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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F7891 it is the complementary color #C0876E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F7891. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F7891 shade: #44788C, #558A9F, #669CB2, #77AEC5 and #88C0D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F7891. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F7891 shade: #3F7891, #2E667E, #1D546B, #0C4258 and #003045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F7891 shade: #3F7891, #3F6291, #3F4C91, #493F91 and #5F3F91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F7891 shade: #3F7891, #3F6291, #3F4C91 and #3F3F91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F7891 shade matches the following richer shades: #3F7891, #2E7FA2, #1D85B3 and #0D8CC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F7891 shade: #3F7891, #507180, #616B6F, #72645E and #835E4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F7891 shade: #3F917E, #3F8E91, #3F7891, #3F6391 and #3F4D91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F7891 shade: #264857, #336074, #3F7891, #4C90AD and #67A2BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F7891 shade: #3F7891, #683F91 and #91893F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F7891 shade: #3F7891, #913F78 and #78913F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F7891 shade: #3F7891, #683F91, #91583F and #68913F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F7891 shade: #3F7891, #813F91, #91583F and #50913F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 17 / 0 / 43

HEX #3F7891

RGB 63 120 145

HSL 198.29, 0.39%, 0.41%

LAB 47.67, -11.14, -19.27

 

Complementary color

CMYK 0 / 30 / 43 / 25

HEX #C0876E

RGB 192 135 110

HSL 18.29, 0.39%, 0.59%

LAB 61.36, 18.74, 22.16

 

CMYK 51 / 14 / 0 / 45

HEX #44788C

RGB 68 120 140

HSL 196.67, 0.35%, 0.41%

LAB 47.69, -11.54, -16.26

 

CMYK 47 / 13 / 0 / 38

HEX #558A9F

RGB 85 138 159

HSL 197.03, 0.3%, 0.48%

LAB 54.67, -11.78, -16.66

 

CMYK 43 / 12 / 0 / 30

HEX #669CB2

RGB 102 156 178

HSL 197.37, 0.33%, 0.55%

LAB 61.5, -11.96, -17.04

 

CMYK 40 / 12 / 0 / 23

HEX #77AEC5

RGB 119 174 197

HSL 197.69, 0.4%, 0.62%

LAB 68.19, -12.08, -17.42

 

CMYK 37 / 11 / 0 / 15

HEX #88C0D8

RGB 136 192 216

HSL 198, 0.51%, 0.69%

LAB 74.76, -12.18, -17.79

 

CMYK 57 / 17 / 0 / 43

HEX #3F7891

RGB 63 120 145

HSL 198.29, 0.39%, 0.41%

LAB 47.67, -11.14, -19.27

 

CMYK 63 / 19 / 0 / 51

HEX #2E667E

RGB 46 102 126

HSL 198, 0.47%, 0.34%

LAB 40.56, -10.57, -18.89

 

CMYK 73 / 21 / 0 / 58

HEX #1D546B

RGB 29 84 107

HSL 197.69, 0.57%, 0.27%

LAB 33.27, -9.7, -18.47

 

CMYK 86 / 25 / 0 / 65

HEX #0C4258

RGB 12 66 88

HSL 197.37, 0.76%, 0.2%

LAB 25.8, -8.29, -17.96

 

CMYK 100 / 30 / 0 / 73

HEX #003045

RGB 0 48 69

HSL 198.26, 1%, 0.14%

LAB 18.11, -6.05, -17.33

 

CMYK 57 / 17 / 0 / 43

HEX #3F7891

RGB 63 120 145

HSL 198.29, 0.39%, 0.41%

LAB 47.67, -11.14, -19.27

 

CMYK 57 / 32 / 0 / 43

HEX #3F6291

RGB 63 98 145

HSL 214.39, 0.39%, 0.41%

LAB 40.96, 2.01, -29.69

 

CMYK 57 / 48 / 0 / 43

HEX #3F4C91

RGB 63 76 145

HSL 230.49, 0.39%, 0.41%

LAB 34.54, 16.18, -39.85

 

