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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FAC3E it is the complementary color #C053C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FAC3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FAC3E shade: #44AC39, #55BE4C, #66D05F, #77E272 and #88F485

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FAC3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FAC3E shade: #3FAC3E, #2E9A2B, #1D8818, #0C7605 and #006400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FAC3E shade: #3FAC3E, #5CAC3E, #7AAC3E, #98AC3E and #ACA23E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FAC3E shade: #3FAC3E, #3EAC5A, #3EAC78, #3EAC96 and #3EA4AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FAC3E shade matches the following richer shades: #3FAC3E, #2CBF2B, #19D218 and #07E505

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FAC3E shade: #3FAC3E, #519951, #648664, #777377 and #89608A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FAC3E shade: #7AAC3E, #5DAC3E, #40AC3E, #3EAC59 and #3EAC77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FAC3E shade: #286F28, #348E33, #3FAC3E, #53C052 and #72CB71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FAC3E shade: #3FAC3E, #3E98AC and #AC3E6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FAC3E shade: #3FAC3E, #3E40AC and #AC3E40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FAC3E shade: #3FAC3E, #3E98AC, #AA3EAC and #AC523E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FAC3E shade: #3FAC3E, #3E77AC, #AA3EAC and #AC733E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 64 / 33

HEX #3FAC3E

RGB 63 172 62

HSL 119.45, 0.47%, 0.46%

LAB 62.43, -52.69, 46.23

 

Complementary color

CMYK 1 / 57 / 0 / 24

HEX #C053C1

RGB 192 83 193

HSL 299.45, 0.47%, 0.54%

LAB 53.21, 58.18, -37.73

 

CMYK 60 / 0 / 67 / 33

HEX #44AC39

RGB 68 172 57

HSL 114.26, 0.5%, 0.45%

LAB 62.53, -52.04, 48.54

 

CMYK 55 / 0 / 60 / 25

HEX #55BE4C

RGB 85 190 76

HSL 115.26, 0.47%, 0.52%

LAB 68.95, -52.52, 47.53

 

CMYK 51 / 0 / 54 / 18

HEX #66D05F

RGB 102 208 95

HSL 116.28, 0.55%, 0.59%

LAB 75.3, -52.74, 46.34

 

CMYK 47 / 0 / 50 / 11

HEX #77E272

RGB 119 226 114

HSL 117.32, 0.66%, 0.67%

LAB 81.58, -52.78, 45.1

 

CMYK 44 / 0 / 45 / 4

HEX #88F485

RGB 136 244 133

HSL 118.38, 0.83%, 0.74%

LAB 87.79, -52.72, 43.86

 

CMYK 63 / 0 / 64 / 33

HEX #3FAC3E

RGB 63 172 62

HSL 119.45, 0.47%, 0.46%

LAB 62.43, -52.69, 46.23

 

CMYK 70 / 0 / 72 / 40

HEX #2E9A2B

RGB 46 154 43

HSL 118.38, 0.56%, 0.39%

LAB 55.95, -51.75, 47.11

 

CMYK 79 / 0 / 82 / 47

HEX #1D8818

RGB 29 136 24

HSL 117.32, 0.7%, 0.31%

LAB 49.42, -50.13, 47.28

 

CMYK 90 / 0 / 96 / 54

HEX #0C7605

RGB 12 118 5

HSL 116.28, 0.92%, 0.24%

LAB 42.83, -47.48, 46.06

 

CMYK 100 / 0 / 100 / 61

HEX #006400

RGB 0 100 0

HSL 120, 1%, 0.2%

LAB 36.2, -43.37, 41.86

 

CMYK 63 / 0 / 64 / 33

HEX #3FAC3E

RGB 63 172 62

HSL 119.45, 0.47%, 0.46%

LAB 62.43, -52.69, 46.23

 

CMYK 47 / 0 / 64 / 33

HEX #5CAC3E

RGB 92 172 62

HSL 103.64, 0.47%, 0.46%

LAB 63.45, -44.88, 47.65

 

