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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FF8A1 it is the complementary color #C0075E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FF8A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FF8A1 shade: #44F89C, #55FFAF, #66FFC2, #77FFD5 and #88FFE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FF8A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FF8A1 shade: #3FF8A1, #2EE68E, #1DD47B, #0CC268 and #00B055

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FF8A1 shade: #3FF8A1, #3FF86F, #40F83F, #72F83F and #A4F83F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FF8A1 shade: #3FF8A1, #3FF8D2, #3FEBF8, #3FB9F8 and #3F87F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FF8A1 shade matches the following richer shades: #3FF8A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FF8A1 shade: #3FF8A1, #4FE7A0, #5FD79F, #6FC79E and #7FB79D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FF8A1 shade: #42F83F, #3FF86D, #3FF89E, #3FF8CF and #3FEEF8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FF8A1 shade: #08DC78, #17F68D, #3FF8A1, #66F9B4 and #8EFAC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FF8A1 shade: #3FF8A1, #3F73F8 and #F8543F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FF8A1 shade: #3FF8A1, #9E3FF8 and #F89E3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FF8A1 shade: #3FF8A1, #3F73F8, #F83F98 and #F8C33F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FF8A1 shade: #3FF8A1, #423FF8, #F83F98 and #F4F83F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 35 / 3

HEX #3FF8A1

RGB 63 248 161

HSL 151.78, 0.93%, 0.61%

LAB 87.37, -64.57, 29.07

 

Complementary color

CMYK 0 / 96 / 51 / 25

HEX #C0075E

RGB 192 7 94

HSL 331.78, 0.93%, 0.39%

LAB 41.48, 67.54, 4.07

 

CMYK 73 / 0 / 37 / 3

HEX #44F89C

RGB 68 248 156

HSL 149.33, 0.93%, 0.62%

LAB 87.37, -64.87, 31.6

 

CMYK 67 / 0 / 31 / 0

HEX #55FFAF

RGB 85 255 175

HSL 151.76, 1%, 0.67%

LAB 90.11, -61.31, 25.78

 

CMYK 60 / 0 / 24 / 0

HEX #66FFC2

RGB 102 255 194

HSL 156.08, 1%, 0.7%

LAB 90.89, -54.49, 17.24

 

CMYK 53 / 0 / 16 / 0

HEX #77FFD5

RGB 119 255 213

HSL 161.47, 1%, 0.73%

LAB 91.8, -47.03, 8.82

 

CMYK 47 / 0 / 9 / 0

HEX #88FFE8

RGB 136 255 232

HSL 168.4, 1%, 0.77%

LAB 92.83, -39.04, 0.57

 

CMYK 75 / 0 / 35 / 3

HEX #3FF8A1

RGB 63 248 161

HSL 151.78, 0.93%, 0.61%

LAB 87.37, -64.57, 29.07

 

CMYK 80 / 0 / 38 / 10

HEX #2EE68E

RGB 46 230 142

HSL 151.3, 0.79%, 0.54%

LAB 81.36, -63.66, 30.61

 

CMYK 86 / 0 / 42 / 17

HEX #1DD47B

RGB 29 212 123

HSL 150.82, 0.76%, 0.47%

LAB 75.31, -62.39, 32.26

 

CMYK 94 / 0 / 46 / 24

HEX #0CC268

RGB 12 194 104

HSL 150.33, 0.88%, 0.4%

LAB 69.23, -60.63, 34.03

 

CMYK 100 / 0 / 52 / 31

HEX #00B055

RGB 0 176 85

HSL 148.98, 1%, 0.35%

LAB 63.1, -58.32, 35.89

 

CMYK 75 / 0 / 35 / 3

HEX #3FF8A1

RGB 63 248 161

HSL 151.78, 0.93%, 0.61%

LAB 87.37, -64.57, 29.07

 

