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Color name
HEX #3FBD35

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FBD35 it is the complementary color #C042CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FBD35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FBD35 shade: #44BD30, #55CF43, #66E156, #77F369 and #88FF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FBD35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FBD35 shade: #3FBD35, #2EAB22, #1D990F, #0C8700 and #007500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FBD35 shade: #3EBA34, #62BA34, #86BA34, #ABBA34 and #BAA634

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FBD35 shade: #3EBA34, #34BA4F, #34BA73, #34BA97 and #34BABA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FBD35 shade matches the following richer shades: #3EBA34, #2ECE21 and #1DE10D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FBD35 shade: #3EBA34, #4FA748, #5F945B, #70806E and #806D82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FBD35 shade: #87BA34, #63BA34, #3FBA34, #34BA4D and #34BA71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FBD35 shade: #297A22, #339A2B, #3EBA34, #55CC4C and #74D56C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FBD35 shade: #3FBD35, #34ABBA and #BA3475

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FBD35 shade: #3FBD35, #343FBA and #BA343F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FBD35 shade: #3FBD35, #34ABBA, #AF34BA and #BA4434

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FBD35 shade: #3FBD35, #3483BA, #AF34BA and #BA6C34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 72 / 26

HEX #3FBD35

RGB 63 189 53

HSL 115.59, 0.56%, 0.47%

LAB 67.81, -59.49, 55.64

 

Complementary color

CMYK 5 / 67 / 0 / 21

HEX #C042CA

RGB 192 66 202

HSL 295.59, 0.56%, 0.53%

LAB 51.11, 66.86, -46.23

 

CMYK 64 / 0 / 75 / 26

HEX #44BD30

RGB 68 189 48

HSL 111.49, 0.59%, 0.46%

LAB 67.9, -58.82, 57.58

 

CMYK 59 / 0 / 68 / 19

HEX #55CF43

RGB 85 207 67

HSL 112.29, 0.59%, 0.54%

LAB 74.17, -59.67, 57.11

 

CMYK 55 / 0 / 62 / 12

HEX #66E156

RGB 102 225 86

HSL 113.09, 0.7%, 0.61%

LAB 80.37, -60.18, 56.24

 

CMYK 51 / 0 / 57 / 5

HEX #77F369

RGB 119 243 105

HSL 113.91, 0.85%, 0.68%

LAB 86.53, -60.45, 55.18

 

CMYK 47 / 0 / 51 / 0

HEX #88FF7C

RGB 136 255 124

HSL 114.5, 1%, 0.74%

LAB 90.88, -58.25, 51.92

 

CMYK 67 / 0 / 72 / 26

HEX #3FBD35

RGB 63 189 53

HSL 115.59, 0.56%, 0.47%

LAB 67.81, -59.49, 55.64

 

CMYK 73 / 0 / 80 / 33

HEX #2EAB22

RGB 46 171 34

HSL 114.74, 0.67%, 0.4%

LAB 61.5, -58.1, 55.75

 

CMYK 81 / 0 / 90 / 40

HEX #1D990F

RGB 29 153 15

HSL 113.91, 0.82%, 0.33%

LAB 55.15, -55.97, 54.7

 

CMYK 91 / 0 / 100 / 47

HEX #0C8700

RGB 12 135 0

HSL 114.67, 1%, 0.26%

LAB 48.77, -52.84, 51.97

 

CMYK 100 / 0 / 100 / 54

HEX #007500

RGB 0 117 0

HSL 120, 1%, 0.23%

LAB 42.34, -48.47, 46.78

 

CMYK 67 / 0 / 72 / 27

HEX #3EBA34

RGB 62 186 52

HSL 115.52, 0.56%, 0.47%

LAB 66.82, -58.76, 54.99

 

CMYK 47 / 0 / 72 / 27

HEX #62BA34

RGB 98 186 52

HSL 99.4, 0.56%, 0.47%

LAB 67.99, -49.49, 56.57

 

