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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3A521 it is the complementary color #5C5ADE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3A521. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3A521 shade: #A8A51C, #B9B72F, #CAC942, #DBDB55 and #ECED68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3A521. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3A521 shade: #A3A521, #92930E, #818100, #706F00 and #5F5D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3A521 shade: #A4A620, #A68420, #A66020, #A63C20 and #A62020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3A521 shade: #A4A620, #80A620, #5CA620, #38A620 and #20A62D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3A521 shade matches the following richer shades: #A4A620, #B3B610 and #C3C600

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3A521 shade: #A4A620, #949530, #848541, #757551 and #656561

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3A521 shade: #A65F20, #A68220, #A6A620, #82A620 and #5FA620

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3A521 shade: #5F6113, #82831A, #A4A620, #C6C827 and #D6D940

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3A521 shade: #A3A521, #20A63B and #7020A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3A521 shade: #A3A521, #20A6A6 and #A620A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3A521 shade: #A3A521, #20A63B, #2020A6 and #A6208B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3A521 shade: #A3A521, #20A663, #2020A6 and #A62063

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 80 / 35

HEX #A3A521

RGB 163 165 33

HSL 60.91, 0.67%, 0.39%

LAB 65.6, -15.75, 61.97

 

Complementary color

CMYK 59 / 59 / 0 / 13

HEX #5C5ADE

RGB 92 90 222

HSL 240.91, 0.67%, 0.61%

LAB 45.44, 38.64, -67.38

 

CMYK 0 / 2 / 83 / 34

HEX #A8A51C

RGB 168 165 28

HSL 58.71, 0.71%, 0.38%

LAB 66, -13.71, 63.84

 

CMYK 0 / 1 / 75 / 27

HEX #B9B72F

RGB 185 183 47

HSL 59.13, 0.59%, 0.45%

LAB 72.49, -14.84, 64.54

 

CMYK 0 / 0 / 67 / 21

HEX #CAC942

RGB 202 201 66

HSL 59.56, 0.56%, 0.53%

LAB 78.88, -15.76, 64.4

 

CMYK 0 / 0 / 61 / 14

HEX #DBDB55

RGB 219 219 85

HSL 60, 0.65%, 0.6%

LAB 85.19, -16.53, 63.8

 

CMYK 0 / 0 / 56 / 7

HEX #ECED68

RGB 236 237 104

HSL 60.45, 0.79%, 0.67%

LAB 91.42, -17.18, 62.94

 

CMYK 1 / 0 / 80 / 35

HEX #A3A521

RGB 163 165 33

HSL 60.91, 0.67%, 0.39%

LAB 65.6, -15.75, 61.97

 

CMYK 1 / 0 / 90 / 42

HEX #92930E

RGB 146 147 14

HSL 60.45, 0.83%, 0.32%

LAB 58.98, -14.51, 60.39

 

CMYK 0 / 0 / 100 / 49

HEX #818100

RGB 129 129 0

HSL 60, 1%, 0.25%

LAB 52.25, -13, 57

 

CMYK 0 / 1 / 100 / 56

HEX #706F00

RGB 112 111 0

HSL 59.46, 1%, 0.22%

LAB 45.38, -11.2, 51.29

 

CMYK 0 / 2 / 100 / 63

HEX #5F5D00

RGB 95 93 0

HSL 58.74, 1%, 0.19%

LAB 38.31, -9.32, 45.42

 

CMYK 1 / 0 / 81 / 35

HEX #A4A620

RGB 164 166 32

HSL 60.9, 0.68%, 0.39%

LAB 65.96, -15.86, 62.6

 

CMYK 0 / 20 / 81 / 35

HEX #A68420

RGB 166 132 32

HSL 44.78, 0.68%, 0.39%

LAB 56.8, 3.3, 54.57

 

CMYK 0 / 42 / 81 / 35

HEX #A66020

RGB 166 96 32

HSL 28.66, 0.68%, 0.39%

LAB 47.72, 23.57, 46.26

 

