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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FE35E it is the complementary color #C01CA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FE35E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FE35E shade: #44E359, #55F56C, #66FF7F, #77FF92 and #88FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FE35E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FE35E shade: #3FE35E, #2ED14B, #1DBF38, #0CAD25 and #009B12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FE35E shade: #3FE35E, #4CE33F, #78E33F, #A5E33F and #D1E33F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FE35E shade: #3FE35E, #3FE38A, #3FE3B6, #3FE3E3 and #3FB7E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FE35E shade matches the following richer shades: #3FE35E and #2DF553

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FE35E shade: #3FE35E, #50D169, #62C074, #74AE7F and #869C8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FE35E shade: #78E33F, #4CE33F, #3FE35D, #3FE389 and #3FE3B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FE35E shade: #1AB637, #1FDA42, #3FE35E, #63E87C and #87ED9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FE35E shade: #3FE35E, #3FA4E3 and #E33F62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FE35E shade: #3FE35E, #5D3FE3 and #E35D3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FE35E shade: #3FE35E, #3FA4E3, #E33FC5 and #E37E3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FE35E shade: #3FE35E, #3F73E3, #E33FC5 and #E3AF3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 59 / 11

HEX #3FE35E

RGB 63 227 94

HSL 131.34, 0.75%, 0.57%

LAB 80.07, -67.93, 52.15

 

Complementary color

CMYK 0 / 85 / 16 / 25

HEX #C01CA1

RGB 192 28 161

HSL 311.34, 0.75%, 0.43%

LAB 45.1, 71.66, -31.71

 

CMYK 70 / 0 / 61 / 11

HEX #44E359

RGB 68 227 89

HSL 127.92, 0.74%, 0.58%

LAB 80.12, -67.71, 54.42

 

CMYK 65 / 0 / 56 / 4

HEX #55F56C

RGB 85 245 108

HSL 128.63, 0.89%, 0.65%

LAB 86.17, -68.49, 53.17

 

CMYK 60 / 0 / 50 / 0

HEX #66FF7F

RGB 102 255 127

HSL 129.8, 1%, 0.7%

LAB 89.8, -66.14, 48.96

 

CMYK 53 / 0 / 43 / 0

HEX #77FF92

RGB 119 255 146

HSL 131.91, 1%, 0.73%

LAB 90.56, -59.6, 40.97

 

CMYK 47 / 0 / 35 / 0

HEX #88FFA5

RGB 136 255 165

HSL 134.62, 1%, 0.77%

LAB 91.45, -52.35, 32.87

 

CMYK 72 / 0 / 59 / 11

HEX #3FE35E

RGB 63 227 94

HSL 131.34, 0.75%, 0.57%

LAB 80.07, -67.93, 52.15

 

CMYK 78 / 0 / 64 / 18

HEX #2ED14B

RGB 46 209 75

HSL 130.67, 0.64%, 0.5%

LAB 73.99, -66.69, 53.4

 

CMYK 85 / 0 / 71 / 25

HEX #1DBF38

RGB 29 191 56

HSL 130, 0.74%, 0.43%

LAB 67.88, -64.89, 54.41

 

CMYK 93 / 0 / 79 / 32

HEX #0CAD25

RGB 12 173 37

HSL 129.32, 0.87%, 0.36%

LAB 61.74, -62.33, 54.89

 

CMYK 100 / 0 / 88 / 39

HEX #009B12

RGB 0 155 18

HSL 126.97, 1%, 0.3%

LAB 55.57, -58.84, 54.34

 

CMYK 72 / 0 / 59 / 11

HEX #3FE35E

RGB 63 227 94

HSL 131.34, 0.75%, 0.57%

LAB 80.07, -67.93, 52.15

 

CMYK 67 / 0 / 72 / 11

HEX #4CE33F

RGB 76 227 63

HSL 115.24, 0.75%, 0.57%

LAB 80.09, -68.71, 64.67

 

