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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FC884 it is the complementary color #C0377B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FC884. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FC884 shade: #44C87F, #55DA92, #66ECA5, #77FEB8 and #88FFCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FC884. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FC884 shade: #3FC884, #2EB671, #1DA45E, #0C924B and #008038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FC884 shade: #41C785, #41C760, #46C741, #6AC741 and #8EC741

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FC884 shade: #41C785, #41C7A9, #41C2C7, #419DC7 and #4179C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FC884 shade matches the following richer shades: #41C785, #2DDB85 and #19EF85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FC884 shade: #41C785, #55B484, #68A084, #7C8C84 and #907884

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FC884 shade: #45C741, #41C760, #41C784, #41C7A8 and #41C3C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FC884 shade: #298D5B, #32AD70, #41C785, #61D199 and #81DAAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FC884 shade: #3FC884, #4169C7 and #C74E41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FC884 shade: #3FC884, #8441C7 and #C78441

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FC884 shade: #3FC884, #4169C7, #C74184 and #C79F41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FC884 shade: #3FC884, #4141C7, #C74184 and #C7C741

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 34 / 22

HEX #3FC884

RGB 63 200 132

HSL 150.22, 0.55%, 0.52%

LAB 72.25, -52.23, 23.6

 

Complementary color

CMYK 0 / 71 / 36 / 25

HEX #C0377B

RGB 192 55 123

HSL 330.22, 0.55%, 0.48%

LAB 46.14, 59.55, -7.12

 

CMYK 66 / 0 / 37 / 22

HEX #44C87F

RGB 68 200 127

HSL 146.82, 0.55%, 0.53%

LAB 72.28, -52.35, 26.29

 

CMYK 61 / 0 / 33 / 15

HEX #55DA92

RGB 85 218 146

HSL 147.52, 0.64%, 0.59%

LAB 78.55, -52.58, 24.91

 

CMYK 57 / 0 / 30 / 7

HEX #66ECA5

RGB 102 236 165

HSL 148.21, 0.78%, 0.66%

LAB 84.76, -52.66, 23.63

 

CMYK 53 / 0 / 28 / 0

HEX #77FEB8

RGB 119 254 184

HSL 148.89, 0.99%, 0.73%

LAB 90.9, -52.63, 22.44

 

CMYK 47 / 0 / 20 / 0

HEX #88FFCB

RGB 136 255 203

HSL 153.78, 1%, 0.77%

LAB 92.16, -45.32, 14.56

 

CMYK 69 / 0 / 34 / 22

HEX #3FC884

RGB 63 200 132

HSL 150.22, 0.55%, 0.52%

LAB 72.25, -52.23, 23.6

 

CMYK 75 / 0 / 38 / 29

HEX #2EB671

RGB 46 182 113

HSL 149.56, 0.6%, 0.45%

LAB 65.93, -51.65, 25.11

 

CMYK 82 / 0 / 43 / 36

HEX #1DA45E

RGB 29 164 94

HSL 148.89, 0.7%, 0.38%

LAB 59.54, -50.68, 26.75

 

CMYK 92 / 0 / 49 / 43

HEX #0C924B

RGB 12 146 75

HSL 148.21, 0.85%, 0.31%

LAB 53.11, -49.15, 28.55

 

CMYK 100 / 0 / 56 / 50

HEX #008038

RGB 0 128 56

HSL 146.25, 1%, 0.25%

LAB 46.61, -46.86, 30.46

 

CMYK 67 / 0 / 33 / 22

HEX #41C785

RGB 65 199 133

HSL 150.45, 0.54%, 0.52%

LAB 72, -51.3, 22.75

 

CMYK 67 / 0 / 52 / 22

HEX #41C760

RGB 65 199 96

HSL 133.88, 0.54%, 0.52%

LAB 71.43, -57.71, 40.92

 