CMYK 28 / 0 / 72 / 27

HEX #86BA34

RGB 134 186 52

HSL 83.28, 0.56%, 0.47%

LAB 69.78, -37, 58.95

 

CMYK 8 / 0 / 72 / 27

HEX #ABBA34

RGB 171 186 52

HSL 66.72, 0.56%, 0.47%

LAB 72.24, -22.07, 62.2

 

CMYK 0 / 11 / 72 / 27

HEX #BAA634

RGB 186 166 52

HSL 51.04, 0.56%, 0.47%

LAB 67.99, -5.34, 58.48

 

CMYK 67 / 0 / 72 / 27

HEX #3EBA34

RGB 62 186 52

HSL 115.52, 0.56%, 0.47%

LAB 66.82, -58.76, 54.99

 

CMYK 72 / 0 / 58 / 27

HEX #34BA4F

RGB 52 186 79

HSL 132.09, 0.56%, 0.47%

LAB 66.83, -57.74, 43.46

 

CMYK 72 / 0 / 38 / 27

HEX #34BA73

RGB 52 186 115

HSL 148.21, 0.56%, 0.47%

LAB 67.34, -51.91, 25.95

 

CMYK 72 / 0 / 19 / 27

HEX #34BA97

RGB 52 186 151

HSL 164.33, 0.56%, 0.47%

LAB 68.08, -43.95, 7.53

 

CMYK 72 / 0 / 0 / 27

HEX #34BABA

RGB 52 186 186

HSL 180, 0.56%, 0.47%

LAB 69.04, -34.48, -10.31

 

CMYK 67 / 0 / 72 / 27

HEX #3EBA34

RGB 62 186 52

HSL 115.52, 0.56%, 0.47%

LAB 66.82, -58.76, 54.99

 

CMYK 78 / 0 / 84 / 19

HEX #2ECE21

RGB 46 206 33

HSL 115.49, 0.72%, 0.47%

LAB 72.78, -68.98, 66.42

 

CMYK 87 / 0 / 94 / 12

HEX #1DE10D

RGB 29 225 13

HSL 115.47, 0.89%, 0.47%

LAB 78.54, -76.8, 74.67

 

CMYK 67 / 0 / 72 / 27

HEX #3EBA34

RGB 62 186 52

HSL 115.52, 0.56%, 0.47%

LAB 66.82, -58.76, 54.99

 

CMYK 53 / 0 / 57 / 35

HEX #4FA748

RGB 79 167 72

HSL 115.58, 0.4%, 0.47%

LAB 61.45, -45.59, 40.63

 

CMYK 36 / 0 / 39 / 42

HEX #5F945B

RGB 95 148 91

HSL 115.79, 0.24%, 0.47%

LAB 56.45, -29.5, 24.72

 

CMYK 13 / 0 / 14 / 50

HEX #70806E

RGB 112 128 110

HSL 113.33, 0.08%, 0.47%

LAB 51.85, -9.55, 7.81

 

CMYK 2 / 16 / 0 / 49

HEX #806D82

RGB 128 109 130

HSL 294.29, 0.09%, 0.47%

LAB 48.43, 11.51, -8.8

 

CMYK 27 / 0 / 72 / 27

HEX #87BA34

RGB 135 186 52

HSL 82.84, 0.56%, 0.47%

LAB 69.84, -36.62, 59.02

 

CMYK 47 / 0 / 72 / 27

HEX #63BA34

RGB 99 186 52

HSL 98.96, 0.56%, 0.47%

LAB 68.03, -49.18, 56.63

 

CMYK 66 / 0 / 72 / 27

HEX #3FBA34

RGB 63 186 52

HSL 115.07, 0.56%, 0.47%

LAB 66.84, -58.55, 55.03

 

CMYK 72 / 0 / 59 / 27

HEX #34BA4D

RGB 52 186 77

HSL 131.19, 0.56%, 0.47%

LAB 66.81, -58, 44.36

 

CMYK 72 / 0 / 39 / 27

HEX #34BA71

RGB 52 186 113

HSL 147.31, 0.56%, 0.47%

LAB 67.31, -52.29, 26.96

 

