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Color name
HEX #3FA412

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FA412 it is the complementary color #C05BED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FA412. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FA412 shade: #44A40D, #55B620, #66C833, #77DA46 and #88EC59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FA412. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FA412 shade: #3FA412, #2E9200, #1D8000, #0C6E00 and #005C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FA412 shade: #3FA512, #67A512, #8EA512, #A59412 and #A56C12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FA412 shade: #3FA512, #18A512, #12A534, #12A55B and #12A583

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FA412 shade matches the following richer shades: #3FA512 and #39B403

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FA412 shade: #3FA512, #459621, #4B8730, #50783E and #56694D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FA412 shade: #8FA512, #68A512, #40A512, #19A512 and #12A532

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FA412 shade: #235A0A, #31800E, #3FA512, #4DCA16 and #5FE623

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FA412 shade: #3FA412, #12A594 and #A5127B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FA412 shade: #3FA412, #1240A5 and #A51240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FA412 shade: #3FA412, #12A594, #7612A5 and #A51223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FA412 shade: #3FA412, #128AA5, #7612A5 and #A52D12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 89 / 36

HEX #3FA412

RGB 63 164 18

HSL 101.51, 0.8%, 0.36%

LAB 59.57, -52.96, 58.22

 

Complementary color

CMYK 19 / 62 / 0 / 7

HEX #C05BED

RGB 192 91 237

HSL 281.51, 0.8%, 0.64%

LAB 56.88, 62.92, -56.86

 

CMYK 59 / 0 / 92 / 36

HEX #44A40D

RGB 68 164 13

HSL 98.15, 0.85%, 0.35%

LAB 59.72, -51.83, 59.31

 

CMYK 53 / 0 / 82 / 29

HEX #55B620

RGB 85 182 32

HSL 98.8, 0.7%, 0.42%

LAB 66.13, -53.01, 61.01

 

CMYK 49 / 0 / 75 / 22

HEX #66C833

RGB 102 200 51

HSL 99.46, 0.59%, 0.49%

LAB 72.48, -53.78, 61.45

 

CMYK 45 / 0 / 68 / 15

HEX #77DA46

RGB 119 218 70

HSL 100.14, 0.67%, 0.56%

LAB 78.76, -54.25, 61.16

 

CMYK 42 / 0 / 62 / 7

HEX #88EC59

RGB 136 236 89

HSL 100.82, 0.79%, 0.64%

LAB 84.97, -54.52, 60.45

 

CMYK 62 / 0 / 89 / 36

HEX #3FA412

RGB 63 164 18

HSL 101.51, 0.8%, 0.36%

LAB 59.57, -52.96, 58.22

 

CMYK 68 / 0 / 100 / 43

HEX #2E9200

RGB 46 146 0

HSL 101.1, 1%, 0.29%

LAB 53.1, -51.23, 55.68

 

CMYK 77 / 0 / 100 / 50

HEX #1D8000

RGB 29 128 0

HSL 106.41, 1%, 0.25%

LAB 46.58, -48.57, 50.32

 

CMYK 89 / 0 / 100 / 57

HEX #0C6E00

RGB 12 110 0

HSL 113.45, 1%, 0.22%

LAB 39.97, -45.2, 44.93

 

CMYK 100 / 0 / 100 / 64

HEX #005C00

RGB 0 92 0

HSL 120, 1%, 0.18%

LAB 33.25, -40.92, 39.49

 

CMYK 62 / 0 / 89 / 35

HEX #3FA512

RGB 63 165 18

HSL 101.63, 0.8%, 0.36%

LAB 59.9, -53.31, 58.5

 

CMYK 38 / 0 / 89 / 35

HEX #67A512

RGB 103 165 18

HSL 85.31, 0.8%, 0.36%

LAB 61.51, -40.95, 60.52

 

CMYK 14 / 0 / 89 / 35

HEX #8EA512

RGB 142 165 18

HSL 69.39, 0.8%, 0.36%

LAB 63.92, -25.33, 63.5

 

CMYK 0 / 10 / 89 / 35

HEX #A59412

RGB 165 148 18

HSL 53.06, 0.8%, 0.36%

LAB 60.98, -6.33, 61.92

 

CMYK 0 / 35 / 89 / 35

HEX #A56C12

RGB 165 108 18

HSL 36.73, 0.8%, 0.36%

LAB 50.41, 15.95, 53.51

 

CMYK 62 / 0 / 89 / 35

HEX #3FA512

RGB 63 165 18

HSL 101.63, 0.8%, 0.36%

LAB 59.9, -53.31, 58.5

 

CMYK 85 / 0 / 89 / 35

HEX #18A512

RGB 24 165 18

HSL 117.55, 0.8%, 0.36%

LAB 59.11, -60.07, 57.51

 

CMYK 89 / 0 / 68 / 35

HEX #12A534

RGB 18 165 52

HSL 133.88, 0.8%, 0.36%

LAB 59.24, -58.22, 46.8

 

CMYK 89 / 0 / 45 / 35

HEX #12A55B

RGB 18 165 91

HSL 149.8, 0.8%, 0.36%

LAB 59.7, -52.59, 28.53

 

CMYK 89 / 0 / 21 / 35

HEX #12A583

RGB 18 165 131

HSL 166.12, 0.8%, 0.36%

LAB 60.5, -43.65, 7.7

 

CMYK 62 / 0 / 89 / 35

HEX #3FA512

RGB 63 165 18

HSL 101.63, 0.8%, 0.36%

LAB 59.9, -53.31, 58.5

 

CMYK 68 / 0 / 98 / 29

HEX #39B403

RGB 57 180 3

HSL 101.69, 0.97%, 0.36%

LAB 64.58, -60.06, 64.53

 