CMYK 65 / 0 / 67 / 22

HEX #46C741

RGB 70 199 65

HSL 117.76, 0.54%, 0.52%

LAB 71.24, -60.41, 54.65

 

CMYK 47 / 0 / 67 / 22

HEX #6AC741

RGB 106 199 65

HSL 101.64, 0.54%, 0.52%

LAB 72.42, -51.15, 56.27

 

CMYK 29 / 0 / 67 / 22

HEX #8EC741

RGB 142 199 65

HSL 85.52, 0.54%, 0.52%

LAB 74.18, -38.94, 58.65

 

CMYK 67 / 0 / 33 / 22

HEX #41C785

RGB 65 199 133

HSL 150.45, 0.54%, 0.52%

LAB 72, -51.3, 22.75

 

CMYK 67 / 0 / 15 / 22

HEX #41C7A9

RGB 65 199 169

HSL 166.57, 0.54%, 0.52%

LAB 72.78, -43.15, 4.52

 

CMYK 67 / 3 / 0 / 22

HEX #41C2C7

RGB 65 194 199

HSL 182.24, 0.54%, 0.52%

LAB 72.12, -32.77, -12.79

 

CMYK 67 / 21 / 0 / 22

HEX #419DC7

RGB 65 157 199

HSL 198.81, 0.54%, 0.52%

LAB 61.1, -13.92, -29.57

 

CMYK 67 / 39 / 0 / 22

HEX #4179C7

RGB 65 121 199

HSL 214.93, 0.54%, 0.52%

LAB 50.6, 6.97, -46.05

 

CMYK 67 / 0 / 33 / 22

HEX #41C785

RGB 65 199 133

HSL 150.45, 0.54%, 0.52%

LAB 72, -51.3, 22.75

 

CMYK 79 / 0 / 39 / 14

HEX #2DDB85

RGB 45 219 133

HSL 150.34, 0.71%, 0.52%

LAB 77.82, -61.55, 30.49

 

CMYK 90 / 0 / 44 / 6

HEX #19EF85

RGB 25 239 133

HSL 150.28, 0.87%, 0.52%

LAB 83.77, -69.98, 38.22

 

CMYK 67 / 0 / 33 / 22

HEX #41C785

RGB 65 199 133

HSL 150.45, 0.54%, 0.52%

LAB 72, -51.3, 22.75

 

CMYK 53 / 0 / 27 / 29

HEX #55B484

RGB 85 180 132

HSL 149.68, 0.39%, 0.52%

LAB 66.7, -39.43, 16.1

 

CMYK 35 / 0 / 18 / 37

HEX #68A084

RGB 104 160 132

HSL 150, 0.23%, 0.52%

LAB 61.44, -24.74, 8.82

 

CMYK 11 / 0 / 6 / 45

HEX #7C8C84

RGB 124 140 132

HSL 150, 0.07%, 0.52%

LAB 56.79, -7.43, 2.3

 

CMYK 0 / 17 / 8 / 44

HEX #907884

RGB 144 120 132

HSL 330, 0.1%, 0.52%

LAB 52.98, 11.44, -3.06

 

CMYK 65 / 0 / 67 / 22

HEX #45C741

RGB 69 199 65

HSL 118.21, 0.54%, 0.52%

LAB 71.21, -60.62, 54.61

 

CMYK 67 / 0 / 52 / 22

HEX #41C760

RGB 65 199 96

HSL 133.88, 0.54%, 0.52%

LAB 71.43, -57.71, 40.92

 

CMYK 67 / 0 / 34 / 22

HEX #41C784

RGB 65 199 132

HSL 150, 0.54%, 0.52%

LAB 71.98, -51.5, 23.25

 

CMYK 67 / 0 / 16 / 22

HEX #41C7A8

RGB 65 199 168

HSL 166.12, 0.54%, 0.52%

LAB 72.76, -43.4, 5.02

 

CMYK 67 / 2 / 0 / 22

HEX #41C3C7

RGB 65 195 199

HSL 181.79, 0.54%, 0.52%

LAB 72.41, -33.24, -12.34

 

