMYK 19 / 59 / 0 / 39

HEX #7D3F9B

RGB 125 63 155

HSL 280.43, 0.42%, 0.43%

LAB 38.34, 42.71, -39.48

 

CMYK 4 / 0 / 59 / 39

HEX #959B3F

RGB 149 155 63

HSL 63.91, 0.42%, 0.43%

LAB 61.82, -15.01, 46.37

 

CMYK 59 / 28 / 0 / 39

HEX #3F6F9B

RGB 63 111 155

HSL 208.7, 0.42%, 0.43%

LAB 45.35, -2.59, -28.77

 

CMYK 0 / 59 / 28 / 39

HEX #9B3F70

RGB 155 63 112

HSL 328.04, 0.42%, 0.43%

LAB 40.72, 43.79, -9.1

 

CMYK 28 / 0 / 59 / 39

HEX #709B3F

RGB 112 155 63

HSL 88.04, 0.42%, 0.43%

LAB 59.2, -30.26, 42.72

 

CMYK 59 / 28 / 0 / 39

HEX #3F6F9B

RGB 63 111 155

HSL 208.7, 0.42%, 0.43%

LAB 45.35, -2.59, -28.77

 

CMYK 19 / 59 / 0 / 39

HEX #7D3F9B

RGB 125 63 155

HSL 280.43, 0.42%, 0.43%

LAB 38.34, 42.71, -39.48

 

CMYK 0 / 32 / 59 / 39

HEX #9B6A3F

RGB 155 106 63

HSL 28.04, 0.42%, 0.43%

LAB 49.05, 14.85, 31.75

 

CMYK 39 / 0 / 59 / 39

HEX #5E9B3F

RGB 94 155 63

HSL 99.78, 0.42%, 0.43%

LAB 58.21, -36.86, 41.32

 

CMYK 59 / 28 / 0 / 39

HEX #3F6F9B

RGB 63 111 155

HSL 208.7, 0.42%, 0.43%

LAB 45.35, -2.59, -28.77

 

CMYK 2 / 59 / 0 / 39

HEX #983F9B

RGB 152 63 155

HSL 298.04, 0.42%, 0.43%

LAB 42.15, 49.9, -33.2

 

CMYK 0 / 32 / 59 / 39

HEX #9B6A3F

RGB 155 106 63

HSL 28.04, 0.42%, 0.43%

LAB 49.05, 14.85, 31.75

 

CMYK 57 / 0 / 59 / 39

HEX #429B3F

RGB 66 155 63

HSL 118.04, 0.42%, 0.43%

LAB 57.04, -45.42, 39.66

 

Description

Color code: HEX #3F6F9B | qconv.com Color code: HEX #3F6F9B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 111 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 111 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 28 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 28% 0% 39% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Bardo | UX, Usabilit...
Link: http://www.bardo.in

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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