CMYK 62 / 0 / 89 / 35

HEX #3FA512

RGB 63 165 18

HSL 101.63, 0.8%, 0.36%

LAB 59.9, -53.31, 58.5

 

CMYK 54 / 0 / 78 / 41

HEX #459621

RGB 69 150 33

HSL 101.54, 0.64%, 0.36%

LAB 55.27, -45.43, 50.33

 

CMYK 44 / 0 / 64 / 47

HEX #4B8730

RGB 75 135 48

HSL 101.38, 0.48%, 0.36%

LAB 50.73, -36.11, 39.66

 

CMYK 33 / 0 / 48 / 53

HEX #50783E

RGB 80 120 62

HSL 101.38, 0.32%, 0.36%

LAB 46.29, -25.63, 27.39

 

CMYK 18 / 0 / 27 / 59

HEX #56694D

RGB 86 105 77

HSL 100.71, 0.15%, 0.36%

LAB 42.18, -12.95, 13.46

 

CMYK 13 / 0 / 89 / 35

HEX #8FA512

RGB 143 165 18

HSL 68.98, 0.8%, 0.36%

LAB 63.99, -24.9, 63.59

 

CMYK 37 / 0 / 89 / 35

HEX #68A512

RGB 104 165 18

HSL 84.9, 0.8%, 0.36%

LAB 61.57, -40.58, 60.58

 

CMYK 61 / 0 / 89 / 35

HEX #40A512

RGB 64 165 18

HSL 101.22, 0.8%, 0.36%

LAB 59.93, -53.06, 58.54

 

CMYK 85 / 0 / 89 / 35

HEX #19A512

RGB 25 165 18

HSL 117.14, 0.8%, 0.36%

LAB 59.12, -59.97, 57.53

 

CMYK 89 / 0 / 70 / 35

HEX #12A532

RGB 18 165 50

HSL 133.06, 0.8%, 0.36%

LAB 59.22, -58.43, 47.61

 

CMYK 61 / 0 / 89 / 65

HEX #235A0A

RGB 35 90 10

HSL 101.25, 0.8%, 0.2%

LAB 33.33, -33.05, 36.69

 

CMYK 62 / 0 / 89 / 50

HEX #31800E

RGB 49 128 14

HSL 101.58, 0.8%, 0.28%

LAB 47.14, -43.69, 48.12

 

CMYK 62 / 0 / 89 / 35

HEX #3FA512

RGB 63 165 18

HSL 101.63, 0.8%, 0.36%

LAB 59.9, -53.31, 58.5

 

CMYK 62 / 0 / 89 / 21

HEX #4DCA16

RGB 77 202 22

HSL 101.67, 0.8%, 0.44%

LAB 72.15, -62.49, 68.4

 

CMYK 59 / 0 / 85 / 10

HEX #5FE623

RGB 95 230 35

HSL 101.54, 0.8%, 0.52%

LAB 81.37, -67.16, 74.03

 

CMYK 62 / 0 / 89 / 36

HEX #3FA412

RGB 63 164 18

HSL 101.51, 0.8%, 0.36%

LAB 59.57, -52.96, 58.22

 

CMYK 89 / 0 / 10 / 35

HEX #12A594

RGB 18 165 148

HSL 173.06, 0.8%, 0.36%

LAB 60.94, -39.02, -1.21

 

CMYK 0 / 89 / 25 / 35

HEX #A5127B

RGB 165 18 123

HSL 317.14, 0.8%, 0.36%

LAB 37.59, 62.92, -20.57

 

CMYK 62 / 0 / 89 / 36

HEX #3FA412

RGB 63 164 18

HSL 101.51, 0.8%, 0.36%

LAB 59.57, -52.96, 58.22

 

CMYK 89 / 61 / 0 / 35

HEX #1240A5

RGB 18 64 165

HSL 221.22, 0.8%, 0.36%

LAB 30.67, 25.67, -58.33

 

CMYK 0 / 89 / 61 / 35

HEX #A51240

RGB 165 18 64

HSL 341.22, 0.8%, 0.36%

LAB 35.6, 57.4, 14.27

 

CMYK 62 / 0 / 89 / 36

HEX #3FA412

RGB 63 164 18

HSL 101.51, 0.8%, 0.36%

LAB 59.57, -52.96, 58.22

 

CMYK 89 / 0 / 10 / 35

HEX #12A594

RGB 18 165 148

HSL 173.06, 0.8%, 0.36%

LAB 60.94, -39.02, -1.21

 

CMYK 28 / 89 / 0 / 35

HEX #7612A5

RGB 118 18 165

HSL 280.82, 0.8%, 0.36%

LAB 31.81, 60.96, -56.1

 

CMYK 0 / 89 / 79 / 35

HEX #A51223

RGB 165 18 35

HSL 353.06, 0.8%, 0.36%

LAB 35.11, 55.99, 32.08

 

CMYK 62 / 0 / 89 / 36

HEX #3FA412

RGB 63 164 18

HSL 101.51, 0.8%, 0.36%

LAB 59.57, -52.96, 58.22

 

CMYK 89 / 16 / 0 / 35

HEX #128AA5

RGB 18 138 165

HSL 191.02, 0.8%, 0.36%

LAB 52.97, -20.48, -22.88

 

CMYK 28 / 89 / 0 / 35

HEX #7612A5

RGB 118 18 165

HSL 280.82, 0.8%, 0.36%

LAB 31.81, 60.96, -56.1

 

CMYK 0 / 73 / 89 / 35

HEX #A52D12

RGB 165 45 18

HSL 11.02, 0.8%, 0.36%

LAB 37.7, 47.83, 43.45

 

Description

Color code: HEX #3FA412 | qconv.com Color code: HEX #3FA412 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 164 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 164 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 89 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 89% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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