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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FCFCA it is the complementary color #C03035. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FCFCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FCFCA shade: #44CFC5, #55E1D8, #66F3EB, #77FFFE and #88FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FCFCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FCFCA shade: #3FCFCA, #2EBDB7, #1DABA4, #0C9991 and #00877E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FCFCA shade: #3FCFCA, #3FCFA3, #3FCF7C, #3FCF55 and #4FCF3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FCFCA shade: #3FCFCA, #3FADCF, #3F86CF, #3F5FCF and #3F3FCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FCFCA shade matches the following richer shades: #3FCFCA, #2BE2DC and #18F5EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FCFCA shade: #3FCFCA, #52BBB8, #66A8A5, #799493 and #8C8181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FCFCA shade: #3FCF7B, #3FCFA1, #3FCFC7, #3FAFCF and #3F89CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FCFCA shade: #259692, #2DB7B2, #3FCFCA, #60D7D3 and #81DFDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FCFCA shade: #3FCFCA, #543FCF and #CF8E3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FCFCA shade: #3FCFCA, #C73FCF and #CFC73F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FCFCA shade: #3FCFCA, #543FCF, #CF3F46 and #B9CF3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FCFCA shade: #3FCFCA, #7F3FCF, #CF3F46 and #8ECF3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 2 / 19

HEX #3FCFCA

RGB 63 207 202

HSL 177.92, 0.6%, 0.53%

LAB 76.04, -38.25, -8.56

 

Complementary color

CMYK 0 / 75 / 72 / 25

HEX #C03035

RGB 192 48 53

HSL 357.92, 0.6%, 0.47%

LAB 43.62, 56.56, 32.37

 

CMYK 67 / 0 / 5 / 19

HEX #44CFC5

RGB 68 207 197

HSL 175.68, 0.59%, 0.54%

LAB 76, -38.94, -5.91

 

CMYK 62 / 0 / 4 / 12

HEX #55E1D8

RGB 85 225 216

HSL 176.14, 0.7%, 0.61%

LAB 82.24, -39.41, -6.8

 

CMYK 58 / 0 / 3 / 5

HEX #66F3EB

RGB 102 243 235

HSL 176.6, 0.85%, 0.68%

LAB 88.41, -39.74, -7.61

 

CMYK 53 / 0 / 0 / 0

HEX #77FFFE

RGB 119 255 254

HSL 179.56, 1%, 0.73%

LAB 92.84, -37.24, -10.87

 

CMYK 47 / 0 / 0 / 0

HEX #88FFFF

RGB 136 255 255

HSL 180, 1%, 0.77%

LAB 93.44, -33.56, -10.43

 

CMYK 70 / 0 / 2 / 19

HEX #3FCFCA

RGB 63 207 202

HSL 177.92, 0.6%, 0.53%

LAB 76.04, -38.25, -8.56

 

CMYK 76 / 0 / 3 / 26

HEX #2EBDB7

RGB 46 189 183

HSL 177.48, 0.61%, 0.46%

LAB 69.75, -37.43, -7.61

 

CMYK 83 / 0 / 4 / 33

HEX #1DABA4

RGB 29 171 164

HSL 177.04, 0.71%, 0.39%

LAB 63.4, -36.31, -6.54

 

CMYK 92 / 0 / 5 / 40

HEX #0C9991

RGB 12 153 145

HSL 176.6, 0.85%, 0.32%

LAB 56.98, -34.79, -5.34

 

CMYK 100 / 0 / 7 / 47

HEX #00877E

RGB 0 135 126

HSL 176, 1%, 0.26%

LAB 50.49, -32.81, -3.98

 

CMYK 70 / 0 / 2 / 19

HEX #3FCFCA

RGB 63 207 202

HSL 177.92, 0.6%, 0.53%

LAB 76.04, -38.25, -8.56

 

CMYK 70 / 0 / 21 / 19

HEX #3FCFA3

RGB 63 207 163

HSL 161.67, 0.6%, 0.53%

LAB 75.03, -48.3, 10.96

 