CMYK 47 / 0 / 72 / 11

HEX #78E33F

RGB 120 227 63

HSL 99.15, 0.75%, 0.57%

LAB 81.45, -57.91, 66.49

 

CMYK 27 / 0 / 72 / 11

HEX #A5E33F

RGB 165 227 63

HSL 82.68, 0.75%, 0.57%

LAB 83.6, -42.85, 69.34

 

CMYK 8 / 0 / 72 / 11

HEX #D1E33F

RGB 209 227 63

HSL 66.59, 0.75%, 0.57%

LAB 86.43, -25.71, 73.06

 

CMYK 72 / 0 / 59 / 11

HEX #3FE35E

RGB 63 227 94

HSL 131.34, 0.75%, 0.57%

LAB 80.07, -67.93, 52.15

 

CMYK 72 / 0 / 39 / 11

HEX #3FE38A

RGB 63 227 138

HSL 147.44, 0.75%, 0.57%

LAB 80.64, -61.26, 31.73

 

CMYK 72 / 0 / 20 / 11

HEX #3FE3B6

RGB 63 227 182

HSL 163.54, 0.75%, 0.57%

LAB 81.5, -52.02, 10.07

 

CMYK 72 / 0 / 0 / 11

HEX #3FE3E3

RGB 63 227 227

HSL 180, 0.75%, 0.57%

LAB 82.67, -40.32, -12.04

 

CMYK 72 / 19 / 0 / 11

HEX #3FB7E3

RGB 63 183 227

HSL 196.1, 0.75%, 0.57%

LAB 69.8, -18.96, -31.59

 

CMYK 72 / 0 / 59 / 11

HEX #3FE35E

RGB 63 227 94

HSL 131.34, 0.75%, 0.57%

LAB 80.07, -67.93, 52.15

 

CMYK 82 / 0 / 66 / 4

HEX #2DF553

RGB 45 245 83

HSL 131.4, 0.91%, 0.57%

LAB 85.24, -77.01, 62.49

 

CMYK 72 / 0 / 59 / 11

HEX #3FE35E

RGB 63 227 94

HSL 131.34, 0.75%, 0.57%

LAB 80.07, -67.93, 52.15

 

CMYK 62 / 0 / 50 / 18

HEX #50D169

RGB 80 209 105

HSL 131.63, 0.58%, 0.57%

LAB 75.03, -57.09, 41.06

 

CMYK 49 / 0 / 40 / 25

HEX #62C074

RGB 98 192 116

HSL 131.49, 0.43%, 0.57%

LAB 70.56, -44.28, 29.93

 

CMYK 33 / 0 / 27 / 32

HEX #74AE7F

RGB 116 174 127

HSL 131.38, 0.26%, 0.57%

LAB 66.15, -28.82, 18.27

 

CMYK 14 / 0 / 12 / 39

HEX #869C8A

RGB 134 156 138

HSL 130.91, 0.1%, 0.57%

LAB 62.24, -11.38, 6.84

 

CMYK 47 / 0 / 72 / 11

HEX #78E33F

RGB 120 227 63

HSL 99.15, 0.75%, 0.57%

LAB 81.45, -57.91, 66.49

 

CMYK 67 / 0 / 72 / 11

HEX #4CE33F

RGB 76 227 63

HSL 115.24, 0.75%, 0.57%

LAB 80.09, -68.71, 64.67

 

CMYK 72 / 0 / 59 / 11

HEX #3FE35D

RGB 63 227 93

HSL 130.98, 0.75%, 0.57%

LAB 80.06, -68.05, 52.58

 

CMYK 72 / 0 / 40 / 11

HEX #3FE389

RGB 63 227 137

HSL 147.07, 0.75%, 0.57%

LAB 80.63, -61.44, 32.22

 

CMYK 72 / 0 / 21 / 11

HEX #3FE3B4

RGB 63 227 180

HSL 162.8, 0.75%, 0.57%

LAB 81.45, -52.49, 11.06

 

