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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F989B it is the complementary color #C06764. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F989B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F989B shade: #449896, #55AAA9, #66BCBC, #77CECF and #88E0E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F989B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F989B shade: #3F989B, #2E8688, #1D7475, #0C6262 and #00504F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F989B shade: #3F989B, #3F7F9B, #3F679B, #3F4E9B and #493F9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F989B shade: #3F989B, #3F7F9B, #3F679B, #3F4E9B and #3F3F9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F989B shade matches the following richer shades: #3F989B, #2DA9AD, #1CB9BF and #0ACAD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F989B shade: #3F989B, #518889, #637778, #746666 and #865654

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F989B shade: #3F9B6C, #3F9B84, #3F9A9B, #3F819B and #3F699B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F989B shade: #275F61, #337B7E, #3F989B, #4DB3B6 and #6BBFC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F989B shade: #3F989B, #533F9B and #9B783F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F989B shade: #3F989B, #9B3F9A and #9A9B3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F989B shade: #3F989B, #533F9B, #9B413F and #879B3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F989B shade: #3F989B, #6F3F9B, #9B413F and #6C9B3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 2 / 0 / 39

HEX #3F989B

RGB 63 152 155

HSL 181.96, 0.42%, 0.43%

LAB 57.92, -25.28, -9.54

 

Complementary color

CMYK 0 / 46 / 48 / 25

HEX #C06764

RGB 192 103 100

HSL 1.96, 0.42%, 0.57%

LAB 53.84, 35.13, 17.71

 

CMYK 55 / 0 / 1 / 40

HEX #449896

RGB 68 152 150

HSL 178.57, 0.38%, 0.43%

LAB 57.93, -25.71, -6.66

 

CMYK 50 / 0 / 1 / 33

HEX #55AAA9

RGB 85 170 169

HSL 179.29, 0.33%, 0.5%

LAB 64.6, -25.85, -7.4

 

CMYK 46 / 0 / 0 / 26

HEX #66BCBC

RGB 102 188 188

HSL 180, 0.39%, 0.57%

LAB 71.16, -25.91, -8.08

 

CMYK 43 / 0 / 0 / 19

HEX #77CECF

RGB 119 206 207

HSL 180.68, 0.48%, 0.64%

LAB 77.62, -25.92, -8.72

 

CMYK 40 / 1 / 0 / 11

HEX #88E0E2

RGB 136 224 226

HSL 181.33, 0.61%, 0.71%

LAB 83.98, -25.9, -9.31

 

CMYK 59 / 2 / 0 / 39

HEX #3F989B

RGB 63 152 155

HSL 181.96, 0.42%, 0.43%

LAB 57.92, -25.28, -9.54

 

CMYK 66 / 1 / 0 / 47

HEX #2E8688

RGB 46 134 136

HSL 181.33, 0.49%, 0.36%

LAB 51.16, -24.83, -8.75

 

CMYK 75 / 1 / 0 / 54

HEX #1D7475

RGB 29 116 117

HSL 180.68, 0.6%, 0.29%

LAB 44.29, -24.1, -7.85

 

CMYK 88 / 0 / 0 / 62

HEX #0C6262

RGB 12 98 98

HSL 180, 0.78%, 0.22%

LAB 37.29, -22.91, -6.78

 

CMYK 100 / 0 / 1 / 69

HEX #00504F

RGB 0 80 79

HSL 179.25, 1%, 0.16%

LAB 30.16, -21.09, -5.51

 

CMYK 59 / 2 / 0 / 39

HEX #3F989B

RGB 63 152 155

HSL 181.96, 0.42%, 0.43%

LAB 57.92, -25.28, -9.54

 

CMYK 59 / 18 / 0 / 39

HEX #3F7F9B

RGB 63 127 155

HSL 198.26, 0.42%, 0.43%

LAB 50.22, -11.93, -21.22

 

CMYK 59 / 34 / 0 / 39

HEX #3F679B

RGB 63 103 155

HSL 213.91, 0.42%, 0.43%

LAB 42.95, 2.31, -32.53

 