CMYK 50 / 57 / 0 / 43

HEX #493F91

RGB 73 63 145

HSL 247.32, 0.39%, 0.41%

LAB 31.84, 26.92, -44.14

 

CMYK 34 / 57 / 0 / 43

HEX #5F3F91

RGB 95 63 145

HSL 263.41, 0.39%, 0.41%

LAB 34.05, 32.34, -40.47

 

CMYK 57 / 17 / 0 / 43

HEX #3F7891

RGB 63 120 145

HSL 198.29, 0.39%, 0.41%

LAB 47.67, -11.14, -19.27

 

CMYK 57 / 32 / 0 / 43

HEX #3F6291

RGB 63 98 145

HSL 214.39, 0.39%, 0.41%

LAB 40.96, 2.01, -29.69

 

CMYK 57 / 48 / 0 / 43

HEX #3F4C91

RGB 63 76 145

HSL 230.49, 0.39%, 0.41%

LAB 34.54, 16.18, -39.85

 

CMYK 57 / 57 / 0 / 43

HEX #3F3F91

RGB 63 63 145

HSL 240, 0.39%, 0.41%

LAB 31.01, 24.74, -45.52

 

CMYK 57 / 17 / 0 / 43

HEX #3F7891

RGB 63 120 145

HSL 198.29, 0.39%, 0.41%

LAB 47.67, -11.14, -19.27

 

CMYK 72 / 22 / 0 / 36

HEX #2E7FA2

RGB 46 127 162

HSL 198.1, 0.56%, 0.41%

LAB 49.94, -12.6, -25.78

 

CMYK 84 / 26 / 0 / 30

HEX #1D85B3

RGB 29 133 179

HSL 198.4, 0.72%, 0.41%

LAB 52.16, -11.93, -32.18

 

CMYK 93 / 29 / 0 / 23

HEX #0D8CC4

RGB 13 140 196

HSL 198.36, 0.88%, 0.41%

LAB 54.89, -10.64, -37.63

 

CMYK 57 / 17 / 0 / 43

HEX #3F7891

RGB 63 120 145

HSL 198.29, 0.39%, 0.41%

LAB 47.67, -11.14, -19.27

 

CMYK 38 / 12 / 0 / 50

HEX #507180

RGB 80 113 128

HSL 198.75, 0.23%, 0.41%

LAB 45.74, -7.76, -12.05

 

CMYK 13 / 4 / 0 / 56

HEX #616B6F

RGB 97 107 111

HSL 197.14, 0.07%, 0.41%

LAB 44.52, -2.89, -3.54

 

CMYK 0 / 12 / 18 / 55

HEX #72645E

RGB 114 100 94

HSL 18, 0.1%, 0.41%

LAB 43.51, 4.49, 5.44

 

CMYK 0 / 28 / 41 / 49

HEX #835E4D

RGB 131 94 77

HSL 18.89, 0.26%, 0.41%

LAB 43.31, 12.75, 15.7

 

CMYK 57 / 0 / 13 / 43

HEX #3F917E

RGB 63 145 126

HSL 166.1, 0.39%, 0.41%

LAB 54.88, -29.78, 2.58

 

CMYK 57 / 2 / 0 / 43

HEX #3F8E91

RGB 63 142 145

HSL 182.2, 0.39%, 0.41%

LAB 54.5, -23.08, -8.93

 

CMYK 57 / 17 / 0 / 43

HEX #3F7891

RGB 63 120 145

HSL 198.29, 0.39%, 0.41%

LAB 47.67, -11.14, -19.27

 

CMYK 57 / 32 / 0 / 43

HEX #3F6391

RGB 63 99 145

HSL 213.66, 0.39%, 0.41%

LAB 41.26, 1.38, -29.21

 