CMYK 70 / 0 / 40 / 19

HEX #3FCF7C

RGB 63 207 124

HSL 145.42, 0.6%, 0.53%

LAB 74.28, -56.43, 30.48

 

CMYK 70 / 0 / 59 / 19

HEX #3FCF55

RGB 63 207 85

HSL 129.17, 0.6%, 0.53%

LAB 73.76, -62.33, 48.86

 

CMYK 62 / 0 / 70 / 19

HEX #4FCF3F

RGB 79 207 63

HSL 113.33, 0.6%, 0.53%

LAB 73.96, -61.4, 58.39

 

CMYK 70 / 0 / 2 / 19

HEX #3FCFCA

RGB 63 207 202

HSL 177.92, 0.6%, 0.53%

LAB 76.04, -38.25, -8.56

 

CMYK 70 / 16 / 0 / 19

HEX #3FADCF

RGB 63 173 207

HSL 194.17, 0.6%, 0.53%

LAB 66.1, -20.16, -26.32

 

CMYK 70 / 35 / 0 / 19

HEX #3F86CF

RGB 63 134 207

HSL 210.42, 0.6%, 0.53%

LAB 54.67, 1.62, -44.14

 

CMYK 70 / 54 / 0 / 19

HEX #3F5FCF

RGB 63 95 207

HSL 226.67, 0.6%, 0.53%

LAB 43.87, 25.88, -61.45

 

CMYK 70 / 70 / 0 / 19

HEX #3F3FCF

RGB 63 63 207

HSL 240, 0.6%, 0.53%

LAB 36.21, 45.7, -73.95

 

CMYK 70 / 0 / 2 / 19

HEX #3FCFCA

RGB 63 207 202

HSL 177.92, 0.6%, 0.53%

LAB 76.04, -38.25, -8.56

 

CMYK 81 / 0 / 3 / 11

HEX #2BE2DC

RGB 43 226 220

HSL 178.03, 0.76%, 0.53%

LAB 81.88, -43.76, -9.54

 

CMYK 90 / 0 / 3 / 4

HEX #18F5EE

RGB 24 245 238

HSL 178.1, 0.92%, 0.53%

LAB 87.81, -48.01, -10.21

 

CMYK 70 / 0 / 2 / 19

HEX #3FCFCA

RGB 63 207 202

HSL 177.92, 0.6%, 0.53%

LAB 76.04, -38.25, -8.56

 

CMYK 56 / 0 / 2 / 27

HEX #52BBB8

RGB 82 187 184

HSL 178.29, 0.44%, 0.53%

LAB 70.03, -30.77, -7.64

 

CMYK 39 / 0 / 2 / 34

HEX #66A8A5

RGB 102 168 165

HSL 177.27, 0.28%, 0.53%

LAB 64.6, -21.71, -5.09

 

CMYK 18 / 0 / 1 / 42

HEX #799493

RGB 121 148 147

HSL 177.78, 0.11%, 0.53%

LAB 59.3, -9.67, -2.64

 

CMYK 0 / 8 / 8 / 45

HEX #8C8181

RGB 140 129 129

HSL 0, 0.05%, 0.53%

LAB 54.93, 4.16, 1.5

 

CMYK 70 / 0 / 41 / 19

HEX #3FCF7B

RGB 63 207 123

HSL 145, 0.6%, 0.53%

LAB 74.26, -56.61, 30.97

 

CMYK 70 / 0 / 22 / 19

HEX #3FCFA1

RGB 63 207 161

HSL 160.83, 0.6%, 0.53%

LAB 74.99, -48.76, 11.97

 

CMYK 70 / 0 / 4 / 19

HEX #3FCFC7

RGB 63 207 199

HSL 176.67, 0.6%, 0.53%

LAB 75.95, -39.08, -7.07

 

CMYK 70 / 15 / 0 / 19

HEX #3FAFCF

RGB 63 175 207

HSL 193.33, 0.6%, 0.53%

LAB 66.69, -21.2, -25.41

 