CMYK 59 / 50 / 0 / 39

HEX #3F4E9B

RGB 63 78 155

HSL 230.22, 0.42%, 0.43%

LAB 35.74, 18.35, -43.99

 

CMYK 53 / 59 / 0 / 39

HEX #493F9B

RGB 73 63 155

HSL 246.52, 0.42%, 0.43%

LAB 32.56, 30.14, -49.07

 

CMYK 59 / 2 / 0 / 39

HEX #3F989B

RGB 63 152 155

HSL 181.96, 0.42%, 0.43%

LAB 57.92, -25.28, -9.54

 

CMYK 59 / 18 / 0 / 39

HEX #3F7F9B

RGB 63 127 155

HSL 198.26, 0.42%, 0.43%

LAB 50.22, -11.93, -21.22

 

CMYK 59 / 34 / 0 / 39

HEX #3F679B

RGB 63 103 155

HSL 213.91, 0.42%, 0.43%

LAB 42.95, 2.31, -32.53

 

CMYK 59 / 50 / 0 / 39

HEX #3F4E9B

RGB 63 78 155

HSL 230.22, 0.42%, 0.43%

LAB 35.74, 18.35, -43.99

 

CMYK 59 / 59 / 0 / 39

HEX #3F3F9B

RGB 63 63 155

HSL 240, 0.42%, 0.43%

LAB 31.76, 28.16, -50.41

 

CMYK 59 / 2 / 0 / 39

HEX #3F989B

RGB 63 152 155

HSL 181.96, 0.42%, 0.43%

LAB 57.92, -25.28, -9.54

 

CMYK 74 / 2 / 0 / 32

HEX #2DA9AD

RGB 45 169 173

HSL 181.88, 0.59%, 0.43%

LAB 63.3, -31.09, -11.69

 

CMYK 85 / 3 / 0 / 25

HEX #1CB9BF

RGB 28 185 191

HSL 182.21, 0.74%, 0.43%

LAB 68.54, -34.77, -13.84

 

CMYK 95 / 3 / 0 / 18

HEX #0ACAD0

RGB 10 202 208

HSL 181.82, 0.91%, 0.43%

LAB 74.1, -38.26, -14.77

 

CMYK 59 / 2 / 0 / 39

HEX #3F989B

RGB 63 152 155

HSL 181.96, 0.42%, 0.43%

LAB 57.92, -25.28, -9.54

 

CMYK 41 / 1 / 0 / 46

HEX #518889

RGB 81 136 137

HSL 181.07, 0.26%, 0.43%

LAB 53.13, -17.85, -6.26

 

CMYK 18 / 1 / 0 / 53

HEX #637778

RGB 99 119 120

HSL 182.86, 0.1%, 0.43%

LAB 48.51, -7.08, -3.01

 

CMYK 0 / 12 / 12 / 55

HEX #746666

RGB 116 102 102

HSL 0, 0.06%, 0.43%

LAB 44.48, 5.55, 2.03

 

CMYK 0 / 36 / 37 / 47

HEX #865654

RGB 134 86 84

HSL 2.4, 0.23%, 0.43%

LAB 41.79, 19.66, 9.41

 

CMYK 59 / 0 / 30 / 39

HEX #3F9B6C

RGB 63 155 108

HSL 149.35, 0.42%, 0.43%

LAB 57.64, -38.61, 16.68

 

CMYK 59 / 0 / 15 / 39

HEX #3F9B84

RGB 63 155 132

HSL 165, 0.42%, 0.43%

LAB 58.19, -33.01, 3.94

 

CMYK 59 / 1 / 0 / 39

HEX #3F9A9B

RGB 63 154 155

HSL 180.65, 0.42%, 0.43%

LAB 58.54, -26.29, -8.62

 

CMYK 59 / 17 / 0 / 39

HEX #3F819B

RGB 63 129 155

HSL 196.96, 0.42%, 0.43%

LAB 50.83, -13.05, -20.28

 