CMYK 57 / 47 / 0 / 43

HEX #3F4D91

RGB 63 77 145

HSL 229.76, 0.39%, 0.41%

LAB 34.82, 15.52, -39.4

 

CMYK 56 / 17 / 0 / 66

HEX #264857

RGB 38 72 87

HSL 198.37, 0.39%, 0.25%

LAB 28.73, -7.53, -12.71

 

CMYK 56 / 17 / 0 / 55

HEX #336074

RGB 51 96 116

HSL 198.46, 0.39%, 0.33%

LAB 38.43, -9.27, -16.04

 

CMYK 57 / 17 / 0 / 43

HEX #3F7891

RGB 63 120 145

HSL 198.29, 0.39%, 0.41%

LAB 47.67, -11.14, -19.27

 

CMYK 56 / 17 / 0 / 32

HEX #4C90AD

RGB 76 144 173

HSL 197.94, 0.39%, 0.49%

LAB 56.59, -13.03, -21.8

 

CMYK 45 / 14 / 0 / 26

HEX #67A2BC

RGB 103 162 188

HSL 198.35, 0.39%, 0.57%

LAB 63.64, -12.19, -19.4

 

CMYK 57 / 17 / 0 / 43

HEX #3F7891

RGB 63 120 145

HSL 198.29, 0.39%, 0.41%

LAB 47.67, -11.14, -19.27

 

CMYK 28 / 57 / 0 / 43

HEX #683F91

RGB 104 63 145

HSL 270, 0.39%, 0.41%

LAB 35.09, 34.72, -38.76

 

CMYK 0 / 6 / 57 / 43

HEX #91893F

RGB 145 137 63

HSL 54.15, 0.39%, 0.41%

LAB 56.36, -7.14, 40.11

 

CMYK 57 / 17 / 0 / 43

HEX #3F7891

RGB 63 120 145

HSL 198.29, 0.39%, 0.41%

LAB 47.67, -11.14, -19.27

 

CMYK 0 / 57 / 17 / 43

HEX #913F78

RGB 145 63 120

HSL 318.29, 0.39%, 0.41%

LAB 39.46, 41.78, -16.12

 

CMYK 17 / 0 / 57 / 43

HEX #78913F

RGB 120 145 63

HSL 78.29, 0.39%, 0.41%

LAB 56.69, -22.14, 39.97

 

CMYK 57 / 17 / 0 / 43

HEX #3F7891

RGB 63 120 145

HSL 198.29, 0.39%, 0.41%

LAB 47.67, -11.14, -19.27

 

CMYK 28 / 57 / 0 / 43

HEX #683F91

RGB 104 63 145

HSL 270, 0.39%, 0.41%

LAB 35.09, 34.72, -38.76

 

CMYK 0 / 39 / 57 / 43

HEX #91583F

RGB 145 88 63

HSL 18.29, 0.39%, 0.41%

LAB 43.3, 20.85, 24.34

 

CMYK 28 / 0 / 57 / 43

HEX #68913F

RGB 104 145 63

HSL 90, 0.39%, 0.41%

LAB 55.64, -28.56, 38.48

 

CMYK 57 / 17 / 0 / 43

HEX #3F7891

RGB 63 120 145

HSL 198.29, 0.39%, 0.41%

LAB 47.67, -11.14, -19.27

 

CMYK 11 / 57 / 0 / 43

HEX #813F91

RGB 129 63 145

HSL 288.29, 0.39%, 0.41%

LAB 38.32, 41.62, -33.43

 

CMYK 0 / 39 / 57 / 43

HEX #91583F

RGB 145 88 63

HSL 18.29, 0.39%, 0.41%

LAB 43.3, 20.85, 24.34

 

CMYK 45 / 0 / 57 / 43

HEX #50913F

RGB 80 145 63

HSL 107.56, 0.39%, 0.41%

LAB 54.36, -37.15, 36.66

 

Description

Color code: HEX #3F7891 | qconv.com Color code: HEX #3F7891 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 120 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 120 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 17 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 17% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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