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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FC86D it is the complementary color #C03792. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FC86D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FC86D shade: #44C868, #55DA7B, #66EC8E, #77FEA1 and #88FFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FC86D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FC86D shade: #3FC86D, #2EB65A, #1DA447, #0C9234 and #008021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FC86D shade: #41C76E, #41C74A, #5CC741, #80C741 and #A5C741

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FC86D shade: #41C76E, #41C792, #41C7B7, #41B4C7 and #4190C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FC86D shade matches the following richer shades: #41C76E, #2DDB67 and #19EF61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FC86D shade: #41C76E, #55B474, #68A07B, #7C8C82 and #907888

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FC86D shade: #5CC741, #41C74A, #41C76E, #41C792 and #41C7B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FC86D shade: #298D4A, #32AD5B, #41C76E, #61D186 and #81DA9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FC86D shade: #3FC86D, #4180C7 and #C7414A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FC86D shade: #3FC86D, #6E41C7 and #C76E41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FC86D shade: #3FC86D, #4180C7, #C7419B and #C78941

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FC86D shade: #3FC86D, #4157C7, #C7419B and #C7B141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 46 / 22

HEX #3FC86D

RGB 63 200 109

HSL 140.15, 0.55%, 0.52%

LAB 71.87, -56.43, 35.01

 

Complementary color

CMYK 0 / 71 / 24 / 25

HEX #C03792

RGB 192 55 146

HSL 320.15, 0.55%, 0.48%

LAB 46.99, 62.33, -19.77

 

CMYK 66 / 0 / 48 / 22

HEX #44C868

RGB 68 200 104

HSL 136.36, 0.55%, 0.53%

LAB 71.92, -56.32, 37.6

 

CMYK 61 / 0 / 44 / 15

HEX #55DA7B

RGB 85 218 123

HSL 137.14, 0.64%, 0.59%

LAB 78.17, -56.66, 36.16

 

CMYK 57 / 0 / 40 / 7

HEX #66EC8E

RGB 102 236 142

HSL 137.91, 0.78%, 0.66%

LAB 84.36, -56.8, 34.79

 

CMYK 53 / 0 / 37 / 0

HEX #77FEA1

RGB 119 254 161

HSL 138.67, 0.99%, 0.73%

LAB 90.5, -56.8, 33.49

 

CMYK 47 / 0 / 29 / 0

HEX #88FFB4

RGB 136 255 180

HSL 142.18, 1%, 0.77%

LAB 91.71, -49.75, 25.67

 

CMYK 69 / 0 / 46 / 22

HEX #3FC86D

RGB 63 200 109

HSL 140.15, 0.55%, 0.52%

LAB 71.87, -56.43, 35.01

 

CMYK 75 / 0 / 51 / 29

HEX #2EB65A

RGB 46 182 90

HSL 139.41, 0.6%, 0.45%

LAB 65.57, -55.71, 36.56

 

CMYK 82 / 0 / 57 / 36

HEX #1DA447

RGB 29 164 71

HSL 138.67, 0.7%, 0.38%

LAB 59.22, -54.51, 38.16

 

CMYK 92 / 0 / 64 / 43

HEX #0C9234

RGB 12 146 52

HSL 137.91, 0.85%, 0.31%

LAB 52.82, -52.61, 39.71

 

CMYK 100 / 0 / 74 / 50

HEX #008021

RGB 0 128 33

HSL 135.47, 1%, 0.25%

LAB 46.38, -49.8, 40.96

 

CMYK 67 / 0 / 45 / 22

HEX #41C76E

RGB 65 199 110

HSL 140.15, 0.54%, 0.52%

LAB 71.62, -55.54, 34.19

 

CMYK 67 / 0 / 63 / 22

HEX #41C74A

RGB 65 199 74

HSL 124.03, 0.54%, 0.52%

LAB 71.19, -60.5, 50.8

 

