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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FD7B1 it is the complementary color #C0284E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FD7B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FD7B1 shade: #44D7AC, #55E9BF, #66FBD2, #77FFE5 and #88FFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FD7B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FD7B1 shade: #3FD7B1, #2EC59E, #1DB38B, #0CA178 and #008F65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FD7B1 shade: #40D7B2, #40D789, #40D760, #49D740 and #72D740

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FD7B1 shade: #40D7B2, #40D5D7, #40ACD7, #4083D7 and #405AD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FD7B1 shade matches the following richer shades: #40D7B2, #2DEABB and #1BFDC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FD7B1 shade: #40D7B2, #53C5A8, #65B29F, #78A096 and #8A8D8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FD7B1 shade: #40D761, #40D789, #40D7B2, #40D5D7 and #40ADD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FD7B1 shade: #21A483, #28C69F, #40D7B2, #62DEBF and #85E6CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FD7B1 shade: #3FD7B1, #4048D7 and #D77540

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FD7B1 shade: #3FD7B1, #B240D7 and #D7B240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FD7B1 shade: #3FD7B1, #4048D7, #D74066 and #D7D040

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FD7B1 shade: #3FD7B1, #6640D7, #D74066 and #B2D740

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 18 / 16

HEX #3FD7B1

RGB 63 215 177

HSL 165, 0.66%, 0.55%

LAB 77.78, -48.28, 7.4

 

Complementary color

CMYK 0 / 79 / 59 / 25

HEX #C0284E

RGB 192 40 78

HSL 345, 0.66%, 0.45%

LAB 43.17, 60.41, 16.51

 

CMYK 68 / 0 / 20 / 16

HEX #44D7AC

RGB 68 215 172

HSL 162.45, 0.65%, 0.55%

LAB 77.76, -48.75, 10.05

 

CMYK 64 / 0 / 18 / 9

HEX #55E9BF

RGB 85 233 191

HSL 162.97, 0.77%, 0.62%

LAB 83.95, -49.11, 8.9

 

CMYK 59 / 0 / 16 / 2

HEX #66FBD2

RGB 102 251 210

HSL 163.49, 0.95%, 0.69%

LAB 90.08, -49.32, 7.84

 

CMYK 53 / 0 / 10 / 0

HEX #77FFE5

RGB 119 255 229

HSL 168.53, 1%, 0.73%

LAB 92.18, -43.37, 1.1

 

CMYK 47 / 0 / 3 / 0

HEX #88FFF8

RGB 136 255 248

HSL 176.47, 1%, 0.77%

LAB 93.25, -35.27, -7.09

 

CMYK 71 / 0 / 18 / 16

HEX #3FD7B1

RGB 63 215 177

HSL 165, 0.66%, 0.55%

LAB 77.78, -48.28, 7.4

 

CMYK 77 / 0 / 20 / 23

HEX #2EC59E

RGB 46 197 158

HSL 164.5, 0.62%, 0.48%

LAB 71.54, -47.59, 8.65

 

CMYK 84 / 0 / 22 / 30

HEX #1DB38B

RGB 29 179 139

HSL 164, 0.72%, 0.41%

LAB 65.25, -46.58, 10.04

 

CMYK 93 / 0 / 25 / 37

HEX #0CA178

RGB 12 161 120

HSL 163.49, 0.86%, 0.34%

LAB 58.9, -45.15, 11.59

 

CMYK 100 / 0 / 29 / 44

HEX #008F65

RGB 0 143 101

HSL 162.38, 1%, 0.28%

LAB 52.49, -43.2, 13.34

 

CMYK 70 / 0 / 17 / 16

HEX #40D7B2

RGB 64 215 178

HSL 165.3, 0.65%, 0.55%

LAB 77.82, -47.89, 6.93

 

CMYK 70 / 0 / 36 / 16

HEX #40D789

RGB 64 215 137

HSL 149.01, 0.65%, 0.55%

LAB 76.98, -56.86, 27.37

 

