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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F977A it is the complementary color #C06885. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F977A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F977A shade: #449775, #55A988, #66BB9B, #77CDAE and #88DFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F977A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F977A shade: #3F977A, #2E8567, #1D7354, #0C6141 and #004F2E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F977A shade: #3F977A, #3F9762, #3F974A, #4B973F and #63973F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F977A shade: #3F977A, #3F9791, #3F8497, #3F6C97 and #3F5597

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F977A shade matches the following richer shades: #3F977A, #2DA87F, #1CB985 and #0BCA8B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F977A shade: #3F977A, #508574, #61746E, #736368 and #845162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F977A shade: #3F974A, #3F9762, #3F9779, #3F9791 and #3F8597

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F977A shade: #265C4B, #337962, #3F977A, #4BB391 and #68C0A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F977A shade: #3F977A, #3F4A97 and #97563F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F977A shade: #3F977A, #793F97 and #97793F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F977A shade: #3F977A, #3F4A97, #973F5C and #978B3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F977A shade: #3F977A, #4D3F97, #973F5C and #88973F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 19 / 41

HEX #3F977A

RGB 63 151 122

HSL 160.23, 0.41%, 0.42%

LAB 56.68, -33.62, 7.45

 

Complementary color

CMYK 0 / 46 / 31 / 25

HEX #C06885

RGB 192 104 133

HSL 340.23, 0.41%, 0.58%

LAB 54.87, 38.43, -0.22

 

CMYK 55 / 0 / 23 / 41

HEX #449775

RGB 68 151 117

HSL 155.42, 0.38%, 0.43%

LAB 56.73, -33.66, 10.38

 

CMYK 50 / 0 / 20 / 34

HEX #55A988

RGB 85 169 136

HSL 156.43, 0.33%, 0.5%

LAB 63.41, -33.55, 9.27

 

CMYK 45 / 0 / 17 / 27

HEX #66BB9B

RGB 102 187 155

HSL 157.41, 0.38%, 0.57%

LAB 69.99, -33.39, 8.27

 

CMYK 42 / 0 / 15 / 20

HEX #77CDAE

RGB 119 205 174

HSL 158.37, 0.46%, 0.64%

LAB 76.46, -33.2, 7.34

 

CMYK 39 / 0 / 13 / 13

HEX #88DFC1

RGB 136 223 193

HSL 159.31, 0.58%, 0.7%

LAB 82.84, -32.99, 6.48

 

CMYK 58 / 0 / 19 / 41

HEX #3F977A

RGB 63 151 122

HSL 160.23, 0.41%, 0.42%

LAB 56.68, -33.62, 7.45

 

CMYK 65 / 0 / 23 / 48

HEX #2E8567

RGB 46 133 103

HSL 159.31, 0.49%, 0.35%

LAB 49.9, -33.48, 8.65

 

CMYK 75 / 0 / 27 / 55

HEX #1D7354

RGB 29 115 84

HSL 158.37, 0.6%, 0.28%

LAB 43.01, -33.07, 10.04

 

CMYK 88 / 0 / 33 / 62

HEX #0C6141

RGB 12 97 65

HSL 157.41, 0.78%, 0.21%

LAB 36, -32.16, 11.67

 

CMYK 100 / 0 / 42 / 69

HEX #004F2E

RGB 0 79 46

HSL 154.94, 1%, 0.15%

LAB 28.87, -30.49, 13.6

 

CMYK 58 / 0 / 19 / 41

HEX #3F977A

RGB 63 151 122

HSL 160.23, 0.41%, 0.42%

LAB 56.68, -33.62, 7.45

 

CMYK 58 / 0 / 35 / 41

HEX #3F9762

RGB 63 151 98

HSL 143.86, 0.41%, 0.42%

LAB 56.16, -38.92, 20.22

 

CMYK 58 / 0 / 51 / 41

HEX #3F974A

RGB 63 151 74

HSL 127.5, 0.41%, 0.42%

LAB 55.77, -43.1, 32.63

 