CMYK 70 / 34 / 0 / 19

HEX #3F89CF

RGB 63 137 207

HSL 209.17, 0.6%, 0.53%

LAB 55.54, -0.15, -42.78

 

CMYK 75 / 0 / 3 / 41

HEX #259692

RGB 37 150 146

HSL 177.88, 0.6%, 0.37%

LAB 56.37, -31.01, -6.79

 

CMYK 75 / 0 / 3 / 28

HEX #2DB7B2

RGB 45 183 178

HSL 177.83, 0.61%, 0.45%

LAB 67.75, -36.22, -7.82

 

CMYK 70 / 0 / 2 / 19

HEX #3FCFCA

RGB 63 207 202

HSL 177.92, 0.6%, 0.53%

LAB 76.04, -38.25, -8.56

 

CMYK 55 / 0 / 2 / 16

HEX #60D7D3

RGB 96 215 211

HSL 177.98, 0.6%, 0.61%

LAB 79.49, -34.19, -8.17

 

CMYK 42 / 0 / 1 / 13

HEX #81DFDC

RGB 129 223 220

HSL 178.09, 0.59%, 0.69%

LAB 83.24, -28.58, -7.28

 

CMYK 70 / 0 / 2 / 19

HEX #3FCFCA

RGB 63 207 202

HSL 177.92, 0.6%, 0.53%

LAB 76.04, -38.25, -8.56

 

CMYK 59 / 70 / 0 / 19

HEX #543FCF

RGB 84 63 207

HSL 248.75, 0.6%, 0.53%

LAB 37.74, 48.37, -71.37

 

CMYK 0 / 31 / 70 / 19

HEX #CF8E3F

RGB 207 142 63

HSL 32.92, 0.6%, 0.53%

LAB 64.14, 17.36, 50.55

 

CMYK 70 / 0 / 2 / 19

HEX #3FCFCA

RGB 63 207 202

HSL 177.92, 0.6%, 0.53%

LAB 76.04, -38.25, -8.56

 

CMYK 4 / 70 / 0 / 19

HEX #C73FCF

RGB 199 63 207

HSL 296.67, 0.6%, 0.53%

LAB 52.06, 70.36, -47.52

 

CMYK 0 / 4 / 70 / 19

HEX #CFC73F

RGB 207 199 63

HSL 56.67, 0.6%, 0.53%

LAB 78.74, -12.81, 65.52

 

CMYK 70 / 0 / 2 / 19

HEX #3FCFCA

RGB 63 207 202

HSL 177.92, 0.6%, 0.53%

LAB 76.04, -38.25, -8.56

 

CMYK 59 / 70 / 0 / 19

HEX #543FCF

RGB 84 63 207

HSL 248.75, 0.6%, 0.53%

LAB 37.74, 48.37, -71.37

 

CMYK 0 / 70 / 66 / 19

HEX #CF3F46

RGB 207 63 70

HSL 357.08, 0.6%, 0.53%

LAB 48.59, 56.71, 28.95

 

CMYK 11 / 0 / 70 / 19

HEX #B9CF3F

RGB 185 207 63

HSL 69.17, 0.6%, 0.53%

LAB 79.21, -25.92, 65.43

 

CMYK 70 / 0 / 2 / 19

HEX #3FCFCA

RGB 63 207 202

HSL 177.92, 0.6%, 0.53%

LAB 76.04, -38.25, -8.56

 

CMYK 39 / 70 / 0 / 19

HEX #7F3FCF

RGB 127 63 207

HSL 266.67, 0.6%, 0.53%

LAB 42.11, 55.55, -64.06

 

CMYK 0 / 70 / 66 / 19

HEX #CF3F46

RGB 207 63 70

HSL 357.08, 0.6%, 0.53%

LAB 48.59, 56.71, 28.95

 

CMYK 31 / 0 / 70 / 19

HEX #8ECF3F

RGB 142 207 63

HSL 87.08, 0.6%, 0.53%

LAB 76.52, -42.58, 61.84

 

Description

Color code: HEX #3FCFCA | qconv.com Color code: HEX #3FCFCA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 207 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 207 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 2 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 2% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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