CMYK 70 / 0 / 55 / 16

HEX #40D760

RGB 64 215 96

HSL 132.72, 0.65%, 0.55%

LAB 76.4, -63.5, 46.92

 

CMYK 66 / 0 / 70 / 16

HEX #49D740

RGB 73 215 64

HSL 116.42, 0.65%, 0.55%

LAB 76.31, -65.29, 60.41

 

CMYK 47 / 0 / 70 / 16

HEX #72D740

RGB 114 215 64

HSL 100.13, 0.65%, 0.55%

LAB 77.61, -55.05, 62.16

 

CMYK 70 / 0 / 17 / 16

HEX #40D7B2

RGB 64 215 178

HSL 165.3, 0.65%, 0.55%

LAB 77.82, -47.89, 6.93

 

CMYK 70 / 1 / 0 / 16

HEX #40D5D7

RGB 64 213 215

HSL 180.79, 0.65%, 0.55%

LAB 78.22, -37.21, -12.3

 

CMYK 70 / 20 / 0 / 16

HEX #40ACD7

RGB 64 172 215

HSL 197.09, 0.65%, 0.55%

LAB 66.14, -16.92, -30.67

 

CMYK 70 / 39 / 0 / 16

HEX #4083D7

RGB 64 131 215

HSL 213.38, 0.65%, 0.55%

LAB 54.27, 6.4, -49.29

 

CMYK 70 / 58 / 0 / 16

HEX #405AD7

RGB 64 90 215

HSL 229.67, 0.65%, 0.55%

LAB 43.22, 32.05, -67.07

 

CMYK 70 / 0 / 17 / 16

HEX #40D7B2

RGB 64 215 178

HSL 165.3, 0.65%, 0.55%

LAB 77.82, -47.89, 6.93

 

CMYK 81 / 0 / 20 / 8

HEX #2DEABB

RGB 45 234 187

HSL 165.08, 0.82%, 0.55%

LAB 83.44, -55.56, 10.17

 

CMYK 89 / 0 / 23 / 1

HEX #1BFDC4

RGB 27 253 196

HSL 164.87, 0.98%, 0.55%

LAB 89.14, -61.95, 13.58

 

CMYK 70 / 0 / 17 / 16

HEX #40D7B2

RGB 64 215 178

HSL 165.3, 0.65%, 0.55%

LAB 77.82, -47.89, 6.93

 

CMYK 58 / 0 / 15 / 23

HEX #53C5A8

RGB 83 197 168

HSL 164.74, 0.5%, 0.55%

LAB 72.63, -39.32, 4.9

 

CMYK 43 / 0 / 11 / 30

HEX #65B29F

RGB 101 178 159

HSL 165.19, 0.33%, 0.55%

LAB 67.36, -28.43, 2.28

 

CMYK 25 / 0 / 6 / 37

HEX #78A096

RGB 120 160 150

HSL 165, 0.17%, 0.55%

LAB 62.79, -15.78, 0.77

 

CMYK 2 / 0 / 1 / 45

HEX #8A8D8C

RGB 138 141 140

HSL 160, 0.01%, 0.55%

LAB 58.36, -1.29, 0.14

 

CMYK 70 / 0 / 55 / 16

HEX #40D761

RGB 64 215 97

HSL 133.11, 0.65%, 0.55%

LAB 76.41, -63.37, 46.47

 

CMYK 70 / 0 / 36 / 16

HEX #40D789

RGB 64 215 137

HSL 149.01, 0.65%, 0.55%

LAB 76.98, -56.86, 27.37

 

CMYK 70 / 0 / 17 / 16

HEX #40D7B2

RGB 64 215 178

HSL 165.3, 0.65%, 0.55%

LAB 77.82, -47.89, 6.93

 

CMYK 70 / 1 / 0 / 16

HEX #40D5D7

RGB 64 213 215

HSL 180.79, 0.65%, 0.55%

LAB 78.22, -37.21, -12.3

 