CMYK 54 / 0 / 67 / 22

HEX #5CC741

RGB 92 199 65

HSL 107.91, 0.54%, 0.52%

LAB 71.9, -55.16, 55.55

 

CMYK 36 / 0 / 67 / 22

HEX #80C741

RGB 128 199 65

HSL 91.79, 0.54%, 0.52%

LAB 73.43, -43.97, 57.64

 

CMYK 17 / 0 / 67 / 22

HEX #A5C741

RGB 165 199 65

HSL 75.22, 0.54%, 0.52%

LAB 75.59, -30.06, 60.56

 

CMYK 67 / 0 / 45 / 22

HEX #41C76E

RGB 65 199 110

HSL 140.15, 0.54%, 0.52%

LAB 71.62, -55.54, 34.19

 

CMYK 67 / 0 / 27 / 22

HEX #41C792

RGB 65 199 146

HSL 156.27, 0.54%, 0.52%

LAB 72.26, -48.56, 16.18

 

CMYK 67 / 0 / 8 / 22

HEX #41C7B7

RGB 65 199 183

HSL 172.84, 0.54%, 0.52%

LAB 73.15, -39.53, -2.55

 

CMYK 67 / 10 / 0 / 22

HEX #41B4C7

RGB 65 180 199

HSL 188.51, 0.54%, 0.52%

LAB 67.94, -25.94, -19.09

 

CMYK 67 / 28 / 0 / 22

HEX #4190C7

RGB 65 144 199

HSL 204.63, 0.54%, 0.52%

LAB 57.26, -6.66, -35.54

 

CMYK 67 / 0 / 45 / 22

HEX #41C76E

RGB 65 199 110

HSL 140.15, 0.54%, 0.52%

LAB 71.62, -55.54, 34.19

 

CMYK 79 / 0 / 53 / 14

HEX #2DDB67

RGB 45 219 103

HSL 140, 0.71%, 0.52%

LAB 77.4, -66.52, 44.78

 

CMYK 90 / 0 / 59 / 6

HEX #19EF61

RGB 25 239 97

HSL 140.19, 0.87%, 0.52%

LAB 83.34, -75.26, 54.5

 

CMYK 67 / 0 / 45 / 22

HEX #41C76E

RGB 65 199 110

HSL 140.15, 0.54%, 0.52%

LAB 71.62, -55.54, 34.19

 

CMYK 53 / 0 / 36 / 29

HEX #55B474

RGB 85 180 116

HSL 139.58, 0.39%, 0.52%

LAB 66.39, -42.58, 24.32

 

CMYK 35 / 0 / 23 / 37

HEX #68A07B

RGB 104 160 123

HSL 140.36, 0.23%, 0.52%

LAB 61.23, -26.58, 13.56

 

CMYK 11 / 0 / 7 / 45

HEX #7C8C82

RGB 124 140 130

HSL 142.5, 0.07%, 0.52%

LAB 56.74, -7.83, 3.38

 

CMYK 0 / 17 / 6 / 44

HEX #907888

RGB 144 120 136

HSL 320, 0.1%, 0.52%

LAB 53.1, 12.19, -5.22

 

CMYK 54 / 0 / 67 / 22

HEX #5CC741

RGB 92 199 65

HSL 107.91, 0.54%, 0.52%

LAB 71.9, -55.16, 55.55

 

CMYK 67 / 0 / 63 / 22

HEX #41C74A

RGB 65 199 74

HSL 124.03, 0.54%, 0.52%

LAB 71.19, -60.5, 50.8

 

CMYK 67 / 0 / 45 / 22

HEX #41C76E

RGB 65 199 110

HSL 140.15, 0.54%, 0.52%

LAB 71.62, -55.54, 34.19

 

CMYK 67 / 0 / 27 / 22

HEX #41C792

RGB 65 199 146

HSL 156.27, 0.54%, 0.52%

LAB 72.26, -48.56, 16.18

 

CMYK 67 / 0 / 9 / 22

HEX #41C7B5

RGB 65 199 181

HSL 171.94, 0.54%, 0.52%

LAB 73.09, -40.06, -1.54

 