CMYK 59 / 32 / 0 / 39

HEX #3F699B

RGB 63 105 155

HSL 212.61, 0.42%, 0.43%

LAB 43.55, 1.07, -31.59

 

CMYK 60 / 2 / 0 / 62

HEX #275F61

RGB 39 95 97

HSL 182.07, 0.43%, 0.27%

LAB 36.89, -17.53, -6.7

 

CMYK 60 / 2 / 0 / 51

HEX #337B7E

RGB 51 123 126

HSL 182.4, 0.42%, 0.35%

LAB 47.46, -21.24, -8.39

 

CMYK 59 / 2 / 0 / 39

HEX #3F989B

RGB 63 152 155

HSL 181.96, 0.42%, 0.43%

LAB 57.92, -25.28, -9.54

 

CMYK 58 / 2 / 0 / 29

HEX #4DB3B6

RGB 77 179 182

HSL 181.71, 0.42%, 0.51%

LAB 67.42, -28.39, -10.45

 

CMYK 45 / 2 / 0 / 24

HEX #6BBFC2

RGB 107 191 194

HSL 182.07, 0.42%, 0.59%

LAB 72.42, -24.67, -9.47

 

CMYK 59 / 2 / 0 / 39

HEX #3F989B

RGB 63 152 155

HSL 181.96, 0.42%, 0.43%

LAB 57.92, -25.28, -9.54

 

CMYK 46 / 59 / 0 / 39

HEX #533F9B

RGB 83 63 155

HSL 253.04, 0.42%, 0.43%

LAB 33.48, 32.3, -47.54

 

CMYK 0 / 23 / 59 / 39

HEX #9B783F

RGB 155 120 63

HSL 37.17, 0.42%, 0.43%

LAB 52.69, 6.84, 36.09

 

CMYK 59 / 2 / 0 / 39

HEX #3F989B

RGB 63 152 155

HSL 181.96, 0.42%, 0.43%

LAB 57.92, -25.28, -9.54

 

CMYK 0 / 59 / 1 / 39

HEX #9B3F9A

RGB 155 63 154

HSL 300.65, 0.42%, 0.43%

LAB 42.55, 50.53, -31.95

 

CMYK 1 / 0 / 59 / 39

HEX #9A9B3F

RGB 154 155 63

HSL 60.65, 0.42%, 0.43%

LAB 62.23, -12.85, 46.94

 

CMYK 59 / 2 / 0 / 39

HEX #3F989B

RGB 63 152 155

HSL 181.96, 0.42%, 0.43%

LAB 57.92, -25.28, -9.54

 

CMYK 46 / 59 / 0 / 39

HEX #533F9B

RGB 83 63 155

HSL 253.04, 0.42%, 0.43%

LAB 33.48, 32.3, -47.54

 

CMYK 0 / 58 / 59 / 39

HEX #9B413F

RGB 155 65 63

HSL 1.3, 0.42%, 0.43%

LAB 39.76, 37.47, 20.09

 

CMYK 13 / 0 / 59 / 39

HEX #879B3F

RGB 135 155 63

HSL 73.04, 0.42%, 0.43%

LAB 60.74, -20.97, 44.87

 

CMYK 59 / 2 / 0 / 39

HEX #3F989B

RGB 63 152 155

HSL 181.96, 0.42%, 0.43%

LAB 57.92, -25.28, -9.54

 

CMYK 28 / 59 / 0 / 39

HEX #6F3F9B

RGB 111 63 155

HSL 271.3, 0.42%, 0.43%

LAB 36.56, 39.08, -42.43

 

CMYK 0 / 58 / 59 / 39

HEX #9B413F

RGB 155 65 63

HSL 1.3, 0.42%, 0.43%

LAB 39.76, 37.47, 20.09

 

CMYK 30 / 0 / 59 / 39

HEX #6C9B3F

RGB 108 155 63

HSL 90.65, 0.42%, 0.43%

LAB 58.96, -31.79, 42.38

 

Description

Color code: HEX #3F989B | qconv.com Color code: HEX #3F989B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 152 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 152 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 2 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 2% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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