CMYK 75 / 0 / 55 / 3

HEX #3FF86F

RGB 63 248 111

HSL 135.57, 0.93%, 0.61%

LAB 86.67, -72.64, 52.32

 

CMYK 74 / 0 / 75 / 3

HEX #40F83F

RGB 64 248 63

HSL 119.68, 0.93%, 0.61%

LAB 86.3, -77.24, 70.81

 

CMYK 54 / 0 / 75 / 3

HEX #72F83F

RGB 114 248 63

HSL 103.46, 0.93%, 0.61%

LAB 87.52, -67.18, 72.42

 

CMYK 34 / 0 / 75 / 3

HEX #A4F83F

RGB 164 248 63

HSL 87.24, 0.93%, 0.61%

LAB 89.57, -52.04, 75.12

 

CMYK 75 / 0 / 35 / 3

HEX #3FF8A1

RGB 63 248 161

HSL 151.78, 0.93%, 0.61%

LAB 87.37, -64.57, 29.07

 

CMYK 75 / 0 / 15 / 3

HEX #3FF8D2

RGB 63 248 210

HSL 167.68, 0.93%, 0.61%

LAB 88.37, -53.8, 5.28

 

CMYK 75 / 5 / 0 / 3

HEX #3FEBF8

RGB 63 235 248

HSL 184.22, 0.93%, 0.61%

LAB 85.63, -37.96, -18.68

 

CMYK 75 / 25 / 0 / 3

HEX #3FB9F8

RGB 63 185 248

HSL 200.43, 0.93%, 0.61%

LAB 71.24, -13.11, -40.77

 

CMYK 75 / 46 / 0 / 3

HEX #3F87F8

RGB 63 135 248

HSL 216.65, 0.93%, 0.61%

LAB 57.23, 15.67, -62.95

 

CMYK 75 / 0 / 35 / 3

HEX #3FF8A1

RGB 63 248 161

HSL 151.78, 0.93%, 0.61%

LAB 87.37, -64.57, 29.07

 

CMYK 75 / 0 / 35 / 3

HEX #3FF8A1

RGB 63 248 161

HSL 151.78, 0.93%, 0.61%

LAB 87.37, -64.57, 29.07

 

CMYK 66 / 0 / 31 / 9

HEX #4FE7A0

RGB 79 231 160

HSL 151.97, 0.76%, 0.61%

LAB 82.57, -56.05, 23.11

 

CMYK 56 / 0 / 26 / 16

HEX #5FD79F

RGB 95 215 159

HSL 152, 0.6%, 0.61%

LAB 78.19, -46.67, 17.65

 

CMYK 44 / 0 / 21 / 22

HEX #6FC79E

RGB 111 199 158

HSL 152.05, 0.44%, 0.61%

LAB 73.99, -35.95, 12.39

 

CMYK 31 / 0 / 14 / 28

HEX #7FB79D

RGB 127 183 157

HSL 152.14, 0.28%, 0.61%

LAB 70.04, -23.88, 7.42

 

CMYK 73 / 0 / 75 / 3

HEX #42F83F

RGB 66 248 63

HSL 119.03, 0.93%, 0.61%

LAB 86.33, -76.95, 70.85

 

CMYK 75 / 0 / 56 / 3

HEX #3FF86D

RGB 63 248 109

HSL 134.92, 0.93%, 0.61%

LAB 86.65, -72.9, 53.19

 

CMYK 75 / 0 / 36 / 3

HEX #3FF89E

RGB 63 248 158

HSL 150.81, 0.93%, 0.61%

LAB 87.32, -65.14, 30.52

 

CMYK 75 / 0 / 17 / 3

HEX #3FF8CF

RGB 63 248 207

HSL 166.7, 0.93%, 0.61%

LAB 88.3, -54.53, 6.73

 

CMYK 75 / 4 / 0 / 3

HEX #3FEEF8

RGB 63 238 248

HSL 183.24, 0.93%, 0.61%

LAB 86.5, -39.33, -17.37

 