CMYK 66 / 0 / 72 / 52

HEX #297A22

RGB 41 122 34

HSL 115.23, 0.56%, 0.31%

LAB 44.95, -42.12, 39.25

 

CMYK 67 / 0 / 72 / 40

HEX #339A2B

RGB 51 154 43

HSL 115.68, 0.56%, 0.39%

LAB 56.08, -50.73, 47.28

 

CMYK 67 / 0 / 72 / 27

HEX #3EBA34

RGB 62 186 52

HSL 115.52, 0.56%, 0.47%

LAB 66.82, -58.76, 54.99

 

CMYK 58 / 0 / 63 / 20

HEX #55CC4C

RGB 85 204 76

HSL 115.78, 0.56%, 0.55%

LAB 73.31, -57.73, 52.46

 

CMYK 46 / 0 / 49 / 16

HEX #74D56C

RGB 116 213 108

HSL 115.43, 0.56%, 0.63%

LAB 77.51, -49.16, 42.94

 

CMYK 67 / 0 / 72 / 26

HEX #3FBD35

RGB 63 189 53

HSL 115.59, 0.56%, 0.47%

LAB 67.81, -59.49, 55.64

 

CMYK 72 / 8 / 0 / 27

HEX #34ABBA

RGB 52 171 186

HSL 186.72, 0.56%, 0.47%

LAB 64.48, -27.23, -17.15

 

CMYK 0 / 72 / 37 / 27

HEX #BA3475

RGB 186 52 117

HSL 330.9, 0.56%, 0.47%

LAB 44.49, 58.29, -6.01

 

CMYK 67 / 0 / 72 / 26

HEX #3FBD35

RGB 63 189 53

HSL 115.59, 0.56%, 0.47%

LAB 67.81, -59.49, 55.64

 

CMYK 72 / 66 / 0 / 27

HEX #343FBA

RGB 52 63 186

HSL 235.07, 0.56%, 0.47%

LAB 33.63, 37.32, -65.94

 

CMYK 0 / 72 / 66 / 27

HEX #BA343F

RGB 186 52 63

HSL 355.07, 0.56%, 0.47%

LAB 43.14, 53.8, 25.52

 

CMYK 67 / 0 / 72 / 26

HEX #3FBD35

RGB 63 189 53

HSL 115.59, 0.56%, 0.47%

LAB 67.81, -59.49, 55.64

 

CMYK 72 / 8 / 0 / 27

HEX #34ABBA

RGB 52 171 186

HSL 186.72, 0.56%, 0.47%

LAB 64.48, -27.23, -17.15

 

CMYK 6 / 72 / 0 / 27

HEX #AF34BA

RGB 175 52 186

HSL 295.07, 0.56%, 0.47%

LAB 45.79, 65.44, -45.58

 

CMYK 0 / 63 / 72 / 27

HEX #BA4434

RGB 186 68 52

HSL 7.16, 0.56%, 0.47%

LAB 45.39, 46.69, 34.7

 

CMYK 67 / 0 / 72 / 26

HEX #3FBD35

RGB 63 189 53

HSL 115.59, 0.56%, 0.47%

LAB 67.81, -59.49, 55.64

 

CMYK 72 / 30 / 0 / 27

HEX #3483BA

RGB 52 131 186

HSL 204.63, 0.56%, 0.47%

LAB 52.41, -5.64, -35.78

 

CMYK 6 / 72 / 0 / 27

HEX #AF34BA

RGB 175 52 186

HSL 295.07, 0.56%, 0.47%

LAB 45.79, 65.44, -45.58

 

CMYK 0 / 42 / 72 / 27

HEX #BA6C34

RGB 186 108 52

HSL 25.07, 0.56%, 0.47%

LAB 53.4, 26.41, 43.55

 

Description

Color code: HEX #3FBD35 | qconv.com Color code: HEX #3FBD35 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 189 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 189 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 72 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 72% 26% C M Y K

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Provide designers and agencies with accurate color values.

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