CMYK 29 / 0 / 64 / 33

HEX #7AAC3E

RGB 122 172 62

HSL 87.27, 0.47%, 0.46%

LAB 64.95, -34.47, 49.73

 

CMYK 12 / 0 / 64 / 33

HEX #98AC3E

RGB 152 172 62

HSL 70.91, 0.47%, 0.46%

LAB 66.92, -22.48, 52.43

 

CMYK 0 / 6 / 64 / 33

HEX #ACA23E

RGB 172 162 62

HSL 54.55, 0.47%, 0.46%

LAB 65.72, -8.78, 51.62

 

CMYK 63 / 0 / 64 / 33

HEX #3FAC3E

RGB 63 172 62

HSL 119.45, 0.47%, 0.46%

LAB 62.43, -52.69, 46.23

 

CMYK 64 / 0 / 48 / 33

HEX #3EAC5A

RGB 62 172 90

HSL 135.27, 0.47%, 0.46%

LAB 62.73, -49.16, 33.08

 

CMYK 64 / 0 / 30 / 33

HEX #3EAC78

RGB 62 172 120

HSL 151.64, 0.47%, 0.46%

LAB 63.25, -43.55, 17.76

 

CMYK 64 / 0 / 13 / 33

HEX #3EAC96

RGB 62 172 150

HSL 168, 0.47%, 0.46%

LAB 63.94, -36.45, 2.15

 

CMYK 64 / 5 / 0 / 33

HEX #3EA4AC

RGB 62 164 172

HSL 184.36, 0.47%, 0.46%

LAB 62.13, -26.51, -12.86

 

CMYK 63 / 0 / 64 / 33

HEX #3FAC3E

RGB 63 172 62

HSL 119.45, 0.47%, 0.46%

LAB 62.43, -52.69, 46.23

 

CMYK 77 / 0 / 77 / 25

HEX #2CBF2B

RGB 44 191 43

HSL 119.59, 0.63%, 0.46%

LAB 68, -64.15, 59.17

 

CMYK 88 / 0 / 89 / 18

HEX #19D218

RGB 25 210 24

HSL 119.68, 0.79%, 0.46%

LAB 73.78, -72.67, 69.09

 

CMYK 97 / 0 / 98 / 10

HEX #07E505

RGB 7 229 5

HSL 119.46, 0.96%, 0.46%

LAB 79.67, -79.14, 76.28

 

CMYK 63 / 0 / 64 / 33

HEX #3FAC3E

RGB 63 172 62

HSL 119.45, 0.47%, 0.46%

LAB 62.43, -52.69, 46.23

 

CMYK 47 / 0 / 47 / 40

HEX #519951

RGB 81 153 81

HSL 120, 0.31%, 0.46%

LAB 57.2, -37.89, 30.91

 

CMYK 25 / 0 / 25 / 47

HEX #648664

RGB 100 134 100

HSL 120, 0.15%, 0.46%

LAB 52.6, -19.14, 14.52

 

CMYK 0 / 3 / 0 / 53

HEX #777377

RGB 119 115 119

HSL 300, 0.02%, 0.46%

LAB 48.9, 2.34, -1.66

 

CMYK 1 / 30 / 0 / 46

HEX #89608A

RGB 137 96 138

HSL 298.57, 0.18%, 0.46%

LAB 46.34, 24.1, -16.66

 

CMYK 29 / 0 / 64 / 33

HEX #7AAC3E

RGB 122 172 62

HSL 87.27, 0.47%, 0.46%

LAB 64.95, -34.47, 49.73

 

CMYK 46 / 0 / 64 / 33

HEX #5DAC3E

RGB 93 172 62

HSL 103.09, 0.47%, 0.46%

LAB 63.49, -44.57, 47.71

 

CMYK 63 / 0 / 64 / 33

HEX #40AC3E

RGB 64 172 62

HSL 118.91, 0.47%, 0.46%

LAB 62.46, -52.46, 46.27

 

CMYK 64 / 0 / 48 / 33

HEX #3EAC59

RGB 62 172 89

HSL 134.73, 0.47%, 0.46%

LAB 62.72, -49.32, 33.57

 

