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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FB8E8 it is the complementary color #C04717. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FB8E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FB8E8 shade: #44B8E3, #55CAF6, #66DCFF, #77EEFF and #88FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FB8E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FB8E8 shade: #3FB8E8, #2EA6D5, #1D94C2, #0C82AF and #00709C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FB8E8 shade: #3FB8E8, #3F8AE8, #3F5DE8, #4F3FE8 and #7C3FE8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FB8E8 shade: #3FB8E8, #3F8AE8, #3F5DE8 and #3F3FE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FB8E8 shade matches the following richer shades: #3FB8E8 and #2DBFF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FB8E8 shade: #3FB8E8, #50B0D7, #61A9C5, #73A1B4 and #849AA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FB8E8 shade: #3FE8BE, #3FE5E8, #3FB8E8, #3F8BE8 and #3F5EE8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FB8E8 shade: #168FBE, #1AAAE3, #3FB8E8, #64C6EC and #89D3F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FB8E8 shade: #3FB8E8, #913FE8 and #E8D43F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FB8E8 shade: #3FB8E8, #E83FB8 and #B8E83F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FB8E8 shade: #3FB8E8, #913FE8, #E86F3F and #96E83F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FB8E8 shade: #3FB8E8, #C33FE8, #E86F3F and #63E83F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 21 / 0 / 9

HEX #3FB8E8

RGB 63 184 232

HSL 197.04, 0.79%, 0.58%

LAB 70.29, -17.86, -33.56

 

Complementary color

CMYK 0 / 63 / 88 / 25

HEX #C04717

RGB 192 71 23

HSL 17.04, 0.79%, 0.42%

LAB 46.68, 46.51, 50.6

 

CMYK 70 / 19 / 0 / 11

HEX #44B8E3

RGB 68 184 227

HSL 196.23, 0.74%, 0.58%

LAB 70.22, -18.82, -30.95

 

CMYK 65 / 18 / 0 / 4

HEX #55CAF6

RGB 85 202 246

HSL 196.4, 0.9%, 0.65%

LAB 76.57, -19.7, -31.37

 

CMYK 60 / 14 / 0 / 0

HEX #66DCFF

RGB 102 220 255

HSL 193.73, 1%, 0.7%

LAB 82.5, -23.33, -27.03

 

CMYK 53 / 7 / 0 / 0

HEX #77EEFF

RGB 119 238 255

HSL 187.5, 1%, 0.73%

LAB 88.11, -29, -18.47

 

CMYK 47 / 0 / 0 / 0

HEX #88FFFF

RGB 136 255 255

HSL 180, 1%, 0.77%

LAB 93.44, -33.56, -10.43

 

CMYK 73 / 21 / 0 / 9

HEX #3FB8E8

RGB 63 184 232

HSL 197.04, 0.79%, 0.58%

LAB 70.29, -17.86, -33.56

 

CMYK 78 / 22 / 0 / 16

HEX #2EA6D5

RGB 46 166 213

HSL 196.89, 0.67%, 0.51%

LAB 63.88, -16.56, -33.09

 

CMYK 85 / 24 / 0 / 24

HEX #1D94C2

RGB 29 148 194

HSL 196.73, 0.74%, 0.44%

LAB 57.4, -14.91, -32.56

 

CMYK 93 / 26 / 0 / 31

HEX #0C82AF

RGB 12 130 175

HSL 196.56, 0.87%, 0.37%

LAB 50.85, -12.8, -31.95

 

CMYK 100 / 28 / 0 / 39

HEX #00709C

RGB 0 112 156

HSL 196.92, 1%, 0.31%

LAB 44.22, -10.16, -31.24

 

CMYK 73 / 21 / 0 / 9

HEX #3FB8E8

RGB 63 184 232

HSL 197.04, 0.79%, 0.58%

LAB 70.29, -17.86, -33.56

 

