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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FED50 it is the complementary color #C012AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FED50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FED50 shade: #44ED4B, #55FF5E, #66FF71, #77FF84 and #88FF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FED50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FED50 shade: #3FED50, #2EDB3D, #1DC92A, #0CB717 and #00A504

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FED50 shade: #3FED50, #5DED3F, #8CED3F, #BBED3F and #E9ED3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FED50 shade: #3FED50, #3FED7F, #3FEDAE, #3FEDDD and #3FCEED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FED50 shade matches the following richer shades: #3FED50 and #2EFE43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FED50 shade: #3FED50, #50DC5E, #61CB6B, #72BA79 and #83A987

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FED50 shade: #8DED3F, #5FED3F, #3FED4E, #3FED7C and #3FEDAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FED50 shade: #12C724, #19E92E, #3FED50, #65F073 and #8BF495

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FED50 shade: #3FED50, #3FBCED and #ED3F76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FED50 shade: #3FED50, #4E3FED and #ED4E3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FED50 shade: #3FED50, #3FBCED, #ED3FDE and #ED703F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FED50 shade: #3FED50, #3F87ED, #ED3FDE and #EDA43F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 66 / 7

HEX #3FED50

RGB 63 237 80

HSL 125.86, 0.83%, 0.59%

LAB 83.02, -72.64, 61.34

 

Complementary color

CMYK 0 / 91 / 9 / 25

HEX #C012AF

RGB 192 18 175

HSL 305.86, 0.83%, 0.41%

LAB 45.27, 75.18, -39.76

 

CMYK 71 / 0 / 68 / 7

HEX #44ED4B

RGB 68 237 75

HSL 122.49, 0.82%, 0.6%

LAB 83.08, -72.33, 63.35

 

CMYK 67 / 0 / 63 / 0

HEX #55FF5E

RGB 85 255 94

HSL 123.18, 1%, 0.67%

LAB 89.04, -73.38, 62.46

 

CMYK 60 / 0 / 56 / 0

HEX #66FF71

RGB 102 255 113

HSL 124.31, 1%, 0.7%

LAB 89.64, -67.93, 55.16

 

CMYK 53 / 0 / 48 / 0

HEX #77FF84

RGB 119 255 132

HSL 125.74, 1%, 0.73%

LAB 90.37, -61.62, 47.44

 

CMYK 47 / 0 / 41 / 0

HEX #88FF97

RGB 136 255 151

HSL 127.56, 1%, 0.77%

LAB 91.23, -54.57, 39.51

 

CMYK 73 / 0 / 66 / 7

HEX #3FED50

RGB 63 237 80

HSL 125.86, 0.83%, 0.59%

LAB 83.02, -72.64, 61.34

 

CMYK 79 / 0 / 72 / 14

HEX #2EDB3D

RGB 46 219 61

HSL 125.2, 0.71%, 0.52%

LAB 77.03, -71.09, 62.09

 

CMYK 86 / 0 / 79 / 21

HEX #1DC92A

RGB 29 201 42

HSL 124.53, 0.75%, 0.45%

LAB 71.01, -68.93, 62.3

 

CMYK 93 / 0 / 87 / 28

HEX #0CB717

RGB 12 183 23

HSL 123.86, 0.88%, 0.38%

LAB 64.97, -65.97, 61.57

 

CMYK 100 / 0 / 98 / 35

HEX #00A504

RGB 0 165 4

HSL 121.45, 1%, 0.32%

LAB 58.9, -62.11, 59.48

 

CMYK 73 / 0 / 66 / 7

HEX #3FED50

RGB 63 237 80

HSL 125.86, 0.83%, 0.59%

LAB 83.02, -72.64, 61.34

 

CMYK 61 / 0 / 73 / 7

HEX #5DED3F

RGB 93 237 63

HSL 109.66, 0.83%, 0.59%

LAB 83.58, -68.47, 68.32

 