CMYK 71 / 0 / 48 / 45

HEX #298D4A

RGB 41 141 74

HSL 139.8, 0.55%, 0.36%

LAB 51.85, -43.93, 27.59

 

CMYK 71 / 0 / 47 / 32

HEX #32AD5B

RGB 50 173 91

HSL 140, 0.55%, 0.44%

LAB 62.78, -51.64, 32.56

 

CMYK 67 / 0 / 45 / 22

HEX #41C76E

RGB 65 199 110

HSL 140.15, 0.54%, 0.52%

LAB 71.62, -55.54, 34.19

 

CMYK 54 / 0 / 36 / 18

HEX #61D186

RGB 97 209 134

HSL 139.82, 0.55%, 0.6%

LAB 75.99, -48.53, 27.75

 

CMYK 41 / 0 / 27 / 15

HEX #81DA9F

RGB 129 218 159

HSL 140.22, 0.55%, 0.68%

LAB 80.36, -39.44, 20.85

 

CMYK 69 / 0 / 46 / 22

HEX #3FC86D

RGB 63 200 109

HSL 140.15, 0.55%, 0.52%

LAB 71.87, -56.43, 35.01

 

CMYK 67 / 36 / 0 / 22

HEX #4180C7

RGB 65 128 199

HSL 211.79, 0.54%, 0.52%

LAB 52.6, 2.72, -42.87

 

CMYK 0 / 67 / 63 / 22

HEX #C7414A

RGB 199 65 74

HSL 355.97, 0.54%, 0.52%

LAB 47.52, 53.6, 24.91

 

CMYK 69 / 0 / 46 / 22

HEX #3FC86D

RGB 63 200 109

HSL 140.15, 0.55%, 0.52%

LAB 71.87, -56.43, 35.01

 

CMYK 45 / 67 / 0 / 22

HEX #6E41C7

RGB 110 65 199

HSL 260.15, 0.54%, 0.52%

LAB 39.95, 49.29, -63.03

 

CMYK 0 / 45 / 67 / 22

HEX #C76E41

RGB 199 110 65

HSL 20.15, 0.54%, 0.52%

LAB 55.76, 31.43, 40.01

 

CMYK 69 / 0 / 46 / 22

HEX #3FC86D

RGB 63 200 109

HSL 140.15, 0.55%, 0.52%

LAB 71.87, -56.43, 35.01

 

CMYK 67 / 36 / 0 / 22

HEX #4180C7

RGB 65 128 199

HSL 211.79, 0.54%, 0.52%

LAB 52.6, 2.72, -42.87

 

CMYK 0 / 67 / 22 / 22

HEX #C7419B

RGB 199 65 155

HSL 319.7, 0.54%, 0.52%

LAB 49.85, 61.69, -20.66

 

CMYK 0 / 31 / 67 / 22

HEX #C78941

RGB 199 137 65

HSL 32.24, 0.54%, 0.52%

LAB 62.01, 16.77, 47.03

 

CMYK 69 / 0 / 46 / 22

HEX #3FC86D

RGB 63 200 109

HSL 140.15, 0.55%, 0.52%

LAB 71.87, -56.43, 35.01

 

CMYK 67 / 56 / 0 / 22

HEX #4157C7

RGB 65 87 199

HSL 230.15, 0.54%, 0.52%

LAB 41.32, 28.43, -60.96

 

CMYK 0 / 67 / 22 / 22

HEX #C7419B

RGB 199 65 155

HSL 319.7, 0.54%, 0.52%

LAB 49.85, 61.69, -20.66

 

CMYK 0 / 11 / 67 / 22

HEX #C7B141

RGB 199 177 65

HSL 50.15, 0.54%, 0.52%

LAB 72.21, -4.79, 57.91

 

Description

Color code: HEX #3FC86D | qconv.com Color code: HEX #3FC86D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 200 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 200 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 46 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 46% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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