CMYK 73 / 41 / 0 / 9

HEX #3F8AE8

RGB 63 138 232

HSL 213.37, 0.79%, 0.58%

LAB 57.13, 8.11, -54.25

 

CMYK 73 / 60 / 0 / 9

HEX #3F5DE8

RGB 63 93 232

HSL 229.35, 0.79%, 0.58%

LAB 45.24, 36.05, -73.45

 

CMYK 66 / 73 / 0 / 9

HEX #4F3FE8

RGB 79 63 232

HSL 245.68, 0.79%, 0.58%

LAB 39.65, 55.35, -82.57

 

CMYK 47 / 73 / 0 / 9

HEX #7C3FE8

RGB 124 63 232

HSL 261.66, 0.79%, 0.58%

LAB 43.75, 61.33, -75.69

 

CMYK 73 / 21 / 0 / 9

HEX #3FB8E8

RGB 63 184 232

HSL 197.04, 0.79%, 0.58%

LAB 70.29, -17.86, -33.56

 

CMYK 73 / 41 / 0 / 9

HEX #3F8AE8

RGB 63 138 232

HSL 213.37, 0.79%, 0.58%

LAB 57.13, 8.11, -54.25

 

CMYK 73 / 60 / 0 / 9

HEX #3F5DE8

RGB 63 93 232

HSL 229.35, 0.79%, 0.58%

LAB 45.24, 36.05, -73.45

 

CMYK 73 / 73 / 0 / 9

HEX #3F3FE8

RGB 63 63 232

HSL 240, 0.79%, 0.58%

LAB 38.62, 53.79, -84.32

 

CMYK 73 / 21 / 0 / 9

HEX #3FB8E8

RGB 63 184 232

HSL 197.04, 0.79%, 0.58%

LAB 70.29, -17.86, -33.56

 

CMYK 82 / 23 / 0 / 2

HEX #2DBFF9

RGB 45 191 249

HSL 197.06, 0.94%, 0.58%

LAB 72.67, -17.72, -39.11

 

CMYK 73 / 21 / 0 / 9

HEX #3FB8E8

RGB 63 184 232

HSL 197.04, 0.79%, 0.58%

LAB 70.29, -17.86, -33.56

 

CMYK 63 / 18 / 0 / 16

HEX #50B0D7

RGB 80 176 215

HSL 197.33, 0.63%, 0.58%

LAB 67.77, -16.54, -28.12

 

CMYK 51 / 14 / 0 / 23

HEX #61A9C5

RGB 97 169 197

HSL 196.8, 0.46%, 0.58%

LAB 65.71, -14.83, -21.28

 

CMYK 36 / 11 / 0 / 29

HEX #73A1B4

RGB 115 161 180

HSL 197.54, 0.3%, 0.58%

LAB 63.7, -10.62, -14.77

 

CMYK 19 / 6 / 0 / 36

HEX #849AA3

RGB 132 154 163

HSL 197.42, 0.14%, 0.58%

LAB 62.22, -5.73, -7.31

 

CMYK 73 / 0 / 18 / 9

HEX #3FE8BE

RGB 63 232 190

HSL 165.09, 0.79%, 0.58%

LAB 83.17, -52.15, 8.25

 

CMYK 73 / 1 / 0 / 9

HEX #3FE5E8

RGB 63 229 232

HSL 181.07, 0.79%, 0.58%

LAB 83.4, -39.81, -13.59

 

CMYK 73 / 21 / 0 / 9

HEX #3FB8E8

RGB 63 184 232

HSL 197.04, 0.79%, 0.58%

LAB 70.29, -17.86, -33.56

 

CMYK 73 / 40 / 0 / 9

HEX #3F8BE8

RGB 63 139 232

HSL 213.02, 0.79%, 0.58%

LAB 57.41, 7.51, -53.8

 

CMYK 73 / 59 / 0 / 9

HEX #3F5EE8

RGB 63 94 232

HSL 228.99, 0.79%, 0.58%

LAB 45.48, 35.42, -73.05

 