CMYK 71 / 0 / 35 / 45

HEX #298D5B

RGB 41 141 91

HSL 150, 0.55%, 0.36%

LAB 52.15, -40.65, 18.61

 

CMYK 71 / 0 / 35 / 32

HEX #32AD70

RGB 50 173 112

HSL 150.24, 0.55%, 0.44%

LAB 63.12, -47.76, 21.9

 

CMYK 67 / 0 / 33 / 22

HEX #41C785

RGB 65 199 133

HSL 150.45, 0.54%, 0.52%

LAB 72, -51.3, 22.75

 

CMYK 54 / 0 / 27 / 18

HEX #61D199

RGB 97 209 153

HSL 150, 0.55%, 0.6%

LAB 76.34, -44.9, 18.26

 

CMYK 41 / 0 / 20 / 15

HEX #81DAAE

RGB 129 218 174

HSL 150.34, 0.55%, 0.68%

LAB 80.66, -36.53, 13.38

 

CMYK 69 / 0 / 34 / 22

HEX #3FC884

RGB 63 200 132

HSL 150.22, 0.55%, 0.52%

LAB 72.25, -52.23, 23.6

 

CMYK 67 / 47 / 0 / 22

HEX #4169C7

RGB 65 105 199

HSL 222.09, 0.54%, 0.52%

LAB 46.11, 16.95, -53.22

 

CMYK 0 / 61 / 67 / 22

HEX #C74E41

RGB 199 78 65

HSL 5.82, 0.54%, 0.52%

LAB 49.46, 47.45, 32.61

 

CMYK 69 / 0 / 34 / 22

HEX #3FC884

RGB 63 200 132

HSL 150.22, 0.55%, 0.52%

LAB 72.25, -52.23, 23.6

 

CMYK 34 / 67 / 0 / 22

HEX #8441C7

RGB 132 65 199

HSL 270, 0.54%, 0.52%

LAB 42.48, 53.62, -58.81

 

CMYK 0 / 34 / 67 / 22

HEX #C78441

RGB 199 132 65

HSL 30, 0.54%, 0.52%

LAB 60.8, 19.51, 45.7

 

CMYK 69 / 0 / 34 / 22

HEX #3FC884

RGB 63 200 132

HSL 150.22, 0.55%, 0.52%

LAB 72.25, -52.23, 23.6

 

CMYK 67 / 47 / 0 / 22

HEX #4169C7

RGB 65 105 199

HSL 222.09, 0.54%, 0.52%

LAB 46.11, 16.95, -53.22

 

CMYK 0 / 67 / 34 / 22

HEX #C74184

RGB 199 65 132

HSL 330, 0.54%, 0.52%

LAB 48.99, 58.8, -8.19

 

CMYK 0 / 20 / 67 / 22

HEX #C79F41

RGB 199 159 65

HSL 42.09, 0.54%, 0.52%

LAB 67.52, 4.79, 52.98

 

CMYK 69 / 0 / 34 / 22

HEX #3FC884

RGB 63 200 132

HSL 150.22, 0.55%, 0.52%

LAB 72.25, -52.23, 23.6

 

CMYK 67 / 67 / 0 / 22

HEX #4141C7

RGB 65 65 199

HSL 240, 0.54%, 0.52%

LAB 36.04, 42.12, -69.58

 

CMYK 0 / 67 / 34 / 22

HEX #C74184

RGB 199 65 132

HSL 330, 0.54%, 0.52%

LAB 48.99, 58.8, -8.19

 

CMYK 0 / 0 / 67 / 22

HEX #C7C741

RGB 199 199 65

HSL 60, 0.54%, 0.52%

LAB 78.09, -16.08, 63.91

 

Description

Color code: HEX #3FC884 | qconv.com Color code: HEX #3FC884 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 200 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 200 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 34 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 34% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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