CMYK 50 / 0 / 58 / 41

HEX #4B973F

RGB 75 151 63

HSL 111.82, 0.41%, 0.42%

LAB 56.08, -41.28, 38.63

 

CMYK 34 / 0 / 58 / 41

HEX #63973F

RGB 99 151 63

HSL 95.45, 0.41%, 0.42%

LAB 57.22, -33.27, 40.24

 

CMYK 58 / 0 / 19 / 41

HEX #3F977A

RGB 63 151 122

HSL 160.23, 0.41%, 0.42%

LAB 56.68, -33.62, 7.45

 

CMYK 58 / 0 / 4 / 41

HEX #3F9791

RGB 63 151 145

HSL 175.91, 0.41%, 0.42%

LAB 57.3, -27.63, -4.76

 

CMYK 58 / 13 / 0 / 41

HEX #3F8497

RGB 63 132 151

HSL 192.95, 0.41%, 0.42%

LAB 51.6, -15.97, -16.78

 

CMYK 58 / 28 / 0 / 41

HEX #3F6C97

RGB 63 108 151

HSL 209.32, 0.41%, 0.42%

LAB 44.26, -2.12, -28.1

 

CMYK 58 / 44 / 0 / 41

HEX #3F5597

RGB 63 85 151

HSL 225, 0.41%, 0.42%

LAB 37.46, 12.38, -38.82

 

CMYK 58 / 0 / 19 / 41

HEX #3F977A

RGB 63 151 122

HSL 160.23, 0.41%, 0.42%

LAB 56.68, -33.62, 7.45

 

CMYK 73 / 0 / 24 / 34

HEX #2DA87F

RGB 45 168 127

HSL 160, 0.58%, 0.42%

LAB 61.74, -43.15, 11.74

 

CMYK 85 / 0 / 28 / 27

HEX #1CB985

RGB 28 185 133

HSL 160.13, 0.74%, 0.42%

LAB 67, -50.5, 15.78

 

CMYK 95 / 0 / 31 / 21

HEX #0BCA8B

RGB 11 202 139

HSL 160.21, 0.9%, 0.42%

LAB 72.35, -56.57, 19.92

 

CMYK 58 / 0 / 19 / 41

HEX #3F977A

RGB 63 151 122

HSL 160.23, 0.41%, 0.42%

LAB 56.68, -33.62, 7.45

 

CMYK 40 / 0 / 13 / 48

HEX #508574

RGB 80 133 116

HSL 160.75, 0.25%, 0.42%

LAB 51.54, -21.85, 3.62

 

CMYK 16 / 0 / 5 / 55

HEX #61746E

RGB 97 116 110

HSL 161.05, 0.09%, 0.42%

LAB 47.18, -8.34, 0.96

 

CMYK 0 / 14 / 10 / 55

HEX #736368

RGB 115 99 104

HSL 341.25, 0.07%, 0.42%

LAB 43.61, 7.33, -0.47

 

CMYK 0 / 39 / 26 / 48

HEX #845162

RGB 132 81 98

HSL 340, 0.24%, 0.42%

LAB 40.69, 23.81, -0.83

 

CMYK 58 / 0 / 51 / 41

HEX #3F974A

RGB 63 151 74

HSL 127.5, 0.41%, 0.42%

LAB 55.77, -43.1, 32.63

 

CMYK 58 / 0 / 35 / 41

HEX #3F9762

RGB 63 151 98

HSL 143.86, 0.41%, 0.42%

LAB 56.16, -38.92, 20.22

 

CMYK 58 / 0 / 20 / 41

HEX #3F9779

RGB 63 151 121

HSL 159.55, 0.41%, 0.42%

LAB 56.65, -33.86, 7.98

 

CMYK 58 / 0 / 4 / 41

HEX #3F9791

RGB 63 151 145

HSL 175.91, 0.41%, 0.42%

LAB 57.3, -27.63, -4.76

 