CMYK 41 / 0 / 73 / 7

HEX #8CED3F

RGB 140 237 63

HSL 93.45, 0.83%, 0.59%

LAB 85.25, -55.6, 70.54

 

CMYK 21 / 0 / 73 / 7

HEX #BBED3F

RGB 187 237 63

HSL 77.24, 0.83%, 0.59%

LAB 87.72, -39, 73.78

 

CMYK 2 / 0 / 73 / 7

HEX #E9ED3F

RGB 233 237 63

HSL 61.38, 0.83%, 0.59%

LAB 90.89, -20.72, 77.91

 

CMYK 73 / 0 / 66 / 7

HEX #3FED50

RGB 63 237 80

HSL 125.86, 0.83%, 0.59%

LAB 83.02, -72.64, 61.34

 

CMYK 73 / 0 / 46 / 7

HEX #3FED7F

RGB 63 237 127

HSL 142.07, 0.83%, 0.59%

LAB 83.53, -66.67, 40.93

 

CMYK 73 / 0 / 27 / 7

HEX #3FEDAE

RGB 63 237 174

HSL 158.28, 0.83%, 0.59%

LAB 84.32, -57.8, 18.23

 

CMYK 73 / 0 / 7 / 7

HEX #3FEDDD

RGB 63 237 221

HSL 174.48, 0.83%, 0.59%

LAB 85.43, -46.37, -4.78

 

CMYK 73 / 13 / 0 / 7

HEX #3FCEED

RGB 63 206 237

HSL 190.69, 0.83%, 0.59%

LAB 76.87, -27.46, -26.14

 

CMYK 73 / 0 / 66 / 7

HEX #3FED50

RGB 63 237 80

HSL 125.86, 0.83%, 0.59%

LAB 83.02, -72.64, 61.34

 

CMYK 82 / 0 / 74 / 0

HEX #2EFE43

RGB 46 254 67

HSL 126.06, 0.99%, 0.59%

LAB 87.91, -80.88, 71.03

 

CMYK 73 / 0 / 66 / 7

HEX #3FED50

RGB 63 237 80

HSL 125.86, 0.83%, 0.59%

LAB 83.02, -72.64, 61.34

 

CMYK 64 / 0 / 57 / 14

HEX #50DC5E

RGB 80 220 94

HSL 126, 0.67%, 0.59%

LAB 78.29, -62.52, 50.17

 

CMYK 52 / 0 / 47 / 20

HEX #61CB6B

RGB 97 203 107

HSL 125.66, 0.5%, 0.59%

LAB 73.75, -50.48, 38.59

 

CMYK 39 / 0 / 35 / 27

HEX #72BA79

RGB 114 186 121

HSL 125.83, 0.34%, 0.59%

LAB 69.52, -36.14, 26.05

 

CMYK 22 / 0 / 20 / 34

HEX #83A987

RGB 131 169 135

HSL 126.32, 0.18%, 0.59%

LAB 65.71, -19.82, 13.4

 

CMYK 41 / 0 / 73 / 7

HEX #8DED3F

RGB 141 237 63

HSL 93.1, 0.83%, 0.59%

LAB 85.3, -55.28, 70.6

 

CMYK 60 / 0 / 73 / 7

HEX #5FED3F

RGB 95 237 63

HSL 108.97, 0.83%, 0.59%

LAB 83.63, -68.02, 68.39

 

CMYK 73 / 0 / 67 / 7

HEX #3FED4E

RGB 63 237 78

HSL 125.17, 0.83%, 0.59%

LAB 83.01, -72.83, 62.1

 

CMYK 73 / 0 / 48 / 7

HEX #3FED7C

RGB 63 237 124

HSL 141.03, 0.83%, 0.59%

LAB 83.48, -67.14, 42.33

 

CMYK 73 / 0 / 28 / 7

HEX #3FEDAA

RGB 63 237 170

HSL 156.9, 0.83%, 0.59%

LAB 84.24, -58.66, 20.19

 