CMYK 0 / 64 / 81 / 35

HEX #A63C20

RGB 166 60 32

HSL 12.54, 0.68%, 0.39%

LAB 40.32, 42.26, 39.16

 

CMYK 0 / 81 / 81 / 35

HEX #A62020

RGB 166 32 32

HSL 0, 0.68%, 0.39%

LAB 36.45, 52.86, 35.3

 

CMYK 1 / 0 / 81 / 35

HEX #A4A620

RGB 164 166 32

HSL 60.9, 0.68%, 0.39%

LAB 65.96, -15.86, 62.6

 

CMYK 23 / 0 / 81 / 35

HEX #80A620

RGB 128 166 32

HSL 77.01, 0.68%, 0.39%

LAB 63.31, -31.21, 59.25

 

CMYK 45 / 0 / 81 / 35

HEX #5CA620

RGB 92 166 32

HSL 93.13, 0.68%, 0.39%

LAB 61.35, -44.64, 56.74

 

CMYK 66 / 0 / 81 / 35

HEX #38A620

RGB 56 166 32

HSL 109.25, 0.68%, 0.39%

LAB 60.08, -54.62, 55.1

 

CMYK 81 / 0 / 73 / 35

HEX #20A62D

RGB 32 166 45

HSL 125.82, 0.68%, 0.39%

LAB 59.68, -57.78, 50.1

 

CMYK 1 / 0 / 81 / 35

HEX #A4A620

RGB 164 166 32

HSL 60.9, 0.68%, 0.39%

LAB 65.96, -15.86, 62.6

 

CMYK 2 / 0 / 91 / 29

HEX #B3B610

RGB 179 182 16

HSL 61.08, 0.84%, 0.39%

LAB 71.61, -17.83, 71.16

 

CMYK 2 / 0 / 100 / 22

HEX #C3C600

RGB 195 198 0

HSL 60.91, 1%, 0.39%

LAB 77.28, -19.11, 77.81

 

CMYK 1 / 0 / 81 / 35

HEX #A4A620

RGB 164 166 32

HSL 60.9, 0.68%, 0.39%

LAB 65.96, -15.86, 62.6

 

CMYK 1 / 0 / 68 / 42

HEX #949530

RGB 148 149 48

HSL 60.59, 0.51%, 0.39%

LAB 59.89, -13.33, 50.87

 

CMYK 1 / 0 / 51 / 48

HEX #848541

RGB 132 133 65

HSL 60.88, 0.34%, 0.39%

LAB 54.09, -10.5, 36.17

 

CMYK 0 / 0 / 31 / 54

HEX #757551

RGB 117 117 81

HSL 60, 0.18%, 0.39%

LAB 48.38, -6.22, 19.92

 

CMYK 0 / 0 / 4 / 60

HEX #656561

RGB 101 101 97

HSL 60, 0.02%, 0.39%

LAB 42.67, -0.81, 2.26

 

CMYK 0 / 43 / 81 / 35

HEX #A65F20

RGB 166 95 32

HSL 28.21, 0.68%, 0.39%

LAB 47.49, 24.12, 46.04

 

CMYK 0 / 22 / 81 / 35

HEX #A68220

RGB 166 130 32

HSL 43.88, 0.68%, 0.39%

LAB 56.26, 4.41, 54.09

 

CMYK 0 / 0 / 81 / 35

HEX #A6A620

RGB 166 166 32

HSL 60, 0.68%, 0.39%

LAB 66.12, -14.98, 62.81

 

CMYK 22 / 0 / 81 / 35

HEX #82A620

RGB 130 166 32

HSL 76.12, 0.68%, 0.39%

LAB 63.44, -30.39, 59.42

 

CMYK 43 / 0 / 81 / 35

HEX #5FA620

RGB 95 166 32

HSL 91.79, 0.68%, 0.39%

LAB 61.49, -43.64, 56.91

 