CMYK 88 / 25 / 0 / 25

HEX #168FBE

RGB 22 143 190

HSL 196.79, 0.79%, 0.42%

LAB 55.62, -14.06, -33.09

 

CMYK 89 / 25 / 0 / 11

HEX #1AAAE3

RGB 26 170 227

HSL 197.01, 0.79%, 0.5%

LAB 65.37, -15.42, -38.53

 

CMYK 73 / 21 / 0 / 9

HEX #3FB8E8

RGB 63 184 232

HSL 197.04, 0.79%, 0.58%

LAB 70.29, -17.86, -33.56

 

CMYK 58 / 16 / 0 / 7

HEX #64C6EC

RGB 100 198 236

HSL 196.76, 0.78%, 0.66%

LAB 75.55, -18.07, -27.54

 

CMYK 43 / 12 / 0 / 5

HEX #89D3F1

RGB 137 211 241

HSL 197.31, 0.79%, 0.74%

LAB 80.88, -15.35, -21.94

 

CMYK 73 / 21 / 0 / 9

HEX #3FB8E8

RGB 63 184 232

HSL 197.04, 0.79%, 0.58%

LAB 70.29, -17.86, -33.56

 

CMYK 38 / 73 / 0 / 9

HEX #913FE8

RGB 145 63 232

HSL 269.11, 0.79%, 0.58%

LAB 46.18, 64.76, -71.63

 

CMYK 0 / 9 / 73 / 9

HEX #E8D43F

RGB 232 212 63

HSL 52.9, 0.79%, 0.58%

LAB 84.28, -8.82, 71.64

 

CMYK 73 / 21 / 0 / 9

HEX #3FB8E8

RGB 63 184 232

HSL 197.04, 0.79%, 0.58%

LAB 70.29, -17.86, -33.56

 

CMYK 0 / 73 / 21 / 9

HEX #E83FB8

RGB 232 63 184

HSL 317.04, 0.79%, 0.58%

LAB 56.26, 74.47, -27.32

 

CMYK 21 / 0 / 73 / 9

HEX #B8E83F

RGB 184 232 63

HSL 77.04, 0.79%, 0.58%

LAB 86.14, -37.91, 72.19

 

CMYK 73 / 21 / 0 / 9

HEX #3FB8E8

RGB 63 184 232

HSL 197.04, 0.79%, 0.58%

LAB 70.29, -17.86, -33.56

 

CMYK 38 / 73 / 0 / 9

HEX #913FE8

RGB 145 63 232

HSL 269.11, 0.79%, 0.58%

LAB 46.18, 64.76, -71.63

 

CMYK 0 / 52 / 73 / 9

HEX #E86F3F

RGB 232 111 63

HSL 17.04, 0.79%, 0.58%

LAB 60.68, 43.75, 47.82

 

CMYK 35 / 0 / 73 / 9

HEX #96E83F

RGB 150 232 63

HSL 89.11, 0.79%, 0.58%

LAB 84.25, -50.29, 69.71

 

CMYK 73 / 21 / 0 / 9

HEX #3FB8E8

RGB 63 184 232

HSL 197.04, 0.79%, 0.58%

LAB 70.29, -17.86, -33.56

 

CMYK 16 / 73 / 0 / 9

HEX #C33FE8

RGB 195 63 232

HSL 286.86, 0.79%, 0.58%

LAB 52.93, 73.95, -60.37

 

CMYK 0 / 52 / 73 / 9

HEX #E86F3F

RGB 232 111 63

HSL 17.04, 0.79%, 0.58%

LAB 60.68, 43.75, 47.82

 

CMYK 57 / 0 / 73 / 9

HEX #63E83F

RGB 99 232 63

HSL 107.22, 0.79%, 0.58%

LAB 82.23, -65.37, 67.03

 

Description

Color code: HEX #3FB8E8 | qconv.com Color code: HEX #3FB8E8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 184 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 184 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 21 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 21% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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