CMYK 91 / 0 / 82 / 22

HEX #12C724

RGB 18 199 36

HSL 125.97, 0.83%, 0.43%

LAB 70.25, -69.53, 63.24

 

CMYK 89 / 0 / 80 / 9

HEX #19E92E

RGB 25 233 46

HSL 126.06, 0.83%, 0.51%

LAB 81.12, -78.05, 70.69

 

CMYK 73 / 0 / 66 / 7

HEX #3FED50

RGB 63 237 80

HSL 125.86, 0.83%, 0.59%

LAB 83.02, -72.64, 61.34

 

CMYK 58 / 0 / 52 / 6

HEX #65F073

RGB 101 240 115

HSL 126.04, 0.82%, 0.67%

LAB 85.16, -62.53, 48.87

 

CMYK 43 / 0 / 39 / 4

HEX #8BF495

RGB 139 244 149

HSL 125.71, 0.83%, 0.75%

LAB 88.14, -49.55, 36.5

 

CMYK 73 / 0 / 66 / 7

HEX #3FED50

RGB 63 237 80

HSL 125.86, 0.83%, 0.59%

LAB 83.02, -72.64, 61.34

 

CMYK 73 / 21 / 0 / 7

HEX #3FBCED

RGB 63 188 237

HSL 196.9, 0.83%, 0.59%

LAB 71.65, -18.33, -34.18

 

CMYK 0 / 73 / 50 / 7

HEX #ED3F76

RGB 237 63 118

HSL 341.03, 0.83%, 0.59%

LAB 54.94, 68.85, 9.67

 

CMYK 73 / 0 / 66 / 7

HEX #3FED50

RGB 63 237 80

HSL 125.86, 0.83%, 0.59%

LAB 83.02, -72.64, 61.34

 

CMYK 67 / 73 / 0 / 7

HEX #4E3FED

RGB 78 63 237

HSL 245.17, 0.83%, 0.59%

LAB 40.06, 56.76, -84.73

 

CMYK 0 / 67 / 73 / 7

HEX #ED4E3F

RGB 237 78 63

HSL 5.17, 0.83%, 0.59%

LAB 55.9, 60.19, 42.84

 

CMYK 73 / 0 / 66 / 7

HEX #3FED50

RGB 63 237 80

HSL 125.86, 0.83%, 0.59%

LAB 83.02, -72.64, 61.34

 

CMYK 73 / 21 / 0 / 7

HEX #3FBCED

RGB 63 188 237

HSL 196.9, 0.83%, 0.59%

LAB 71.65, -18.33, -34.18

 

CMYK 0 / 73 / 6 / 7

HEX #ED3FDE

RGB 237 63 222

HSL 305.17, 0.83%, 0.59%

LAB 58.82, 80.82, -44.97

 

CMYK 0 / 53 / 73 / 7

HEX #ED703F

RGB 237 112 63

HSL 16.9, 0.83%, 0.59%

LAB 61.61, 45.14, 49.05

 

CMYK 73 / 0 / 66 / 7

HEX #3FED50

RGB 63 237 80

HSL 125.86, 0.83%, 0.59%

LAB 83.02, -72.64, 61.34

 

CMYK 73 / 43 / 0 / 7

HEX #3F87ED

RGB 63 135 237

HSL 215.17, 0.83%, 0.59%

LAB 56.58, 11.71, -57.9

 

CMYK 0 / 73 / 6 / 7

HEX #ED3FDE

RGB 237 63 222

HSL 305.17, 0.83%, 0.59%

LAB 58.82, 80.82, -44.97

 

CMYK 0 / 31 / 73 / 7

HEX #EDA43F

RGB 237 164 63

HSL 34.83, 0.83%, 0.59%

LAB 72.84, 18.27, 60.63

 

Description

Color code: HEX #3FED50 | qconv.com Color code: HEX #3FED50 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 237 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 237 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 66 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 66% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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