CMYK 2 / 0 / 80 / 62

HEX #5F6113

RGB 95 97 19

HSL 61.54, 0.67%, 0.23%

LAB 39.63, -10.95, 40.91

 

CMYK 1 / 0 / 80 / 49

HEX #82831A

RGB 130 131 26

HSL 60.57, 0.67%, 0.31%

LAB 53.01, -12.95, 51.84

 

CMYK 1 / 0 / 81 / 35

HEX #A4A620

RGB 164 166 32

HSL 60.9, 0.68%, 0.39%

LAB 65.96, -15.86, 62.6

 

CMYK 1 / 0 / 81 / 22

HEX #C6C827

RGB 198 200 39

HSL 60.75, 0.67%, 0.47%

LAB 78.15, -18.11, 72.38

 

CMYK 1 / 0 / 71 / 15

HEX #D6D940

RGB 214 217 64

HSL 61.18, 0.67%, 0.55%

LAB 84.12, -18.79, 70.62

 

CMYK 1 / 0 / 80 / 35

HEX #A3A521

RGB 163 165 33

HSL 60.91, 0.67%, 0.39%

LAB 65.6, -15.75, 61.97

 

CMYK 81 / 0 / 64 / 35

HEX #20A63B

RGB 32 166 59

HSL 132.09, 0.68%, 0.39%

LAB 59.79, -56.37, 44.44

 

CMYK 33 / 81 / 0 / 35

HEX #7020A6

RGB 112 32 166

HSL 275.82, 0.68%, 0.39%

LAB 32.33, 56.26, -55.9

 

CMYK 1 / 0 / 80 / 35

HEX #A3A521

RGB 163 165 33

HSL 60.91, 0.67%, 0.39%

LAB 65.6, -15.75, 61.97

 

CMYK 81 / 0 / 0 / 35

HEX #20A6A6

RGB 32 166 166

HSL 180, 0.68%, 0.39%

LAB 61.94, -33.13, -9.83

 

CMYK 0 / 81 / 0 / 35

HEX #A620A6

RGB 166 32 166

HSL 300, 0.68%, 0.39%

LAB 41.05, 66.26, -41.4

 

CMYK 1 / 0 / 80 / 35

HEX #A3A521

RGB 163 165 33

HSL 60.91, 0.67%, 0.39%

LAB 65.6, -15.75, 61.97

 

CMYK 81 / 0 / 64 / 35

HEX #20A63B

RGB 32 166 59

HSL 132.09, 0.68%, 0.39%

LAB 59.79, -56.37, 44.44

 

CMYK 81 / 81 / 0 / 35

HEX #2020A6

RGB 32 32 166

HSL 240, 0.68%, 0.39%

LAB 23.98, 46.76, -69.94

 

CMYK 0 / 81 / 16 / 35

HEX #A6208B

RGB 166 32 139

HSL 312.09, 0.68%, 0.39%

LAB 39.59, 62.2, -27.36

 

CMYK 1 / 0 / 80 / 35

HEX #A3A521

RGB 163 165 33

HSL 60.91, 0.67%, 0.39%

LAB 65.6, -15.75, 61.97

 

CMYK 81 / 0 / 40 / 35

HEX #20A663

RGB 32 166 99

HSL 150, 0.68%, 0.39%

LAB 60.32, -50.13, 25.1

 

CMYK 81 / 81 / 0 / 35

HEX #2020A6

RGB 32 32 166

HSL 240, 0.68%, 0.39%

LAB 23.98, 46.76, -69.94

 

CMYK 0 / 81 / 40 / 35

HEX #A62063

RGB 166 32 99

HSL 330, 0.68%, 0.39%

LAB 37.92, 57.34, -4.93

 

Description

Color code: HEX #A3A521 | qconv.com Color code: HEX #A3A521 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 165 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 165 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 80 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 80% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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