CMYK 96 / 0 / 45 / 14

HEX #08DC78

RGB 8 220 120

HSL 151.7, 0.93%, 0.45%

LAB 77.63, -66.67, 36.75

 

CMYK 91 / 0 / 43 / 4

HEX #17F68D

RGB 23 246 141

HSL 151.75, 0.93%, 0.53%

LAB 86.01, -71, 37.18

 

CMYK 75 / 0 / 35 / 3

HEX #3FF8A1

RGB 63 248 161

HSL 151.78, 0.93%, 0.61%

LAB 87.37, -64.57, 29.07

 

CMYK 59 / 0 / 28 / 2

HEX #66F9B4

RGB 102 249 180

HSL 151.84, 0.92%, 0.69%

LAB 88.86, -54.95, 21.58

 

CMYK 43 / 0 / 20 / 2

HEX #8EFAC8

RGB 142 250 200

HSL 152.22, 0.92%, 0.77%

LAB 90.91, -42.25, 14.38

 

CMYK 75 / 0 / 35 / 3

HEX #3FF8A1

RGB 63 248 161

HSL 151.78, 0.93%, 0.61%

LAB 87.37, -64.57, 29.07

 

CMYK 75 / 54 / 0 / 3

HEX #3F73F8

RGB 63 115 248

HSL 223.14, 0.93%, 0.61%

LAB 51.95, 28.02, -71.49

 

CMYK 0 / 66 / 75 / 3

HEX #F8543F

RGB 248 84 63

HSL 6.81, 0.93%, 0.61%

LAB 58.65, 61.39, 46.39

 

CMYK 75 / 0 / 35 / 3

HEX #3FF8A1

RGB 63 248 161

HSL 151.78, 0.93%, 0.61%

LAB 87.37, -64.57, 29.07

 

CMYK 36 / 75 / 0 / 3

HEX #9E3FF8

RGB 158 63 248

HSL 270.81, 0.93%, 0.61%

LAB 49.01, 70.57, -75.94

 

CMYK 0 / 36 / 75 / 3

HEX #F89E3F

RGB 248 158 63

HSL 30.81, 0.93%, 0.61%

LAB 72.74, 26.01, 60.96

 

CMYK 75 / 0 / 35 / 3

HEX #3FF8A1

RGB 63 248 161

HSL 151.78, 0.93%, 0.61%

LAB 87.37, -64.57, 29.07

 

CMYK 75 / 54 / 0 / 3

HEX #3F73F8

RGB 63 115 248

HSL 223.14, 0.93%, 0.61%

LAB 51.95, 28.02, -71.49

 

CMYK 0 / 75 / 39 / 3

HEX #F83F98

RGB 248 63 152

HSL 331.14, 0.93%, 0.61%

LAB 57.83, 74.79, -6.03

 

CMYK 0 / 21 / 75 / 3

HEX #F8C33F

RGB 248 195 63

HSL 42.81, 0.93%, 0.61%

LAB 81.48, 6.64, 69.48

 

CMYK 75 / 0 / 35 / 3

HEX #3FF8A1

RGB 63 248 161

HSL 151.78, 0.93%, 0.61%

LAB 87.37, -64.57, 29.07

 

CMYK 73 / 75 / 0 / 3

HEX #423FF8

RGB 66 63 248

HSL 240.97, 0.93%, 0.61%

LAB 40.39, 59.03, -90.41

 

CMYK 0 / 75 / 39 / 3

HEX #F83F98

RGB 248 63 152

HSL 331.14, 0.93%, 0.61%

LAB 57.83, 74.79, -6.03

 

CMYK 2 / 0 / 75 / 3

HEX #F4F83F

RGB 244 248 63

HSL 61.3, 0.93%, 0.61%

LAB 94.62, -21.51, 81.66

 

Description

Color code: HEX #3FF8A1 | qconv.com Color code: HEX #3FF8A1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 248 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 248 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 35 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 35% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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