CMYK 64 / 0 / 31 / 33

HEX #3EAC77

RGB 62 172 119

HSL 151.09, 0.47%, 0.46%

LAB 63.23, -43.76, 18.28

 

CMYK 64 / 0 / 64 / 56

HEX #286F28

RGB 40 111 40

HSL 120, 0.47%, 0.3%

LAB 41.17, -37.43, 32.35

 

CMYK 63 / 0 / 64 / 44

HEX #348E33

RGB 52 142 51

HSL 119.34, 0.47%, 0.38%

LAB 52.19, -45.3, 39.66

 

CMYK 63 / 0 / 64 / 33

HEX #3FAC3E

RGB 63 172 62

HSL 119.45, 0.47%, 0.46%

LAB 62.43, -52.69, 46.23

 

CMYK 57 / 0 / 57 / 25

HEX #53C052

RGB 83 192 82

HSL 119.45, 0.47%, 0.54%

LAB 69.57, -53.09, 45.48

 

CMYK 44 / 0 / 44 / 20

HEX #72CB71

RGB 114 203 113

HSL 119.33, 0.46%, 0.62%

LAB 74.5, -44.88, 36.68

 

CMYK 63 / 0 / 64 / 33

HEX #3FAC3E

RGB 63 172 62

HSL 119.45, 0.47%, 0.46%

LAB 62.43, -52.69, 46.23

 

CMYK 64 / 12 / 0 / 33

HEX #3E98AC

RGB 62 152 172

HSL 190.91, 0.47%, 0.46%

LAB 58.47, -20.36, -18.39

 

CMYK 0 / 64 / 37 / 33

HEX #AC3E6C

RGB 172 62 108

HSL 334.91, 0.47%, 0.46%

LAB 43.21, 49.17, -2.62

 

CMYK 63 / 0 / 64 / 33

HEX #3FAC3E

RGB 63 172 62

HSL 119.45, 0.47%, 0.46%

LAB 62.43, -52.69, 46.23

 

CMYK 64 / 63 / 0 / 33

HEX #3E40AC

RGB 62 64 172

HSL 238.91, 0.47%, 0.46%

LAB 33.28, 33.18, -58.17

 

CMYK 0 / 64 / 63 / 33

HEX #AC3E40

RGB 172 62 64

HSL 358.91, 0.47%, 0.46%

LAB 42.13, 45.13, 23.11

 

CMYK 63 / 0 / 64 / 33

HEX #3FAC3E

RGB 63 172 62

HSL 119.45, 0.47%, 0.46%

LAB 62.43, -52.69, 46.23

 

CMYK 64 / 12 / 0 / 33

HEX #3E98AC

RGB 62 152 172

HSL 190.91, 0.47%, 0.46%

LAB 58.47, -20.36, -18.39

 

CMYK 1 / 64 / 0 / 33

HEX #AA3EAC

RGB 170 62 172

HSL 298.91, 0.47%, 0.46%

LAB 45.59, 58.03, -37.71

 

CMYK 0 / 52 / 64 / 33

HEX #AC523E

RGB 172 82 62

HSL 10.91, 0.47%, 0.46%

LAB 45.84, 35.23, 28.94

 

CMYK 63 / 0 / 64 / 33

HEX #3FAC3E

RGB 63 172 62

HSL 119.45, 0.47%, 0.46%

LAB 62.43, -52.69, 46.23

 

CMYK 64 / 31 / 0 / 33

HEX #3E77AC

RGB 62 119 172

HSL 208.91, 0.47%, 0.46%

LAB 48.51, -1.8, -33.79

 

CMYK 1 / 64 / 0 / 33

HEX #AA3EAC

RGB 170 62 172

HSL 298.91, 0.47%, 0.46%

LAB 45.59, 58.03, -37.71

 

CMYK 0 / 33 / 64 / 33

HEX #AC733E

RGB 172 115 62

HSL 28.91, 0.47%, 0.46%

LAB 53.36, 17.11, 37.9

 

Description

Color code: HEX #3FAC3E | qconv.com Color code: HEX #3FAC3E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 172 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 172 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 64 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 64% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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