CMYK 86 / 0 / 70 / 29

HEX #1AB637

RGB 26 182 55

HSL 131.15, 0.75%, 0.41%

LAB 64.92, -62.51, 51.68

 

CMYK 86 / 0 / 70 / 15

HEX #1FDA42

RGB 31 218 66

HSL 131.23, 0.75%, 0.49%

LAB 76.57, -71.89, 59.73

 

CMYK 72 / 0 / 59 / 11

HEX #3FE35E

RGB 63 227 94

HSL 131.34, 0.75%, 0.57%

LAB 80.07, -67.93, 52.15

 

CMYK 57 / 0 / 47 / 9

HEX #63E87C

RGB 99 232 124

HSL 131.28, 0.74%, 0.65%

LAB 82.82, -58.76, 41.67

 

CMYK 43 / 0 / 35 / 7

HEX #87ED9A

RGB 135 237 154

HSL 131.18, 0.74%, 0.73%

LAB 86.03, -46.92, 31.17

 

CMYK 72 / 0 / 59 / 11

HEX #3FE35E

RGB 63 227 94

HSL 131.34, 0.75%, 0.57%

LAB 80.07, -67.93, 52.15

 

CMYK 72 / 28 / 0 / 11

HEX #3FA4E3

RGB 63 164 227

HSL 203.05, 0.75%, 0.57%

LAB 64.29, -8.71, -40.17

 

CMYK 0 / 72 / 57 / 11

HEX #E33F62

RGB 227 63 98

HSL 347.2, 0.75%, 0.57%

LAB 52.69, 64.53, 18.26

 

CMYK 72 / 0 / 59 / 11

HEX #3FE35E

RGB 63 227 94

HSL 131.34, 0.75%, 0.57%

LAB 80.07, -67.93, 52.15

 

CMYK 59 / 72 / 0 / 11

HEX #5D3FE3

RGB 93 63 227

HSL 250.98, 0.75%, 0.57%

LAB 40.29, 55.53, -78.64

 

CMYK 0 / 59 / 72 / 11

HEX #E35D3F

RGB 227 93 63

HSL 10.98, 0.75%, 0.57%

LAB 56.6, 50.45, 43.15

 

CMYK 72 / 0 / 59 / 11

HEX #3FE35E

RGB 63 227 94

HSL 131.34, 0.75%, 0.57%

LAB 80.07, -67.93, 52.15

 

CMYK 72 / 28 / 0 / 11

HEX #3FA4E3

RGB 63 164 227

HSL 203.05, 0.75%, 0.57%

LAB 64.29, -8.71, -40.17

 

CMYK 0 / 72 / 13 / 11

HEX #E33FC5

RGB 227 63 197

HSL 310.98, 0.75%, 0.57%

LAB 56, 75.05, -35.28

 

CMYK 0 / 44 / 72 / 11

HEX #E37E3F

RGB 227 126 63

HSL 23.05, 0.75%, 0.57%

LAB 63.02, 34.2, 50.12

 

CMYK 72 / 0 / 59 / 11

HEX #3FE35E

RGB 63 227 94

HSL 131.34, 0.75%, 0.57%

LAB 80.07, -67.93, 52.15

 

CMYK 72 / 49 / 0 / 11

HEX #3F73E3

RGB 63 115 227

HSL 220.98, 0.75%, 0.57%

LAB 50.53, 20.45, -62.05

 

CMYK 0 / 72 / 13 / 11

HEX #E33FC5

RGB 227 63 197

HSL 310.98, 0.75%, 0.57%

LAB 56, 75.05, -35.28

 

CMYK 0 / 23 / 72 / 11

HEX #E3AF3F

RGB 227 175 63

HSL 40.98, 0.75%, 0.57%

LAB 74.41, 8.2, 61.85

 

Description

Color code: HEX #3FE35E | qconv.com Color code: HEX #3FE35E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 227 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 227 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 59 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 59% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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