CMYK 70 / 20 / 0 / 16

HEX #40ADD7

RGB 64 173 215

HSL 196.69, 0.65%, 0.55%

LAB 66.43, -17.45, -30.22

 

CMYK 80 / 0 / 20 / 36

HEX #21A483

RGB 33 164 131

HSL 164.89, 0.66%, 0.39%

LAB 60.35, -41.96, 7.51

 

CMYK 80 / 0 / 20 / 22

HEX #28C69F

RGB 40 198 159

HSL 165.19, 0.66%, 0.47%

LAB 71.79, -48.39, 8.44

 

CMYK 70 / 0 / 17 / 16

HEX #40D7B2

RGB 64 215 178

HSL 165.3, 0.65%, 0.55%

LAB 77.82, -47.89, 6.93

 

CMYK 56 / 0 / 14 / 13

HEX #62DEBF

RGB 98 222 191

HSL 165, 0.65%, 0.63%

LAB 81.07, -41.97, 4.81

 

CMYK 42 / 0 / 11 / 10

HEX #85E6CD

RGB 133 230 205

HSL 164.54, 0.66%, 0.71%

LAB 84.99, -34.41, 3.24

 

CMYK 71 / 0 / 18 / 16

HEX #3FD7B1

RGB 63 215 177

HSL 165, 0.66%, 0.55%

LAB 77.78, -48.28, 7.4

 

CMYK 70 / 67 / 0 / 16

HEX #4048D7

RGB 64 72 215

HSL 236.82, 0.65%, 0.55%

LAB 38.95, 43.17, -74.06

 

CMYK 0 / 46 / 70 / 16

HEX #D77540

RGB 215 117 64

HSL 21.06, 0.65%, 0.55%

LAB 59.47, 34.14, 45.3

 

CMYK 71 / 0 / 18 / 16

HEX #3FD7B1

RGB 63 215 177

HSL 165, 0.66%, 0.55%

LAB 77.78, -48.28, 7.4

 

CMYK 17 / 70 / 0 / 16

HEX #B240D7

RGB 178 64 215

HSL 285.3, 0.65%, 0.55%

LAB 49.54, 66.98, -56.31

 

CMYK 0 / 17 / 70 / 16

HEX #D7B240

RGB 215 178 64

HSL 45.3, 0.65%, 0.55%

LAB 73.97, 1.52, 60.61

 

CMYK 71 / 0 / 18 / 16

HEX #3FD7B1

RGB 63 215 177

HSL 165, 0.66%, 0.55%

LAB 77.78, -48.28, 7.4

 

CMYK 70 / 67 / 0 / 16

HEX #4048D7

RGB 64 72 215

HSL 236.82, 0.65%, 0.55%

LAB 38.95, 43.17, -74.06

 

CMYK 0 / 70 / 53 / 16

HEX #D74066

RGB 215 64 102

HSL 344.9, 0.65%, 0.55%

LAB 50.77, 60.95, 12.87

 

CMYK 0 / 3 / 70 / 16

HEX #D7D040

RGB 215 208 64

HSL 57.22, 0.65%, 0.55%

LAB 81.8, -13.91, 68.39

 

CMYK 71 / 0 / 18 / 16

HEX #3FD7B1

RGB 63 215 177

HSL 165, 0.66%, 0.55%

LAB 77.78, -48.28, 7.4

 

CMYK 53 / 70 / 0 / 16

HEX #6640D7

RGB 102 64 215

HSL 255.1, 0.65%, 0.55%

LAB 40.24, 52.87, -71.83

 

CMYK 0 / 70 / 53 / 16

HEX #D74066

RGB 215 64 102

HSL 344.9, 0.65%, 0.55%

LAB 50.77, 60.95, 12.87

 

CMYK 17 / 0 / 70 / 16

HEX #B2D740

RGB 178 215 64

HSL 74.7, 0.65%, 0.55%

LAB 80.98, -32.45, 66.67

 

Description

Color code: HEX #3FD7B1 | qconv.com Color code: HEX #3FD7B1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 215 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 215 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 18 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 18% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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