CMYK 58 / 12 / 0 / 41

HEX #3F8597

RGB 63 133 151

HSL 192.27, 0.41%, 0.42%

LAB 51.91, -16.51, -16.31

 

CMYK 59 / 0 / 18 / 64

HEX #265C4B

RGB 38 92 75

HSL 161.11, 0.42%, 0.25%

LAB 35.15, -22.55, 4.42

 

CMYK 58 / 0 / 19 / 53

HEX #337962

RGB 51 121 98

HSL 160.29, 0.41%, 0.34%

LAB 45.99, -27.99, 6.05

 

CMYK 58 / 0 / 19 / 41

HEX #3F977A

RGB 63 151 122

HSL 160.23, 0.41%, 0.42%

LAB 56.68, -33.62, 7.45

 

CMYK 58 / 0 / 19 / 30

HEX #4BB391

RGB 75 179 145

HSL 160.38, 0.41%, 0.5%

LAB 66.35, -38.35, 8.43

 

CMYK 46 / 0 / 15 / 25

HEX #68C0A3

RGB 104 192 163

HSL 160.23, 0.41%, 0.58%

LAB 71.75, -33.43, 6.44

 

CMYK 58 / 0 / 19 / 41

HEX #3F977A

RGB 63 151 122

HSL 160.23, 0.41%, 0.42%

LAB 56.68, -33.62, 7.45

 

CMYK 58 / 51 / 0 / 41

HEX #3F4A97

RGB 63 74 151

HSL 232.5, 0.41%, 0.42%

LAB 34.37, 19.58, -43.76

 

CMYK 0 / 43 / 58 / 41

HEX #97563F

RGB 151 86 63

HSL 15.68, 0.41%, 0.42%

LAB 43.64, 24.55, 24.95

 

CMYK 58 / 0 / 19 / 41

HEX #3F977A

RGB 63 151 122

HSL 160.23, 0.41%, 0.42%

LAB 56.68, -33.62, 7.45

 

CMYK 20 / 58 / 0 / 41

HEX #793F97

RGB 121 63 151

HSL 279.55, 0.41%, 0.42%

LAB 37.58, 40.74, -38.31

 

CMYK 0 / 20 / 58 / 41

HEX #97793F

RGB 151 121 63

HSL 39.55, 0.41%, 0.42%

LAB 52.52, 4.48, 35.79

 

CMYK 58 / 0 / 19 / 41

HEX #3F977A

RGB 63 151 122

HSL 160.23, 0.41%, 0.42%

LAB 56.68, -33.62, 7.45

 

CMYK 58 / 51 / 0 / 41

HEX #3F4A97

RGB 63 74 151

HSL 232.5, 0.41%, 0.42%

LAB 34.37, 19.58, -43.76

 

CMYK 0 / 58 / 39 / 41

HEX #973F5C

RGB 151 63 92

HSL 340.23, 0.41%, 0.42%

LAB 39.42, 39.87, 1.4

 

CMYK 0 / 8 / 58 / 41

HEX #978B3F

RGB 151 139 63

HSL 51.82, 0.41%, 0.42%

LAB 57.47, -5.57, 41.53

 

CMYK 58 / 0 / 19 / 41

HEX #3F977A

RGB 63 151 122

HSL 160.23, 0.41%, 0.42%

LAB 56.68, -33.62, 7.45

 

CMYK 49 / 58 / 0 / 41

HEX #4D3F97

RGB 77 63 151

HSL 249.55, 0.41%, 0.42%

LAB 32.63, 29.73, -46.52

 

CMYK 0 / 58 / 39 / 41

HEX #973F5C

RGB 151 63 92

HSL 340.23, 0.41%, 0.42%

LAB 39.42, 39.87, 1.4

 

CMYK 10 / 0 / 58 / 41

HEX #88973F

RGB 136 151 63

HSL 70.23, 0.41%, 0.42%

LAB 59.64, -18.5, 43.65

 

Description

Color code: HEX #3F977A | qconv.com Color code: HEX #3F977A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 151 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 151 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 19 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 19% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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